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Omega - a 14ct gold pocket watch, 49mm diameter case, signed gilt dial, Arabic numerals and spear tip baton markers, subsidiary seconds, stem wind 16 jewel movement, serial no 6863182, Omega signed base metal dust cover, rear 14ct gold cover stamped OMEGA, 14K 585 Fab Suisse, Swiss Made, serial no 7606830, 56.9g gross
Maasai lion spear, leaf-shaped blade, rattan binding, short hardwood haft, overall length 118cm; a wire-bound knobkerrie, 68cm, and a tribal fishing spear, barbed shaft below a leaf shaped blade, wire-bound hardwood shaft with knopped end, 88cm; a hardwood knobkerrie/ walking stick, 90cm, two bamboo sticks, 87cm and 120cm, and a gun cleaning rod.Qty: 7
RUSKIN SPEAR, CBE, RA (1911-1990). PORTRAIT OF A BOY. (d) Signed and inscribed on a label verso, oil on canvas, slip frame 31 x 24.5cm. Provenance: Purchased from an exhibition by the vendor's grandfather, the artist Charles Archer (1904-1993), a friend of John Nash and Joanna Constantinidis. *CR Needs a light clean.
Fifty two mainly 1980s Post Punk / Indie LPs including Nirvana Never Mind, Oasis Definitely Maybe, Prince 1999, Human League The Dignity of Labour Parts 1-4 (with 7" flexi disc), Talking Heads, OMD, Spear of Destiny, INXS, Depeche Mode, Dexys Midnight Runners, Police, Pretenders, Pet Shop Boys, Spandau Ballet, Adam & The Ants, Toyah, George Michael, Duran Duran etc, together with 12" single New Order Blue Monday. Records generally appear VG+, some will grade higher or lower
600 LPs FROM THE BBC ARCHIVE (INC ROCK / POP / SOUL / FOLK / JAZZ / CLASSICAL AND MORE) - collection to include: The Police - Zenyatta Mondatta, Joni Mitchell - Court And Spark, Uriah Heep - Sweet Freedom - Wonderworld, Sam & Dave - The Best Of, Spear Of Destiny - World Of Service, Joni Mitchell - Mingus, Seventh Wave - Things To Come, Yes - 9012 Live - The Solos, Great White - Twice Shy, Gladys Knight & The Pips, Art Garfunkel, Karlheinz Stockhausen, Dr. Hook, Helen Reddy, Offenbach, Boney M, Manhattan Transfer, Marilyn Martin and more. Some sleeves have been 'laminated' either by way of 'punching' the plastic wallet to two parts of the sleeve or by fully wrapping the plastic to the sleeve and as such are generally graded as G+ to VG+. There will also be some records that are 'without sleeves' - in many cases, these are 'doubles' that will correspond to the LPs contained in the collection though can, in some other cases, be from box sets.
Two 18th century Chinese armorial dishes with arms of Way and Clifford, largest 35cm. Condition - both restored 9th image shows detail of restoration to larger plate (Way); same plate some surface wear; wear at red eagle; wear to gilding and repainting to spear-head border at restored area. Images 10 to 12 give further detail of edging to smaller plate, Clifford, which is 29.7cm diam; some repainting across the full-width restoration.
A GROUP OF MASAI MARA TRIBAL ITEMS to include a 'rungu' fighting stick (broken finial) length 48cm, a carved snuff box with beaded embellishments on a metal chain, a beaded and seed necklace, a beaded circular necklace with a leather and wire fastening, a throwing spear with iron spiked tip and 'leaf style' spearhead, remains of animal fur around the iron spike, (approximately 2.10m) (1 box and spear) (s.d, split to metal )
Splendid exclusive military issue figure of a woman and a man dressed in traditional combat attire and gear as they stand courageously. Figure is number 6481 out of a worldwide edition. Thomas Blackshear Ebony Visions backstamp. This item has its original box 12.75"L x 8.25"W x 18.5"H. Certificate of Authenticity included. Issued: 2004Dimensions: 9.5"L x 5"W x 16"HManufacturer: Willitts DesignsCountry of Origin: United StatesCondition: Age related wear. As is. Man's spear needs to be reglued to his hand. Woman's foot is cracked.
