We found 18785 price guide item(s) matching your search

A vanity set to include alarm clock, candle stick, glass bottles with silver plated tops and brushes, in a leather caseClock:with minor vertical dry splits, dial stained centre left, bad dent to the silver rim at 11 o'clockmechanism quite loose, cack plate very worn, stamped to the underside 'ebony 137' see images

A stained glass panel of the Madonna, 29.5 x 23cm

RENÉ LALIQUE (FRENCH, 1860-1945) 'DAHLIAS' PLAFONNIER; DESIGNED 1921; PRE 1945 Sepia-stained glass Wheel-cut signature 'R LALIQUE FRANCE' 30.5cm diameterLiterature: Félix Marcilhac, René Lalique 1860-1945: Maître-Verrier Analyse de L'Œuvre et Catalogue Raisonné, Les editions de l'Amateur, Paris, 1989, cat no. 3210 Condition Report: Presents well, in overall good condition. Three air bubbles in the making. Various mould lines again in the making. A few nibbles at the edge, to an inch of the internal edge (lightly polished), another rim area polished (likely in the making/finish) and a tiny nick just outside the edge rim. One mould line has a small area of pinpoint chipping/nibbles. Do see additional images provided.Condition Report Disclaimer

RENÉ LALIQUE (FRENCH, 1860-1945) 'GUI' VASE; DESIGNED 1920; PRE 1945 Opalescent and sepia stained glass Signed 'R. Lalique France' 17cm highLiterature: Félix Marcilhac, René Lalique 1860-1945: Maître-Verrier Analyse de L'Œuvre et Catalogue Raisonné, Les editions de l'Amateur, Paris, 1989, cat no. 948 Condition Report: Cased and strong hued opalescence. The base rim with four pinpoint nicks at the edge. One nick is 1mm and has internal fissures/bruising from it, to the foot - an area approximately 2cm by 0.5cm. Stable and out of view when vase is placed on a table. There is a pinpoint surface nick to the shoulder, otherwise the rest of the body and neck rim is clean and in good condition. Condition Report Disclaimer

RENÉ LALIQUE (FRENCH, 1860-1945) 'PISSENLIT BOWL'; DESIGNED 1921; PRE 1945 Clear and sepia-stained glass Signed 'R. Lalique France' 8cm high, 24cm diameterLiterature: Félix Marcilhac, René Lalique 1860-1945: Maître-Verrier Analyse de L'Œuvre et Catalogue Raisonné, Les editions de l'Amateur, Paris, 1989, cat no. 3215 

RENÉ LALIQUE (FRENCH, 1860-1945) SIX 'HESPERIDES NO.2' TUMBLERS; DESIGNED 1931; PRE 1945 Sepia-stained frosted and clear glass Each signed 'R. LALIQUE' 10.5cm highLiterature: Félix Marcilhac, René Lalique 1860-1945: Maître-Verrier Analyse de L'Œuvre et Catalogue Raisonné, Les editions de l'Amateur, Paris, 1989, cat no. 3417 Condition Report: Marks and scratches consistent with age and use. 1cm scratch to inside of one tumbler. There are slight differences in height and thickness of the rims suggesting some have been slightly polished likely in the making/finishing. Please see additional images. Condition Report Disclaimer

Small collection of ceramic figurines - Doulton, Lladro, Beswick Wade whimsies - and a small stained glass panel, oval, the central panel painted with a couple in a country landscape, 34x28cm.

Stained wood mantel clock, pagoda hood, arched gilt dial with silvered chapter ring, movement striking on five gongs, height 52cm.Condition report:Minor heat damage to top. Glass loose in door as top pieces of wooden support missing. Minor discolouration and lines to dial. Scratches and small hole to front. Scratches and minor discolouration to sides. Pendulum and key present. Please see additional uploaded images.

A Chinese reverse painted glass portrait of a young lady and her cat - first half 20th century, seated in an interior, with mountains distant, 51 x 32cm, in a dark stained wooden frame.

