Schließe mit Diamanten von zus. ca. 4,5 ct, davon zentraler Stein ca. 0,5 ct, ca. GW (K)/VS, weitere Steine ca. LGW-GW (I-K)/VS-P1, WG 18K, 11,8 gr, ca. 2,5x3 cm, 1920er Jahre, sehr guter altersgemäßer Zustand. Kann auch als Anhänger getragen werden.| Clasp with diamonds totalling ca. 4.5 ct of which central stone ca. 0.5 ct, ca. TIW (K)/VS, ca. STW-TIW (I-K)/VS-I1, 18K WG, 11.8 gr, ca. 2.5x3 cm, 1920s, very good condition consistent with age. Can be worn as a pendant.
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VINTAGE LEA STEIN SCOTTIE DOG BROOCH An early ''Tottie the Scottie'' brooch with V shaped clasp stamped Lea Stein Paris, 3.5cm wide. Together with vintage painted bone, leather and wooden brooches and a necklace depicting Alpine flowers. Condition Report : Clasp is missing from wooden dog and flowers brooch. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Autographed Colin Stein 16 X 12 Photo Edition: Colorized, Depicting Colin Stein Running Away In Celebration After Scoring The Opening Goal For Rangers In A 3 2 Victory Over Dynamo Moscow In The 1972 European Cup Winners Cup Final At The Nou Camp, Signed In Blue Marker. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
VERY RARE 9 CARAT GOLD MEDAL CELTIC F.C. - GLASGOW FOOTBALL ASSOCIATION CUP WINNERS 1904 MEDAL - INSCRIBED TO REAR 'WON BY CELTIC F.C. J.YOUNG' IN A 9 CARAT GOLD MOUNT James ‘Sunny Jim‘ Young is one of the greatest names in the rich history of Celtic, and one of the most successful players in the club’s history.Born in Kilmarnock the dour faced but big hearted half-back joined Celtic in May 1903 on a free transfer from Bristol Rovers and began a love affair with the club which was to last 14 incredible, trophy-laden years. He is said to have not come from a Celtic background, so continues the curious irony of great Celts with a non-Celtic background (e.g. Alec McNair etc).As for the nickname of ‘Sunny Jim’, it came from a cheesy advertisement for a breakfast cereal.Prior to becoming a Bhoy, Sunny Jim Young had been a self-confessed football mercenary quite prepared to play for any club which paid him a decent wage. But from the moment of his arrival at Parkhead, Sunny Jim Young developed an amazing affinity with a club in which he previously had no links with. It was to be a relationship which Celtic supporters would treasure forever.Sunny Jim Young made his debut in a goalless Charity Cup tie with Hibernian on 16th May 1903 and although originally played in defence he was soon moved to midfield from where he would orchestrate numerous wonderful Celtic successes for more than a decade.Immensely hard working and tough tackling Sunny Jim Young was to forge the perfect link between defence and attack and he was both the heartbeat and lungs of the Celtic side. His tireless running and battling runs were simply the inspiration for success after success.A natural born leader it was no surprise when Willie Maley appointed Sunny Jim Young captain in 1911. He would roar his team-mates on to victory and his pride in wearing the Hoops was obvious every second he was on the pitch. He also was the great man who helped to bring along many of the club’s future greats, such as Alec McNair.With Jim Young in the side Celtic won an incredible ten league championships and five Scottish Cups and no player contributed more to that glory than Sunny Jim. He may not have possessed the skills of some of his contemporaries but there was no one in the game who offered the effort and commitment of Sunny Jim Young.Surprisingly, he only received one international cap for a match in a 1-0 victory over Ireland. He did play in six Scottish League XI teams but the Scottish League XI did not win any of those matches. He deserved greater international recognition.If anyone is to question his ability, then they should note that he was Celtic’s captain through the bulk of the games in the unbeaten 66 games run in the league from November 1915-April 1917. An incredible