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A stained glass window pane

Two stained glass lanterns in blue, green and red, with pierced detail top and bottom, height 34cm.

2 stained glass panels - Each 71cm x 47cm

A circa 1780s lozenge shaped two division tea caddy, with silk embroidered panels depicting floral cornucopia urns, length 19cm (af).Additional InformationOne glass panel to lid is broken, the silk panels are heavily stained, damaged and there is replacement hinge, one wooden replacement edge.

An early 20th century oak bureau bookcase with leaded stained glass upper section above a fall front and three long drawers, width 90cm.

2 LEADED STAINED GLASS WINDOWS NA

An antique style Tiffany type table lamp with naturalistic column base having stained and leaded glass Art Nouveau shade together with an art metal Tiffany lamp having conical shades

A set of four early 20th Century Edwardian stained glass windows having lead lined glass panels with central coloured glass decoration. Set within their frames. Largest measures 53cms x 46cms. 

A Victorian brass framed and stained glass folding triptych fire guard, the leaded stained glass panels with central flower head design, the brass frame with wrought copper handles, on turned, knopped feet, 32 3/8"h

Various books on architecture etc., mainly hardback to include Flowering of The Middle Ages, Stained Glass, Strong The Artist and The Garden, The History of The Gothic Revival, Salzman Building In England, Robert Smythson and The Elizabethan Country House, The English Park, etc. (2 shelves)

Two early carved oak panels , together with a stained glass panel (3)

Silver and stained glass pendant by Lee Appleby.

A Victorian stained glass and leaded panel in shades of blue, red and clear glass, 44 x 29cm

PICTURE OF A LEOPARD BY STEPHEN GAYFORD, TOGETHER WITH A MODERN STAINED GLASS PANEL, AND A REPRODUCTION "THE BROADS" FRAMED POSTER

Original vintage travel advertising poster printed for the Office of French Tourism and featuring an interpretive rendering of lithograph executed by Charles Sorlier, from a detail of the preliminary sketch of the ceiling of the Paris Opera by Marc Chagall. This fragment is a tribute to Berlioz for Romeo and Juliet which also includes pictures of the Place de la Concorde and the Arc de Triomphe. Marc Zakharovich Chagall (/??????l/ sh?-GAHL;[3][nb 1] born Moishe Zakharovich Shagal;[4] 6 July [O.S. 24 June] 1887 – 28 March 1985) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in virtually every artistic format, including painting, book illustrations, stained glass, stage sets, ceramic, tapestries and fine art prints. Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists". For decades, he "had also been respected as the world's pre-eminent Jewish artist". Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the UN and the Art Institute of Chicago, and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opéra. Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern European Jewish folk culture. He spent the wartime years in Soviet Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Poor condition, poster was cut on sides, paper losses and tears in margins, reinforced with water soluble brown tape on reverse. Country: France, year of printing: 1964, designer: Marc Chagall, size (cm): 63.5x78 (Horizontal)

A pair of modern Tiffany style stained glass & lead glazed table lamps and a matching centre lightshade

AN ART NOUVEAU STAINED GLASS FIRE SCREEN WITH FLOWER DESIGN PANEL IN AN OAK FRAMEWORK (AF)

A 20th century small circular stained glass window depicting Jesus, 34cm wide.

A Venetian landscape, oil on canvas, three mirrors, stained glass window pane and three prints, a/f

Twelve stained glass windows

Seven stained glass windows and a leaded glass window

Six stained glass windows

Four 19th Century Chinese paper paintings with finely detailed depictions of a courier and anattendant before a large screen, 29cm x 20cm and a seated scribe and assistant working at a long table, the boy grinding pigment, 24 x 19.5cm, a women reading 28 x 18cm and a courtier drinking tea, 25 x 18.5cm (4) Condition Report:All frames are scuffed and worn.Figure seated infront of large screen: glass cracked, stained top right and some foxing. Small crack to paper at the bottom centre, long crack to the edge on screen, 7cmFemale figure:Fairly good condition, square damage at the floor under the table, 5mm x 5mm.Man attendant: Large crack top to bottom through the figure. Large missing area top left and along the crack, backed with paper.Two figures at a table: Paper torn and repaired above hat, may just be folded, replced area - triangle 1.5cm x 1.5cm. Crack from shoe top to below the sole and another small crack on bottom edge 3cm and below front left table leg 2cm. 

Victoria stained glass window panel Condition reports are not available for this sale.

2 LEADED STAINED GLASS WINDOWS NA

Arthur Rackham (1867-1939), scarce colour print signed by the artist in bold black ink to lower margin, together with an autograph letter describing this as the greatest printed example of his own work. The letter, entirely handwritten in black ink, is on headed paper (Houghton House, Arundel), dated 21 August 1927, and is addressed to 'Mr Willford' [a stained glass artist]. Rackham thanks Willford for some photographs and discusses the problem of colour reproduction before going on to describe his satisfaction with the enclosed print and his usual tactics for ensuring quality control, 'I can quite see how the camera has played the deuce with colour values - it always does. The print I am sending in exchange is a very good specimen of 3 colour reproduction of an original that, of its kind, I think is as good as I have done. The reproducers, I may say, do not love me at all. For I think my work undoubtedly asks for their utmost skill & care. But I have always aimed at supplying drawings, not such as can safely be given to the office boy to produce an effective result from (effective - from an uncritical point of view), but rather such as avoid the worst qualities of the process: I therefore give the reproducers a chance to show themselves at their best. I fear their work is now so commercialised that they hardly appreciate this.' The letter is signed boldly, 'Arthur Rackham'. The print is good, clean and bright, measuring 18.5cm by 14cm, lightly tipped to its original card, presented in modern frame. The letter, two pages handwritten (both sides of one leaf), measuring 17.5cm by 11cm, good condition (2)Provenance: The recipient of the letter/print, Mr Willford, was the vendor's grandfather

