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Lot 723

Muriel Slocombe (20th century British), Still life of plants in terracotta pots, oil on board, framed, 61 x 51cmMuriel Slocombe (nee Bach) was the wife of British Cinematographer Douglas SlocombeProvenance: from the family of the artist

Lot 797

19th century school, Still life of pheasant and birds in a pantry, oil on canvas, unsigned, framed,

Lot 799

Henry Harry Antheunis (1905-1975), Still life of flowers in a blue and white Delft vase, oil on canvas, signed to top right, 66 x 56cm

Lot 800

Willem Karel Rees (Dutch, 1880-1962), Still life of flowers in a jug, oil on canvas, signed lower right, 59 x 45cm

Lot 820

Peter de Voigt (Dutch, 1944-2013), Still life of flowers, oil on canvas, signed lower right, 69 x 49cm

Lot 821

Wim Borkent (1905-1981), still life of fruit in a bowl and flowers in a vase, oil on board, signed and dated '69 to lower right, 47 x 58cm

Lot 216

Wendy Trinder, pair of pencil signed watercolour still life studies

Lot 273

Early 20th Century English school, oil on canvas still life study depicting a bowl of fruit

Lot 305

C. Healey, watercolour, Still life of hydrangeas and peonies in a vase, signed, 36 x 26cm

Lot 335

Pattie Mayor, oil on canvas, Still life of chrysanthemums in a vase, 50 x 40cm and another still life by Romberg, 60 x 50cm

Lot 358

Philip Naviasky (1894-1983), oil on canvas, Still life of flowers in a vase, signed, 75 x 62cm

Lot 706

A watercolour, C H Slater, still life, primroses, signed, 7in x 9in

Lot 708

A pair of oil paintings on board, Deplanche still life, each signed, 12.5in x 9in

Lot 742

A pair of watercolours, Joan M Ibbotson, still life, Foxgloves Bluebells and Poppies, each signed, 14in x11in

Lot 755

An oil painting on board, George Grayston, still life, roses, 15in x 11in

Lot 759

A print after Witches, Hoya Pollso, 19th century, 11in x 18in, a watercolour still life, Chinese silk, 9in x 7in and a watercolour, still life, circular fabric, 9in diameterCONDITION REPORTFoxing appearsDamage to Chinese silk

Lot 406

* ROSS HENRICKSON, STILL LIFE oil on board, signed and dated '86 56cm x 44cm Mounted, framed and under glass

Lot 1700

Original vintage Smirnoff vodka advertising poster: 'I used to take the caravan to Southend until I discovered Smirnoff' - The effect is shattering. These original vintage Smirnoff advertising posters are part of the 1970s campaign by the London-based Young and Rubican agency, which aimed to promote the vodka as a way to achieve glamour and excitement as an escape from the humdrum of daily life. (To emphasise the campaign's risky innuendos, Avocado Sweet observes: Substitute the word heroin for Smirnoff and it still makes sense.) The advertising campaign proved to be a great success for the company, resulting in vodka becoming so chic that it overtook gin in popularity and saw Smirnoff's sales triple. In 1976 the campaign ended, following the tightening of rules on alcohol advertising led by the government and the Advertising Standards Authorities in 1975. Good condition, waving and creases. Country: UK, year of printing: 1970, designer: Unknown, size (cm): 56.5x41

Lot 1702

Original vintage Smirnoff vodka advertising poster: 'I was a struggling beach photographer until I discovered Smirnoff' - The effect is shattering. These original vintage Smirnoff advertising posters are part of the 1970s campaign by the London-based Young and Rubican agency, which aimed to promote the vodka as a way to achieve glamour and excitement as an escape from the humdrum of daily life. (To emphasise the campaign's risky innuendos, Avocado Sweet observes: Substitute the word heroin for Smirnoff and it still makes sense.) The advertising campaign proved to be a great success for the company, resulting in vodka becoming so chic that it overtook gin in popularity and saw Smirnoff's sales triple. In 1976 the campaign ended, following the tightening of rules on alcohol advertising led by the government and the Advertising Standards Authorities in 1975. Very good condition, waving and creases. Country: UK, year of printing: 1970, designer: Unknown, size (cm): 56.5x41.5

