A single stone diamond ring with rose cut diamond shoulders, the principal stone a transitional cut diamond, estimated as approximately 0.45ct, claw set white on yellow, to chenier shoulders grain set with graduated rose cut diamonds, into a plain band, stamped 18ct, 3.03g Ring size KBuying this diamond ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportOne of the shoulders rose cut diamond has a chip or a natural showing on one side. Pits to the surface of one claw, however the setting is secure. The principal diamond has inclusions visible through the table with a 10x loupe.
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An early 20th century spray brooch, with scattered old cut, rose cut and eight cut diamonds, faced in white and grain set to a floral spray, gathered by a bow, to a lever safety catch and curved pin, 39mm x 24mm, tested as approximately 9ct gold, 6.14gCondition ReportOne old cut diamond chipped. One cavity to the table of another diamond.Settings appear secure.Clasp is later and secures.Minor tarnish.
An Edwardian 18ct gold five stone diamond ring, with a graduated line of old cut diamonds, one stone showing substantial wear, all claw set to the boat shaped head, to solid shoulders and a plain band. London 1912, 3.13g Ring size NBuying this diamond ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportOne small end stone has a chip to the girdle; the adjacent stone has a very worn table/crown resulting in a frosty appearance.
A gold amethyst set bar brooch, with an oval cut amethyst, 16mm x 21mm, set with four double claws to a plain tapered bar, to pin, 'C' catch and safety chain fittings, 68mm long, tested as approximately 9ct gold, 8.84gCondition ReportAmethyst showing chips to table and girdle.Pin secures.Minor marks and scratches to surfaces.
A group of four pearl and gemstone rings, a white gold cultured pearl and diamond ring, pearl untested, with a brushed finish, unmarked and tested as approximately 18ct gold, 15.60g a 9ct gold cultured pearl ring, pearl untested, Birmingham 1976, 2.94g a synthetic colour change sapphire ring, stamped 9K, tested as approximately 9ct gold, 5.56g, and a hardstone and diamond Claddagh ring, hallmark indistinct, tested as approximately 9ct gold, 3.97g (4) Ring size I½, P, R, MProvenance: the estate of Jackie Mann. Condition ReportCladdagh ring hallmark indistinct. Hardstone slightly loose to setting however appears to be secure. A few scratches to synthetic sapphire table. Marks and scratches to mounts. As found.
An 18ct gold sapphire and diamond cluster ring, with an oval mixed cut sapphire, estimated as approximately 2.50ct, encircled by a row or round brilliant cut diamonds, claw set in a white wire basket mount, to elevated shoulders into a plain yellow gold band. London 1986, 4.38g Ring size N½Buying this gemstone ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportTotal weight of diamonds estimated as 0.36ct Diamonds bright and lively, secure in setting. Sapphire shows angular colour zoning visible through the table with a 10x loupe. Some wear to the facet junctions in crown area, commensurate with age.
Two gem set single stone rings, a citrine single stone ring, with a rectangular step cut citrine, claw set to applied shoulders and a flat profile shank, stamped 18ct, tested as approximately 14ct gold, and a synthetic yellow sapphire ring, with a rectangular stepped cut synthetic yellow sapphire, claw set to an open wire collet, to incised shoulders and a D profile shank, stamped 9ct, tested as approximately 9ct gold18ct gold 6.33g, 9ct gold 8.96g (2)Ring size M, N½Condition ReportCitrine showing a few small scratches to table and crown facets. Visible by 10x magnification.Synthetic sapphire showing some chips and abrasion to facet junctions of table, crown and girdle. Minor marks and scratches to mounts.Tarnish.
An amethyst single stone ring, with a pear cut amethyst, approximately 9mm x 6mm, bezel set to a wide hollow domed band, with tapered shoulders into a flat section shank, head 11mm wide, tested as approximately 18ct gold, 8.76g Ring size T½Buying this gemstone ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportAmethyst set very slightly askew. Small chips to amethyst facet junctions, and small scratches to table. Visible by 10x magnification. Marks and scratches to mount.
An 18ct white gold aquamarine ring, with a cushion cut aquamarine, approximately 6mm x 6mm, bezel set to a surround of round brilliant cut diamonds, into shoulders grain set with a line of round brilliant cut diamonds, to a flat section shank, London 2006, 4.21g Ring size NBuying this gemstone ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportVery small chips to aquamarine table facet junctions, visible by 10x magnification only.
