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Lot 54
Anne MJ Dodsley (British exh.1872): Portrait of a Victorian Gentleman Seated with Sporting Gun, oil on board signed and dated 1864, 25cm x 20cm Notes: the artist is listed as having exhibited a still life of fruit at the Dudley Gallery, London in 1872.Condition Report:Very good condition - ready to hang. No signs of overpainting visible under UV light.
Lot 244
Hannah (Hoyland) Mayor (Staithes Group 1871-1947): Still Life of a Decanter and Grapes, watercolour signed, with E.S.K. (examined by South Kensington Art School) blind stamp 40cm x 65cm Provenance: gifted to the vendor's mother by her friend Edith Chudley, the artist's daughter - never been on the market.Condition Report:Very good condition and colour, well presented, ready to hang
Lot 245
Gregori (Lysechko) Lyssetchko (Russian 1939-): Still Life of Fruit and Wine Glass, oil on canvas signed and dated 2004, 72cm x 59cm Provenance: private collection, purchased David Duggleby Ltd 7th June 2019 Lot 174Condition Report:Good condition, one small indentation and associated area of craquelure to the right of the centrepiece - ready to hang
Lot 251
Ernest Higgins Rigg (Staithes Group 1868-1947): Still Life of Roses, oil on canvas signed 39cm x 31cm Provenance: private collection; purchased Sotheby's London 1st October 2003 Lot 60Condition Report:Excellent condition, well presented in quality gilt frame - ready to hang. No signs of overpainting visible under UV light.
Lot 84
LEONARD TSUGUHARU FOUJITA (1886-1968), FILLETTE AU CHAT, FROM LES ENFANTSJapan, c. 1929Fillette au Chat, from Les EnfantsCatalog Raisonné Buisson I.29.66 Etching and aquatint printed in colors, circa 1929, chine appliqué to japan support, signed in pencil on the bottom right corner, edition numbering mostly erased but last 0 still visible, this etching is most certainly part of the 100 editions, apart from the artist prints, published by Les Editions Artistiques Apollo, Paris, with full margins. SIZE of the sheet 40.5 x 31.7 cmCondition: Well-preserved with detailed impression and great colors. Slightly browned commensurate with age. Evident glue residue and markings where frame was attached to the margin. Sheet is trimmed.Provenance: From the collection of Gaston Lazard (1878-1956) and his wife Jane Levy (1886-1985) and thence by descent within the same family.Leonard Tsuguharu Foujita (1886-1968) was a celebrated Japanese-French painter known for his unique blend of traditional Japanese art and Western modernism. His works featured bold outlines, flat colors, and strong design, often depicting portraits of women, cats, and scenes from everyday life. Foujita was an active member of the School of Paris, a group of international artists who converged in Paris in the early 20th century. His close friendships with prominent artists, including Modigliani and Picasso, contributed to the development of modern art movements in France and beyond.Auction comparison:Compare with another edition (52/100) of this etching sold at Mainichi Auction, Paintings, Prints and Sculpture, 20 April 2019, Tokyo, Lot 13 (sold for 18,750 EUR).
Lot 287
ROLEX OYSTER PERPETUAL DATEJUST: A GENTLEMAN'S STAINLESS STEEL BRACELET WATCH with automatic movement, the silver dial with silver baton numerals, silver luminous hands and date aperture, with fluted bezel, no. 1207165, circa 1960, the case c.34mm diameter, together with an Import Receipt dated 29.6.1968, in a Rolex suede pouchProvenance: Belonged to the Late Timothy Green, who was Chief Reporter in the London Bureau of Time Life, where he met his wife who gave him his first assignment. He was appointed Editor of the Illustrated London News whilst still in his twenties, but then went on to forge a successful freelance career as a writer of a dozen books including "The World of Gold" and its many updates. He was a consultant and export on global gold business. He was given the Rolex during a reporting trip to the Gulf in 1968 by a Sheik in the middle of the desert treating his visitors to gifts and hospitality. That year he published "The World of Gold" just as the gold price was floated free, a pivotal moment in the global trade.The watch would benefit from a service.