Lot 1707

Original vintage Smirnoff vodka advertising poster: ''I've spread my wings since I discovered Smirnoff' - The effect is shattering. These original vintage Smirnoff advertising posters are part of the 1970s campaign by the London-based Young and Rubican agency, which aimed to promote the vodka as a way to achieve glamour and excitement as an escape from the humdrum of daily life. (To emphasise the campaign's risky innuendos, Avocado Sweet observes: Substitute the word heroin for Smirnoff and it still makes sense.) The advertising campaign proved to be a great success for the company, resulting in vodka becoming so chic that it overtook gin in popularity and saw Smirnoff's sales triple. In 1976 the campaign ended, following the tightening of rules on alcohol advertising led by the government and the Advertising Standards Authorities in 1975. Very good condition, minor cracks in margins. Country: UK, year of printing: 1970, designer: Unknown, size (cm): 56.5x41

Lot 1704

Original vintage Smirnoff vodka advertising poster: 'Accountancy was my life until I discovered Smirnoff' - The effect is shattering. These original vintage Smirnoff advertising posters are part of the 1970s campaign by the London-based Young and Rubican agency, which aimed to promote the vodka as a way to achieve glamour and excitement as an escape from the humdrum of daily life. (To emphasise the campaign's risky innuendos, Avocado Sweet observes: Substitute the word heroin for Smirnoff and it still makes sense.) The advertising campaign proved to be a great success for the company, resulting in vodka becoming so chic that it overtook gin in popularity and saw Smirnoff's sales triple. In 1976 the campaign ended, following the tightening of rules on alcohol advertising led by the government and the Advertising Standards Authorities in 1975. Good condition, faint waving and small cracks. Country: UK, year of printing: 1970, designer: Unknown, size (cm): 56.5x41

Lot 1711

Original vintage Smirnoff vodka advertising poster: ''I was the mainstay of the Public Library until I discovered Smirnoff' - The effect is shattering. These original vintage Smirnoff advertising posters are part of the 1970s campaign by the London-based Young and Rubican agency, which aimed to promote the vodka as a way to achieve glamour and excitement as an escape from the humdrum of daily life. (To emphasise the campaign's risky innuendos, Avocado Sweet observes: Substitute the word heroin for Smirnoff and it still makes sense.) The advertising campaign proved to be a great success for the company, resulting in vodka becoming so chic that it overtook gin in popularity and saw Smirnoff's sales triple. In 1976 the campaign ended, following the tightening of rules on alcohol advertising led by the government and the Advertising Standards Authorities in 1975. The only image which did not have a positive impact on sales was the one of the wayward librarian, above. Research later showed that much of the target audience actually aspired to be librarians and had no desire to be led astray by that devastating sip of Smirnoff. Very good condition, waving and minor creases. Country: UK, year of printing: 1970, designer: Unknown, size (cm): 56.5x41

Lot 1701

Original vintage Smirnoff vodka advertising poster: 'I was teaching the budgie to talk until I discovered Smirnoff'. These original vintage Smirnoff advertising posters are part of the 1970s campaign by the London-based Young and Rubican agency, which aimed to promote the vodka as a way to achieve glamour and excitement as an escape from the humdrum of daily life. (To emphasise the campaign's risky innuendos, Avocado Sweet observes: Substitute the word heroin for Smirnoff and it still makes sense.) The advertising campaign proved to be a great success for the company, resulting in vodka becoming so chic that it overtook gin in popularity and saw Smirnoff's sales triple. In 1976 the campaign ended, following the tightening of rules on alcohol advertising led by the government and the Advertising Standards Authorities in 1975. Very good condition, waving and faint creases. Country: UK, year of printing: 1970, designer: Unknown, size (cm): 56.5x41

