Sol LeWitt (American, 1928-2007)Nine Pyramids on a Nine-part Grid White painted cast polyester resin on painted formica base, 1991, signed and numbered 2/15 in black marker underneath (there were also six artist's proofs), published by Tanglewood Press, Inc., New YorkOverall 340 x 737 x 737mm (13 3/8 x 29 x 29in)For further information on this lot please visit Bonhams.com
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Allen Jones R.A. (British, born 1937)Self, from New York International (Lloyd 28) Screenprint in colours, 1965, on wove paper, signed, dated and numbered 101/225 in pencil (there were also 25 artist's proofs), printed by Chiron Press, New York, with their blindstamp, published by Tanglewood Press, Inc., New York, the full sheet, framed Sheet 558 x 431mm (21 7/8 x 16 7/8in)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
A quantity of children's Books, late 19th Century and early 20th Century, to include Potter (Beatrix), The Tale of Little Pig Robinson, Frederick Warne, London, 1930; The Guinness Alice, 1933; Swift (J), Gulliver's Travels, Harrap, London, 1931; Hawthorne (N), Tanglewood Tales (illustrated E Dulac), 1938; Swift (J), Gulliver's Travels (illustrated RG Mossa); Gilbert (WS) The Pinafore Picture Book (illustrated Alice Woodward), London, 1908; Caldecott (R), Picture Book No. 2, Warne, London; Mother Goose's Nursery Rhymes, Warne, London; The English Struwwelpeter, circa 1900 CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
A collection of Folio Society books, all in their original slipcases, primarily relating to ancient and medieval history, titles including: The History of the Decline and Fall of the Roman Empire, by Edward Gibbon, 8 vols; The Greek Myths, by Robert Graves, 2 vols; The Lives of the Mongol Warlords boxset; Tanglewood Tales, by Nathaniel Hawthorne; and others, one box.
Rod Massey (American, b. 1949). Oil on panel painting titled "Between Houses, Spring" depicting two white homes, 2000. Likely depicting houses in Minneapolis, St. Paul, or one of the Twin Cities' suburbs. Signed, dated, and titled along the frame along the verso.Provenance: Groveland Gallery, Minneapolis, Minnesota; Private Minnesota collection.Massey was born in Minneapolis in 1949 and received his BFA at the Minneapolis College of Art and Design. Upon graduation, he continued his education at the Tanglewood/Boston University and the Skowhegan School of Painting and Sculpture. His work features everyday urban scenes and imbues them with a sense of buoyancy. Massey's main interests lie in unpacking the underlying character of daily objects, such as houses, highways, work trucks, fruits, etc. He argues that "While my art is rooted in traditional painting, my intent is to convey a deeper, more personal and contemporary insight into my environment. Distortions of perspective, space, color and light all define the regionalist nature of my personal vision and experience." His work is housed in numerous national collections including, but not limited to, the Minneapolis Institute of Art, 3M Company, General Mills, and Target Corporation.Unframed; height: 10 in x width: 12 1/4 in. Framed; height: 15 in x width: 17 1/4 in.Condition: The colors are bold and bright and the surface is stable. There are no cracks, losses, or restorations when inspected under UV light. Some soiling (paint) along the verso, likely original to the artistic process. Light wear to the frame.
