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Willem Bleau (Amsterdam, 1571 - Amsterdam, 1638) Marca d'Ancona olim Picenum Incisione in rame in coloritura. La mappa che ripete la cartografia del Magini ed è inserita per la prima volta nel terzo volume del Theatrum Orbis Terrarum, verosimilmente pubblicato nell'edizione francese del 1640 e dal titolo Le Theatre du Monde ou Nouvel Atlas. A Amsterdam, Chez Iean & Corneille Blaeu MDCXL.Acquerellata a mano, in passepartout e cornice in simil radica verde del XX secolo

Punk and New Wave Interest LPs, thirty-five albums to include, The Cure - Boys Don't Cry, Gary Numan - Dance, Easterhouse - Waiting for the Redbird, Rip Big and Panic - God, Psychedelic Furs - Mirror Moves, Siouxsie and The Banshees - The Scream, XTC - English Settlement - The Damned - Phantasmagoria, Sham 69 - Thats Life, Theatre of Hate - He Who Dares Wins, also others by Bauhaus, Vibrators, The Jam, Godfathers, Bishops, Tom Robinson Elvis Castello, Tourists, Lene Lovich, Ian Dury, generally good plus very good

Beatles Concert Tickets, one ticket for 09/11/1964, City Hall, Sheffield, one for 08/12/1965, Gaumont Theatre, Sheffield. Also included are tickets for Kenny Ball, Tommy Steele, Acker Bilk, Terry Lightfoot, and Cannon and Ball.

Wagstaffe (Thomas) - Piety Promoted in Brief Memorials of the Virtuous Lives, Services and Dying Sayings of People Called Quakers, 1 vol London 1775 and two other part theatre comedy booklets (3)

A large selection of various ballet an theatre related volumes including Ballet bound magazines 1930s - 40s. the Encyclopaedia of Dance and Ballet etc

Resin and glass snow globe with detailed raised scenes of Broadway theatre marquees. In the center is the Times Square Ball, not yet raised at the bottom with 2001 at the top of the pole. The music box inside plays Let It Snow. Dimensions: 6.5"H x 5" diaCondition: Age related wear.

Augustus Edwin Mulready (1844-1903), impoverished child street performers asleep on the stone steps of a theatre building, oil on board, signed, 12" x 9" (30 x 23cm).

Weekend Theatre Break for Two, Cirencester. Enjoy Ingleside's boutique hotel experience and a night at the award winning Barn Theatre. A two night stay for 2 people with two tickets to a show, breakfast and a welcome bottle of Champagne to complete the moment. Valid from 3/8/24-3/8/25. Donated by Ingleside

Family Theatre Ticket to "The Three Musketeers" - Barn Theatre, Cirencester - "The Three Musketeers" 25/11/2024 until 04/01/2025. Family ticket worth £120. No refund given if full value not spent. Donated by Barn Theatre, Cirencester

A pair of cinema/theatre stall seats, the fold up seats upholstered in burgundy faux leather, with curved wooden backrests.

THRILLER: A CRUEL PICTURESwedish One Sheet (23.25" x 37"); Country-of-Origin Signed by Christina LindbergVery Fine+ Rolled Europa Film, 1974Signed by Christina Lindberg at Chiller Theatre (Parsippany, NJ) in 2023. From a Private Collector.This Country-of-Origin poster from the Swedish action/crime drama is rolled in outstanding condition and exhibits only light corner wear and a minute area of edge wear.In 1973, a Swedish revenge film was so shocking that it was banned in its own country. The writer and director, Bo Arne Vibenius, reportedly used multiple aliases to avoid potential lawsuits or legal problems. The film features explicit scenes of sex, rape, prostitution, martial arts, addiction, and slavery, making it a controversial exploitation film. Quentin Tarantino has mentioned this film several times during interviews for his movie Kill Bill, showing its influence on his work.This lot will be auctioned on Friday, September 13th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 12th.

SCIENCE FICTION THEATRESingle-Weight, Silver Gelatin, Vintage Photographs (9) (8" x 10")Fine Syndication, 1955-1957This collection includes nine curated 8" x 10" promotional photographs from the science fiction anthology TV series presented by Truman Bradley. Most items in this selection have a descriptive paper page attached to the back.This lot will be auctioned on Friday, September 13th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 12th.

BLACK CHRISTMASCanadian One Sheet (27" x 40"); Country-of-Origin Signed by Olivia Hussey and Keir DulleaVery Fine- Folded Warner Bros., 1974Released in the US as "Silent Night Evil Night", this exceptional Canadian poster is one of the only English language designs to feature the film's original title. Signed by Olivia Hussey at Chiller Theatre (Parsippany, NJ) in 2022. From a Private Collector.This Country-of-Origin Canadian "Rocking Chair Review" style poster exhibits general fold wear with toning, pinholes and a small tear on the right edge that was reinforced with blue tape on the verso.Black Christmas (titled initially Silent Night, Evil Night in the United States) is a 1974 Canadian slasher film produced and directed by Bob Clark and written by A. Roy Moore. For its American release, the film was retitled Silent Night, Evil Night due to fears that the original title would mislead audiences into believing it was a blaxploitation movie. They retracted the title after the initial release, restoring it to Black Christmas for subsequent screenings.[11]This lot will be auctioned on Thursday, September 12th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on September 13th.