achievement.After one incident at work where he injured his hand which put him out for three games, he lamented (likely with some humour): “Ye dinnae play fitba’ wi yer hand!”He also reiterated his respect for the support and his duty to repay them when on-field. In the 1913-14 season, Celtic were to play Motherwell away in the Cup, and due to the then extortionate prices, many Celtic fans said that if they had to pay that ticket price then they couldn’t afford the train ticket so walked down from Glasgow to the game. Sunny Jim Young so impressed and humbled by this gesture by supporters would point out to his fellow players as they passed the supporters:“Look at that! Walkin’ a the way fae Glesca! We’ve tae mak sure that they get guid performances fae us! They deserve it!”As a stout defender, he scored few goals but in season 1906-07 he chipped in with six goals, which included a double v Clyde (his only double) in a 3-3 draw. He at least got to score a goal v Rangers, in a thumping 4-0 victory in the Ne’er day derby match on 1 January 1914.During the war, as like many other Celts he remained at home and was working as an iron turner in an iron foundry (as he had done previously). This was a serious role, and heavy work plus he had family. Difficult for him was hearing of his old friends and Celtic colleagues who lost their lives in the fighting.What must be added about Sunny Jim Young is also that regardless of being non-Irish or Catholic etc he was as loved by the club, support and management as he himself loved all of them back. There were a number of other pioneers prior to him but he set in stone from early on what the club preached. It was the man and not any creed that mattered, and likely his success at Celtic paved the way for others (such as Alec McNair) to never need to further question ever coming to Celtic. Socially, his impact on the Celtic support was greater than people in these different times can truly understand.Back in those days, religion and politics were entwined, especially due to the Irish independence issue. Sunny Jim Young was though a Celtic man to the support first, and a Scots Protestant from Ayrshire somewhere after that. People like himself helped to make the club and ethos. World War One had really heightened tensions amongst communities in Scotland, and Sunny Jim Young is likely to have felt the impact too.As a measure of the high-esteem he was held in by all at Celtic is the fact that his testimonial in 1918 at Celtic Park attracted a crowd of 25,000. There is strong evidence that he was being possibly primed to be the next manager by Willie Maley. His length of service, success, and on-field leadership skills were skills that can’t be bought and so marked him rightly for the future slot. Willie Maley had touted a role for Sunny Jim Young as a trainer once his time on the field was ended, which was likely a stepping stone in time for the daunting task of taking over as manager.However, his playing career was ended early when he sustained a serious knee injury in September 1916 which he couldn’t shake off and so curtailed and ended his time at Celtic. A sad loss. His last match was a 1-0 victory over Hearts in the league on 30 September 1916. Celtic had won all five league games he had played in that season to date, plus also a 3-0 victory over Rangers in the Glasgow Cup semi-finals, and as Celtic were to win the league title by just 1pt over Rangers, his contribution in retrospect was as vital to the challenge as ever before.He was to eventually retire in 1917 due to the injury but not before playing 443 league & Scottish Cup games for his beloved Celtic and scoring 13 goals.During his time at Parkhead Celtic enjoyed a level of success they were not to witness again until the arrival of Jock Stein as manager. It was no coincidence that in time Sunny Jim Young’s departure would begin to see a slide in Celtic’s fortunes after 1917, as Celtic’s domestic hegemony was to come to an end.