Lot 13
Three early 19th century Paris porcleain teapots and covers, one painted with still life of fruitProvenance:Collection of Barry Lock (1934 - 2021) Morpeth Mansions, Westminster, SW1Tallest 15cm high.Tallest teapot - Chipping to the base of the lid and base of the teapot. Fading to the gilding and glaze paint. Fracture lines at the top joining of the handle - see images. The middle teapot - has fading to the gitl and decoration. Some minor chipping and roughness to the spout and possible repainting. Chipping to the nodes on the lid. The smallest teapot - has fading to the gilding and paint. Some pitting to the glaze. Minor hairline fracture around the top join of the handle.
Lot 218
Daphne MCCLURE (1930) Still Life with Birds Oil on card, signed, 27.5 x 39cm. Together with one other work by the same hand. (2).Provenance: From the estate of Allahn McRae.Still Life with Birds - There is some dirt present on the surface of this piece (please see additional images). Along with this there are a number of marks present, the largest is located in the lower third of the piece and measures 1cm in size. There are two bumps present to the bottom and top left hand corners (please see additonal images). Other work by the same hand - There is some dirt present on the surface of this piece (please see additional images). Along with this there are some slight bumps to the corners. This piece appears to have originally had a second layer which is no longer attached, hence the signs of glue marks and rectangular shape present in the centre of the piece which shows the original green colour of the paper.
Lot 626
Jean JOVENEAU (1888-?) Still Life with Violin Oil on canvas, labels to verso, 54x80cmThere is some minor craquelure present on the surface of paint, this particularly can be found in the lighter shades of paint, the whites and lighter greys (please see additional images). Although this is apparent, the paint appears stable. There is one area of paint loss, which can be found in the lower left hand corner of the piece (please see additonal image).
Lot 425
**RICHARD SHIRLEY SMITH (British, b 1935): a large framed acrylic on canvas study 'Dish still life with hand', circa 1985 (66cm x 81cm). This original work illustrated (pg 86) in the limited edition (69/140) hardback volume Richard Shirley Smith: The Paintings and Collages 1957-2000. With a preface by Sir Roy Strong. The book comes complete with two etchings/engravings held in the back cover leaf (also limited edition 69/140) signed Richard Shirley Smith and dated 1961. The work, book and engravings come together with Maas Gallery 15a Clifford St, London W1 exhibition literature, dated 12th-24th May 1992.
Lot 94
A large selection of WW2 and later, medals, badges, and other items related to 1624562 Warrant Officer William Porteous R.A.O.C, his brother and others.To include: a WW2 medal group (mounted for wear) comprising of the 1939-45 Star, The Burma Star, Defence Medal, and the 1939-45 War medal, 2 x R.A.O.C cloth shoulder titles, brass shoulder titles, buttons, Warrant Officer brass sleeve rank badges (one mounted on a leather bracelet).Plus, another seemingly unused set of WW2 medals (still in paper wrappers), comprising of the 1939-45 Star, the Africa Star, the Defence Medal, the 1939-45 War Medal.Various WW2 and later military badges, including 2 x RAF 17 squadron badges, an enamel Burma Star association badge, 2 x RSW (Returning Service Women) enamel badges, a Gordon Highlanders cap badges, a WW2 chrome RAF propeller sweetheart brooch, a silver watch chain with affixed with a T-bar and medallion for the London Midland & Scottish Railways (approximately 20g), an enamel badge relating to the LMS railways, a bronze Royal Life Saving medallion, and a 1957 dated Rolls Royce long service award certificate.Condition: generally good to most pieces - some normal light service wear commensurate with age.