A RARE FRENCH ROBERT-HOUDIN FIRST SERIES MYSTERY TIMEPIECE OR 'PENDULE MYSTERIEUSE'JEAN EUGENE ROBERT-HOUDIN, PARIS, CIRCA 1840The circular eight-day countwheel bell striking back-wound movement with anchor escapement for regulation by a pendulum swinging in front of the movement, the backplate with central pinwheel contrate take-off for the vertical arbor driving the dial motionwork above, together with visible strike detents and signed ROBERT HOUDIN, PARIS, contained within an ogee-shaped plinth-form case applied with a gilt mount cast with a putto within foliate scrollwork to fascia over skirt base with repeating lozenge cast cavetto top moulding and scallop shell centred scroll cast apron terminating with scroll volute side supports, the rear with fixed back panel incorporating regulation square over winding holes, the surmount cast as a fanciful chimera issuing a leafy scroll upright supporting the 3.5 inch white enamel Roman numeral dial from behind, with steel moon hands within repeating foliate scroll cast bezel, on original ebonised ogee-shaped plinth with leaf moulded skirt and cut with a slot to allow for the swing of a pendulum to top surface, (lacking pendulum).40cm (15.75ins) high, 18cm (7.25ins) wide, 11cm (4.25ins) deep at the plinth. Provenance:From the personal collection of the late Paul Daniels (1938-2016), magician, illusionist and television personality. Jean Eugene Robert-Houdin was born in Blois 1805 and trained a clockmaker under his father, Prosper Robert. In 1830 he married into the famous Houdin family of clockmakers hence added Houdin with a hyphen (after Robert) to his name. He moved to Paris and worked from 63 rue de Temple and, with a strong interest in illusion, he worked on developing a series of timepieces where the motion of the hands on the dial appear detached from any form of driving mechanism of movement. He first exhibited his timepieces at the 1839 French Industry and Universal Exhibition where he was awarded the first of many bronze, silver and gold medals obtained through successive exhibitions held in 1844, 1855 and 1859.During the 1840's Robert-Houdon's success was such that he was able to relocate to larger premises at 13 rue Vendome where he continued to develop his mystery timepieces as well as take an increasing interest in automata which he exhibited at the 1844 exhibition to great acclaim. In addition to being a talented and inventive maker of clocks and automata Robert-Houdin also had great stage presence. He opened his own conjuring theatre at 14 Galerie de Valois at the Palais Royal and, on 3rd July 1845, he premiered the first of his four 'Soirees Fantastiques' where he paraded a host of mechanical marvels that would respond to his voice, obeying the commands that spectators would suggest. His fame was such that in 1848 he travelled to London to perform at the St. James's Theatre, and also before Queen Victoria, who extended a personal invitation to have him perform at Buckingham Palace.During the 1850's Robert-Houdin developed an interest in electrical horology filing a patent for an electric master clock in 1855, as well as exhibiting alongside Maison Destouche at the Universal Exhibition that year. It is, however, Robert-Houdin's contribution to illusion and magic for which he is best remembered. He was the first illusionist to utilise technology in magic and is considered to be one of France's most famous magicians writing many books on the subject. After his death in 1871, is legacy is such, that he has by many, been considered the father of modern magic. The present lot belongs to Robert-Houdin's first series of mystery timepieces developed during the late 1830's with the illusion being the apparent lack of visible motive force for the dial. Condition Report: Movement is essentially in working condition as in the escapement will beat and the clock will sound the hour on the bell, however there is no pendulum present. The movement itself is a little discoloured/dirty hence a precautionary clean/service is advisable, and adjustment will probably be required. The drive to the dial is complete and working hence the hands move with the motion of the movement. The enamel dial panel appears to be in fine condition with no cracks or chips visible with the naked eye. The gilding has mellowed a little with some spots of discolouration/oxidation. The cast upright has some Verdigris within the patination and the sides (with patinated finish) have at some point been lacquered which is now breaking down resulting in unevenness within the finish. The rear panel for the movement may be a well-made replacement. Otherwise faults are essentially limited to patches of spotting/discolouration. The ebonised stand is in good condition with only light wear/rubbing and age-related degradation to the velvet top surface.There is no pendulum or key present with the clock. Condition Report Disclaimer

