AFTER MARTIN SHARP MISTER TAMBOURINE MAN; BLOWING IN THE MIND Each 75 x 49.5cm (29½ x 19¼ in.) (2) Condition Report: Each sheet is loose and not stuck down or mounted. David Bowie: The sheet has been cut down. Staining to the reverse. Creasing and undulation throughout the sheet. Glue residue to the upper edge, verso. Pin holes and some small losses to the lower corners. Horizontal crease approx. 10cm 1/3 from the bottom edge running into the centre of the sheet. Mister Tambourine Man: Red staining to the extreme edges of the sheet, recto. Very light handling creases scattered across the sheet. A horizontal creases running across the lower edge. Ink stains to sheet verso. Condition Report Disclaimer
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* BILLY CONNOLLY CBE (SCOTTISH b. 1942),TAMBOURINE MANartists proof numbered 4/29, aside from the limited edition of 295, giclee print on paper, signed in pencil titled and dated 2020 certificate verso, from the Born on a Rainy Day series image size 57cm x 77cm, overall size 65cm x 86cm Framed and under glass. Note: Certificate verso by Washington Green Fine Art.
asymmetrical, the frame of rocaille form, depicting a trumpeting angel, head of a cherubim, and another cherubim holding wreath, with suspending tambourine, harp, and trumpets, all pulled by a crowned swan, supported by two spreading feet and stand, apparently unmarked; overall height: 84 cm (33 1/8 in.)CONDITIONThe mirror is in very good condition.
A collection of assorted LP's to include The Byrds 'Mr Tambourine Man' BPG 62571, George Harrison 'All Things Must Pass' 3xLP boxset (no poster) Apple STCH 639, David Crosby 'If I Could Only Remember My Name' 2401 005, Queen 'Queen II' EMA 767 and 'A Day At The Races' EMTC 104, Neil Young + Crazy Horse 'Ragged Glory' WX324, U2 'Achtung Baby' 212 110, Chris Farlowe with The Hill 'From Here To Mama Rosa' 2425 029 and The Fugs 'Virgin Fugs' ESP-1038 (9, vinyl and sleeves generally VG/VG+)
The Byrds ? Mr Tambourine Man UK 1st press LP SBPG 62571 1A-1 and 1B-1 NM The vinyl is in near mint condition and has a very high glossy sheen beautiful condition. The labels are excellent with just some signs of light play around the spindle hole. The E.J.Day front laminated flipback sleeve is in excellent condition with no edge wear and clear writing on the spine. There are some light creases to the front laminate but nice clean sleeve otherwise. The original inner sleeve is in very good plus condition with some light creasing only
A MEISSEN GROUP EMBLEMATIC OF MUSICLate 19th centuryModelled as two seated cherubs, one playing pipes, the other with a sheet music, a tambourine at the side, blue crossed swords mark, incised 2464, impressed 86, 13.5cm highCherub seated with restoration to left hand and arm, right hand and one wing. Restoration to end of his blue drapery. Cherub on right with restoration to both wings and to top of pipes. Restoration to top of harp between them
Circa 430-300 BC, Apulia A beautiful terracotta bell krater features a pedestal foot, cylindrical flared stem, inverted bell-shaped body, two upturned handles and a wide, everted rim. A beautiful example of Apulian Plain style, probably depicting a Dionysiac thiasos, i.e. the ecstatic procession of Dionysus followers, often pictured as inebriated revellers. On side of the body shows a half-nude, seated woman holding a wreath and a phiale ready for wine to be poured in. The other side depicts a standing male figure holding a situla, a ritual vessel for libations, a tambourine, and a branch. The use of white paint for additional details, such as the jewellery of the woman, and as added highlights to the scenery is indicative of this vessel having been painted in Magna Graecia (the Greek colonies of Southern Italy). Bell kraters such as this fine example first occur in the early fifth century and the only extant ones have red-figure decoration. Bell kraters were named for their bell-like shape, perhaps originating in wood, and they usually featured small horizontal upturned handles just over halfway up the body such as in this example. Some did not have a foot, and earlier examples may have had lugs for handles. Over the course of the fifth and fourth centuries BC, the shape becomes slimmer. Kraters were used for diluting wine with water and usually stood on a tripod in the dining room, where wine was mixed during a banquet (symposium). For a comprehensive treatment of Apulian red-figure vases, see: Trendall A. D., Cambitoglou, A. (1978). The Red-figured Vases of Apulia: Early and Middle Apulian. Oxford: Clarendon Press. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot. Size: L:350mm / W:330mm; 3.1kg Provenance: Property of a central London Gallery; formerly in a South English estate collection; acquired in the 1990s from Andre de Munter, Brussels, Belgium; previously in an old European collection.