A contemporary skeleton mantel clock, the glass dial with silvered chapter ring and Roman numerals denoting hours, brass movement, housed in a stained and veneered dome case with simulated inlay and raised on brass bun feet, 30cm tall

Gerald Rickards (British 20th Century 1931-2006), Pavillion Building Mesnes Park Wigan, oil on canvas, 71cm x 92cm, canvas re-used, abstract scene verso, unsigned, unframed. Gerald Rickards was one of Wigan?s most distinctive and best-loved artists, specialising in depicting buildings in his own distinctive style, from small private houses to large country houses. Meticulous attention to details was an important feature in all his work. Paintings ranged from semi-abstract oils, small watercolour studies, reinforced with line, to larger watercolour/gouache compositions, murals and stained-glass design. Born in Aspull, he lived in Billinge near Winstanley College (previously Up Holland Grammar School) where he was Head of Art for 26 years. He was the first Artist in Residence at Drumcroon Education Art Centre. Following early retirement, he devoted all his time to painting from 1985 until his death in 2006. He was a student at Wigan School of Art and Liverpool College of Art followed by a post graduate fellowship at Edinburgh College of Art where he was the prize winner for the most distinguished work of college year. A travelling scholarship to study mural painting in Europe followed in addition to work on the Diaghilev Exhibition for Edinburgh Festival and the Sunday Observer in London. Early work (1960-1975) featured semi-abstract oils, linear patterns adapted from plans of large buildings and some religious motifs. The latter part of the 1970?s featured subjects which were easier to recognise including mythological creatures and birds depicted in a decorative two- dimensional manner with lots of detail in linear backgrounds. Later works featured parts of buildings, with special attention given to detail, and the relationship between façade and background. The traditional approach to perspective was avoided and subjects were often repeated with variations of colour and arrangement. He held over two dozen exhibitions at galleries in the North West, Midlands, Cambridge, London, Salisbury & Norwich Cathedrals. All had a particular theme ? National Trust properties, churches, cathedrals, waterside buildings, Oxbridge colleges, Thomas Hardy etc. Large scale works include the 37-foot Charter Mural in the History Shop, Wigan and a floor to ceiling panel at Holgate School, Orrell. Other murals included Scottish Scout Headquarters, Manchester Airport, Nantwich Post Office and Warwickshire College (open competition winner in the last two). Also, a ten-section painting for Newnham College at Cambridge, a collection featuring all the buildings in the Close at Salisbury and seven section painting of Rufford Old Hall. He submitted the winning design for the 25-foot square Preston Guild window, designed and painted the 15-foot high Queen?s Hall window in central Wigan, a window at Ince St Mary?s and a 3-setion stained glass project for Christ Church, Aughton. His work was purchased by several educational establishments, local authorities, British Waterways, National Trust, Newnham College, Blackpool Gazette, English Schools Athletics Association and for private collections in many European countries, America and Australasia. Prints were produced from several of the ongoing series, featuring national and local subjects, plus a triptych commemorating the last rugby match at Central Park. Provenance - sold on behalf of the Rickards estate.

Gerald Rickards (British 20th Century 1931-2006), "Ellesmere Memorial Walkden", oil on board, 56cm x 74cm, unsigned, unframed.Gerald Rickards was one of Wigan?s most distinctive and best-loved artists, specialising indepicting buildings in his own distinctive style, from small private houses to large country houses.Meticulous attention to details was an important feature in all his work. Paintings ranged fromsemi-abstract oils, small watercolour studies, reinforced with line, to larger watercolour/gouachecompositions, murals and stained-glass design.Born in Aspull, he lived in Billinge near Winstanley College (previously Up Holland GrammarSchool) where he was Head of Art for 26 years. He was the first Artist in Residence at DrumcroonEducation Art Centre. Following early retirement, he devoted all his time to painting from 1985until his death in 2006.He was a student at Wigan School of Art and Liverpool College of Art followed by a post graduatefellowship at Edinburgh College of Art where he was the prize winner for the most distinguishedwork of college year. A travelling scholarship to study mural painting in Europe followed inaddition to work on the Diaghilev Exhibition for Edinburgh Festival and the Sunday Observer inLondon.Early work (1960-1975) featured semi-abstract oils, linear patterns adapted from plans of largebuildings and some religious motifs. The latter part of the 1970?s featured subjects which wereeasier to recognise including mythological creatures and birds depicted in a decorative two-dimensional manner with lots of detail in linear backgrounds. Later works featured parts ofbuildings, with special attention given to detail, and the relationship between façade andbackground. The traditional approach to perspective was avoided and subjects were oftenrepeated with variations of colour and arrangement.He held over two dozen exhibitions at galleries in the North West, Midlands, Cambridge, London,Salisbury & Norwich Cathedrals. All had a particular theme ? National Trust properties, churches,cathedrals, waterside buildings, Oxbridge colleges, Thomas Hardy etc.Large scale works include the 37-foot Charter Mural in the History Shop, Wigan and a floor toceiling panel at Holgate School, Orrell. Other murals included Scottish Scout Headquarters,Manchester Airport, Nantwich Post Office and Warwickshire College (open competition winner inthe last two). Also, a ten-section painting for Newnham College at Cambridge, a collectionfeaturing all the buildings in the Close at Salisbury and seven section painting of Rufford Old Hall.He submitted the winning design for the 25-foot square Preston Guild window, designed andpainted the 15-foot high Queen?s Hall window in central Wigan, a window at Ince St Mary?s and a3-setion stained glass project for Christ Church, Aughton.His work was purchased by several educational establishments, local authorities, BritishWaterways, National Trust, Newnham College, Blackpool Gazette, English Schools AthleticsAssociation and for private collections in many European countries, America and Australasia.Prints were produced from several of the ongoing series, featuring national and local subjects, plusa triptych commemorating the last rugby match at Central Park.Provenance - sold on behalf of the Rickards estate.