Rod Massey (American, b. 1949). Oil on panel painting titled "Blue House Behind Trees" depicting a bright blue home and a line of trees, 2006. Likely depicting a home in Minneapolis, St. Paul, or one of the Twin Cities' suburbs. The leafless trees and green grass give the impression of late fall or early spring. Signed, titled, and dated on a card affixed to the verso.Provenance: Groveland Gallery, Minneapolis, Minnesota; Private Minnesota Collection.Massey was born in Minneapolis in 1949 and received his BFA at the Minneapolis College of Art and Design. Upon graduation, he continued his education at the Tanglewood/Boston University and the Skowhegan School of Painting and Sculpture. His work features everyday urban scenes and imbues them with a sense of buoyancy. Massey's main interests lie in unpacking the underlying character of daily objects, such as houses, highways, work trucks, fruits, etc. He argues that "While my art is rooted in traditional painting, my intent is to convey a deeper, more personal and contemporary insight into my environment. Distortions of perspective, space, color and light all define the regionalist nature of my personal vision and experience." His work is housed in numerous national collections including, but not limited to, the Minneapolis Institute of Art, 3M Company, General Mills, and Target Corporation.Unframed; height: 49 in x width: 38 in. Framed; height: 50 1/4 in x width: 39 1/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Rod Massey (American, b. 1949). Oil on panel painting titled "East Diamond Lake Road, Winter" depicting the home at 209 E. Diamond Lake Road in Minneapolis, MN, 2002. The snow-filled landscape with the pale, cloudy sky is iconic of Minnesota's long winters. Signed, dated, and titled along the verso.Massey was born in Minneapolis in 1949 and received his BFA at the Minneapolis College of Art and Design. Upon graduation, he continued his education at the Tanglewood/Boston University and the Skowhegan School of Painting and Sculpture. His work features everyday urban scenes and imbues them with a sense of buoyancy. Massey's main interests lie in unpacking the underlying character of daily objects, such as houses, highways, work trucks, fruits, etc. He argues that "While my art is rooted in traditional painting, my intent is to convey a deeper, more personal and contemporary insight into my environment. Distortions of perspective, space, color and light all define the regionalist nature of my personal vision and experience." His work is housed in numerous national collections including, but not limited to, the Minneapolis Institute of Art, 3M Company, General Mills, and Target Corporation.Height: 17 in x width: 13 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Rod Massey (American, b. 1949). Oil on panel painting titled "Behind Shilla" depicting two St. Paul homes in a winter landscape, 2005. Possibly depicting the houses on Van Buren Avenue just behind Pho Pasteur on Snelling Avenue in St. Paul. Signed, dated, and titled on a label affixed to the verso. With a label from Groveland Gallery in Minneapolis, Minnesota along the verso.Massey was born in Minneapolis in 1949 and received his BFA at the Minneapolis College of Art and Design. Upon graduation, he continued his education at the Tanglewood/Boston University and the Skowhegan School of Painting and Sculpture. His work features everyday urban scenes and imbues them with a sense of buoyancy. Massey's main interests lie in unpacking the underlying character of daily objects, such as houses, highways, work trucks, fruits, etc. He argues that "While my art is rooted in traditional painting, my intent is to convey a deeper, more personal and contemporary insight into my environment. Distortions of perspective, space, color and light all define the regionalist nature of my personal vision and experience." His work is housed in numerous national collections including, but not limited to, the Minneapolis Institute of Art, 3M Company, General Mills, and Target Corporation.Sight; height: 30 1/2 in x width: 32 in. Framed; height: 32 1/4 in x width: 34 1/4 in.Condition: Overall there are no visible tears, creases or losses. The surface is stable. The colors are bold and bright. There is minute paint losses to the extreme edge of the right lower corner, possibly against the old frame. On the verso there is original paint accretion; please see listing image. There is light wear to the frame. There is a light of white paint accretion to the underside of the frame. There are no visible signs of restoration under UV light.
A quantity of assorted volumes including: Waugh (Evelyn) Unconditional Surrender, with dust jacket; Caldecott (R) Picture Book Number 2; Browning (Robert) The Pied Piper of Hamelin; Bell (Charles) The People of Tibet; Hawthorne (Nathaniel) Tanglewood Tales, illustrated by Edmund Dulac; and other similar volumes.
Amerikanische Moderne Alan Cote (1937 Windham, Connecticut)1 Farbserigraphie aus: New York Ten (New York l0/69). 1969. Auf leichtem Velinkarton. 43,8 x 56 cm (50,8 x 66 cm). Signiert, datiert und nummeriert. - Partiell mit leichten Oberflächenbereibungen. Ecken wenig bestoßen. Insgesamt sehr gut. Prachtvoller, farbkräftiger und samtener Druck mit Rand. Eines von 100 Exemplaren. - Aus dem Portfolio "New York Ten (New York l0/69)". - Hg. Tanglewood Press (mit dem Blindstempel) und Gagosian Gallery, Inc., New York. 1 Colour silkscreen from: New York Ten (New York l0/69). On light wove cardboard. Signed, dated and numbered. - Partially with slight surface rubbing. Corners a little bit bumped. All in all very good. Splendid, colour-intense and velvety impression with margin. - One of 100 copies. - From the portfolio "New York Ten (New York l0/69)". - Published by Tanglewood Press (with the blind stamp) and Gagosian Gallery, Inc, New York.
