We found 26525 price guide item(s) matching your search

An amethyst, emerald and diamond ring, of bombé design, the front set with calibré-cut amethyst cabochons spaced by step-cut emeralds, within outer borders of brilliant-cut diamonds, mounted in gold, size N1/2, stamped 750

German WWI Ersatz Mauser bayonet EB34 made for Turkey, The two-step muzzle ring allows fitment on both the 8 mm. Mauser Gewehr 98 and earlier 8 mm. M1888 Commission Rifle. In good condition

A SMALL WOODEN TWO RUNG STEP SEAT

A WOODEN TWO RUNG KITCHEN STEP

THREE VARIOUS VINTAGE WOODEN STEP LADDERS

AN ASSORTMENT OF ITEMS TO INCLUDE A STEP LADDER, A FAN HEATER AND A FOOT PUMP ETC

TWO VINTAGE WOOIDEN STEP LADDERS

An 18thC French gilt wood figure of The Madonna and Child, in standing pose, raised on a stepped base, titled to upper step, 33cm high.

Four step folding ladder. Not available for in-house P&P

New unused folding step stool. Not available for in-house P&P

12 Corgi Commercial Vehicles. "Hauliers of Renown" series Scania R Facelift Box Step Frame Trailer (CC13754). Foden S21 Artic Trailer with 2 Containers. Bedford TK Four Wheel Platform Lorry. Guy Invincible 8 Wheel Platform Lorry. Morris 1000 Pick-Up and a Thames Trader pair. Plus a Renault, Volvo, DAF, Ford Transcontinental articulated trucks. Also a Land Rover Defender 110, Ford Escort Van and a Fork Lift Truck. All boxed, some wear/damage to a few, some vehicles loose in their boxes. Vehicles VGC. £60-80

2 modern Corgi Special Edition "Hauliers of Renown" series articulated trucks. Scania R Facelift Box Step Frame Trailer, Eddie Stobart (CC13754). Plus a Volvo F12 40' Flatbed & Load, H.E. Payne, Bedfordshire. Both boxed. Contents Mint as new. £60-80

A set of vintage pine library steps with faux leather on each step. Very desirable piece of furniture. GC. £40- £60

2 modern Corgi Limited Edition/Special Editions "Hauliers of Renown" series articulated trucks. Scania R Nooteboom Step Frame Trailer, (CC13745). Eddie Stobart Rail, Carlisle Cumbria. Plus a MAN TGA XXL Curtainside, (CC13415). Eddie Stobart Ltd. Both boxed. Contents Mint as new. £60-80

An Art Deco diamond necklace, 1920s, the drop-shaped pendant of abstract foliate design, set with circular-cut and baguette diamonds, centring on a rectangular step-cut diamond weighing approximately 0.95 carats, to a chain spectacle-set with circular-cut diamonds with a later hook clasp, mounted in platinum, necklace length 44cm, pendant length 6.7cm, possibly originally a longer sautoir, adapted to a shorter length, fitted caseJL57 dia deco sautoir

A fine emerald and diamond ring, 19th century, of saddle design, set with a geometric arrangement of step-cut emeralds and circular- and rose-cut diamonds, to foliate shoulders and a fluted band, mounted in silver and gold, size T1/2, front measuring 2.9 x 1.9cm

A fine ruby, emerald and diamond brooch, 1830s, designed as a butterfly in gold cannetille, set with step-cut, pear- and cushion-shaped rubies, emeralds and diamonds, its body set with a line of half pearls, wingspan 4.1cm, fitted case stamped Good's Cameo Corner, New Oxford St

A Henhman model GW180 aluminium adjustable step ladder

Quantity of Black & Decker power tools and a black plastic storage step stool

TWO CIRCULAR METAL GARDEN TABLE and two chairs, along with an aluminium step ladder (condition report: tables dismantled) (5)

FOUR ALUMINIUM STEP LADDERS

A PAIR OF WHITE METAL DIAMOND EARRINGS, AF conversion piece, art deco style, each set with a central rectangular step cut diamond each approximately 0.10cts, flanked with two brilliant cut diamonds, with four single cut diamond accents, one fitted with a post and scroll fitting, the other is missing fittings, unmarked, estimated total diamond weight 0.80cts, approximate gross weight 4.7 grams (condition report: appear to be originally links of a bracelet, require attention, stones secure)

AN ALUMINIUM DOUBLE EXTENSION LADDER, length 13ft, and two step ladders (3)

Oil on Board. Titled 'Le Premier Pas' / 'First Step'. Signed lower right. Measures 22.5" x 18.5" including frame, 15.5" x 11.5" image only.Since 1998 the record price for this artist at auction is 22,915 USD for "A Card Party", sold at Christie's South Kensington in 2004. Condition: Age related wear.

