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Lot 243
Designed by Peter Aldridge and Jane Osborn-Smith in 1985, shape no. 0369, produced in an edition of fifty; this example engraved by Ladislav HavlikOf globular form, with an undulating rim, in colorless glass, the body engraved with five highly detailed swimming swans with arched necks, various textures, engraved Steuben JCS PSA 4. Height 8 inches, diameter 9 inches.This lot is accompanied by its original fitted presentation case and portfolio.A Swan Bowl made in 2008 engraved by Renn Shepherd is in the collection of The Corning Museum of Glass, gift of Steuben Glass, accession number 2008.4.73. It is on view in the Ben W. Heineman Sr. Family Gallery of Contemporary Glass.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Lot 1705
Konvolut Wiking Schiffsmodelle um 1940, teils gemarkt und bezeichnet, Metallguss farbig gefasst, bestehend aus Kriegs-, Fracht- und Passagierschiffen, darunter Schlachtschiff Scharnhorst mit beweglichen Teilen, Flugzeugträger Eagle und Gotland, Dampfschiff Steuben und Aviso Grille, Drahtteile tlw. bestoßen, sonst guter altersgemäßer Zustand, L 3 bis 18,5 cm.
Lot 170
This exquisite Steuben Judaica Crystal & Bronze Menorah, designed by celebrated artist Joel Smith in 1995, is a stunning tribute to Jewish heritage and artistry. Inspired by the timeless symbolism of the Wailing Wall in Jerusalem, this menorah combines Steuben's signature flawless crystal with finely crafted bronze accents to create a breathtaking piece of Judaica. The menorah features a curved bronze base with candle cups and an engraved crystal "wailing wall". Signed Steuben lower left of crystal. Artist: Joel SmithIssued: 1995Dimensions: 4.25"HCountry of Origin: United StatesCondition: Age related wear.
Lot 315
Comprising a Daum seal, Daum angel fish, Daum water bird, Steuben "Close to the Wind" sails, Steuben seal with a ball, unmarked whale, unmarked seal, and two Steuben bowls. Length of largest 15 inches.No condition report? Click below to request one. *Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report
Lot 613
Steuben, United States. Art deco oriental jade-green glass lamp surmounted atop a gilt bronze base with foliate and crest motifs in relief, ca. 1920s. There are threads of ruby glass revolving around the upper neck of the lamp's glass vase.Height: 26 in x diameter: 6 in.Condition: There are no visible cracks, chips, or losses to the glass. Light accretions throughout. Some tarnishing and wear to the metal components. Minute losses along the colored strands of glass along the neck of the vase Lamps and wiring not tested.
Lot 548
This four-piece collection includes a champagne glass, wine glass, cocktail glass, and sherry glass, each adorned with a beautifully etched floral design and a swirl-patterned stem in a rosa hue. Steuben acid mark. Wine glass: 8.25"H x 3.75" dia. Sherry glass: 5.75"H x 3.25" dia. Champagne glass: 5"H x 4.5" dia. Cocktail glass: 6.5"H x 4.5" dia. Dimensions: See DescriptionManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
Lot 1232
A Steuben Moondream 14ct yellow gold and cut crystal art glass crescent moon pendant necklace, the pendant measures approx 4cm in diameter and approx 5.3cm in height including the bale, suspended from a 14k yellow gold choker necklace, terminating moon tips, the pendant and choker are stamped "S 14K" for Steuben and 14ct gold, the pendant total gross weight is approx. 45.5 grams, total gross weight of the choker is approx. 15.2 grams, inside diameter of the choker is approx. 11cm, original Steuben fitted leather case
Lot 30
A crystal centerpiece, handblown with exceptional craftsmanship, featuring a sleek crystal bowl atop a pedestal base. This elegant design showcases Steuben's renowned clarity and artistry. Signed Steuben on underside of base. Issued: 20th centuryDimensions: 4.75"H x 9.75"Dia. Manufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
Lot 149
A COLLECTION OF 1:1200 SCALE NORDDEUTSCHER LLOYD LINE SHIP MODELS BY BASSETT-LOWKEcomprising Norddeutscher Lloyd Line liners Sierra Cordoba; Kaiser Wilhelm II; General von Steuben; Columbus; Europa (2); Bremen; Scharnhorst; and Gneisenau, with maker's label to underside, secured to blue base and contained within glazed Perspex case with ship titles to front -- 19 x 13 x 6½in. (48 x 33 x 16.5cm.)The Derek Head CollectionBonhams Knightsbridge: The Marine Sale, 15 April 2015, lot 23.