Lot 299A
* IAN SCOTT ELLIOT (SCOTTISH 1946 - 2021), STILL LIFE WITH STRAWBERRIES AND GRAPES watercolour on paper, signedmounted and unframedimage size 26cm x 34cm, overall size 51cm x 59cm Note: Ian Elliot was born in Glasgow in 1946. He attended Glasgow School of Art. Ian visited, and gained much inspiration from, the island of Mallorca and from Italy and France, sharply contrasting environments from that of his native shores. He is known for incorporating the strong colours of the Mediterranean in all his landscapes. Ever a growing force, exhibiting in the RSW Exhibition, Edinburgh, the Royal Glasgow Institute (RGI), the Paisley Art Institute (PAI), the Aberdeen Artists’ Society (AAS), The Affordable Art Show, Battersea, The Glasgow Art Fair, The Scottish Show Thompson’s Gallery, Marylebone, The Scottish Show Richmond Hill Gallery, the Eton Gallery, The London Art Fair along with successful displays in regular exhibitions in a variety of Scottish galleries and charity events, with English galleries showing an ever increasing interest. Ian, apart from one man shows, was also involved regularly in a variety of group shows. Besides Britain, has works hanging in Eire, Germany, Spain, Belgium, Canada and The United States, amongst others. Ian Elliot’s work appeared in the prestigious International Artist magazine as one of ten finalists in their (global) landscape competition. His work has been widely reproduced as prints, calendars and as greeting cards.
Lot 4226
Kühn, Heinrich -- Still Life with Cat Figure and Hydrangeas. Circa 1920. Oil transfer print on Japan. 29,7 x 21,5 cm (33,5 x 28 cm). Signed by the photographer in pencil in lower right in the margin.Minimal foxing, otherwise in very good condition.Lit.: Rudolf Kicken (ed.). Eine Ausstellung von hundert Photographien. Cologne 1981, ill. p. 56.
Lot 38
AUGUSTUS JOHN (BRITISH 1878-1961)STUDY OF IDA - recto; SKETCH OF SEATED FIGURE - versoblack crayon - recto; brush and ink - verso25.5 x 17.5cm; 10 x 6 3/4in (sheet)framed: 49 x 38.5cm; 19 1/4 x 6 3/4in Provenance:William Rothenstein, London (a gift from the artist)By descent from the above to the present ownerIda Nettleship (1877- 1907), a fellow student at the Slade School of Art, married Augustus John, against her parent’s wishes, on 12th January 1901. Ida sacrificed her own artistic career to become a wife and mother, but domestic life soon lost its shine. Augustus moved Ida to the countryside while he spent time in London where he fell in love with Dorelia McNeill. Gwen John (1876-1939), Augustus’s sister, fellow artist and friend of Ida, took Dorelia off around Europe in an attempt to diffuse the situation. However, Augustus was so besotted by Dorelia that Ida eventually invited Dorelia to move to the countryside to live with her and Augustus in an attempt to improve her husband's temperament. Dorelia soon fell pregnant and the three moved with the children to live in a caravan on Dartmoor. There the children were brought up together - Ida had 5 sons in 6 years and Dorelia had two children while Ida was still alive. But once again the boredom of domesticity set in, although this time it was Ida and Dorelia who relocated to Paris leaving Augustus to follow thereafter. Ida tragically died in Paris at the age of 30 soon after the birth of her fifth son. Dorelia and Augustus went on to spend the rest of their lives together having another two children. We are grateful to Rebecca John for confirming the authenticity of this work, who dates it to circa 1898, prior to Ida's marriage to Augustus John. ARR may applyARR may apply
Lot 7
GEORG FREDERIK ZIESEL (DUTCH 1756-1809) A PAIR OF STILL LIFE PAINTINGS EACH DEPICTING SUMMER FLOWERS IN A GLASS VASE ON A MARBLE LEDGE, ONE WITH A BIRD'S NESTboth signed G. F. Ziesel F lower left both: oil on paneleach: 43 x 34cm; 17 x 13 1/2ineach: 54.5 x 47cm; 21 1/2 x 18 1/2in (framed) (2)Property of a Lady, SussexProvenance: W.H. Patterson Fine Arts, London (no. 302)Thomas Hillary Rutter (purchased from the above)John Shiel Rutter, Guernsey (son of the above)Thence by descent to the present owner (niece of the above)Georg Frederik Ziesel was born in Hoogstraeten in Flanders in 1756 and spent much of his life in Antwerp. He became an established still life painter and miniaturist. During his career he lived and worked in Paris for several years and exhibited at the Salons of 1802, 1805 and 1809.
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84465 item(s)/page