A FAMILLE ROSE PORCELAIN OPIUM PIPE BOWL STAND Of two tier design, the centre of the upper tier decorated with a pocket watch dial, within bats, the front and sides of the stand with various figures in a garden landscape, 19th Century, 19cm wide, 15cm high Provenance: The Christina Loke Balsara Collection, from which acquired directly by the vendor Condition: Fine condition. Very minor chips to feet. Small spot of dark green enamel loss at right hand side, bottom step to the left of the ring hole. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A GROUP OF FOUR SOUTHEAST ASIAN ZOOMORPHIC MINIATURE JARLETS Three Khmer, Circa 12th Century, a miniature owl form lime pot, applied eyes, incised raised beak and tail, related partly glazed concentric tiered lid; a miniature horse lime pot, olive green glaze, moulded applied protruding features, mismatched lid; a miniature dog form lime pot, light yellow/green glaze, applied face, paws and tail, four tiered conical lid; together with a small later Southeast Asian crab pot 2cm to 6cm height Provenance: Property from the Southeast Asian ceramics collection of a former diplomat Condition: Condition Report Mismatched lids on owl and dog pots, chips and glaze degradation to horse pot, chip to lid step and glaze degradation on dog pot. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Cap pattern 52 in the rank of captain. The bottom of the cap is round, finished with a red galloon at the edge, between the rim and the bottom there is a galloon made of bajore thread. Red rim. On the front there is a visible step in the form of three five-pointed stars and an early eagle from the Grabski matrix. Leather lining, fastened with a buckle, black peak with silver fittings. Cap in size 56, inside visible label "Wytwórnia Czapek Fordon", leather sweatband. Cap in very good condition, visible in the photos.

Two aluminium step ladders tallest measures approx 100 inches

19th century library steps or bed steps. Mahogany structure and Fitted with green leather step sections. Lift up storage lid and movable centre- revealing commode area. [65x46x73cm]

John Wilson 'Step by Step' Limited edition 168/295 Giclee on Hahnemuhle paper. Released spring 2006. Comes with certificate of authenticity. Signed in pencil by the artist. [Art work-17"x24"]

An early 20th century stained pine portable library step

A Victorian mahogany library/bed steps, with tooled leather treads, the top step with hinged tread revealing a storage well, the middle step sliding and with hinged tread revealing further storage, raised on turned supports (possible converted from a commode), 42 cm w x 69 cm x 66 cn h o/all

A 19th century Mahogany open-armed elbow chair having turned front legs and arm supports to the down-swept arms, the cross-rail to the back representing a rope rattling/ratline (rigging cross-step) of a sailing ship's rigging. The drop-in seat with later yellow/beige patterned fabric.

A slice, strawberry and thumb cut pedestal scent bottle on a square step base mounted in Sterling and enamel silver having polished stone finial (top a/f). 6" tall

Vintage wooden step ladders Dimensions: Height: 157cm 

the eight steps set with brass roundel fixtures and brass hinges, height 89cm, width 39cm. *CR Several large repairs, scuffs and marks, split along one top step, polished surface.

A Double Row Cultured Pearl Necklace, with An Emerald and Diamond Claspthe 56:59 cultured pearls knotted to a cluster clasp comprising of old cut and rose cut diamonds and rectangular step cut emeralds, in yellow claw settings, total estimated diamond weight 0.10 carat approximately length 38cmThe necklace is in fair condition with damage throughout the emeralds and diamonds. We cannot guarantee the integrity of the string. it fastens with a tongue and box catch. It bears no hallmark nor stamp but in our opinion would test as gold. The approximate qualities of the diamonds are; colour J/K/L, clarity I1/I2/I3. Gross weight 41.0 grams. CR made 24.07.23.

A Sapphire and Diamond half Hoop Ring, six step-cut sapphires spaced by pairs of round brilliant cut diamonds, in white claw settings, to a plain polished shank, finger size RStamped '18CT'. Gross weight 3.4 grams.