A Tiffany style Art Deco stained glass candle reading lamp - with adjustable shade and bronzed metal base, 26cm high.

Broadland Stained Glass Small Longcase Clock, with battery movement, 77.5cm tall.

A Victorian stained pine farmhouse kitchen dresser, the base having three frieze drawers over open cupboard flanked by two graduated drawers, with glass knob handles, with later plate rack above, raised on turned supports, W136, D46, H207cm.

A Shapland & Petter oak cabinet, the top with two stained glass leaded doors, the base with two cupboard doors, 112 cm wide

A Tiffany style lamp the faux stained-glass shade on bronzed base,43.5cm wide62cm highProvenance: The property of a collector, Knebworth, Hertfordshire Condition ReportGood condition with no visible restoration cracks or breaks

A Tiffany style table lamp the faux stained-glass shade raised on bronze figural column64cm wide65cm highProvenance: The property of a collector, Knebworth, Hertfordshire Condition ReportGood condition with no visible restoration cracks or breaksPAT test - Passed

A leaded stained glass panel, possibly 18th century, Continental, the coloured glass depicting a crested shield above an inscription, mounted in a lightbox,62cm wide52 high (sight)Condition ReportThe glass panel slightly bowed, and with evidence of cracks and damages. Calcified residue present around the leaded elements. The box not tested.

A stained glass panel, 18th/19th century, depicting a lady at a loom with a man beside, above an inscription,20.5 x 17.7cmProvenance: The David and Sarah Battie Collection.Condition ReportTwo side panels damaged.

A late Victorian stained glass hanging lantern

A PAIR OF VINTAGE LEADED AND STAINED GLASS WINDOW PANELS WITH HAND PAINTED DETAIL, NO CRACKS OR DAMAGE TO THE GLASS

A group of ten vintage leaded stained glass window panels, two timber framed, largest 53 x 42cm.

A pair of vintage stained glass casement window panels, 68 x 56cm.

Two leaded stained glass shades and another similar (3).

A faux bamboo cast iron and stained glass heater AF

watercolour on paper, signed mounted, framed and under glass image size 49cm x 70cm, overall size 85cm x 105cm Notes: Peter Goodfellow's paintings rarely appear at auction and his UK auction record price was achieved in The Scottish Contemporary Art Auction 26th February 2017 when lot 15 BUACHAILLE ETIVE MOR sold for £2800 (hammer). A notable (2000/02) commission by the Hon Phillip Astor to design and paint a series of 24 artworks and three stained glass windows for a private chapel in Migvie, (Tillypronie Estate) Aberdeenshire. Public and corporate collections include: Victoria & Albert Museum, Saatchi & Saatchi, Whitbread, Penguin Books, Baxter’s Foods, William Collins & Sons, Scandutch (Denmark), IC, National Savings, British Telecom, Quantas Airlines, Scania Motors (Sweden), Grisewood & Dempsey Publishers, Bergsoe 3 (Denmark), Peter Justenson (Denmark), Cidel Bank (Luxembourg), Intergrated Engineering Services (Aberdeen), The BBC, Duncan & Todd (Aberdeen) and CBC (Copenhagen).

After Alan Stones (British b.1947) eye catching monochrome print, Ravens, without signature, bearing artists label verso, within a card mount and slender stained wood frame, under glass 19cm x 14cm & 34.5cm x 27.5cm overall.

Local interest* After Fergus Noone (Irish contemporary) monochrome photographic print 'Morning Calm at Ullswater The Lake District Cumbria' signed and entitled in pencil to broad card mount, within a slender black stained frame, under glass 20cm x 28cm & 42.5cm x 52.5cm overall.