Gerald Rickards (British 20th Century 1931-2006), "St Lukes Church Orrell", oil on board, 56cm x 74cm, unsigned, unframed.Gerald Rickards was one of Wigan?s most distinctive and best-loved artists, specialising indepicting buildings in his own distinctive style, from small private houses to large country houses.Meticulous attention to details was an important feature in all his work. Paintings ranged fromsemi-abstract oils, small watercolour studies, reinforced with line, to larger watercolour/gouachecompositions, murals and stained-glass design.Born in Aspull, he lived in Billinge near Winstanley College (previously Up Holland GrammarSchool) where he was Head of Art for 26 years. He was the first Artist in Residence at DrumcroonEducation Art Centre. Following early retirement, he devoted all his time to painting from 1985until his death in 2006.He was a student at Wigan School of Art and Liverpool College of Art followed by a post graduatefellowship at Edinburgh College of Art where he was the prize winner for the most distinguishedwork of college year. A travelling scholarship to study mural painting in Europe followed inaddition to work on the Diaghilev Exhibition for Edinburgh Festival and the Sunday Observer inLondon.Early work (1960-1975) featured semi-abstract oils, linear patterns adapted from plans of largebuildings and some religious motifs. The latter part of the 1970?s featured subjects which wereeasier to recognise including mythological creatures and birds depicted in a decorative two-dimensional manner with lots of detail in linear backgrounds. Later works featured parts ofbuildings, with special attention given to detail, and the relationship between façade andbackground. The traditional approach to perspective was avoided and subjects were oftenrepeated with variations of colour and arrangement.He held over two dozen exhibitions at galleries in the North West, Midlands, Cambridge, London,Salisbury & Norwich Cathedrals. All had a particular theme ? National Trust properties, churches,cathedrals, waterside buildings, Oxbridge colleges, Thomas Hardy etc.Large scale works include the 37-foot Charter Mural in the History Shop, Wigan and a floor toceiling panel at Holgate School, Orrell. Other murals included Scottish Scout Headquarters,Manchester Airport, Nantwich Post Office and Warwickshire College (open competition winner inthe last two). Also, a ten-section painting for Newnham College at Cambridge, a collectionfeaturing all the buildings in the Close at Salisbury and seven section painting of Rufford Old Hall.He submitted the winning design for the 25-foot square Preston Guild window, designed andpainted the 15-foot high Queen?s Hall window in central Wigan, a window at Ince St Mary?s and a3-setion stained glass project for Christ Church, Aughton.His work was purchased by several educational establishments, local authorities, BritishWaterways, National Trust, Newnham College, Blackpool Gazette, English Schools AthleticsAssociation and for private collections in many European countries, America and Australasia.Prints were produced from several of the ongoing series, featuring national and local subjects, plusa triptych commemorating the last rugby match at Central Park.Provenance - sold on behalf of the Rickards estate.

Gerald Rickards (British 20th Century 1931-2006), abstract figures, oil on canvas, 70cm x 122cm, unsigned, unframed.Gerald Rickards was one of Wigan?s most distinctive and best-loved artists, specialising indepicting buildings in his own distinctive style, from small private houses to large country houses.Meticulous attention to details was an important feature in all his work. Paintings ranged fromsemi-abstract oils, small watercolour studies, reinforced with line, to larger watercolour/gouachecompositions, murals and stained-glass design.Born in Aspull, he lived in Billinge near Winstanley College (previously Up Holland GrammarSchool) where he was Head of Art for 26 years. He was the first Artist in Residence at DrumcroonEducation Art Centre. Following early retirement, he devoted all his time to painting from 1985until his death in 2006.He was a student at Wigan School of Art and Liverpool College of Art followed by a post graduatefellowship at Edinburgh College of Art where he was the prize winner for the most distinguishedwork of college year. A travelling scholarship to study mural painting in Europe followed inaddition to work on the Diaghilev Exhibition for Edinburgh Festival and the Sunday Observer inLondon.Early work (1960-1975) featured semi-abstract oils, linear patterns adapted from plans of largebuildings and some religious motifs. The latter part of the 1970?s featured subjects which wereeasier to recognise including mythological creatures and birds depicted in a decorative two-dimensional manner with lots of detail in linear backgrounds. Later works featured parts ofbuildings, with special attention given to detail, and the relationship between façade andbackground. The traditional approach to perspective was avoided and subjects were oftenrepeated with variations of colour and arrangement.He held over two dozen exhibitions at galleries in the North West, Midlands, Cambridge, London,Salisbury & Norwich Cathedrals. All had a particular theme ? National Trust properties, churches,cathedrals, waterside buildings, Oxbridge colleges, Thomas Hardy etc.Large scale works include the 37-foot Charter Mural in the History Shop, Wigan and a floor toceiling panel at Holgate School, Orrell. Other murals included Scottish Scout Headquarters,Manchester Airport, Nantwich Post Office and Warwickshire College (open competition winner inthe last two). Also, a ten-section painting for Newnham College at Cambridge, a collectionfeaturing all the buildings in the Close at Salisbury and seven section painting of Rufford Old Hall.He submitted the winning design for the 25-foot square Preston Guild window, designed andpainted the 15-foot high Queen?s Hall window in central Wigan, a window at Ince St Mary?s and a3-setion stained glass project for Christ Church, Aughton.His work was purchased by several educational establishments, local authorities, BritishWaterways, National Trust, Newnham College, Blackpool Gazette, English Schools AthleticsAssociation and for private collections in many European countries, America and Australasia.Prints were produced from several of the ongoing series, featuring national and local subjects, plusa triptych commemorating the last rugby match at Central Park.Provenance - sold on behalf of the Rickards estate.