A Synthetic Sapphire and White Stone Pendant and A Pair of Synthetic Sapphire and Diamond Earringsthe emerald-cut sapphire surmounted by a pair of step cut white stones, in yellow claw and channel settings; the earrings comprising of an emerald-cut synthetic sapphire surmounted by a trio of round brilliant cut diamonds, in yellow and white claw settings, total estimated diamond weight 0.15 carat approximately with post and clip fittingspendant length 1.8cm, earring length 1.5cmThe pieces are in good condition. The pendant bears no hallmark nor stamp but in our opinion would test as gold. The earrings are stamped '14K' and in our opinion would test as gold. The approximate qualities of the diamonds are; colour H/I/J, clarity VS2/SI1/SI2. Gross weight 6.0 grams. CR made 02.08.23.

A six rung wooden step ladder, and a fire kerb.

A chrome plated step stool.

A six rung aluminum step ladder.

Six rung aluminum step ladder.

Five rung aluminum step ladder.

A metal step platform.

WASSILY KANDINSKY (1866-1944)Milieu jaune signed with the artist's monogram and dated '34' (lower left); signed with the artist's monogram, inscribed and dated 'No. 597 1934 - 'Milieu jaune'' (on the reverse)oil and tempera on panel64.6 x 81.3cm (25 7/16 x 32in).Painted in Paris in March 1934 Footnotes:ProvenanceNierendorf Gallery, New York, no. 28.Hilla von Rebay Collection, Westport (acquired by 1945).Nina Kandinsky, Paris.Galerie Maeght, Paris, no. 9433 (acquired from the above by 1970).Private collection, Europe (acquired from the above in 1975).A gift from the above to the present owner in 1983.ExhibitedLondon, April 1937. (Possibly) Bern, Kunsthalle Bern, no. 0060.New York, Solomon R. Guggenheim Foundation, Museum of Non-Objective Painting, In Memory of Wassily Kandinsky, 15 March - 15 May 1945, no. 146. Paris, Galerie René Drouin, Kandinsky, Époque parisienne, 1934-1944, 2 June – 2 July 1949, no. 43.Paris, Galerie Maeght, Kandinsky, November 1953, no. 42. Paris, Galerie Maeght, Kandinsky, Période parisienne, 1934-1944, 1969, no. 1 (later travelled to New York).Baden-Baden, Staatliche Kunsthalle, Wassily Kandinsky, Gemälde 1900-1944, 10 July – 27 September 1970, no. 129. Humlebaek, Louisiana Museum of Modern Art, Wassily Kandinsky-Paul Klee, 30 October 1971 – 9 January 1972, no. 31. Charleroi, Palais des Beaux-Arts, Wassily Kandinsky rétrospective, 29 January – 12 March 1972, no. 38. Zurich, Galerie Maeght, Kandinsky, April 1972, no. 45. Paris, Musée d'Art Moderne de la Ville de Paris, Hommage de Paris à Kandinsky, La conquête de l'abstraction, l'époque parisienne, 7 June – 30 July 1972, no. 16. LiteratureThe artist's handlist, Vol. IV, no. 597. W. Grohmann, Wassily Kandinsky, Life and Work, New York, 1958, no. 434 (illustrated p. 385). H.K. Roethel & J.K. Benjamin, Kandinsky, Catalogue Raisonné of the Oil Paintings, Vol. II, 1916-1944, London, 1984, no. 1034 (illustrated p. 934).His admirable eye, merging with his faint veil of glass to form perfect crystal lights up with the sudden iridescent glitter of quartz. It is the eye of one of the first and one of the greatest revolutionaries of vision.- André Breton in his preface for the catalogue of the 1938 Kandinsky exhibition organised by Peggy Guggenheim in London, translated by Samuel Beckett.A conjuror of sublime artistic realms, Wassily Kandinsky was limitless in achieving grand and adventurous compositions. But in the harsh grounds of reality – namely, Europe in 1933 – he once again found himself torn between worlds. Kandinsky and his wife Nina's uprooting from Berlin had been sudden, spurred by the Nazi regime's coordinated attack on Modern art, which culminated in the closing of Kandinsky's beloved Bauhaus school. As a Russian-born artist whose fame was then more pronounced in Germany than in France, Kandinsky encountered in Paris a strange hybrid of novelty and familiarity. Cubism was enjoying a fervent resurgence, the Surrealists were transforming the definition of art, and the Abstraction-Création movement was revitalising austerity and constructivism in art. But none of these dogmatic movements, with their rigid formulae and manifestos, wooed Kandinsky. While he extracted certain stylistic and technical innovations from his peers, he ultimately sought freedom and solitude in his wholly individual style. The present work was created at the outset of Kandinsky's richly prolific Paris period, commencing in 1934 after a six-month hiatus due to his and Nina's relocation. In his new studio at Neuilly-sur-Seine, Kandinsky generated a body of work that exploded with vision and colour, introducing a fresh vocabulary of forms grounded in the infinite complexity of the natural world. Despite his being forced to leave Germany at the brink of its demise, these paintings - the first of which was aptly titled Montée gracieuse ('Graceful ascent') - exude optimism, sentimentality and faith in the future. Toiling in relative seclusion, Kandinsky reaffirmed his persona as a painter of worlds, concocting grandiose visions of words, sounds and organisms, distilled by his unique and highly spiritual painterly formula. Milieu jaune presents to the viewer a celestial vision, which at once feels universal and deeply personal. The background throngs with the cosmic force of some omnipotent entity made of glowing yellow starlight, encased in swirling vortexes of lavender and pink. To the lower centre, a purple crescent moon rendered with compass-like exactitude rises like an omen over a conservatory dome bathed in daylight, housed behind a proscenium archway one might access via the floating rungs beneath it. These architectural forms conjure a grand temple in an Arcadian realm, immortalised by their constructive frameworks and yet undulating in a rhythmic trance. Indeed, the central diagonal lines seem to evoke successive chords in a symphony, while the alternating colour planes in the nearby pentagon conjure a tinkling melody, anchored by the steady percussion of the short, staccato lines to the upper centre. These tantalising currents, made tangible through the repeated hints of gateways and ladders, generate an ultimate odyssey of contemplation. The viewer – guided by divine light – is invited to step up into the painterly realm and explore its glimmers of interlinking narratives and settings. The Surreal notion of physically inhabiting an artwork captivated Kandinsky since childhood, as he would later call upon the viewer to 'take a walk' in his paintings, 'to compel him to forget himself, to dissolve himself in the picture' (Kandinsky quoted in W. Grohmann, op. cit., p. 31). Concurrently, the resemblance between Kandinsky's semi-circular and oval forms to eyes invokes a sense of omnipotence, as we the all-seeing viewers take stock of the artist's grand design. This overwhelming sense of gazing upon a primordial universe is a powerful incantation of Kandinsky's abstraction, which was crafted according to 'the totality of natural laws governing the cosmos' (Kandinsky quoted in W. Grohmann, ibid., p. 224). In Paris in the 1930s, Kandinsky's new focus on scientific, biological and cosmic motifs brought that motive to fruition, in the spirit of his friends Paul Klee and Jean (Hans) Arp, as well as Surrealists such as Salvador Dalí and Joan Miró. Indeed, the playful sequence of undulating semicircles to the lower left could convey fairy-tale toadstools, or the interlocking segments of a caterpillar-like entity on the brink of its imminent metamorphosis. 