Amerikanische Moderne David Diao (1943 Chengdu)1 Farbserigraphie aus: New York Ten (New York l0/69). 1969. Auf Bütten, aufgewalzt auf leichtem Velinkarton. 22,7 x 38 cm (51 x 66 cm). Signiert und nummeriert. - Punktuelle Griffspur und minimal bestoßen. Insgesamt sehr gut. Prachtvoller, atmosphärischer Druck mit breitem Rand. Eines von 100 Exemplaren. - Aus dem Portfolio "New York Ten (New York l0/69)". - Hg. von Tanglewood Press (mit dem Blindstempel) und Gagosian Gallery, Inc., New York. 1 colour silkscreen from: New York Ten (New York l0/69). 1969. On laid paper, applied to light wove cardboard. Signed and numbered. - Isolated grip traces and minimally bumped. All in all very good. Splendid, atmospheric impression with wide margin. - One of 100 copies. - From the portfolio "New York Ten (New York l0/69)". - Published by Tanglewood Press (with the blind stamp) and Gagosian Gallery, Inc, New York.
Amerikanische Moderne Ronnie Landfield (1947)1 Farbserigraphie aus: New York Ten (New York l0/69). 1969. Auf leichtem Velinkarton. 37 x 53 cm (50,8 x 66 cm). Signiert, datiert und nummeriert. - Partiell Ecken wenig bestoßen. Insgesamt sehr gut. Prachtvoller, farbkräftiger und nuancierter Druck mit Rand. Eines von 100 Exemplaren. - Aus dem Portfolio "New York Ten (New York l0/69)". - Hg. von Tanglewood Press (mit dem Blindstempel) und Gagosian Gallery, Inc., New York. 1 colour silkscreen from: New York Ten (New York l0/69). On light wove catrdboard. Signed, dated and numbered. - Partially corners a little bit bumped. All in all very good. Splendid, colour-intense and nuanced impression with margin. - From the portfolio "New York Ten (New York l0/69)". - One of 100 copies. - Published by Tanglewood Press (with the blind stamp) and Gagosian Gallery, Inc, New York.
Amerikanische Moderne Alan Shields (1944 Harrington - 2005 Shelter Island (New York))Lonely night, aus: New York Ten (New York l0/69). 1969. Farblithographie und Aquarell auf perforiertem, leichtem Velinkarton. 46 x 45,4 cm (48 x 45,4 cm). Signiert, datiert und nummeriert. - Punktuelle Griffspur, insgesamt sehr gut. Prachtvoller und farbintensiver Druck mit differenzierter Aquarellierung, unten mit Rand. Eines von 100 Exemplaren. - Aus dem Portfolio "New York Ten (New York l0/69)". - Hg. Tvon anglewood Press (mit dem Blindstempel) und Gagosian Gallery, Inc., New York. 1 colour lithograph and watercolour on perforated, light wove cardboard. From: New York Ten (New York l0/69). 1969. Signed, dated and numbered. - Good condition. Splendid and colour-intensive impression with differentiated watercolour, with margin at the bottom. - One of 100 copies. - From the portfolio "New York Ten (New York l0/69)". - Published by Tanglewood Press (with the blind stamp) and Gagosian Gallery, Inc, New York.
Amerikanische Moderne Kenneth Showell (1939 - 1997, Huron)Gryun, aus: New York Ten (New York l0/69). 1969. Farbserigraphie und -offset auf glattem Velin. 46 x 62 cm (50,8 x 66 cm). Signiert, datiert und nummeriert. - Vereinzelte Griffspuren, verso punktuelle Anschmutzung, insgesamt sehr gut. Ausgezeichneter und farbintensiver Druck mit schmalem Rand. Eines von 100 Exemplaren. - Aus dem Portfolio "New York Ten (New York l0/69)". - Hg. Tvon anglewood Press (mit dem Blindstempel) und Gagosian Gallery, Inc., New York. Colour silkscreen and -offset on smooth wove paper. From: New York Ten (New York l0/69). Signed, dated and numbered. - Isolated grip traces, spot-soiled on the verso, all in all very good. Superb and colour-intensive impression with margin. - One of 100 copies. - From the portfolio "New York Ten (New York l0/69)". - Published by Tanglewood Press (with the blind stamp) and Gagosian Gallery, Inc, New York.