Lot 354
An etched glass vase in the manner Rodrigo Moynihan, flaring form on three applied feet, etched with a simple waving leaf design, a James Powell Whitefriars trailed footed bowl, three John Walsh Walsh Leaf vases designed by Clyne Farquarhason, an etched jug and a vase, and two Newlyn copper pen trays, unsigned, 10cm. high (9)Provenance The Collection of the Late Howard Duckworth LiteratureBritish Artists in Crystal, 1954, for a comparable example made by Steuben.
Lot 365
A crystal flag along with an Excelsior display box lamp. The flag is meant to sit on top of the box lamp for an illuminating display. Etched Steuben. Flag measures 6.25"L x 3.75"W x 2.25"H. Display box lamp measures 9"L x 5.5"W x 3.25"H. Dimensions: See DescriptionManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear. As is. Minor scratches. Functionality not guaranteed.
Lot 224
Crystal and Glass Assortment (8) items including a Lalique Hirondelles bird bookend, an Ermenonville vase and a frosted sparrow, all having engraved marks, an eagle and an owl clear paperweights having engraved Steuben marks underside, sitting and recumbent cats in black crystal having etched Baccarat marks underside and an iridescent glass vase having an indistinct engraved signature underside Property from: an Estate, Chicago (Near North), Illinois Height: 6 1/4 inches, Width: 4 1/4 inches, Depth: 3 1/2 inches (tallest) Condition: overall light wear consistent with normal use Category: Decorative Arts > Fine Glass Estimated Sale Time: 1:09 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1
Lot 510
John Northwood II for Stevens and Williams, a Silveria iridescent glass vase, circa 1900, twisted organic form, pinched and flared to the rim, encased silver foil within pink, blue and amber shot shell, overlaid with random green web trailing, incised mark to the polished pontil SW, 15cm highNote: probably a collaborative effort with designer Frederick Carder, who later developed a range of iridescent and foil-cased glass at Steuben in America, the technique was difficult to perfect at the Stourbridge factory making the production short lived and the pieces quite scarce.
Lot 4372
Gustave Courbet, “Wildbach”In Motiv, Colorit und Malweise für das Œuvre Courbets typische Bachlandschaft der 1860er Jahre, tosender Wildbach in zerklüfteter, felsiger Waldlandschaft, möglicher Weise Vorstudie zu Courbets wiederholt verbildlichten “Entrance of the Puits-Noir Valley, Douvs, Evening Effect” von 1865, 1860 richtete sich Courbet ein Atelier an der Straße von Ornans nach Besançon in seiner Heimat Franche-Comté ein, wie für Courbets Flusslandschaften dieser Jahre charakteristisch, schichtet er Farbflächen über dunklem Grund aufeinander, hierzu bemerkt er selbst: “Die Natur ist ohne die Sonne schwarz und dunkel, ich tue, was die Sonne tut, ich setze die wichtigen Punkte ins Licht, und fertig ist das Bild.”, stark pastose Malerei in Spachteltechnik, Öl auf Malkarton, Mitte der 1850er bis frühe 1870er Jahre, links unten signiert “G. Courbet”, rückseitig Etikettfragment der Salzburger Landesgalerie mit Bezeichnung und Titel, die Inventarnummer und die Rahmeninventarnummer stimmen mit den Angaben des Inventarbuchs der Landesgalerie Salzburg überein (vgl.: Fritz Koller, Das Inventarbuch der Landesgalerie Salzburg (1942-1944), Salzburg 2000, S. 216f.), wir danken diesbezüglich auch Susanne Greimel vom Museum der Moderne Salzburg für freundliche Hinweise, rückseitig Etikett des Malgrundherstellers “GENUINE FLEMISH GROUNDS [...] BY C. DAVY [...] LONDON”, auf späterem Etikett nochmals bezeichnet “Courbet”, kleinere Fehlstellen am Bildrand, sonst guter unrestaurierter Originalzustand, ungerahmt, Falzmaße ca. 24 x 32,6 cm.Provenienz: der Nachkriegs-Inventarliste der US-Armee von 1947 zufolge vom Salzburger Galeristen Friedrich Welz am 9. Oktober 1940 beim Pariser Kunsthändler Rudolf Holzapfel legal für die Salzburger Landesgalerie erworben, dort in der Ausstellung “Französische Kunst im 20. Jahrhundert” ausgestellt, das Gemälde stammt laut Vorbesitzerangaben aus dem Nachlass des Malers Paul Matthias Padua, der einige Werke aus der Salzburger Landesgalerie erwarb, weder das "Art Loss Register" noch die "Lost Art Datenbank" führen das Gemälde als vermisst. Quelle: “Französische Kunst im 20. Jahrhundert” , Galerie