Regal FA Cup Final record 1932, with Newcastle label to one side and Arsenal to the other, with sleeve; and 1924 The Magpies One Step Song sheet music, published by J.G. Windows, Newcastle. (2)

Folding ladders, step etc

Hohner Model MC05 acoustic guitar and Learn to Play The Guitar a Step by Step Guidebook

Non-motorised Pro-Fitness treadmill and step machine

Bemo H0m Gauge Swiss Electric Locomotives and Coach, all boxed, of the Montreux Oberland Bernois (MOB), 1280 301 Gde 4/4 6001 Vevey (some glue repair to one handrail one step partially damaged, 1280 304 Gde 4/4 6004 Interlaken minus one window, two steps broken and other small detached components, both in blue/cream livery and 3254 MOB coach in pale blue/cream livery, F-E, boxes F-VG, (3)

the step-cut aquamarine is set with four circular-cut diamonds to each shoulder, in white gold, 5.0 grams. Size N. *CR Some wear to the shank, but no other obvious damage.

the step-cut aquamarine is set within a surround of calibre-cut rubies, with circular-cut diamonds set to each shoulder, in yellow gold, 11.2 grams. Size K 1/2. *CR With some general wear.

each earring mounted with a step-cut aquamarine and a baguette-cut diamond in 18ct white gold, 1.5cm high, 6.0 grams. *CR No obvious damage or repair.