Amerikanische Moderne Lawrence Stafford (1938 Kansas City)1 Farblithographie aus: New York Ten (New York l0/69). 1969. Auf Japanbütten. 46,7 x 62,5 cm (51,5 x 65,5 cm). Signiert, datiert und nummeriert. - Punktuell kaum merkliche und schwache Braunfleckchen. Unter Kante kaum merklich gegilbt. Insgesamt sehr gut. Ausgezeichneter und farbintensiver Druck mit Rand, unten mit dem Schöpfrand. Eines von 100 Exemplaren. - Aus dem Portfolio "New York Ten (New York l0/69)". - Hg. von Tanglewood Press (mit dem Blindstempel) und Gagosian Gallery, Inc., New York. 1 colour lithograph from: New York Ten (New York l0/69). On Japan laid paper. Signed, dated and numbered. - Faint and barely noticeable brown spots in places. Lower edge hardly yellowed. At all very good. Superb and colour-intensive impression with margin, deckle edge at the bottom. - One of 100 copies. - From the portfolio "New York Ten (New York l0/69)". - Published by Tanglewood Press (with the blind stamp) and Gagosian Gallery, Inc, New York.
Allen Jones. (1937 Southampton). Self aus: New York International. 1965. Farbserigraphie auf leichtem Velinkarton. 46 x 41 cm (55,5 x 42,5 cm). Signiert, datiert und nummeriert. Im Acrylrahmen der Zeit gerahmt. - An den Rändern vereinzelt mit schwachen Fleckchen. Blatt etwas wellig. Verso leicht lichtrandig. Insgesamt gut. Prachtvoller, sehr farbintensiver Druck der formatfüllenden Darstellung. Lloyd 28 (leicht abweichendes Motiv). - Eines von 225 Exemplaren. - Aus dem Portfolio "New York International". - Hg. von Tanglewood Press Inc., New York 1965. - Druck bei Chiron Press, New York (mit dem Trockenstempel). Colour silkscreen on light wove cardboard. Signed, dated and numbered. Framed in an acrylic frame of the time. - With weak small spots at the margins. Sheet somewhat wavy. Light margins on the verso. All in ll good. Splendid, very colour-intensive print of the full-sized depiction. - One of 225 copies. - From the portfolio "New York International". - Published by Tanglewood Press Inc., New York 1965. - Printed by Chiron Press, New York (with the dry stamp).
Children's and illustrated books Large collection of works Whistler, Rex (illustrator). Fairy Tales and Legends by Hans Andersen. Illustrated by Rex Whistler. London: Cobden Sanderson Ltd, 1935. First edition, deluxe issue, signed by the artist on the half-title, 8vo, original cream buckram richly gilt, all edges gilt, wood-engravings throughout;Carroll, Lewis. Sylvia and Bruno Concluded. London: Macmillan and Co., 1893. First edition, 8vo, original red cloth gilt, wood-engraved frontispiece and text illustrations by Harry Furniss, all edges gilt, spine sunned, a few marks to covers;Dulac, Edmund (illustrator). Stories from Hans Andersen. London: Hodder & Stoughton, 1911. 4to, original green pictorial cloth gilt, 28 colour plates;Idem. Edmund Dulac's Fairy Book. London: Hodder & Stoughton, c.1916. 4to, original decorative green cloth gilt, 16 tipped-in colour plates, spine sunned and faded;Idem. The Bells and Other Poems by Edgar Allan Poe. London: Hodder and Stoughton, c.1912. 4to, original decorative green cloth gilt, 28 colour plates, mark to front board;Idem. Tanglewood Tales by Nathaniel Hawthorne. London: Hodder and Stoughton, c.1918. 