Assorted toys to include: Merit vintage 1955 Space Patrol Walkie Talkie, finished in red and black with pictorial background (some tears to box and background, creases); Spear`s Games Mousie-Mousie, boxed (unchecked); Waddingtons Bombshell, boxed, vintage large brown Teddy Bear (well loved and worn); a vintage red plastic and tin friction mechanism fire truck and a blue police car, similar, both stamped Foreign, collection of vintage die cast and plastic early 20th Century model cars and boxed together with tin plate floral and rotary accessories (1 box)
A BOX OF MOSTLY AFRICAN TREEN to include six napkin rings with sculpted elephants and gazelles, three ornamental wooden spears, comprising two with carved faces, and a carved tipped spear, a wooden serrated knife with a bust to the top, four small hand carved busts, six lacquered egg cups, a carved bust of an older gentleman, a quantity of bowls, and two barley twist wooden candlesticks, etc (1 box) (s.d)
Watercolour, ink and pigment on silk. It shows the image of Marshal Ma, also known as ‘Great Emperor Huaguan’ or ‘Heavenly King Huaguang’, one of the four Taoist protectors. He is depicted as a flying celestial hero, wearing elaborate robes of vibrant colours and elaborate decorations, and holding an elongated spear in his hands. His expression is serene, with a rounded head, hair tied back, lips in a slight smile and three slanted eyes, the third of which is known as the ‘Eye of Enlightenment’. Later copy, the original was painted during the Ming dynasty. Size: 138.5 x 68 cm
A 19th Century 1816 pattern French Foot Artillery side arm. Gladius type sword with a brass ribbed hilt, cross guard with circular pattern quillons and wide spear pointed blade. The remains of French makers mark stamped to the ricasso. Measures approx 64cm. If this lot is required to be posted please see sale notes regarding age verification.
Brightly colored stirs to identify or enhance drink presentation. Lot includes 2 strawberries (8.5"L), 3 small spoon stirs (7.25"L), 3 clear animal - aquatic stirs (7.25"L), 5 green spear spoon stirs (7.5"L), and 6 red spoon stirs (7.75"L). Largest pieces 8.5"L x 0.75"W. Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
8 beige plates with a green rim featuring a night watchman in a blue overcoat, hat, and spear in various poses. 7 plates measuring 1"H x 9.5"dia. and 1 plate measuring 1"H x 10.5"dia. Royal Doulton backstamps. Issued: 20th centuryDimensions: See DescriptionManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
GIOVACCHINO BELLI - ACT. 1788-1822, Cross-reliquary of Santo Lenho with Pietà, cross in gilt bronze and black patina, metal applications, 889/1000 silver halo and friezes en relief depicting scenes from the Passion of Christ, Rome (1815-1822), missing the lower part of the spear, missing the relic and the glass that would cover its receptacle, minor faults to the gilt, other minor defects, mark of the Reverend Apostolic Chamber Nº 168 (pontifical tiara and crossed keys) for objects of medium size and with fine silver of 10 ounces and 16 coins (889/1000), in use between 1815 and 1870 (BULGARI 1958, BULGARI CALISSONI 1987 ), goldsmith's mark No. 242 (the initials G and B within a rhombus) by Giovacchino Belli (act. 1788-1822), without Portuguese marks pursuant to Decreto-Lei No. 120/2017, of 15 September, art. 2, no. 2, subparagraph c). Notes: It is a monumental staurotheca, a reliquary-cross of the Holy Cross, perfectly suited to the neoclassical taste that dominated the Roman panorama in the early years of the 18th century. Composed of a plinth, with a rectangular section, a base, with an oval section, on which the figure of the Pietà rests, the piece naturally gives prominence to the cross (in an obvious allusion to the provenance of the relic), which is also assumed to be the centre of the iconographic program, relating, as would be expected, to the Passion of Christ. This develops in a continuous narrative, in the band that runs through the oval section element, in the three medallions on the plinth (with an obvious classical appearance) and also in the three tondi visible at the top of the arms of the cross. The theme of Passion is further emphasized by the presence of the spear and the stick with the sponge soaked in vinegar, disposed in X. The Passion theme is