Seeburg KT Special Orchestrion Exzellente Reproduktion des Seeburg "KT Special", hergestellt in einer Auflage von 60 Exemplaren von Bill Edgerton in den frühen 1980er Jahren. Münzeinwurf 50 Eurocent. Zu den Instrumenten gehören Klavier mit Mandoline, große Trommel, kleine Trommel, Triangel, Tamburin, Pauke, Becken, Chinesischer Block und Xylophon, für G-Serien-Rollen. Die Lautstärke läßt sich mit 3 Hebeln regulieren, 230-Volt-Elektromotor, Eichengehäuse mit Bleiverglasung im oberen Teil der Front. Sehr guter und spielender Zustand. Mit 7 Rollen. Start Price: EUR 7000 Watch and Listen on:Youtube.com/AuctionTeamBrekerSeeburg KT Special Orchestrion Faithful reproduction of the Seeburg "KT Special", from a limited edition of sixty replicas by Bill Edgerton in the early 1980s, for G-series rolls, with 230-volt electric motor, coin-slot for 50 euro-cents, piano with mandolin, bass drum, snare drum, triangle, tambourine, timpani, cymbals, Chinese block and xylophone, three-lever adjustable volume, in oak cabinet with leaded glass panel on the front. Very good playing condition. With seven rolls. Start Price: EUR 7000 Watch and Listen on:Youtube.com/AuctionTeamBreker
CLAUDE MICHEL "CLODION" (Nancy, 1738 - Paris, 1814)."Triumph of Bacchus". Early 19th century.Patinated bronze.Veined marble pedestal.Signed on one side.Measurements: 37 x 23 x 19 cm ; 40 cm (height with pedestal).Patinated bronze sculpture representing the triumph of Bacchus. In this group of sculptural figures there is the Roman God of the vine and the wine, Bacchus with a classical half-naked maiden and a beautiful pair of cherubs, one dancing while holding a tambourine and the other sitting on the shoulders of Bacchus during a bacchanal.Claude Michel, known as Clodion, was born in Nancy, but in 1755 he moved to Paris to study in the studio of his uncle, the sculptor Lambert Sigisbert Adam, with whom he remained for four years. After his uncle's death he became a pupil of Jean Baptiste Pigalle, Madame de Pompadour's favourite sculptor. His work soon began to be recognised and in 1759 he won the grand prize for sculpture at the Académie Royale. In 1761 he was awarded the first silver medal for studies on models, and a year later he was awarded the Grand Prix de l'Académie Royale, consisting of a pension to further his training in Italy. Clodion was very active in Rome between 1767 and 1771. On returning to Paris he set up his own studio, where he worked with his brothers depicting mythological scenes, groups of dancers, nymphs and bathers in a language somewhere between Rococo and Neoclassicism. His works were in great demand, from the Parisian salons to Catherine II of Russia. Clodion's works are held in the Louvre (Paris), the Metropolitan Museum of Art (New York), the Hermitage Museum (St. Petersburg), the Victoria & Albert Museum (London), the Art Institute of Chicago, the J. Paul Getty Museum (Los Angeles), the Frick Collection (New York) and the Kimbell Museum (Forth Worth, Texas), among many others.
Carlton Ware - Three 1930s Art Deco table novelties comprising two napkin rings and a bell, all formed as crinoline ladies, tallest 10cm, together with three Art Deco figurines, one lady in a Spanish dress titled Edyth, one a dancing lady dressed in green and the last a seated harlequin holding a tambourine, titled Anita 1. (6)
A Victorian parian bust of Clytie the Water Nymph, another bust of Christ, an allegorical figure of a tambourine player, one of a muse seated on rocks and a basket, together with The Parian Phenomenon, a Survey of Victorian Parian Porcelain Statuary & Busts (one tray)Condition report: Bust of Christ is missing its socle base. Basket with a small chip to the rim and another to the foot. Tambourine player - with loss to the left-hand bunch of grapes. All other figures free from damage and repair.
Charles Cumberworth (French 1811-1842), a pair of patinated bronze peasant dancersShe playing a tambourine, he hopping and holding a ribbon, both on a circular black marble base, the female signed to the base Cumberworth Scpt, 30cm high, the male unsigned, 32cm high. (2)Rupert Gunnis suggested in The Dictionary of British Sculptors that Cumberworth was born in America although it seems more likely he was born in Verdun, France which is more commonly cited. In 1829 Cumberworth entered the School of Fine Arts in Paris and studied under Pradier and exhibited at the Paris Salon between 1833-1848.Provenance:Private Collection, England
A quantity of curios created Tim Chitty incorporating Victorian elements including a model boat, cannon in a case, tambourine, etc. (D)Tim's art in situ – a place to see Tim Chitty's work.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
NAO; six assorted figures of angels including an example holding a tambourine, also a ceramic pin dish, with applied bird (7).Additional InformationEach with nicotine staining, the ceramic with the bird with a chip to its wing, the angel holding the lute is damaged, another angel holding a musical instrument with damage to the instrument.