A citrine single stone ring, a rectangular cut citrine, 19mm x 20mm, claw set to a wire twist basket, to open shoulders and a D section shank, stamped 18ct, tested as approximately 18ct gold, 19.82g Ring size MBuying this gemstone ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportSmall chips to citrine facet junctions, a few small scratches to table and crown. Setting a little dirty. Minor marks and scratches to mount. Tarnish.
*Mary Fedden (1915-2012) oil on canvas - The White Table, signed and dated 1975, titled to artist's label verso, 91cm x 77cm, framed Cracking to the paint in various areas within the turquoise - see images - the paint surface appears stable. A tiny area of paint loss lower right corner within the white. Some scuffs to the frame. It seems no restoration has taken place. Almost certainly purchased directly from the artist by the Herbert's. David and Brenda Herbert met at Penguin in the early 1950s and it was from there that their life in publishing began. David decended from the illustrious Herberts of Powis Castle. His elder brother George becoming the seventh Earl of Powis. His father was Bishop of Norwich. David and Brenda married in 1955 and by the early 1960s David was installed as director at art publishers Studio Vista. Publishing such titles as Art Deco by Bevis Hillier, Kinetic Art by Guy Brett and Op Art by Cyril Barrett, all pioneering titles in their field. By 1976 they had set up their own Herbert Press where Brenda was Editor. The office was installed in the dining room at their house in Belsize lane, Hampstead and they published books on art and architecture that would be overlooked by big publishers looking at the bottom line. There was the Herbert History of Art and Architecture series, Rowland Hilders England, The Dukes of Britain, The Art of Dora Carrington, Percy Edwards song birds, Ronnie Barkers post cards and so the eclectic list of their titles went on. They mixed in the literary and artistic circles of Hampstead at the time, meeting Mary Fedden and Julian Trevelyan amongst others, whose work they collected. In 1983 the Herbert Press moved to Northchurch Road, Hackney. The business was run from the basement and they lived upstairs. The business was sold to A&C Black in 1995 and David died in 1996 but Brenda continued to live an energetic life in the house until her death earlier this year.
Selection of 19th century silver fiddle pattern flatware, with engraved initial A, comprising 8 table spoons, 12 dessert spoons, 10 dinner forks, 12 dessert forks, 6 tea spoons and a pair of sugar tongs (various dates and makers). All at approximately 86ozs. 49 pieces in total.
Six place setting of William IV silver 'Victoria' pattern flatware and cutlery, comprising six table forks, six dessert forks, six table spoons, six dessert spoons and five silver handled knives, by Samuel Hayne & Dudley Cater, (London 1837) approximately 66oz of weighable silver.
Machiavelli - The Prince, the first English edition, published London 1640, the text complete, in crude early full calf bindingPrinted contents complete - title page then three pages of dedication, epistotle to the reader (2 pages) and dedication to Laurence (4 pages) (A6, B12) then pages 1-305 and then five pages of Table of chapters, two blank end leaves. The binding is in poor state with some losses to spine, binding is secure but slightly loose. Contents are in mostly good commensurate with age, there is browning to page edges, some pages creased and some small holes and minor defects, nothing of consequence affecting the text. Various marginalia and inscriptions to title page.
Large collection of Victorian silver Old English and Fiddle pattern flatware, all with engraved monograms/initials, comprising six teaspoons (Sheffield 1902), six teaspoons (London 1873), 4 dessert spoons (London 1872), 6 dinner forks (London 1872), 5 dessert forks London 1872), pair sauce ladles (London 1842), 6 dessert forks (London 1873), 3 dinner forks (London 1873), 12 dessert forks (London 1902), 12 dessert spoons (London 1902), 9 table spoons (London 1902), 4 teaspoons (London 1902) 12 dinner forks (London 1902) 9 table spoons (Newcastle 1843) and 3 other items (various makers), together with 12 silver plated table spoons. Approximately 170ozs weighable silver. 111 pieces in total.
Vintage coffee table Coco Chanel style, gilt iron base, composed of many ears of corn held by a rope, glass table top, 1970sVintage salontafel Coco Chanel stijl, verguld ijzeren voetstuk, samengesteld uit vele korenaren die door een touw worden vastgehouden, glazen tafelblad, jaren '7046 x 119 x 60 cm
House BARBIER, table lamp model 'Oxford' decorated with an egg in travertine and foliage in gilded metal, the whole resting on a square base in black tinted wood and brass, 1970sMaison BARBIER, tafellamp model 'Oxford' gedecoreerd met een ei in travertijn en gebladerte in verguld metaal, het geheel rustend op een vierkante voet in zwart getint hout en messing, jaren 1970H 64 cm
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1210659 item(s)/page