Lot 1705

Original vintage Smirnoff vodka advertising poster: 'I thought St Tropez was a Spanish Monk until I discovered Smirnoff' - The effect is shattering. These original vintage Smirnoff advertising posters are part of the 1970s campaign by the London-based Young and Rubican agency, which aimed to promote the vodka as a way to achieve glamour and excitement as an escape from the humdrum of daily life. (To emphasise the campaign's risky innuendos, Avocado Sweet observes: Substitute the word heroin for Smirnoff and it still makes sense.) The advertising campaign proved to be a great success for the company, resulting in vodka becoming so chic that it overtook gin in popularity and saw Smirnoff's sales triple. In 1976 the campaign ended, following the tightening of rules on alcohol advertising led by the government and the Advertising Standards Authorities in 1975. Very good condition, faint waving and creases. Country: UK, year of printing: 1970, designer: Unknown, size (cm): 56.5x41

Lot 1706

Original vintage Smirnoff vodka advertising poster: 'They think we're just good friends …but we've discovered Smirnoff' - The effect is shattering. These original vintage Smirnoff advertising posters are part of the 1970s campaign by the London-based Young and Rubican agency, which aimed to promote the vodka as a way to achieve glamour and excitement as an escape from the humdrum of daily life. (To emphasise the campaign's risky innuendos, Avocado Sweet observes: Substitute the word heroin for Smirnoff and it still makes sense.) The advertising campaign proved to be a great success for the company, resulting in vodka becoming so chic that it overtook gin in popularity and saw Smirnoff's sales triple. In 1976 the campaign ended, following the tightening of rules on alcohol advertising led by the government and the Advertising Standards Authorities in 1975. Very good condition, faint waving and cracks in margins. Country: UK, year of printing: 1970, designer: Unknown, size (cm): 56x41

Lot 1710

Original vintage Smirnoff vodka advertising poster: ''I thought the Kama Sutra was an Indian restaurant until I discovered Smirnoff' - The effect is shattering. These original vintage Smirnoff advertising posters are part of the 1970s campaign by the London-based Young and Rubican agency, which aimed to promote the vodka as a way to achieve glamour and excitement as an escape from the humdrum of daily life. (To emphasise the campaign's risky innuendos, Avocado Sweet observes: Substitute the word heroin for Smirnoff and it still makes sense.) The advertising campaign proved to be a great success for the company, resulting in vodka becoming so chic that it overtook gin in popularity and saw Smirnoff's sales triple. In 1976 the campaign ended, following the tightening of rules on alcohol advertising led by the government and the Advertising Standards Authorities in 1975. Fair condition, cracks and creases, small tears in top margin. Country: UK, year of printing: 1970, designer: Unknown, size (cm): 56.5x41

Lot 1703

Original vintage Smirnoff vodka advertising poster: 'Rumour has it she's discovered Smirnoff' - The effect is shattering. These original vintage Smirnoff advertising posters are part of the 1970s campaign by the London-based Young and Rubican agency, which aimed to promote the vodka as a way to achieve glamour and excitement as an escape from the humdrum of daily life. (To emphasise the campaign's risky innuendos, Avocado Sweet observes: Substitute the word heroin for Smirnoff and it still makes sense.) The advertising campaign proved to be a great success for the company, resulting in vodka becoming so chic that it overtook gin in popularity and saw Smirnoff's sales triple. In 1976 the campaign ended, following the tightening of rules on alcohol advertising led by the government and the Advertising Standards Authorities in 1975. Good condition, faint waving and small creases in margins. Country: UK, year of printing: 1970, designer: Unknown, size (cm): 56.5x41