Stained glass window framed 58cm x 92cm

Two stained glass shades decorated with fruit and leaves, larger 26cm (2)

Early 20th century stained oak carved hall stand, with lion's head mask decoration above bevelled mirrored glass plate, with hanging pegs and bar above twin umbrella / stick stands, 215cm high

Twenty-five Art Nouveau and Art Deco stained glass windows and panes

Thirteen Art Nouveau stained glass windows/panes

Seven Art Nouveau stained glass windows

A large collection of bead necklaces to include, a stained wood button necklace: l. x 68cm, a elephant paste set pendant on gilt metal chain necklace: l. x 39cm a turquoise glass bead necklace: l. x 20cm etc(a lot)

A large Tiffany style stained glass lamp With floral design and four lion paw feet Property of a nobleman Dimensions: 31.5 in. (H) x 21 in. (W)

SELECTION OF MID-CENTURY FURNITURE comprising teak and glass coffee table, probably G Plan, 40 (h) x 119 (w) x 50cms (d), Remploy trolley table and mini room divider/bookcase (3)Provenance: consigned via West WalesComments: coffee table frame stained/bleached and loose, glass with chip to corner, other items stained, divider with loose rod, inspection advised

NSM - Consul 120 - a retro 1970s stained wood cased jukebox record player. The compact phonograph in the antique style with panel fronted doors with crest detailing having a decoative glass panel atop. Sold as untested.Measures approx. 83cm x 102cm x 51cm.

KAREL SVOLINSKY (1896-1986) | AUTOGRAPH LETTER (CZECH/ BOHEMIAN) | 1945 | profession: Painter | country: Czechia | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten letter with signature | Lot information | Handwritten letter by renowned Czech painter, graphic artist, and illustrator Karel Svolinsky, dated August 9, 1945. The letter is addressed to a recipient, most likely a doctor, to whom Svolinsky apologizes for his absence from a planned meeting due to urgent obligations in Prague. The text is written in ink on paper, characterized by the delicate and distinctive handwriting of the artist.Karel Svolinsky was a significant figure in 20th-century Czech visual arts. His work encompassed designs for postage stamps, book illustrations, and monumental projects, including stained glass windows in St. Vitus Cathedral.

An Edwardian mahogany hat and coat or hall stand with stained glass inset panels, 110cm wide including hooks

Stained glass antique panel / window - 113.5cm x 35cm and slight a/f

Antique pair of KPM lithophane panels with impressed mark to the corners, in blue and red stained glass frames 24cm x 15.5cm - 1 frame has a missing corner piece and a cracked panel to the frame the other has a cracked corner panel ~ SOLD IN AID OF STALBRIDGE COMMUNITY CHARITY

Rene Lalique (French, 1860-1945), an Albert pattern vase, Number 958 and designed 1927, smoky glass with twin falcon heads as handles, white stained wheel-engraved R. LALIQUE FRANCE' to the base, 17.2 cm high.Some light scratches visible to the body, no chips or cracks. Sticky pads have been applied to the feet.

Rene Lalique (French, 1860-1945), a Gobelet Six Figurines pattern shot glass, with stained relief decorated figural panels, etched 'R Lalique France' to the base, 9.5 cm high.No chips, cracks or damage. Sticky pads have been applied to the base.

A Lalique 'Ricquewihr' vase in the Art Deco style with stained glass bands, postwar, after the original design by Rene Lalique, 12.5 cm high, together with a Lalique Hirondelles Serre bookend, modelled as a swallow, 16 cm high, and Lalique marked bottle for Glenturret Triple Wood Malt Whisky (lacking contents), 25.5 cm with stopper.Qty: 3

Rene Lalique (French, 1860-1945), a Druides pattern opalescent glass vase, Number 937, designed 1924, of blue stained bulbous form designed with leaves and berries, Marked, R Lalique to base, 17.7 cm high.No apparent damage or repair. Stick pads have been applied to the base

Rene Lalique (French, 1860-1945), an Epis glass vase, designed 1931, of trumpet form in blue stained glass, acid 'R Lalique France' mark, 16.5 cm high.No apparent damage or repair. Sticky pads have been applied to the base

