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Lot 163
Derek Braithwaite (British Contemporary): 'Low Petergate, York', acrylic on paper signed, titled and dated '96, 42cm x 32cm, together with two still life prints after the same artist signed in pencil and dated '83 (3) Condition Report & Further Details Click here for further images, condition, auction times & delivery costs
Lot 620
MARY FEDDEN "Fruit, Fish and Bottle" still life study, watercolour, signed and dated 1993 lower right (provenance: Beux Arts, Bath) (ARR) CONDITION REPORTS Overall good condition with wear and tear commensurate with age and use. See photos for more details. Image size approx 35 cm wide x approx 29 cm high.
Lot 60
Chris Welsh - Watercolour, 30cm x 30cm. Framed and glazed.Chris Welsh is a still life painter whose preferred medium is egg tempera. His work has been shown in juried exhibitions in the USA and the UK. Chris has been included in The Sunday Times Watercolour Exhibition, The Discerning Eye and the Royal Academy Summer Exhibition.Provenance: Acquired by Dorothy Claxton in August 2019.
Lot 962
Oil Painting by Hadrian Richards 'Still Life With Violin' dated 2017. Framed in contemporary cream frame. Hadrian Richards is an established Fine Artist. Producing mainly Landscape paintings and Still Life paintings in a variety of media. Signed and dated. 21'' x 17'' including frame. Please see images.`
Lot 1387
Charles Dickens First Edition Book 'The Posthumous Papers of the Pickwick Club', Victorian era, circa 1837. A mixed issue first edition of ''The Posthumous Papers of the Pickwick Club'' aka ''The Pickwick Papers'' by Charles Dickens, published in London by Chapman and Hall, 186 Strand, with illustrations by Seymour & Phiz, as well as the front piece and vignette title page. It also has early issue points such as ''S. Veller'' present on page 342, line 5. In a move familiar to modern fandom, publishers often created special editions - as this one is with its hand-drawn illustrations - in order to entice buyers to purchase more than one copy. Size: 6'' W x 8.95'' H (15.2 cm x 22.7 cm). ''Pickwick'' was Dickens' first novel. He was 24, working as a journalist and sketch writer, when the publishers, Chapman and Hall, asked him to author small comic stories based on a series of illustrated plates to be made by Robert Seymour. Dickens accepted the commission but the stories quickly took on a life of their own. Seymour illustrated the first few, and then Phiz (Hablot Knight Browne) the rest. The latter proved to be a fruitful partnership and Phiz went on to illustrate many of Dickens' books. The character of Sam Weller in Pickwick led to the book becoming a massive publishing phenomenon, with bootleg copies, joke books, and other merchandise as well as multiple unlicensed stage productions. Real Pickwick Clubs sprang up about the country, including the Pickwick Bicycle Club in London, which is still in operation, and whose members are bestowed with a name of a character from the novel. This book is in aged condition, with a detached front cover and some loose pages, but a rare and collectible item. See accompanying images.
Lot 955
Oil Painting by Hadrian Richards 'The Harbour' signed to bottom left hand side. Framed in contemporary black frame, painting depicts ships in harbour. Hadrian Richards is an established Fine Artist. Producing mainly Landscape paintings and Still Life paintings in a variety of media. 20.5'' x 16'' including frame. Please see images.
Lot 536
A fine pair of gilt-framed 19th century oil on canvas still-life studies of various flowers emanating from vases etc., in 17th century Dutch Old Master style, one painting with budgerigar perched left of the flower bunch and fruits to the right, the other with an ornate gilt Classical urn and a 17th century Delft-ware dish tilted to its right showing peaches and open pomegranate etc., (apparently unsigned), some crazing and craquelere to paint surface (each 39cm x 49cm) The worksshow very well, upon close inspection it is noted that the surface of thepaintwork exhibits crazing and craquelere although this is not generally noticeablewhen viewing the piece it is only with a close up inspection. The painting with bird on the left hangingfrom a branch has a “rougher” section to the right approx. 10cm down on theright hand side of the frame where the blue flowers are inclining. This looks like brush strokes and as if theArtist has not finished it as he may usually have done. The other painting has a hardwood frame(presumably replaced) looking at the other painting which exhibits patinationand signs of original age etc., and we estimate that this re-framing was donein the 20th Century. Apartfrom the surface crazing no major tears, rips or dents are to be found and thepair exhibit very well on the wall. Provenance: These have comeprivately and been in the same family ownership for many years.
Lot 540
Michael Wickham (1909-1995), a still-life Cubist-style gouache study of fruits, numbered 37.38. lower left, framed and glazed (44cm x 55.5cm) This issigned by the Artist. The vendor statesthat these are by Michael Wickham as they brought them as Wickhams and two ofthe paintings exhibit a photocopy newspaper editorial verso pertaining toMichael Wickham.
Lot 546
Michael Wickham (1909-1995), a Cubist-style still life pastel study of fruits in bowls etc., the table with a figure looking on, framed and glazed (58cm x 41cm) Lot 540 is signed by the Artist. The vendor states that this and Lot 541 are also by Michael Wickham as they brought them as Wickhams and two of the paintings exhibit a photocopy newspaper editorial verso pertaining to Michael Wickham.
Lot 515
John Armstrong (British 1893-1973) Still life Oil on board Signed and dated 58 lower right 24 x 39cm (9¼ x 15¼ in.) Provenance: Annette Armstrong Acquired from the above by the present owner Exhibited: London, Molton & Lords Galleries, November 1963, cat no. 14 Literature: Andrew Lambirth, John Armstrong, The Paintings, London, 2009, p. 216, no. 618
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84465 item(s)/page