A French gilt-metal mounted set of three perfume bottles and stoppers, late 19th century, the canted bottles fitted in a circular gilt-metal case cast with maidens playing the tambourine and flaming urns, 12.5 cm high Condition Report: One gilt metal collar to one bottle is loose and this glass bottle is cloudy. the pierced gilt metal mount is in good order overall, there are two very small incisions to footrim of base, possibly occurring at time of manufacture. The bottles are a snug fit in their gilt metal stand, although when looking at the mount when the bottles are removed it appears to be very slightly misshapen. The bottles would benefit from a gentle clean. There are some very minute chips to stoppers.
Original antique Les Maitres de l'Affiche advertising poster for La Bodinaire bursts with gaiety and joie de vivre as a charming woman is pictured with a tambourine in a yellow robe, dancing her way across the stage. As she holds a mask in her hand, another performer dances behind her with a smile, looking out to the audience inviting us to join. La Bodinaire was a popular theatre hall in Paris between 1890 and 1902 which hosted a distinguished audience of aristocrats, grand bourgeois and intelligentsia. This flamboyant illustration captures a beautiful moment during the performance, encapsulating a wonderful feeling of bohemian nonchalance. This iconic art nouveau poster is by Jules Cheret (1836 - 1932), published in the 1900s. Good condition, tears, staining, creasing, paper losses, blind embossing in bottom right corner. Country of issue: France, designer: Jules Cheret, size (cm): 40x29, year of printing: 1900s
Original antique advertising poster for Bal des Etudiants Student Ball by R. Demange Deraon featuring a stunning Art Nouveau image of fashionably dressed ladies dancing and admiring the ball, with a man in a mask playing a trumpet, a lady playing drums, and a Cupid like child playing tambourine, with decorative patters forming faces and theatrical masks. Lithograph by J. Royer - Nancy, France. Fair condition, creasing, paper losses, tears, minor staining, backed on old linen. Country of issue: France, designer: R. Demange Deraon, size (cm): 99x69, year of printing: 1900s
Ferdinand Preiss, 1882-1943, deutscher Bildhauer und einer der führenden Elfenbein- Schnitzer, hier: Ausdruckstänzerin aus Mammuthelfenbein auf Onyx-Sockel, besonders feine Ausführung und grosse Individualität der Tänzerin u. ihrer Bewegung, grosse Schwierigkeit in der tänzerischen Haltung, die Körperspannung von den Finger- bis zu den Fußspitzen fein beobachtet und meisterlich wiedergegeben, l.rest., einige Finger fachgerecht ersetzt, Vollplastisch, materialbedingt rissig, H. ca. 23 cm, vgl. Lit. Ferdinand Preiss, Art Deco Sculptor, Alberto Shayo, S. 79. Abbildung einer Figur 'Tambourine Dancer' in ähnlicher Pose; Versand nur innerhalb der EU möglichFerdinand Preiss, 1882-1943, German sculptor and one of the leading ivory carvers, here: expressive dancer made of mammoth ivory on an onyx base, particularly fine execution and great individuality of the dancer and her movement, great difficulty in dancing posture,the body tension of the fingertips to the tipsof the feet carefully observed and masterfullyreproduced, some fingers professionally replaced, fully sculptured, cracked due to the material, height approx. 23 cm, see lit. Ferdinand Preiss, Art Deco Sculptor, Alberto Shayo, p 79. Illustration of a 'Tambourine Dancer' figure in a similar pose; Shipping only possible within the EU
Josef Lorenzl (Austrian, 1892-1950),'Tambourine Dancer', a cold-painted bronze and ivory figurine of a woman, surmounted on an oval onyx plinth, mounted on a slate base, signed to the bronze plinth, 26.5cm highIllustrated: Victor Arwas, 'Art Deco Sculpture', Academy Editions, London.Condition report: Minor scuffs to finish on arms. Decoration to the trousers faded. The slate base with a split.
Karli SOHN-RETHEL (1882 - 1966). Tamburinspieler.Mischtechnik Gouache & Kreide (?). 42,5 cm x 33,5 cm Blattmaß. Unleserlich signiert und datiert 1925 unten rechts. Nord Afrika. Orientalist.Objekt kann versendet werden.Karli SOHN-RETHEL (1882 - 1966). Tambourine playerSheet size 42.5 cm x 33.5 cm. Mixed media gouache & chalk (?). Indistinctly signed and dated 1925 lower right.Object can be shipped.

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