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Merian, Matthäus: (1593 Basel - 1650 Schwalbach). Folge der 12 Monate (mit Versen), in 12 Blättern komplett, um 1622. 14 x 17 cm. Hinter Glas ger. 25 x 28,5 cm. Ansichten aus der Umgebung v. Basel, darunter je Zweizeiler, oben mit den betreffenden Tierkreiszeichen, teils etwas fleckig. Complete series in 12 etchings c. 1622, views from the surroundings of Basel, each with two lines below, above with the respective signs of the zodiac, partly somewhat stained, 14 x 17 cm, framed behind glass 25 x 28.5 cm.

EVELYN DE MORGAN (BRITISH 1855-1919) DESIGN FOR THE LEGEND OF GOOD WOMEN, AFTER GEOFFREY CHAUCER Watercolour and pencil on paper 30 x 45.5cm (11¾ x 17¾ in.); and smaller Together with a figure study in chalk attributed to the artist's husband, the artist and ceramicist William de Morgan (1839-1917) (2) Pencil inscriptions naming the figures reveal the subject of the present watercolour to be Chaucer's Legend of Good Women, where the Prologue opens with the poet's dream of Eros (Amor) and Alcestis. Chaucer's poem narrates the stories of virtuous women from antiquity who suffered for love. This was a favourite source for William Morris and Burne-Jones and the artist may have used the text given in the former's famous Kelmscott Chaucer (1896). The best-known pictorial version is the Morris & Co stained glass panel by Burne-Jones from 1864 of Amor leading Alcestis back from the Underworld, with copies in V&A and William Morris Gallery collections.      

A continental stained beech sliding glass door sideboard, 72 cm x 40 cm x 96 cm

Reproduction stained wood bracket clock, Kienzle movement, striking on gongs, the presentation plaque 27cm; another mantel clock, Westminster striking movement.Qty: 2Condition report:Kienzle clock - sticky tape residue to glass, scuffs to feet, winds smoothlyOther clock - sticky tape residue to glass, discoloured surround, scuffs and chips to front, damage to both sides, winds smoothlyPlease see additional uploaded images.

A Stained Glass Panel Depicting Coastal Scene in France, 18cms by 14cms

A pine wall cabinet fitted with a centre shelf enclosed by a leaded & stained-glass door, 61.75cm wide x 72cm high x 19cm deep.

Two Tiffany-style bronzed resin table lamps, each with a leaded stained glass shade; & a similar table lamp shade.

A painted wood dappled rocking horse, early 20th c, with glass eyes, later leather bridle and saddle, on stained wood stand with black painted iron brackets, 92cm h Some worn redecoration

Miscellaneous plated and other metalware, early 20th c and later, including a table ornament in the form of a grouse and a stained wood American mantle clock, the door with painted glass panel, 54cm h

Three pairs of George III-style stained mahogany bookcase doors, c.1900, each with astragal glazing,66cm wide174cm high (6)Originally used to house the Sèvres dessert service, lot 227.Condition ReportThe stained finish is irregular in finishAll have metal plates to the backs on one side Glass is all complete but slight discrepancy between panes, some possibly later replacement, see photos of joins, they appear to be rebated however graining to the interior glazing bars make it hard to see, overall in fair order but with evidence of estate repair, fitted with circular bolt catches 

Francis Jukes (1745-1812), after Charles Loraine Smith 'Pychely Hunt';'Proof of Bottom';'The Trick';'Who...oop'mezzotints, published by F Jukes, No.10, Howland Street, London 28 x 36cm, framed and glazed (4)Condition ReportGlass broken, stained and damage to the frames. Frame size 33 x 40.5cm.

A mid-Victorian stained and leaded glass panel, c.1860-70, decorated with interlocking geometric motifs and stylised stars and medallions, within a similarly decorated border, 225 x 113cm, framed Condition ReportThe glass is intact apart from one tiny hole to the lower right hand side. It is generally in good condition commensurate with age and use, although there are a few cracks and deep scratches. There's no further information on where the panel came from before it was at Holkham. It is stable in its frame. The easel in the image is purely for viewing purposes and not included in the sale or lot. Please see additional images for reference.Stained panel size 99 x203cm approx

A framed study of a stained glass panel

A folding camping chair together with a small folding table and stained glass window

FOUR BOXES OF VINTAGE AND ANTIQUARIAN BOOKS, to include New Naturalist first edition volumes: The Badger 1948, The Yellow Wagtail 1950, The Greenshank 1951, The Herring Gull's World 1953, The Hawfinch 1957, The Wood-Pigeon 1963, and The House Sparrow 1963 (all without dust jackets), together with English Stained Glass by Herbert Read, first edition, publ 1926 by GP Putnam's Sons, 'A Voyage to the Pacific Ocean, Undertaken by the Command of His Majesty, for Making Discoveries in the Northern Hemisphere, Performed Under the Direction of Captains Cook, Clerke, and Gore, in the Years 1776, 1777, 1778, 1779, 1780' volume three only, fourth edition 1793, Officers' Uniforms As Worn by Her Majesty's Army, etc (4 boxes) (sd)

A collection of glass inc cobalt blue, stained glass & decanters

A pair of Art Nouveau stained glass window panes

A set of four Victorian stained glass windows

A good hall lantern with stained glass panels.