Lot 4805

Original vintage Soviet propaganda poster Work in a Revolutionary Way featuring an illustration of Lenin talking to three Soviet worker. Message reads - Communist subbotniks - precisely because of the enormous historical value that they have, show us a conscious voluntary initiative in labour productivity, a transition in the work of socialist conditions of economy and life, workers in the development add to the new labour discipline. Subbotnik and voskresnik were days of volunteer unpaid work on weekends following the October Revolution. Initially they were indeed voluntary, but gradually de facto obligatory upon announcement, as people quipped, "in a voluntary-compulsive way" (? ???????????-?????????????? ???????). The tradition is continued in modern Russia and some other former Soviet Republics. Subbotniks are mostly organized for cleaning the streets of garbage, fixing public amenities, collecting recyclable material, and other community services. The first mass subbotnik was held on April 12, 1919, at the Moscow-Sortirovochnaya railway depot of the Moscow-Kazan Railway upon the initiative of local bolsheviks. It was stated in the Resolution of the General Council of Communists of the Subraion of the Moscow-Kazan Railway and Their Adherents that "the communists and their supporters again must spur themselves on and extract from their time off still another hour of work, i.e. they must increase their working day by an hour, add it up and on Saturday devote six hours at a stretch to physical labour, thereby producing immediately a real value. Considering that communists should not spare their health and lives for the victory of the revolution, the work is conducted without pay." This subbotnik prompted Lenin to write the article The Grand Initiative, where he called subbotniks "the actual beginnings of the communism". The first all-Russian subbotnik was held on May 1, 1920, and Vladimir Lenin participated in removing building rubble in the Moscow Kremlin, an episode portrayed in a famous painting by Vladimir Krikhatsky, Lenin at the First Subbotnik, of Lenin carrying a log. Excellent condition, minor crease on margins. Country: Russia, year of printing: 1988, designer: Y. Tsarev, size (cm): 63x94

Lot 131

C. Powell Still Life Vase of Flowers Oil-on-Board, signed with initials in a giltwood frame, 13 x 22cm

Lot 519

Nelson (T O) Life of Nelson. 1st Edition, 1808. In original marbled board binding, worn especially the spine, hinges loose but still holding (one blank front page loose). Pages show age discolouring text pages are mostly good, plate pages have brown spotting/foxing around them. Engravings, facsimile letter & pull out illustrations of Nelson's funeral procession and Coffin. Printed for R Boyer, London. 1808. ALSO bound copy of Twas in Trafalgar Bay. The Christmas Number of All The Year Round conducted by Charles Dickens. Christmas 1878.

Lot 233

Continental School (20th century), Tabletop still life, oil on canvas, with a further still life verso, unframed, 71cm x 107cm.

Lot 1110

S** M** (20th century), Still life studies of potted cabbages, a pair, watercolour, one signed with initials, each 43cm x 27cm.(2)

Lot 1162

** Paksy (20th century), Still life of Copper, brass and glassware, oil on canvas, signed, 39cm x 80cm.

Lot 1171

Victoria Patricia, Lady Ramsay (1886-1971), Still life, oil on board, signed with initials, 57cm x 61cm. DDS

Lot 1178

Attributed to Joseph Milner Kite (British, 1862-1946), Still life, oil on canvas, bears a signature, 36.5cm x 53.5cm.

Lot 1195

** Máze (19th centurey), Still life of white roses, oil on canvas, signed, unframed, 38cm x 46cm.

Lot 1229

French School (early 19th century), Still life of fruit; Still life of fruit and poultry, a pair, oil on canvas, irregular octagons, each 36cm x 45cm., in tortoiseshell frames.(2)

Lot 1234

Dutch School (18th century), Floral still life, oil on panel, 52cm x 65cm. Illustrated.

Lot 1237

Circle of Elias van den Broeck, Still life, oil on canvas, bears signature, 40cm x 33.5cm. Illustrated.