A COLLECTION OF PETER PAN AND WIND IN THE WILLOWS THEMED CERAMICS, comprising a Villeroy & Boch Peter Pan Stein numbered 1618/10000, a complete series of four Royal Worcester 'The Peter Pan Collection' boxed collectors plates, featuring images by Mabel Lucie Attwell, and twelve boxed Wedgwood The Wind in the Willows collectors plates featuring artwork by Eric Kincaid (17 + 16 boxes + certificates) (Condition Report: good condition, no obvious damage, sd to boxes)
Chinesisches Bronzegefäß und 3 Steinfiguren: Sitzende Figur des Gottes Shou Xing, graugelbe Jade (?) geschnitzt und mit Resten von Bemalung, H 10,8 cm, Hutrand minimal bestoßen; Shou Xing, Speckstein geschnitzt und schwarz gefärbt, H 16,5 cm; Figur eines Fischers aus rotgelbem Stein geschnitzt, auf dunklem geschnitztem Steinsockel, Gesamthöhe 20,5 cm; Bronzegefäß auf 3 Beinen, vasenartig, teils durchbrochen gearbeitet, mit 4 vollplastischen, aus Öffnungen herausschauenden Figuren, 2 Henkel mit Drachenkopfenden, H 22 cm, alt repariert und etwas schief. 3546-010
Große Jugendstil-Graphik v. Else Rehm-Viëtor, deutsch Anfang 20. Jh., "Der Märchenprinz tafelt", Farblithographie, links unten im Stein signiert, rechts unten im Stein mit Signet von BG Täuber-Druck, 42 x 102 cm, im profilierten Holzrahmen unter Glas gerahmt, Gesamtgröße 48,5 x 108,5 cm, kleinere Altersspuren. 3545-044
Herman, Roger (geb. 1947 in Saarbrücken), Drei Lithographien, 1970, surrealistische Darstellungen: Frosch, Aufgerissener Brustkorb mit US-Amerikanischer Flagge, Kopfprofile mit ausgestreckter Zunge, alle im Stein sign. u. dat., zwei mit Bleistift sign., Größen zwischen 30,5 x 40,5 cm und 60 x 41,5 cm. 3545-088
Kokoschka, Oskar (Pöchlarn 1886 - 1980 Montreux), "The action-painter", Lithographie, am unt. Rand sign. u. bez. Probedr. Litho., im Stein monogr. u. dat. 1959, WK Wingler-Welz 212, 54 x 43 cm (Passepartoutausschnitt), kleinere Knickspuren, Gesamtgröße: 70 x 57 cm, Wiederaufnahme wegen Nicht-Bezahlung. 3937-0019
Picasso, Pablo (Málaga 1881 - 1973 Mougins), "La Colombe - Friedenstaube", Farblithographie, im Stein sign. u. dat. (19)61, am re. unt. Rand Prägestempel Editions Combat, Pour La Paix, Copyright S. P. A. D. E. M. Paris, 38 x 55,5 cm (Blattgröße), auf Passepartout aufgelegt, unt. Glas ger., Gesamtgröße: 61 x 78 cm, 3831 - 0016
Wunderlich, Paul (Eberswalde 1927 - 2010 Saint-Pierre-de-Vassols), "Penthesilea III", Farblithographie, re. unt. sign. u. num. 19/100, im Stein dat. (19)78, linke unt. Ecke Prägestempel manus presse und Prägestempel Matthieu Litho Switzerland, 72 x 52 cm (Passepartoutausschnitt), in profiliertem dekorativen Rahmen unt. Glas ger., Gesamtgröße: 100 x 87 cm, 3831 - 0006
Schmucktelegramm Deutsches Reich 1933-1945, mit der Darstellung A. Hitlers, Lithographie von Ludwig Hohlwein, rechts mittig im Stein Ludwig Hohlwein u. ortsbez. München, innen Hochzeitsglückwünsche aus Bad Kreuznach 1937, rückseitig Darstellung Reichsadler mit Hoheitszeichen und Schrift Deutsche Reichspost, innen Kanten leicht stockfleckig, 29,5 x 21,5 cm.
A vintage Lea Stein Paris penguin brooch pin. The brooch in the form of a standing penguin made of layered and contoured multi coloured and variously textured early plastics with V shaped metal rollover clasp to verso. Marked Lea Stein Paris. Total weight approx 10.4g. Measures approx 8.5cm. All weights, measurements and sizes are approximate.
A vintage Lea Stein Paris tortoise brooch pin. The brooch in the form of a tortoise / turtle made of layered red and green metallic effect early plastic and set with white stones, having V shaped metal rollover clasp to verso. Marked Lea Stein Paris. Total weight approx 5.6g. Measures approx 6cm. All weights, measurements and sizes are approximate.
A vintage Lea Stein Paris owl brooch pin. The brooch in the form of a harlequin owl made of contoured multi coloured and textured pearlescent early plastic with V shaped metal rollover clasp to verso. Marked Lea Stein Paris. Total weight approx 10.2g. Measures approx 6cm. All weights, measurements and sizes are approximate.
A vintage Lea Stein Paris fox brooch pin. The brooch in the form of a leaping fox made of twisted and contoured multi coloured and mottled pearlescent early plastic with V shaped metal rollover clasp to verso. Marked Lea Stein Paris. Total weight approx 10.2g. Measures approx 9.5cm. All weights, measurements and sizes are approximate.