A group of three Edwardian arched stained and leaded glass panels. Each 31X23cm, together with a modern, larger panel with a central cross, 74X33cm, and another with a Knight and a shield (5).

Two fan shaped stained glass light shades

A pair of stained and reverse painted glass windows, one depicting Ernest Shackleton's Endurance, the other with a countryside scene, set in gothic pine arch-top frames. Width 62cm, height 152cm, depth 17cm.

A late 19th or early 20th century stained mahogany overglazed bookcase, the top with glass cabinet doors and three adjustable shelves; the base with one long drawer atop two cupboard doors. Upon plinth base. 214.5cm tall, 106cm wide, 53cm deep

Art Glass - a large contemporary dual level stained glass shaped panel, depicting a stylised horse, in various tones, 49cm x 96cm; another, smaller (2)

A mixed lot of pictures and prints including framed stained glass panel, Judy Boyes signed limited edition print, Tony Crosse signed prints, signed golfing photograph, etc.

A stained and leaded glass fire screen.

16 Vintage stained glass panels (some are broken) 

stained glass panel 

2 stained glass wall panels in box frame 

Stained glass and leaded circular panel, together with another similar smaller stained glass leaded circular panel. The largest 28cm diameter approx. (2) (B.P. 21% + VAT)

Edwardian stained hanging wall shelves with pierced sides, together with a 19th century pier glass mirror. (2) (B.P. 21% + VAT). Dimension of pier glass: 50x30cm approx. Shelves - 55x51x11cm approx.

Lincolnshire interest - selection of hand coloured engravings depicting Lincolnshire landmarks, Tim Wheeldon print of Steep Hill Lincoln, hand-coloured etching of Brigg Market Place & 2 William Fowler early 19th century plates depicting stained glass window designs (1 in Oxford frame)

A modern two fold, three section stained glass firescreen with coloured design in the Art Nouveau style, height 77cm, length when fully extended approx 85cm.Condition Report: Condition is good, no cracks to the glass, or missing panels. The metal frame also appears to be in good condition.

Tiffany Manner - Pair of Tiffany manner lamp light shades. Tube lead line surrounds stained glass shaped panels with dome top, in blue, green colourways.24cm diameter approx.

An opaque glass beaker, mid to late18th century, possibly South Staffordshire, enamelled with a man holding his hat, 11cm highProvenance: The Collection of David and Sandy FullerCondition ReportThe interior is marked and stained. Rubbing to the gilt band near to the top. Losses to the enamel.

A stained and leaded glass shield armorial panel, antique, with a chevron and lion rampant, 17 x 19cmProvenance: The Collection of David and Sandy Fuller Condition ReportWire hangers. Cracked and worn.

4 stained glass windows with religious decor, 1 in standard, largest window 58x48 cm

Oak 2-piece richly decorated Mechelen sideboard with 1-door stained glass in top cabinet, drawer and closed 1-door base cabinet, 221 cm high, 97 cm wide, 54 cm deep

3 boxes with glass lampshades, stained glass shade and lamp parts

A pair of gilt framed mirrors; a stained glass panel; a photographic print of the Tide Mill at Woodbridge; a black and white print 'View of Woodbridge'; various other pictures and prints

A stained glass Tiffany style ceiling light, with dragonfly & floral design and two bulb sockets, diameter 36cm. In good condition, no signs of damage.

A collection of over 50 costume jewellery brooches to include stained glass, floral, abstract and cameo examples.

A stained glass panel marked Magdeburg in presentation box

A Victorian coloured stained glass and brass six sided lantern, 31cm high x width 22cm. Condition - glass good, one clip on frame for glass missing As catalogued, all glass complete; two brass clips missing, needed to secure the detached glass panel; embossed hexagonal brass frame is lightweight and tarnished; soldering around glass sometimes worn out of shape in places, not too serious.  The three brass chains complete, needed to hang the lantern but one chain missing the S-link, needed to connect to the frame.

A 1930s blond oak and stained freestanding haberdashery cabinet, having twin flights of eight glass fronted drawers over lower sliding cupboard doors, w.91cmHeight 198cm, depth 37cm.Stands well.All drawers run smooth, as do lower sliding doors.One drawer front with triangle shaped repair to top left corner.Some handles with very small splintered losses.