Lot 166

A 19TH CENTURY EUROPEAN SCHOOL, STILL LIFE WITH FRUIT AND A BIRDS NEST, OIL ON CANVAS, 50 X 60 CM UNSIGNED

Lot 167

19TH CENTURY BRITISH SCHOOL OIL ON CANVAS, STILL LIFE OF FLOWERS AND FRUIT IN ORNATE GILT FRAME, 57 X 70 CM UNSIGNED

Lot 13

A still life, flowers and vase, oil on panel, unsigned, framed, 36cm x 26cm

Lot 3

Peter Collins, still life of fruit, oil on card, female nude study verso, framed, 24cm x 38cm

Lot 542

Oil Painting on panel, still life of Flowers signed EM Fordham 1935 vintage Prisoner of War

Lot 164

Miniature Oil Painting of Still Life Flowers, indistinctly signed, 9cms high, gilt framed

Lot 203

Dutch School (early 20th century): still life of a wall hung with seven paintings and a cabinet below, initialled lower right, 45 by 37cm, cavetto frame 52 by 43.5cm.

Lot 550

Victorian micro mosaic, mother-of-pearl silver coin purse, the central oval micro-mosaic panel depicting floral still life, mother-of-pearl front and back with pierced floral foliate scroll silver overlay, leather and silk lined interior, dimensions approximately 6cm x 8cm

Lot 1184

Baroness China, Still Life of Fruit, cabinet plates, signed A. Mellor, together with Aynsley China coffee cans and saucers, with signatures, N. Brunt, D. James.

Lot 1006

Chess Pieces, fur, stool, Esso F.A. Cup Centenary coins, etc:- One Box, together with a still life picture. (2)

Lot 1103

William Larkin (1901-1974), Still Life, signed pastel; together with Circus, pastel; and a sketchbook by the artist (3)

Lot 1104

H Jansen (20th/21st century), Still life of red roses, signed, oil on canvas, together with R Dutton, Flowers and fruit, signed pastel, and six further works on paper by various hands including W Johnston, Sheep dog herding sheep on a country lane etc (8)

Lot 1115

Mary Elizabeth Duffield (1819-1914) Still life of flowers, signed, watercolour, 29cm by 39cm

Lot 105

Barat framed oil on canvas still life of flowers, signed bottom left, 40 x 31cm

Lot 107

A framed oil on panel still life of flowers, monogrammed ED 1909, 19 x 36cm

Lot 244

Jigsaws. 7 comical jigsaws as follows, Graham Hyde 'I am Sorry To put You Out' (cricket 9287 Tuck's), G.E.Shepheard 'Musical Prodigies a la Paderewski' (9104 Tuck's) together with postcard, 'Humour of Life' after Cecil Aldin (fishing 6440), 4 x Hamish 'Old Highland Laddies' (Series 11 9554 Tuck's) still sealed in original envelope (gen gd) (7)

Lot 25

Ephemera, Scraps. 8 scraps relating to the sad story of Jumbo the elephant who was born in Africa then reared in a zoo and sold to Barnum's Circus. Jumbo become bad tempered in later life but still managed to be gentle with his keeper & children. After his death it was discovered that he had rotten teeth and jaw bones due to his constant diet of sticky buns. Lot includes 4 other zoo related scraps (vg) (12)

Lot 263

Postcards, a selection of 25 Tuck published cards illustrated by Fritz Hildebrandt inc. 'Still Life' Oilette no 9669 (5/6), German Ed no 593 (2/6), no 831 'Eierstilleben' (set 6), 'Junge Kuchens no 375 (set 6) and 'Im bunten rock' no 516 (set 6) (mainly gd)

Lot 147

ROBIN JAMES PHILIPSON (1916-1992) Still life vase of fruit Print 25cm x 32cm

Lot 289

Gilt framed still life oil on board signed by Robert coks

Lot 10

19th century, Still Life vase of flowers, oil on canvas. Condition reports are not available for this sale.

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