Pierre La Faguays - A 1920s Art Deco gilt and patinated bronze figure of a dancer in turban, top with suns and moons and pantaloons, dancing with one leg raised and arms outstretched above a variegated marble ball and stepped pedestal base, signed to the lower step La Faguays, height 38cm.

Clarice Cliff - Sharks Teeth - A large four step shape 367 bowl circa 1930, hand painted with abstract arch lines in brown, orange and yellow with black teeth motif, Fantasque mark, width 23cm, damaged.

Drei Elastolin SS-Leibstandarte-Soldaten mit Fahnenträger im neuen Schritt Elastolin, Masseausführung, 30er Jahre, 7 cm-Serie. Ein LAH-Leibstandarte-Fahnenträger im neuen Schritt, 1939er Ausführung, die Parteifahne eine lithografierte Blechausführung, seltene Ausführung, schwarz umrandet "Blutfahne", leichte Rissbildung, die Armbinde noch gut erhalten. Dazu zwei LAH-Ehrenwache-Soldaten mit Gewehr, Armbinden gut erhalten. Insgesamt guter Zustand mit Spiel- und Altersspuren, seltene Figuren. Three Elastolin SS Life Guard soldiers with flag bearer in new step Three Elastolin SS Life Guard soldiers with flag bearer in new stepElastolin, Masseausführung, 30er Jahre, 7 cm-Serie. Ein LAH-Leibstandarte-Fahnenträger im neuen Schritt, 1939er Ausführung, die Parteifahne eine lithografierte Blechausführung, seltene Ausführung, schwarz umrandet "Blutfahne", leichte Rissbildung, die Armbinde noch gut erhalten. Dazu zwei LAH-Ehrenwache-Soldaten mit Gewehr, Armbinden gut erhalten. Insgesamt guter Zustand mit Spiel- und Altersspuren, seltene Figuren.Condition: II

A Service Uniform for an SS-Mann of Infantry 1. SS-Panzer Division "Leibstandarte SS Adolf Hitler" Field-grey wool, five-button front, collar with double hook closure, breast and hip pockets with straight pocket flaps, two-hole belt ramp openings, two-button cuff adjustment, field-grey painted pebbled buttons. Left sleeve with enlisted eagle machine-embroidered in white thread, hand-applied. Cuff title of black cloth band with grey thread borders, at centre "Adolf Hitler" machine-woven in grey thread, machine-applied. Right collar tab with SS runes machine-embroidered in white thread on black backing, blank left rank tab of black backing, both machine-applied. Slip-on shoulder straps of black cloth with field grey underneath, piped in white rayon, black cloth slide with machine-embroidered "LAH" cypher attached, secured with field-grey pebbled buttons. One-step SS contract partial lining in grey HBT rayon, stamped with size and "SS BW". Field-grey wool breeches, six-button hidden fly, slit side pockets with button closure, watch pocket with button closure flap, waist adjustment straps with buckles, four cloth belt-loop button straps, partially lined in white cotton, size, date and R.B. Nr. stamped. USA-Los – weitere Infos hier A Service Uniform for an SS-Mann of Infantry 1. SS-Panzer Division "Leibstandarte SS Adolf Hitler" A Service Uniform for an SS-Mann of Infantry 1. SS-Panzer Division "Leibstandarte SS Adolf Hitler"Field-grey wool, five-button front, collar with double hook closure, breast and hip pockets with straight pocket flaps, two-hole belt ramp openings, two-button cuff adjustment, field-grey painted pebbled buttons. Left sleeve with enlisted eagle machine-embroidered in white thread, hand-applied. Cuff title of black cloth band with grey thread borders, at centre "Adolf Hitler" machine-woven in grey thread, machine-applied. Right collar tab with SS runes machine-embroidered in white thread on black backing, blank left rank tab of black backing, both machine-applied. Slip-on shoulder straps of black cloth with field grey underneath, piped in white rayon, black cloth slide with machine-embroidered "LAH" cypher attached, secured with field-grey pebbled buttons. One-step SS contract partial lining in grey HBT rayon, stamped with size and "SS BW". Field-grey wool breeches, six-button hidden fly, slit side pockets with button closure, watch pocket with button closure flap, waist adjustment straps with buckles, four cloth belt-loop button straps, partially lined in white cotton, size, date and R.B. Nr. stamped. USA lot - more info hereCondition: I -

A vintage wooden step ladder COLLECT ONLY

A step stool COLLECT ONLY