Rene Lalique (French, 1860-1945), a Malines pattern glass vase, model 957, circa 1924, of lobed leaf form, frosted and blue stained, etched 'R. Lalique France' to base, 12.5 cm high.No apparent damage or repair. Sticky pads have been applied to the base

Rene Lalique (French, 1860-1945), a Formose pattern cased opalescent glass vase, of ovoid form with relief fish decoration, model 934, designed circa 1924, frosted and grey stained, etched 'R Lalique France' to base, 17.5 cm high.No apparent damage, sticky pads have been applied to the base

A Rene Lalique Chypre or Lezard Perfume Bottle for Coty, 18.5 cm, circa 1912, of shaped form with frosted glass and stopper, etched marks to base, 23.5 cm high, together with a further Coty eau de toilette bottle, of square form with stained stopper, etched 'R Lalique France' to the base, 17.5 cm high.Qty: 2

Sarah Henrietta Purser (b.1848-1943), "Alice Mary Barrow", oil on canvas, painted circa early 1889, half-length portrait of a lady holding a posy, seated and dressed in black with a high collar, 53x72cm, 92x76cm (inclusive of frame) framed, unglazed. The portraits (including lot 406) are of family descent, with the works always being held within the family possession. Alice Simpson nee Barrow is the great grandmother of the vendor and first cousin to Sarah Purser.Alice's unpublished memoirs say this portrait was painted when she was twenty-one by SHP and Anna Nordgren. No reason for collaboration emerges, nor can the parts which each painted be distinguished.Listed in John O'Grady's biography / catalogue on Purser page 204/205.Accompanying the work is a collection of letters wriitten by Purser to Simpson. Both contacted and collaborated on several projects together, and this is presented in a small sample of ephemera in relation to the stained glass and mosaic work of Purser in Dublin with letters of correspondance from Johh O'Grady, University College Dublin.

A collection of hand-painted Crummles, and Staffordshire, Pill boxes, inc. Cupid design, stained glass window, foal, Big Ben, floral, anniversary, etc, qty, approximately 30, each boxed.

A collection of hand-painted Crummles, and Staffordshire, pill boxes, inc. Coryopsis, Royal Scot Train, Harlequin, Stained glass pattern, etc, each boxed, approx. 16; and a quantity of Royal collection bone china, ‘Buckingham palace’ design trinket boxes.

An Edwardian brass and stained glass hall lantern, of rectangular form, with quatrefoil pierced brass frame, each side with lozenge-centred lead divided panels29cm high excluding hanging chain

Box containing walking stick, stained glass, barometer and more

A double stained and leaded glass window.