Gerald Rickards (British 20th Century 1931-2006), abstract cockerel, oil on canvas, 91cm x 71cm, signed verso, canvas re-used, unframed.Gerald Rickards was one of Wigan?s most distinctive and best-loved artists, specialising indepicting buildings in his own distinctive style, from small private houses to large country houses.Meticulous attention to details was an important feature in all his work. Paintings ranged fromsemi-abstract oils, small watercolour studies, reinforced with line, to larger watercolour/gouachecompositions, murals and stained-glass design.Born in Aspull, he lived in Billinge near Winstanley College (previously Up Holland GrammarSchool) where he was Head of Art for 26 years. He was the first Artist in Residence at DrumcroonEducation Art Centre. Following early retirement, he devoted all his time to painting from 1985until his death in 2006.He was a student at Wigan School of Art and Liverpool College of Art followed by a post graduatefellowship at Edinburgh College of Art where he was the prize winner for the most distinguishedwork of college year. A travelling scholarship to study mural painting in Europe followed inaddition to work on the Diaghilev Exhibition for Edinburgh Festival and the Sunday Observer inLondon.Early work (1960-1975) featured semi-abstract oils, linear patterns adapted from plans of largebuildings and some religious motifs. The latter part of the 1970?s featured subjects which wereeasier to recognise including mythological creatures and birds depicted in a decorative two-dimensional manner with lots of detail in linear backgrounds. Later works featured parts ofbuildings, with special attention given to detail, and the relationship between façade andbackground. The traditional approach to perspective was avoided and subjects were oftenrepeated with variations of colour and arrangement.He held over two dozen exhibitions at galleries in the North West, Midlands, Cambridge, London,Salisbury & Norwich Cathedrals. All had a particular theme ? National Trust properties, churches,cathedrals, waterside buildings, Oxbridge colleges, Thomas Hardy etc.Large scale works include the 37-foot Charter Mural in the History Shop, Wigan and a floor toceiling panel at Holgate School, Orrell. Other murals included Scottish Scout Headquarters,Manchester Airport, Nantwich Post Office and Warwickshire College (open competition winner inthe last two). Also, a ten-section painting for Newnham College at Cambridge, a collectionfeaturing all the buildings in the Close at Salisbury and seven section painting of Rufford Old Hall.He submitted the winning design for the 25-foot square Preston Guild window, designed andpainted the 15-foot high Queen?s Hall window in central Wigan, a window at Ince St Mary?s and a3-setion stained glass project for Christ Church, Aughton.His work was purchased by several educational establishments, local authorities, BritishWaterways, National Trust, Newnham College, Blackpool Gazette, English Schools AthleticsAssociation and for private collections in many European countries, America and Australasia.Prints were produced from several of the ongoing series, featuring national and local subjects, plusa triptych commemorating the last rugby match at Central Park.Provenance - sold on behalf of the Rickards estate.

Gerald Rickards (British 20th Century 1931-2006), steam traction engine, oil on board, 53cm x 39cm, signed verso, unframed.Gerald Rickards was one of Wigan?s most distinctive and best-loved artists, specialising indepicting buildings in his own distinctive style, from small private houses to large country houses.Meticulous attention to details was an important feature in all his work. Paintings ranged fromsemi-abstract oils, small watercolour studies, reinforced with line, to larger watercolour/gouachecompositions, murals and stained-glass design.Born in Aspull, he lived in Billinge near Winstanley College (previously Up Holland GrammarSchool) where he was Head of Art for 26 years. He was the first Artist in Residence at DrumcroonEducation Art Centre. Following early retirement, he devoted all his time to painting from 1985until his death in 2006.He was a student at Wigan School of Art and Liverpool College of Art followed by a post graduatefellowship at Edinburgh College of Art where he was the prize winner for the most distinguishedwork of college year. A travelling scholarship to study mural painting in Europe followed inaddition to work on the Diaghilev Exhibition for Edinburgh Festival and the Sunday Observer inLondon.Early work (1960-1975) featured semi-abstract oils, linear patterns adapted from plans of largebuildings and some religious motifs. The latter part of the 1970?s featured subjects which wereeasier to recognise including mythological creatures and birds depicted in a decorative two-dimensional manner with lots of detail in linear backgrounds. Later works featured parts ofbuildings, with special attention given to detail, and the relationship between façade andbackground. The traditional approach to perspective was avoided and subjects were oftenrepeated with variations of colour and arrangement.He held over two dozen exhibitions at galleries in the North West, Midlands, Cambridge, London,Salisbury & Norwich Cathedrals. All had a particular theme ? National Trust properties, churches,cathedrals, waterside buildings, Oxbridge colleges, Thomas Hardy etc.Large scale works include the 37-foot Charter Mural in the History Shop, Wigan and a floor toceiling panel at Holgate School, Orrell. Other murals included Scottish Scout Headquarters,Manchester Airport, Nantwich Post Office and Warwickshire College (open competition winner inthe last two). Also, a ten-section painting for Newnham College at Cambridge, a collectionfeaturing all the buildings in the Close at Salisbury and seven section painting of Rufford Old Hall.He submitted the winning design for the 25-foot square Preston Guild window, designed andpainted the 15-foot high Queen?s Hall window in central Wigan, a window at Ince St Mary?s and a3-setion stained glass project for Christ Church, Aughton.His work was purchased by several educational establishments, local authorities, BritishWaterways, National Trust, Newnham College, Blackpool Gazette, English Schools AthleticsAssociation and for private collections in many European countries, America and Australasia.Prints were produced from several of the ongoing series, featuring national and local subjects, plusa triptych commemorating the last rugby match at Central Park.Provenance - sold on behalf of the Rickards estate.