Three Tiffany-style lamps with stained glass shades on Art Nouveau style organic metal bases, 48cm high, to/w another lamp with bulbous stained glass body and conical shade (4)

An Indian stained glass and tin candle lantern, 54 cm high overall

A large pair of Tiffany-style lamps with stained glass 'wisteria', shades, 74cm high

A pair of Tiffany-style lamps with stained glass dome shades featuring cupolas, on Art Nouveau style organic metal bases, 48cm high, to/w a similar lamp with floral shade (3)

Vintage Moorish porch light lantern in metal and stained glass (wooden base for table lamp)

Vintage Moorish pierced metal and stained glass hanging candle light/lantern

Metal novelty 'spiral staircase' table lamp and another lamp with leaded stained glass shade

Stained glass window panel of a sailing ship, H83cm

Stained glass door panel of a coat of arms, H142cm

Victorian converted lantern light, with stained glass panels, H56cm

A mid-late 19th century French Boulle bracket clock, in the 18th century Louis XV style, with waisted case with gilt lacquered brass urn finial, gilt lacquered brass fittings and floral and foliate inlays, the similar dial cast with enamel number plaques, the pendulum with sunburst bob, fitted with a signed Vincenti & Cie striking movement, with brass inlaid door interior and interior floor, together with a key to open the glass front, a further winding key, and original receipt from 1988 and a paper note stating it was restored in 1993, 56cm high.Condition: Seemingly no missing brass parts, movement moves, the dark red/brown stained horn has been repaired and is matte and cracked in places, with small patches of repaired losses.Packing & Shipping Let us take the hassle of sorting out packing and shipping from you. Mark Hill Auctions is delighted to be able offer the buyer an in-house packing and shipping service for this lot. We use UPS for shipping and all packages are sent with a minimum of a tracked service. We do not use any other service such as Royal Mail. Please see below for cost estimates, including packing:UK (Guaranteed Price): £28.11 USA (Estimated Price): £89.00 EU (Estimated Price): £32.00 R.O.W. (Estimated Price): £79.00All above quoted packing and shipping prices will have VAT added at 20%. Unless otherwise indicated above, these are estimates only but we aim to be as accurate as possible. To request packing and shipping, please wait for your invoice to arrive by email and click on the ‘Request Postage’ button on your invoice, or contact us by email requesting packing and shipping for your lot(s). The actual packing and shipping cost will then be added to your invoice and your invoice will be resent to you for payment.IMPORTANT When you request your lot(s) to be packed and shipped, you understand and agree that you are committing to pay for packing and shipping because, in order for us to give you an accurate cost, we need to pack the lot(s) to ascertain the final weight and size. By doing that, we have already incurred cost by spending time and using materials to pack your lot(s). Therefore this charge must be paid, even if you later decide to collect your lot.INSURANCE The above quotes do not include insurance. If you require insurance, please request this when you request your lots to be packed and shipped. We can only know the cost of insurance after the hammer falls as it is only then that we will know the value to be insured.MULTIPLE PURCHASES The estimates above are for this lot only. If you buy multiple lots from this auction, they can be combined where possible into one or more packages - size, shape and weight permitting. For these packages containing multiple lots, you will receive a discount of 17.5% of the total of the applicable quotes listed for those lots.Please note that this packing and shipping service is undertaken entirely at the buyer’s risk. Whilst we take the utmost care to pack items as well as we can, we cannot be held responsible for any damage to, or loss of, items packed and sent to you. By paying for our in-house packing and shipping service, the buyer agrees that any items are sent entirely at their own risk and that no compensation can be offered for any loss or damage. Lots must be paid for in full before they will be released.

A Chinese pink stained quartz snuff bottle, early 20th century, of flattened discoidal form, fitted with a jade stopper, height 7.5cm, together with a Chinese red overlay and snowflake glass snuff bottle of pear form, height 7cm.

A STAINED GLASS FRAGMENTARY PANEL19th century, depicting a biblical scene centred around the baby Jesus, 116cm high x 59cm wide

Victorian Arts and Crafts stained glass lantern, 8" by 8" and 12.5" tall (slight damage to two pieces of glass see pics).

* JOHN PIPER (BRITISH 1903 - 1992), MORETON CORBETT limited edition silkscreen print on paper, signed and numbered 42/70mounted, framed and under glassimage size 46cm x 99cm, overall size 57cm x 110cmProvenance: certificate of authenticity is included in this lot.Note: English painter, printmaker, draughtsman, designer, and writer. He reluctantly became an articled clerk in his father's legal firm, but took up the study of art after his father's death in 1926, first at the Richmond School of Art and then at the Royal College of Art. From 1928 to 1933 he wrote as an art critic for the Listener and the Nation and was among the first to recognize such contemporaries as William Coldstream, Ivon Hitchens, Victor Pasmore, and Ceri Richards. By the mid-1930s he was one of the leading British abstract artists, but by the end of the decade he had become disillusioned with non-representational art and reverted to naturalism. He concentrated on landscape and architectural views in an emotionally charged style that continued the English Romantic tradition (see Neo-Romanticism). Some of his finest works were done as an Official War Artist when he made pictures of bomb-damaged buildings. A similar stormy atmosphere pervades his famous views of country houses of the same period. Piper's work diversified in the 1950s and he became recognized as one of the most versatile British artists of his generation. He did much work as a designer of stage decor and of stained glass (notably at Coventry Cathedral) and was a prolific printmaker. In addition he made book illustrations and designed pottery and textiles. As a writer he is probably best known for his book British Romantic Artists (1942). He also compiled architectural guidebooks to several English counties, usually in collaboration with the poet John Betjeman. Two hundred and seven of his works are held in UK public collections.