Welz (Hsg.), 1941, Abb. S 8.Künstlerinfo: eigentlich Jean Désiré Gustave Courbet, frz. Maler, Lithograph (1819 Ornans bis 1877 La Tour de Peilz), ab 1837 Gymnasium in Besançon, hier künstlerische Förderung durch Pére Baud aus Ornans und Schüler der privaten Zeichenschule von Charles-Antoine Flajoulot, ab 1840 Studium der Rechtswissenschaften in Paris, parallel autodidaktische künstlerische Ausbildung im Louvre und gefördert von Carl von Steuben und Nicolas-Auguste Hesse, in den 1840ern erste Ausstellungen im Pariser Salon, 1844 gänzliche Hinwendung zur Malerei, hielt Kontakt zu Charles Baudelaire, Pierre-Joseph Proudhon und Max Buchon, Anfang der 1850er Jahre gefördert von Alfred Bruyas Errichtung des Pavillons du Réalisme, neben seiner provokanten Malerei war Courbet politisch aktiv und vertrat demokratische bzw. anarchistische Positionen, unternahm Studienreisen durch Deutschland mit längeren Aufenthalten in Frankfurt am Main und München und nach Österreich (Wien), zeitweise in Trouville-sur-Mer, hier Freundschaft mit James Mc Neill Whistler, später in Étretat Bekanntschaft mit Claude Monet, befreundet mit Jean-Jacques Henner und Puvis de Chavannes, 1871 Mitglied des Stadtrates der Pariser Commune, verantwortete die Zerstörung der Colonne Vendôme weswegen er nach der Zerschlagung der Commune 1872 zu sechs Monaten Gefängnis und 500 Francs Geldstrafe sowie 1875 zum Wiederaufbau der Säule für 335.000 Francs verurteilt wurde, floh nach Klinikaufenthalt in Neuilly-sur-Seine 1875 vor seinen Gläubigern in die Schweiz nach La Tour-de-Peilz am Genfersee und verbrachte dort seine letzten Lebensjahre verschuldet im Exil, gilt als einer der Hauptvertreter der realistischen Malerei in Frankreich, Quelle: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Bénézit und Wikipedia.
Lot 260
Unique design of conical gold aurene vase with black threaded rim and rosaline ring at base set in a silver toned base. Steuben etched mark along bottom edge of vase. Vase: 4.25"W x 9.5"H. Base: 4.5"W x 4.5"H. Issued: 20th centuryDimensions: See description. Manufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
Lot 121
Mink crystal sculpture with eyes of Diamond, believed to be by Lloyd Atkins in the 1970's. The Steuben mark is on the front base. There are no visible scratches or chips in the crystal. Measures 8 x 3 x 4 in. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.
Lot 120
Signed Steuben Crystal Mink with diamond eyes in standing position. Mark is on the base and is believed to be by Lloyd Atkins in the 1970's. There are no scratches or chips. It measures 5 x 2.5 x 7 in. An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.
Lot 122
Mother and baby Beaver Steuben crystal with garnet eyes. There are no scratches or chips. Measures 9.5 x 3 x 4 in An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.
Lot 118
The Steuben Crystal prism has an inscription of a quote on the face. It is signed on the opposite face. There is a chip The Czech glass is a square shape with a sphere in the center. There is a chip. Measures 5 x 5 x 2.5 in An in-person inspection is available for all auctions. Blue Box Auction Gallery strongly suggests that bidders personally inspect items prior to bidding. We make considerable efforts to accurately represent all items. Descriptions are based on visual inspection under typical office lighting and do not include UV light examination unless otherwise noted. These descriptions are provided as opinions by our staff and are not necessarily definitive assessments. Therefore, we do not guarantee the content of written or verbal descriptions and/or condition reports. Please contact us for a more thorough examination or to schedule an in-person inspection. Remember, all lots are sold "AS IS," and all sales are final, as further outlined in our auction terms and conditions. The absence of a condition report does not imply the absence of condition issues.
Lot 217
Reign in those loose papers wandering in the wind with this sturdy steed. Would appeal to both chess and equestrian enthusiasts. Steuben etched backstamp. Artist: Sidney WaughIssued: 20th CenturyDimensions: 3"L x 1.75"W x 5"HManufacturer: SteubenCountry of Origin: United StatesCondition: Age related wear.
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