further emphasized by the presence of the spear and the stick with the sponge soaked in vinegar, arranged in a quote. At the intersection of the two arms of the cross, the receptacle that originally contained the relic of Saint Lenho can be identified. At the base of the cross, where the skull usually appears, in reference to Mount Golgotha, where the Crucifixion of Christ took place, the three-dimensional presence of the Pietà, according to Michelangelo's sculptural model, invited the faithful, when venerating the relic, to reflect preferably on Piety, personified in the figure of the Virgin with her dead son in her arms. Giovacchino Belli was, since the last decade of the 18th century, the representative of a family that owned an important silversmith workshop operating in Rome since his father, Vicenzo Belli (1710-1777), from his native Turin, had established himself in the pontifical city. (c. 1741). In Rome, Vincenzo Belli was the patriarch of a family that counted successive generations of silversmiths, whose workshop remained in full operation during the 18th and 19th centuries. The son, Giovacchino (or Gioacchino, 1756-1822), author of this staurotheque, who submitted himself to the necessary exam with a view to confirming the paternal patent, succeeded in managing the workshop, which, at the time of Vincenzo's death, had approximately twenty workers. Giovacchino was succeeded by his son Pietro (1780-1828), and then by his grandchildren Vincenzo (activ. 1828-1859) and Antonio (activ. 1860-1867), ensuring continuous activity of the old family workshop until at least 1867 (BULGARI 1958, BULGARI CALISSONI 1987, VALE 2019) Among the Belli clientele are some of the most important families of the Roman aristocracy of the 17th and 18th centuries – as the Colonna, Barberini and Odescalchi – and naturally also numerous ecclesiastics, members of the Curia Pontifical. Among the Belli's illustrious clientele, it is worth mentioning the King of Portugal D. João V (1689-1750), for whom Vincenzo created a magnificent set of ewer and basin, in the context of the silver collection in the chapel of S. João Baptista (Museu de São Roque, Lisbon, inv. MPr27 and MPr28) (VALE 2016). The present reliquary of thee Holy Cross, integrating the figuration of the Pietà, is considered a work of particular interest, perfectly suited to the neoclassical taste of the time, but continuing the relevance of the sculptural component, which characterizes Roman silver from the 18th century. This is certainly not unrelated to the fact that its author was trained in an environment in which the importance of sculpture, within the scope of goldsmithing, was highly recognized. From a compositional point of view, the piece is constructed with the cross at its center, as occurs in this type of object, which particularly became widespread in Europe following the crusades and the consequent arrival of several relics of the Holy Cross. Some particularly exquisite examples date back to the early 1800s, made in the Roman environment, which clearly influenced this staurotheque, namely the cross-reliquary (dated 1803), coming from another important family workshop, then under the direction of Giuseppe Valadier ( 1762-1839), which is preserved in the Basilica of Santa Croce in Gerusalemme in Rome. Teresa Leonor Vale Lisboa, 21-11-2024 BIBLIOGRAFIA BULGARI 1958 BULGARI, Costantino - Argentieri, Gemmari e Orafi d’Italia. Vol. I, Roma: Lorenzo del Turco, 1958 BULGARI CALISSONI 1987 BULGARI CALISSONI, Anna - Argentieri, Gemmari e Orafi di Roma. Roma: Fratelli Palombi Editori, 1987 VALE 2016 VALE, Teresa Leonor M. - Ourivesaria Barroca Italiana em Portugal: presença e influência. Lisboa: Scribe, 2016, pp. 157-158, 611 VALE 2019 VALE, Teresa Leonor M. - “Vincenzo Belli (1710-1787): percurso de um ourives: um turinês em Roma que trabalhou para Lisboa”, in MOTA, Isabel Ferreira da, SPANTIGATI, Carla Enrica (coord.) - “Tanto Ella Assume Novitate al Fianco”. Lisboa, Turim e o intercâmbio cultural do século das luzes à Europa pós-napoleónica. Coimbra: Imprensa da Universidade de Coimbra, 2019, pp. 189-221. Cabral Moncada Leilões would like to thank Doctor Teresa Leonor Vale for studying the work and preparing this text., Dim. - (total) 69,5 cm

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19139 item(s)/page