Y A WILLIAM IV BOULLE MANTEL TIMEPIECE IN THE LOUIS XV TASTEPAYNE, LONDON, CIRCA 1830The circular four columnar pillar single chain fusee movement with anchor escapement regulated by lenticular bob pendulum, the twenty-five piece white enamel cartouche dial with convex centre inscribed Payne, 163 NEW BOND STREET, LONDON within chapter ring with enamel Roman hour numerals within rococo borders and conforming Arabic five minutes to the repeating rosette decorated outer track, with blued steel moon hands set behind hinged convex glazed cast brass bezel, the engraved foliate scroll cut glass and red stained shell veneered case with generous acanthus scroll surmount to the ogee-shaped upstand applied with conforming scroll mounts to angles, over generous shaped crest and panel decorated with delicate symmetrical scrollwork beneath the dial flanked by leafy shouldered mounts to front angles, the scroll-outline sides further inlaid with scrolling foliage and the rear veneered in kingwood incorporating a shaped door, on generous rococo scroll cast feet with leafy apron to front between.47.5cm (18.75ins) high, 26cm (10.25ins) wide, 16.5cm (6.5ins) deep. William Payne first worked from 62 South Moulton Street, London from 1816. By 1825 he had moved to 163 New Bond Street with the firm becoming William Payne & Company at that address in 1852. Condition Report: Movement is in relatively clean working condition although a precautionary gentle clean/service is advised. The mechanism appears free form visible alteration or noticeable replacements between the plates. The pendulum is not original and the evidence in the backplate (spare threaded hole to eh lower margin) suggests that a holdfast clamp was fitted at some point. The movement securing brackets are each lacking one (out of two) screws, and the fusee pivot has noticeable bush inserted within the backplate. The dial centre has some slight chipping around the winding hole as well as some slight scratching to the central ena,el roundel. The 'X' hour cartouche has an enamel chip to lower right hand margin and the '60' minute panel has a very small chip to the left hand edge otherwise enamel appears free form visible damage. The bezel glass is presently loose hence requires fitting (snapping into place?), the bezel itself is rubbed and generally discoloured/tarnished in appearance compared to the case mounts. The case is generally in fine condition with no noticeable losses to the brass marquetry and only slight localised fill repairs to the shell veneers to the right- hand side otherwise faults to the veneers are very much limited to minor movement and age-related blemishes. The mounts are nicely finished and retain their gilding with only very light wear/discolouration. The rear is in good condition with only a very small bruise to the edge of the door evident.Timepiece has a pendulum but no winding key. Condition Report Disclaimer

Daphne Constance Allen, British 1899-1985 - Cassone Decorated with Three Panels: Visited by Angels; Gathering Spring Flowers; Among Children; three oils on panel affixed onto a wooden cassone, central panel signed lower right 'Daphne Allen', left panel: 29 x 35.9 cm, central panel: right panel: 29 x 72.3 cm, 29 x 35.9 cm chest: H65 x W141 x D59 cm (ARR) Note: Daphne Allen was the daughter of Hugh Allen, and possibly the granddaughter of Ruskin’s publisher George Allen. She was educated at Streatham College for Girls, and continued to live in that area of South London into adulthood. While still a child, Allen produced watercolours inspired by the New Testament, which were published in 1912 by George Allen as 'A Child’s Visions'. In the same year, they were exhibited as ‘A Child’s Visions and Fancies’ at the Dudley Galleries. In 1913, a second group was published as 'The Birth of the Opal. A Child’s Fancies', and again exhibited at the Dudley Galleries. Through her teens, Allen illustrated volumes by other authors for Headley Brothers: John Oxenham’s 'The Cradle of Our Lord, 1916', 'A Garden of Love from Herrick & the Other Poets of the 17th Century, 1917', and Janet Dykes and Christine Standing’s 'The Man Who Chose Poverty – The Story of St Francis, 1917'. She also exhibited alongside Annie French and others at the Burlington Gallery in December 1919. Later exhibitions include one of ‘landscapes and imaginative watercolours’ at B F Stevens & Brown (1928) and another of paintings at the Little Burlington Gallery (1937). Her further activities included painting memorials (including one for Christ Church, Newcastle, New South Wales), designing stained glass (for Scotby Church, Northumberland), and producing drawings for the 'Illustrated London News' (at least until the end of 1952). 

Louis Davis (English, 1860 - 1941) 'Fear of the Lord' and 'Wisdom' Signed with monogram, two watercolour sketches for stained glass, two panels, 15cm x 6cm. Prov: Bourne Gallery 1986.

A mythological stained-glass roundel, 19th century, Continental, of oval form, depicting Dionysus within a vineyard,20 x 26cm, mounted in a lead frameCondition ReportThe panel overall slightly warped, the edges calcified, minor scratches and scuffs to the glass, the lead frame scuffed.

A leaded stained glass lantern, an oil lamp, a corner wall bracket, a papier mache crumb scoop and a metal figure of a terrier.

A 20th century Danish blond oak side cabinet with stained leaded glass doors, 107 cm x 46 cm x 121 cm