BARÓN, FRANCISCO (Madrid 1932-2006), Skulptur: "Piedra de ... (Stein von....)", unleserlich betitelt, Stein / Findling, allseitig handbemalt und links mit Metall beweglich montiert, signiert "Barón", datiert "96" (1996) und betitelt. Die Bemalung / die Motive den natürlichen Konturen und Formen des Steins folgend. Der spanische Bildhauer studierte an der Kunsthochschule San Fernando in Madrid, war Stipendiat in London, Yale und Rhode Island. In den 1970er Jahren arbeitete er bevorzugt multiple bewegliche und umgestaltbare Plastiken aus Metall und Holz. H. 11 x L. 13,5 x T. 9 cm (partiell berieben und bestoßen).
TWO BOXES OF ANNUALS AND MISCELLANEOUS SUNDRIES, to include a collection of Wolves football programmes, a 1953 The F.A Book for Boys No.6, a Billy Bunters Holiday annual 1967, 1964 Football Champions, Victor Book For Boys 1971, 1968, 1970, 1975, 1979, JAG annual 1971, Charles Buchan's Soccer Gift Book 1965-66, 1969-1970, 1970-1971, Sparky 1971, Cor 1980, Dandy 1977, Knockout 1980, Rupert 1973, together with a Leonardo Collection 'Wishing Well' figurine, Royal Albert Old Country Roses pattern trinket dish, a Naturecraft No. 830 'Grandad's Darling', two West German Goebel figures 111 and 112, a German stein with pewter lid, etc.
24-teilige DDR Gedenkmünzensammlung - dabei z.B. 1 x DDR - 20 Mark 1978/A, Zum 175. Todestag von Johann Gottfried Herder, vz-, leichte Tönung, leicht verschmutzt, Kratzer sowie 1 x DDR - 20 Mark 1981/A, Freiherr vom Stein, vz-, Tönung, Kratzer, minimal fleckig, minimal Grünspan. Erhalt stets unterschiedlich. Am besten besichtigen.| 24 pieces GDR commemorative coin collection - while e.g. 1 x DDR - 20 Mark 1978/A, To the 175th anniversary of the death of Johann Gottfried Herder, EF-, light toning, slightly soiled, scratches as well as 1 x DDR - 20 Mark 1981/A, Freiherr vom Stein, EF-, toning, scratches, minimally spotted, minimally verdigris. Condition always different. Best to visit.
RASCH-NÄGELE, LILO (1914-1978), 2 Abstrakte Kompositionen, je Farblithographie/BFK Rives (mit Wasserzeichen), je mit Bleistift von Hand signiert und datiert (19)69, mit Bleistift num. II/49/50 und III/49/50, HxB: Stein je ca. 50x38 cm, Blatt je 65x50 cm. Altersspuren, leicht gebräunt und gewellt, part. fleckig. | RASCH-NÄGELE, LILO (1914-1978), 2 abstract compositions, each color lithograph/BFK Rives (with watermark), each signed by hand in pencil and dated (19)69, num. II/49/50 and III/49/50, HxW: stone each approx. 50x38 cm, sheet each 65x50 cm. Signs of age, slightly browned and wavy, part. blotchy.
CELTIC F.C., COLLECTION OF PROGRAMMES comprising vs. FAI Selection April 1953, Wolverhampton Wanderers October 1959, Sparta May 1960, Real Madrid Septembr 1962, Dinamo Zagreb February 1967, Newcastle February 1968, Shamrock Rovers March 1968, Manchester City August 1970, Feyenord February 1971, Nacional September 1971, Kiev Dynamo Feburary 1972, Tottenham August 1972, Sunderland August 1972, Billy McNeill Testimonial Liverpool, Benfica December 1974, 1965-74 Souvenir, Leeds February 1976, Manchester United May 1976, Ipswich November 1976, Chelsea August 1977, Jock Stein Testimonial Liverpool, China August 1979, Nijmegen 1980, Grun Weiss, Danny McGrain Testimonial Man Utd, Alan Rough Testimonial Allan hunter Testimonial, Dubai Super Cup Liverpool, Cosmos July 1981
Auf ovaler Plinthe. Stehendes Mädchen sich zu seinem nach vorne gebeugten Vater streckend um ihm etwas zuzuflüstern. Hinter ihnen ein Stein mit der Aufschrift 'Zum Andenken'. Polychrom bemalt. Unter dem Boden unterglasurblaue Zeptermarke der Königlichen Porzellan-Manufaktur Berlin, daneben roter Reichsapfel. 20. Jh. H. 21,5 cm.