Gerald Rickards (British 20th Century 1931-2006), architectural scene, oil on canvas, 36cm x 56cm, unsigned, unframed.Gerald Rickards was one of Wigan?s most distinctive and best-loved artists, specialising indepicting buildings in his own distinctive style, from small private houses to large country houses.Meticulous attention to details was an important feature in all his work. Paintings ranged fromsemi-abstract oils, small watercolour studies, reinforced with line, to larger watercolour/gouachecompositions, murals and stained-glass design.Born in Aspull, he lived in Billinge near Winstanley College (previously Up Holland GrammarSchool) where he was Head of Art for 26 years. He was the first Artist in Residence at DrumcroonEducation Art Centre. Following early retirement, he devoted all his time to painting from 1985until his death in 2006.He was a student at Wigan School of Art and Liverpool College of Art followed by a post graduatefellowship at Edinburgh College of Art where he was the prize winner for the most distinguishedwork of college year. A travelling scholarship to study mural painting in Europe followed inaddition to work on the Diaghilev Exhibition for Edinburgh Festival and the Sunday Observer inLondon.Early work (1960-1975) featured semi-abstract oils, linear patterns adapted from plans of largebuildings and some religious motifs. The latter part of the 1970?s featured subjects which wereeasier to recognise including mythological creatures and birds depicted in a decorative two-dimensional manner with lots of detail in linear backgrounds. Later works featured parts ofbuildings, with special attention given to detail, and the relationship between façade andbackground. The traditional approach to perspective was avoided and subjects were oftenrepeated with variations of colour and arrangement.He held over two dozen exhibitions at galleries in the North West, Midlands, Cambridge, London,Salisbury & Norwich Cathedrals. All had a particular theme ? National Trust properties, churches,cathedrals, waterside buildings, Oxbridge colleges, Thomas Hardy etc.Large scale works include the 37-foot Charter Mural in the History Shop, Wigan and a floor toceiling panel at Holgate School, Orrell. Other murals included Scottish Scout Headquarters,Manchester Airport, Nantwich Post Office and Warwickshire College (open competition winner inthe last two). Also, a ten-section painting for Newnham College at Cambridge, a collectionfeaturing all the buildings in the Close at Salisbury and seven section painting of Rufford Old Hall.He submitted the winning design for the 25-foot square Preston Guild window, designed andpainted the 15-foot high Queen?s Hall window in central Wigan, a window at Ince St Mary?s and a3-setion stained glass project for Christ Church, Aughton.His work was purchased by several educational establishments, local authorities, BritishWaterways, National Trust, Newnham College, Blackpool Gazette, English Schools AthleticsAssociation and for private collections in many European countries, America and Australasia.Prints were produced from several of the ongoing series, featuring national and local subjects, plusa triptych commemorating the last rugby match at Central Park.Provenance - sold on behalf of the Rickards estate.

Gerald Rickards (British 20th Century 1931-2006), "Warrior with Lance & Shield", oil on canvas, 50cm x 71cm, signed, titled and dated 1969 verso, unframed.Gerald Rickards was one of Wigan?s most distinctive and best-loved artists, specialising indepicting buildings in his own distinctive style, from small private houses to large country houses.Meticulous attention to details was an important feature in all his work. Paintings ranged fromsemi-abstract oils, small watercolour studies, reinforced with line, to larger watercolour/gouachecompositions, murals and stained-glass design.Born in Aspull, he lived in Billinge near Winstanley College (previously Up Holland GrammarSchool) where he was Head of Art for 26 years. He was the first Artist in Residence at DrumcroonEducation Art Centre. Following early retirement, he devoted all his time to painting from 1985until his death in 2006.He was a student at Wigan School of Art and Liverpool College of Art followed by a post graduatefellowship at Edinburgh College of Art where he was the prize winner for the most distinguishedwork of college year. A travelling scholarship to study mural painting in Europe followed inaddition to work on the Diaghilev Exhibition for Edinburgh Festival and the Sunday Observer inLondon.Early work (1960-1975) featured semi-abstract oils, linear patterns adapted from plans of largebuildings and some religious motifs. The latter part of the 1970?s featured subjects which wereeasier to recognise including mythological creatures and birds depicted in a decorative two-dimensional manner with lots of detail in linear backgrounds. Later works featured parts ofbuildings, with special attention given to detail, and the relationship between façade andbackground. The traditional approach to perspective was avoided and subjects were oftenrepeated with variations of colour and arrangement.He held over two dozen exhibitions at galleries in the North West, Midlands, Cambridge, London,Salisbury & Norwich Cathedrals. All had a particular theme ? National Trust properties, churches,cathedrals, waterside buildings, Oxbridge colleges, Thomas Hardy etc.Large scale works include the 37-foot Charter Mural in the History Shop, Wigan and a floor toceiling panel at Holgate School, Orrell. Other murals included Scottish Scout Headquarters,Manchester Airport, Nantwich Post Office and Warwickshire College (open competition winner inthe last two). Also, a ten-section painting for Newnham College at Cambridge, a collectionfeaturing all the buildings in the Close at Salisbury and seven section painting of Rufford Old Hall.He submitted the winning design for the 25-foot square Preston Guild window, designed andpainted the 15-foot high Queen?s Hall window in central Wigan, a window at Ince St Mary?s and a3-setion stained glass project for Christ Church, Aughton.His work was purchased by several educational establishments, local authorities, BritishWaterways, National Trust, Newnham College, Blackpool Gazette, English Schools AthleticsAssociation and for private collections in many European countries, America and Australasia.Prints were produced from several of the ongoing series, featuring national and local subjects, plusa triptych commemorating the last rugby match at Central Park.Provenance - sold on behalf of the Rickards estate.

