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Lot 17
Coalport - A 19th century hand painted fine bone china porcelain lidded vase. The vase of squatted baluster shape with circular lid. Pale mint green ground with front gilt framed vignette depicting an intricate game bird still life. At the back, a woven basket with ribbon & hat framed by swags of roses & floral garlands. Makers mark to base. Measures approx. 11cm tall, 11cm in diameter.
Lot 599
A QUANTITY OF PAINTINGS AND PRINTS ETC, to include a floral still life oil on canvas signed Sarah Antony, approximate size 60cm x 50cm, an unsigned oil on canvas landscape with buildings, approximate size 45cm x 60cm, a David Roberts 'Ruins of Luxor' print, Warwick Higgs print of Tiger cubs, modern papyrus pictures, assorted prints etc (box and loose)
Lot 524
After Edward Hersey (b.1948, British), oil on board, 'Toys', a nostalgic painting copied by G.Wooldridge (20th Century), signed to the lower left, framed, measuring 37cm x 47cm, & 46cm x 56cm overall, together with three other mid-late 20th Century artworks in mixed mediums, to comprise a still life flower arrangement in oil, a portrait of a fashionable lady in gouache, and a junk ship in oil (4)
Lot 30
Registration - JY 3660Chassis No. - 44T2062M.O.T. - ExemptOdometer - 16,899The Riley 12/4 was one of the most popular pre-war Rileys. The range included Falcon, Kestrel and Lynx bodies, and this open-top Lynx was the last to be launched. The vendor reports this 1934 model has a significant history file of paperwork, including photographs of the restoration in the early 2000s. It is finished in Old English White with a red leather interior. The vendor reports that the car started life as a 12/6, and was later fitted with the more desirable four-cylinder version of the Riley engine. A very handsome car that’s ready to be used, it includes the fold-flat windscreen and comes complete with side screens and weather equipment. The vendor adds that the condition of the engine, transmission, electrics, bodywork, paintwork and interior are all ‘excellent’. Riley was founded in Coventry in 1890. Originally focused on bicycles, the founder’s sons diversified into automobiles and launched their first car at the London Motor Show in 1913. The business grew quickly in the 1920s, although by the mid-1930s, it faced challenges, and was acquired by Lord Nuffield in 1938 to become part of Morris Motors Ltd. Distinct Riley models still continued to be developed for the next few decades, although the brand eventually faded and became dormant from 1969. In summary:· Classic four-seat tourer in Old English White· Described as in ‘excellent’ condition throughout· Comprehensive record of restoration in the early 2000s
Lot 57
Registration - R598 JDAChassis No. - WVWZZZ1HZWW089348M.O.T. - NoOdometer - 109,500Offered with no reserve, this clean and original 1997 Volkswagen Golf GTI immediately stands out from the crowd courtesy of being owned by the vendor for a lengthy 20 years. Prior to them, it has had just two former keepers – “the records say three, but one of these was an address change”. This means it has had far fewer owners than is the norm for a 1990s hot hatch, a noteworthy boost for its provenance. The vendor says it has been subtly lowered, and has an upgraded Scorpion exhaust, but is otherwise original. ‘R598JDA’ has a 2.0-litre 8v engine which is described as being in ‘good’ condition, although the vendor advises it requires a cambelt change (the car does, however, still run). Bodywork and paintwork are in ‘average’ condition. Notably, this Volkswagen Golf GTI has an optional leather interior. It currently doesn’t have an MOT and the vendor advises it has little service history – although it does still have the original owner’s manual and wallet. The Volkswagen Golf Mk3 was launched in 1992 as a much more modern and eco-friendly replacement for the long-running Golf Mk2. It was a stylish, rounded and aerodynamic new Golf, broadening the appeal of the model considerably. The fabled GTI versions sat at the top of the range, this time majoring on refinement and sophistication rather than all-out performance and thrills. This car is a later 2.0-litre 8v version, which replaced the original 1.8-litre engine a few years into the Mk3 Golf’s life. There was also a high-revving Golf GTI 16v, but for relaxed modern classic motoring, this 8v is still a strong choice. In summary:Clean and original 1997 Volkswagen Golf GTI with No ReserveOptional leather interiorFew previous owners and vendor has kept it for 20 years
Lot 304
‡ JOHN ELWYN (Welsh 1916-1997) oil on canvas - early still-life, wine and flowers, front and back signed and dated 1940, 49 x 74cmsAuctioneers Note: as a student, and throughout his long career, John Elwyn turned to still life and flower painting to practise his observational skills. The first painting he exhibited at the Royal Academy was a flower study. This is an early, rare and large still life painted when the artist was working under the influence of Pierre Bonnard and Edouard Vuillard whose paintings he had admired when a student in London.Provenance: private collection CeredigionFree Delivery: bidders with invoices over £4000 in this Welsh Sale can benefit from free insured delivery to their home (England and Wales only). To enquire about this service, please email brj@rjauctions.co.uk
Lot 1614
SAMMET, MAX (1913-1992), imposantes Blumenstillleben, ohne Titel, signiert unten rechts: "M.Sammet". Öl auf Leinwand. HxB: 80x100 cm (99,5x118,5 mit Prunkrahmen). Altersspuren.| SAMMET, MAX (1913-1992), Floral still life, untitled, signed lower right: ‘M.Sammet’. Oil on canvas. HxW: 80x100 cm (99.5x118.5 with magnificent frame). Traces of age.
Lot 1620
HUTH, FRANZ (1876 - 1970), "Blumenstillleben mit Rittersporn", 1932, unten rechts signiert und datiert: "Franz Huth. / 1932.". Aquarell auf Papier, HxB: ca. 64 x 50 cm (HxB Rahmen: ca. 73 x 58 cm). Alters- und Beriebsspuren, Papier wellig und gebräunt. Mit verglastem Rahmen (Leichte Beschädigungen).| HUTH, FRANZ (1876 - 1970), "Floral still life with larkspur", 1932, signed and dated lower right: ‘Franz Huth. / 1932.’. Watercolour on paper, HxW: approx. 64 x 50 cm (HxW frame: approx. 73 x 58 cm). Traces of age and rubbing, paper wavy and browned. With glazed frame (slight damage).
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