WG 750. Blütenförmige Chatonfassung, darin ein von acht Krappen gehaltener, großer Diamant im Brillantschliff. Gemäß aktuellem Wertgutachten zum gefassten Stein von Juwelier Seilnacht, Freiburg, vom 15.6.2023, beträgt das Gewicht ca. 1,63 ct. Die Farbqualität wird mit etwa F (feines Weiß), die Reinheit mit mindestens SI1 (small inclusions) und die Schliffgüte mit etwa gut angegeben. Der aktuelle Referenzpreis wird mit ca. 12.900 Euro taxiert. Herstellersignatur `Nittel`. Ca. 1970er Jahre. Zungenschiene, Gr. 55. 4,5 g.
GG 750 (nicht punziert, geprüft). Schultern besetzt mit zwanzig Diamanten im Princess-Cut (zusammen ca. 1,00 ct). Im Zentrum sitzt ein von sechs Weißgoldkrappen gefasster, großer Diamant im Brillantschliff. Gemäß aktuellem Wertgutachten zum gefassten Stein von Juwelier Seilnacht, Freiburg, vom 15.6.2023, beträgt das Gewicht ca. 1,56 ct. Die Farbqualität wird mit etwa G (feines Weiß), die Reinheit mit mindestens VSI2 (very small inclusions) und die Schliffgüte mit etwa sehr gut bewertet. Der aktuelle Referenzpreis wird mit ca. 13.500 Euro taxiert. Gr. 57. 8,2 g.
Weißgold 750, gepunzt Au750, Zungenschiene, Ringgröße 53. Besetzt mit einem laborgezogenen Diamanten im Brillantschliff von 1,09 Karat in Krappenfassung. Gutachten des IGI International Gemological Institute vom 16.02.2023 mit der Nummer LG 570332076. Die Gutachtennummer wurde zusammen mit dem Institutsemblem auf den Gürtel des Steins gelasert und stimmt überein. Demnach weist der Stein folgende Merkmale auf: Runder Brillantschliff mit den Maßen 6,68-6,74 x 4,03 mm, Gewicht 1,09 Karat, Farbgrad D (entspricht River, Blauweiß), Klarheit VS1, Schliff ideal, Politur und Symmetrie excellent, keine Fluorenzenz. Keine Hinweise auf nachträgliche Behandlung. Gesamtgewicht 3,52 g.
1877 Sarbogard/Ungarn - 1953 München. Vier Zeichnungen, teilweise aufkasch. Bei einem Blatt: Verso Stempel: Für die Meggendorfer Blätter, Nr. 2678. Auf zwei Blättern Mathilde Ade signiert. Eine Lithogr. Eugen Nanz (1887-1958). Im Stein sign. u. Stuttgart 1911 dat. Verso Stempel: Für die Meggendorfer Blätter, Nr. 2052.
Collection of twelve German ceramic and pewter beer steins, of various designs and sizes to include; Ceramic Pewter and Lithophane Regimental Stein with pewter eagle hinged topper and translucent soldier and lover base height 24cm stamped ‘Made in Western Germany’ to underside, Liechtenstein salt glaze stein, smaller Wekara steins (x2), Echt Salzglasiert blue floral stein, Aitenkunstadt stein, BM & MM stein, Royal Porzellan Bavaria stein, a Gerz 1862 salt glaze tall mug & three others. Total quantity 12. (12)
Imperial German Regimental Stein of Wurttemberg Grenadier Regiment Nr119, fine example of a porcelain stein with pewter top having scene of German soldier helping a wounded comrade to the top. Printed military scenes and regimental details to the centre of the stein. Interior with image of soldier and sweetheart to base. Stands 30cms. Late Gordon Anderson collection

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