Gerald Rickards (British 20th Century 1931-2006), pair, abstract crucifixes, oil on board, 37cm x 68cm each, signed verso, unframed.Gerald Rickards was one of Wigan?s most distinctive and best-loved artists, specialising indepicting buildings in his own distinctive style, from small private houses to large country houses.Meticulous attention to details was an important feature in all his work. Paintings ranged fromsemi-abstract oils, small watercolour studies, reinforced with line, to larger watercolour/gouachecompositions, murals and stained-glass design.Born in Aspull, he lived in Billinge near Winstanley College (previously Up Holland GrammarSchool) where he was Head of Art for 26 years. He was the first Artist in Residence at DrumcroonEducation Art Centre. Following early retirement, he devoted all his time to painting from 1985until his death in 2006.He was a student at Wigan School of Art and Liverpool College of Art followed by a post graduatefellowship at Edinburgh College of Art where he was the prize winner for the most distinguishedwork of college year. A travelling scholarship to study mural painting in Europe followed inaddition to work on the Diaghilev Exhibition for Edinburgh Festival and the Sunday Observer inLondon.Early work (1960-1975) featured semi-abstract oils, linear patterns adapted from plans of largebuildings and some religious motifs. The latter part of the 1970?s featured subjects which wereeasier to recognise including mythological creatures and birds depicted in a decorative two-dimensional manner with lots of detail in linear backgrounds. Later works featured parts ofbuildings, with special attention given to detail, and the relationship between façade andbackground. The traditional approach to perspective was avoided and subjects were oftenrepeated with variations of colour and arrangement.He held over two dozen exhibitions at galleries in the North West, Midlands, Cambridge, London,Salisbury & Norwich Cathedrals. All had a particular theme ? National Trust properties, churches,cathedrals, waterside buildings, Oxbridge colleges, Thomas Hardy etc.Large scale works include the 37-foot Charter Mural in the History Shop, Wigan and a floor toceiling panel at Holgate School, Orrell. Other murals included Scottish Scout Headquarters,Manchester Airport, Nantwich Post Office and Warwickshire College (open competition winner inthe last two). Also, a ten-section painting for Newnham College at Cambridge, a collectionfeaturing all the buildings in the Close at Salisbury and seven section painting of Rufford Old Hall.He submitted the winning design for the 25-foot square Preston Guild window, designed andpainted the 15-foot high Queen?s Hall window in central Wigan, a window at Ince St Mary?s and a3-setion stained glass project for Christ Church, Aughton.His work was purchased by several educational establishments, local authorities, BritishWaterways, National Trust, Newnham College, Blackpool Gazette, English Schools AthleticsAssociation and for private collections in many European countries, America and Australasia.Prints were produced from several of the ongoing series, featuring national and local subjects, plusa triptych commemorating the last rugby match at Central Park.Provenance - sold on behalf of the Rickards estate.

Gerald Rickards (British 20th Century 1931-2006), "Three Kings", oil on board, 51cm x 64cm, signed and titled verso, unframed.Gerald Rickards was one of Wigan?s most distinctive and best-loved artists, specialising indepicting buildings in his own distinctive style, from small private houses to large country houses.Meticulous attention to details was an important feature in all his work. Paintings ranged fromsemi-abstract oils, small watercolour studies, reinforced with line, to larger watercolour/gouachecompositions, murals and stained-glass design.Born in Aspull, he lived in Billinge near Winstanley College (previously Up Holland GrammarSchool) where he was Head of Art for 26 years. He was the first Artist in Residence at DrumcroonEducation Art Centre. Following early retirement, he devoted all his time to painting from 1985until his death in 2006.He was a student at Wigan School of Art and Liverpool College of Art followed by a post graduatefellowship at Edinburgh College of Art where he was the prize winner for the most distinguishedwork of college year. A travelling scholarship to study mural painting in Europe followed inaddition to work on the Diaghilev Exhibition for Edinburgh Festival and the Sunday Observer inLondon.Early work (1960-1975) featured semi-abstract oils, linear patterns adapted from plans of largebuildings and some religious motifs. The latter part of the 1970?s featured subjects which wereeasier to recognise including mythological creatures and birds depicted in a decorative two-dimensional manner with lots of detail in linear backgrounds. Later works featured parts ofbuildings, with special attention given to detail, and the relationship between façade andbackground. The traditional approach to perspective was avoided and subjects were oftenrepeated with variations of colour and arrangement.He held over two dozen exhibitions at galleries in the North West, Midlands, Cambridge, London,Salisbury & Norwich Cathedrals. All had a particular theme ? National Trust properties, churches,cathedrals, waterside buildings, Oxbridge colleges, Thomas Hardy etc.Large scale works include the 37-foot Charter Mural in the History Shop, Wigan and a floor toceiling panel at Holgate School, Orrell. Other murals included Scottish Scout Headquarters,Manchester Airport, Nantwich Post Office and Warwickshire College (open competition winner inthe last two). Also, a ten-section painting for Newnham College at Cambridge, a collectionfeaturing all the buildings in the Close at Salisbury and seven section painting of Rufford Old Hall.He submitted the winning design for the 25-foot square Preston Guild window, designed andpainted the 15-foot high Queen?s Hall window in central Wigan, a window at Ince St Mary?s and a3-setion stained glass project for Christ Church, Aughton.His work was purchased by several educational establishments, local authorities, BritishWaterways, National Trust, Newnham College, Blackpool Gazette, English Schools AthleticsAssociation and for private collections in many European countries, America and Australasia.Prints were produced from several of the ongoing series, featuring national and local subjects, plusa triptych commemorating the last rugby match at Central Park.Provenance - sold on behalf of the Rickards estate.