4to, original cream pictorial cloth, 14 colours plates, inner hinges repaired;Idem. The Masque of Comus. The Poem by John Milton. Cambridge: printed for members of the Limited Editions Club at the University Press, 1954. One of 1,500 copies, 8vo, original quarter japon, colour plates, slipcase;Marie, Queen of Romania. The Story of Naughty Kildeen. Illustrated by Job [i.e. Count Jacques Marie Gaston Onfroy de Breville]. Tours: A. Mame and Sons, c.1922. Folio, original orange pictorial cloth, colour illustrations throughout, covers sprung, spotting to endpapers;Milne, A. A. Now We Are Six. With Illustrations by Ernest H. Shepard. London: Methuen & Co. Ltd., 1927. First edition, 8vo, original red cloth, spine rolled, browning to half-title and final blank;Eliot, T. S. Old Possum's Book of Practical Cats. Nicolas Bentley drew the Pictures. London: Faber and Faber Limited, 1939. First illustrated edition, first impression, 8vo, original white pictorial cloth, contemporary ownership inscription, dust jacket repaired, a few nicks and chips;Le Mair, H. Willebeek (illustrator). A Child's Garden of Verses by Robert Louis Stevenson. London: George G. Harrap & Co. Ltd., 1931. First edition, oblong 4to, original quarter cloth, 12 colour plates;and approx. 50 others, including others illustrated by Dulac, E. H. Shepard, Willebeek Le Mair, and similar
Claes Oldenburg,Swedish/American 1929-2022,Flying Pizza from New York Ten, 1964; lithograph in colours on wove, monogrammed and dated in the plate, signed and numbered 114/200 in pencil, printed by Hollander's Workshop, Inc., New York,published by Tanglewood Press, Inc., New York,sheet: 43.2 x 56.3 cm, (framed)
Φ Salomon van Abbé (Dutch 1883-1955)Illustrations from The Tanglewood Tales, comprising Medea in her chariot; Jason and Chiron; Cadmus sowing the dragon's teeth; Theseus and the Minotaur; and Hercules and the PygmiesFive, four signed S van AbbéEach pen, watercolour and bodycolourEach 29.8 x 19.7cm (5)
HORNSEY. A Hornsey pottery, Studiocraft ivory glazed globe vase. Printed backstamp. Height 9cm. Also, a Hornsey Tanglewood planter 990, designed by John Clappison. Height 13.5cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
Robert Motherwell (American, 1915-1991)Untitled, from New York International (Belknap 28) Lithograph, 1966, on BFK Rives wove paper, signed and numbered 33/225 in pencil (there were also 25 artist's proofs numbered in Roman numerals), printed by Hollander's Workshop, Inc., New York, with their blindstamp, published by Tanglewood Press, New York, the full sheetSheet 559 x 431mm (22 x 17in)For further information on this lot please visit Bonhams.com
(Illustrated, Pre-Raphaelite, Art Nouveau, Fin de Siecle) A collection of 19 late 19th/early 20th Century illustrated titles, including Nathaniel Hawthorne: 'Tanglewood Tales', ill. Willy Pogany, London, T. Fisher Unwin, [1911], 4 colour plates + 25 b/w ills. (some full page) by Willy Pogany as called for, orig. pictorial cloth gilt; 'Dante Alighieri: 'The New Life', trans. Dante Gabriel Rossetti, ill. Evelyn Paul, L, Harrap, c.1916, ills. throughout by Evelyn Paul including 14 colour plates, 4to, orig. decorative cloth gilt, dust wrapper; plus 2 others Evelyn Paul; 'Andersen's Fairy Tales', The Children's Press, [nd], c.1930, 8 colour plates by Anne Anderson as called for, 4to, orig. cloth gilt; 'Blake's Vision of the Book of Job', Dent, 1910, ills., 'The Pageant', L, Henry & Co, 24 plates incl. D.G. Rossetti, Edward Burne-Jones, Lucien Pissarro et al, 4to, orig. dec. cloth, and others Charles Robinson, W. Heath Robinson, William Russell Flint, Herbert Paus, Alice B. Woodward etc (19)
FOURTEEN LARGER LILLIPUT LANE SCULPTURES FROM SOUTH EAST COLLECTION, comprising boxed The Kings Arms (deeds), boxed Swan Inn (deeds), Saxon Cottage, The Gables, Wealden House, Gossip Gate (chipped), Old Shop at Bignor, Tanglewood Lodge, Thatchers Rest (no label), Cherry Blossom Cottage (chip to chimney), Three Feathers, Stone Cottage, Crown Inn and Oakwood Smithy (14) (Condition Report: some rubbing and dirty, overall ok)

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968 item(s)/page