Gerald Rickards (British 20th Century 1931-2006), "Grey Crucifixion", oil on canvas, 51cm x 87cm, signed, titled and dated 1969 verso, unframed.Gerald Rickards was one of Wigan?s most distinctive and best-loved artists, specialising indepicting buildings in his own distinctive style, from small private houses to large country houses.Meticulous attention to details was an important feature in all his work. Paintings ranged fromsemi-abstract oils, small watercolour studies, reinforced with line, to larger watercolour/gouachecompositions, murals and stained-glass design.Born in Aspull, he lived in Billinge near Winstanley College (previously Up Holland GrammarSchool) where he was Head of Art for 26 years. He was the first Artist in Residence at DrumcroonEducation Art Centre. Following early retirement, he devoted all his time to painting from 1985until his death in 2006.He was a student at Wigan School of Art and Liverpool College of Art followed by a post graduatefellowship at Edinburgh College of Art where he was the prize winner for the most distinguishedwork of college year. A travelling scholarship to study mural painting in Europe followed inaddition to work on the Diaghilev Exhibition for Edinburgh Festival and the Sunday Observer inLondon.Early work (1960-1975) featured semi-abstract oils, linear patterns adapted from plans of largebuildings and some religious motifs. The latter part of the 1970?s featured subjects which wereeasier to recognise including mythological creatures and birds depicted in a decorative two-dimensional manner with lots of detail in linear backgrounds. Later works featured parts ofbuildings, with special attention given to detail, and the relationship between façade andbackground. The traditional approach to perspective was avoided and subjects were oftenrepeated with variations of colour and arrangement.He held over two dozen exhibitions at galleries in the North West, Midlands, Cambridge, London,Salisbury & Norwich Cathedrals. All had a particular theme ? National Trust properties, churches,cathedrals, waterside buildings, Oxbridge colleges, Thomas Hardy etc.Large scale works include the 37-foot Charter Mural in the History Shop, Wigan and a floor toceiling panel at Holgate School, Orrell. Other murals included Scottish Scout Headquarters,Manchester Airport, Nantwich Post Office and Warwickshire College (open competition winner inthe last two). Also, a ten-section painting for Newnham College at Cambridge, a collectionfeaturing all the buildings in the Close at Salisbury and seven section painting of Rufford Old Hall.He submitted the winning design for the 25-foot square Preston Guild window, designed andpainted the 15-foot high Queen?s Hall window in central Wigan, a window at Ince St Mary?s and a3-setion stained glass project for Christ Church, Aughton.His work was purchased by several educational establishments, local authorities, BritishWaterways, National Trust, Newnham College, Blackpool Gazette, English Schools AthleticsAssociation and for private collections in many European countries, America and Australasia.Prints were produced from several of the ongoing series, featuring national and local subjects, plusa triptych commemorating the last rugby match at Central Park.Provenance - sold on behalf of the Rickards estate.

Gerald Rickards (British 20th Century 1931-2006), untitled, oil on canvas, 50cm x 76cm, signed verso, unframed.Gerald Rickards was one of Wigan?s most distinctive and best-loved artists, specialising indepicting buildings in his own distinctive style, from small private houses to large country houses.Meticulous attention to details was an important feature in all his work. Paintings ranged fromsemi-abstract oils, small watercolour studies, reinforced with line, to larger watercolour/gouachecompositions, murals and stained-glass design.Born in Aspull, he lived in Billinge near Winstanley College (previously Up Holland GrammarSchool) where he was Head of Art for 26 years. He was the first Artist in Residence at DrumcroonEducation Art Centre. Following early retirement, he devoted all his time to painting from 1985until his death in 2006.He was a student at Wigan School of Art and Liverpool College of Art followed by a post graduatefellowship at Edinburgh College of Art where he was the prize winner for the most distinguishedwork of college year. A travelling scholarship to study mural painting in Europe followed inaddition to work on the Diaghilev Exhibition for Edinburgh Festival and the Sunday Observer inLondon.Early work (1960-1975) featured semi-abstract oils, linear patterns adapted from plans of largebuildings and some religious motifs. The latter part of the 1970?s featured subjects which wereeasier to recognise including mythological creatures and birds depicted in a decorative two-dimensional manner with lots of detail in linear backgrounds. Later works featured parts ofbuildings, with special attention given to detail, and the relationship between façade andbackground. The traditional approach to perspective was avoided and subjects were oftenrepeated with variations of colour and arrangement.He held over two dozen exhibitions at galleries in the North West, Midlands, Cambridge, London,Salisbury & Norwich Cathedrals. All had a particular theme ? National Trust properties, churches,cathedrals, waterside buildings, Oxbridge colleges, Thomas Hardy etc.Large scale works include the 37-foot Charter Mural in the History Shop, Wigan and a floor toceiling panel at Holgate School, Orrell. Other murals included Scottish Scout Headquarters,Manchester Airport, Nantwich Post Office and Warwickshire College (open competition winner inthe last two). Also, a ten-section painting for Newnham College at Cambridge, a collectionfeaturing all the buildings in the Close at Salisbury and seven section painting of Rufford Old Hall.He submitted the winning design for the 25-foot square Preston Guild window, designed andpainted the 15-foot high Queen?s Hall window in central Wigan, a window at Ince St Mary?s and a3-setion stained glass project for Christ Church, Aughton.His work was purchased by several educational establishments, local authorities, BritishWaterways, National Trust, Newnham College, Blackpool Gazette, English Schools AthleticsAssociation and for private collections in many European countries, America and Australasia.Prints were produced from several of the ongoing series, featuring national and local subjects, plusa triptych commemorating the last rugby match at Central Park.Provenance - sold on behalf of the Rickards estate.

Antique stained glass arched window panel with armorial decoration; the shield decorated with three apples and surmounted by lion rampant 71cm high

Antique stained glass window panel having triple arched top and decorated with panels of scrolling foliage against trelliswork, 67cm high (damaged) 

Triple arched lead lined and stained glass window panel decorated flower heads within trelliswork 46 x 25cm and another circular 22cm diameter (2)

AN EARLY 20TH CENTURY WALKING CANE, the associated curved ivory handle carved as a family of pigs and piglets, with glass eyes and green stained foliage, white metal collar, ebonised haft, horn ferrule, 91.5cm long over all.

Ornate mirror with stained glass surround

A set of twelve Arts and Crafts stained glass windows

An early 20th century Stained Glass Window Design, worked with cherub's mask within angel's wings and trefoil border, framed and glazed, 50.5 x 40.5 cm

Two panels of stained glass.

A large cast brass and stained glass hexagonal lantern, total height approx. 74cm. 

A leaded and stained glass terrarium, 70cm wide. 

A 19TH CENTURY STAINED WOOD APOTHECARY CABINET, fitted eleven drawers each with a glass name plate and glass handles, name include;- "Dog Pil Var", "Sal Ammoniac" and "Cap.papav" (contains various chemist bottles) 99cm wide x 48cm high

Maria Helena Vieira da Silva (1908-1992) Abstract pochoir print, framed and mounted under glass, 31 x 21 cm Vieira da Silva was a Portuguese abstractionist painter considered to be a leading member of the European Abstract Expressionism Movement known as Art Informel. Her works feature complex interiors and city views using lines that explore space and perspective. In addition to being a renowned painter, she also explored other mediums such as tapestry and stained glass.

STAINED LEADED GLASS CHURCH WINDOWdepicting Jesus holding a crown, with panes decorated with a cross, nails and a chalice, 190cm x 61.5cm

Peter Haworth RCA OSA (Canadian, 1889 - 1986) Sun Bonnets Signed 'Peter Haworth' (Lower right); titled verso '5187 J, Sun Bonnets, 1952' mixed media on masonite. Framed mounted and glazed, image size 19 x 23½ inches. Catalogue NotePeter Haworth was born in Lancaster, England in 1889. He studied at the Royal College of Art, London. He emigrated to Canada in 1923 and was appointed director of art at Toronto Central Technical School.Haworth completed several commissions in stained glass including 14 panels for the First Baptist Church in Ottawa, Toronto and Montreal. In 1936 he was elected president of the Canadian Society of Painters in Water Colour.During World War II he was assigned to record activities of the Canadian Armed Forces in British Columbia. He painted landscapes and seascapes and developed a complex, geometric semi-abstract style in the 1950s

Powell (James & Sons). A small collection of original designs for stained glass, Whitefriars Glass Works, late 19th/early 20th century, together five pen, ink, and watercolour drawings on paper, all showing three-light windows, two mounted on card, and one in three-aperture trefoil window mount, marginal annotations in ink or pencil giving details of church and maker, some dust-soiling to paper or mounts, sheet size approximately 33.5 x 30.5 cm (13.25 x 12 ins) and slightly smaller (Qty: 5)Whitefriars Glassworks was England's longest producing glassworks. The firm is believed to have been established in 1680, and was purchased by James Powell in 1834, with production continuing until 1980. Although the firm produced high quality art glass on a par with Tiffany, it is best known for its stained glass. The firm under Powell became an innovative world leader in the field of decorative glass, and business was aided by the building of hundreds of new churches during the Victorian era. During the latter part of the nineteenth century Whitefriars Glass formed associations with a number of leading artists and designers, including Philip Webb, William Morris, Edward Burne-Jones and William De Morgan. The designs offered here are for: the Church of St. Chad, Prees, Whitchurch, Shropshire (St. Elizabeth of Hungary); Calvary Church, Summit (two designs: Transfiguration and Birth of Christ); Trinity Church, Portsmouth, Virginia, USA (West Window, showing Christ flanked by Blessed Virgin Mary and Saint Joseph); and St. Stephen's Church, Prenton, Merseyside (East Window, Lady Chapel, showing the Virgin and Child flanked by Saint Helena and Saint John). All designs were executed and appear to be still extant.

A 3' 6 1/2" Old Charm stained oak display cabinet with glass shelves enclosed by a pair of leaded glazed panel doors, over decorative panelled cupboard doors, set on bracket feet

Revised Estimate. Duffner and Kimberley Art Nouveau glazed and leaded light shade, with ochre and caramel slag glass, in a stylized floral and fish scale design, made to fit a standard lamp, 61cm.The American firm of Duffner & Kimberley resulted from the partnership of the creative stained glass window designer Oliver Speers Kimberley and Francis Joseph Duffner. They produced decorative lamps at the same time and on a par with Tiffany glass for whom Duffner had previously worked, production years for lamps 1905-1914. .

Vintage Lamp Shade-with cream stained glass, ceiling pendant light shade in excellent condition

A VICTORIAN EBONISED INKSTAND WITH APPLIED STUDDED BRASS STRAPWORK AND A PAIR OF GLASS INKWELLS, 26CM L AND ANOTHER STAINED WOOD INKSTAND

An interesting collection of Gothic Revival leaded stained glass sections and fragments, various shapes, sizes and forms of decoration, 19th century

A stained wood spirit cane with screw-on handle and glass tube lining