A FINE GEORGE III WOODEN-DIALLED FUSEE WALL DIAL TIMEPIECE WITH PROVENANCE TO SOMERSET HOUSEJAMES TREGENT, LONDON, CIRCA 1800The four pillar single fusee movement with tapered plates and anchor escapement regulated by lenticular bob pendulum, the 14.5 inch circular cream painted wooden Roman numeral dial signed JAMES TREGENT, LONDON to centre and with pierced brass hands, set behind heavy hinged cast brass cavetto moulded glazed bezel, applied to the dial panel incorporating narrow complex moulded wooden surround fitted via pegs onto rear box case with door to the right hand side and pendulum access flap to the curved base; the side door applied with paper labels inscribed in ink 16580, J.(or I.)R.O. Somerset House, Room 141 Sub G. and 7533, 11-4-49., J.(or I.)R.O. Somerset House, Centre Block Room 141, Stamping Room, Repair 1-14 Dial Block.43cm (17ins) diameter, 16cm (6.25ins) deep. James Tregent is recorded in Britten, F.J. Old Clocks and Watches & Their Makers as a famous maker who worked in London from 35 Strand in 1775 and then at 29 Cranborne Street, Leicester Square by 1780. He was appointed an honorary fellow of the Clockmaker's Company in 1781 and became watchmaker to the Prince of Wales. Tregent and was intimate with Garrick, Sheridan and other notabilities of the theatre, Kelly refers to him as 'Mr. Tregent the celebrated French watch maker' and relates how Sheridan by attributing his proverbial unpunctuality to the lack of a timepiece obtained from Harris, proprietor of Covent Garden Theatre, a watch of Tregent's make. The Duke of Sussex paid him £400 for a repeater and alarm travelling watch; a bracket clock by him was in the in the Wetherfield collection, and another with Battersea enamel dial (possibly made by his brother the enameller Anthony Tregent) was in the Schreiber collection. James Tregent died in 1804. The present timepiece would have been made at around the same time as extensive building works at Somerset House (under James Wyatt who succeeded George Chambers in 1796) were coming to an end in 1801. It is tantalising to think that this timepiece was supplied for use in the building at around this time; indeed James Tregent would have been a suitable candidate for supplying a timepiece for use in such a prestigious location. A cursory search has not revealed the location of room 141 within the centre block, nor the meaning of 'J.R.O.'. However the reference to the 'Stamping Room' may indicate that the initials may actually be 'I.R.O' relating to the Inland revenue Office, and that the present timepiece may have been located in the room traditionally used for General Duty embossing/stamping. Condition Report: The movement is in relatively clean working condition, the train has been repinioned (no doubt to address wear from 200 years of constant use) but there is no visible evidence of any alteration from the original layout. The backplate has spare screw holes for a pendulum holdfast clip which is no longer present. The dial is in fine condition retaining pleasing old surface; the black numerals and signature has been carefully 'strengthened' and there is a horizontal shrinkage crack across the centre. The brass bezel is in good condition with sound hinge and retaining its lock. The wooden surround has some old age-related cracking. Shrinkage and few minor bumps and scuffs. The rear box case is in good original condition. Then curved base has a small veneer patch repair to the rear left hand corner; the flap also has a small veneer patch repair and s section of very slender cockbeading missing from the leading edge. Otherwise faults to the case are limited to minor bumps, scuffs, shrinkage and other age-related blemishes.Timepiece has a pendulum and a case key but no winder. Condition Report Disclaimer

A FRENCH ROBERT-HOUDIN SECOND SERIES MYSTERY TIMEPIECE OR 'PENDULE MYSTERIEUSE'JEAN EUGENE ROBERT-HOUDIN, PARIS, MID 19th CENTURYThe circular eight-day countwheel bell striking back-wound movement with anchor escapement for regulation by a pendulum swinging in front of the movement, the backplate with central pinwheel contrate take-off for the vertical arbor driving the dial motionwork above, together with visible strike detents and signed ROBERT HOUDIN, PARIS, contained within an ogee-shaped plinth-form case applied with a gilt mount cast with a pair of winged putti over leafy sprays to fascia, over skirt base with repeating lozenge cast cavetto top moulding and scroll cast apron terminating with gadrooned sides, the rear with fixed back panel incorporating regulation and hand-setting squares and stamped with oval BREVET, D'INVITATION over winding holes, the surmount with a foliate cast gilt pedestal applied with side scrolls and issuing a pair of splayed leafy brackets supporting the 4.5 inch circular clear glass Roman numeral dial signed ROBERT-HOUDIN to centre and with single gilt arrow hand set within slender gilt ring surround, on original shaped giltwood plinth applied with rococo scrollwork and cut with a slot to allow for the swing of a pendulum to top surface, (pendulum lacking).42cm (16.5ins) high, 17.5cm (7.ins) wide, 11cm (4.25ins) deep at the plinth. Provenance:From the personal collection of the late Paul Daniels (1938-2016), magician, illusionist and television personality. Jean Eugene Robert-Houdin was born in Blois 1805 and trained a clockmaker under his father, Prosper Robert. In 1830 he married into the famous Houdin family of clockmakers hence added Houdin with a hyphen (after Robert) to his name. He moved to Paris and worked from 63 rue de Temple and, with a strong interest in illusion, he worked on developing a series of timepieces where the motion of the hands on the dial appear detached from any form of driving mechanism of movement. He first exhibited his timepieces at the 1839 French Industry and Universal Exhibition where he was awarded the first of many bronze, silver and gold medals obtained through successive exhibitions held in 1844, 1855 and 1859.During the 1840's Robert-Houdon's success was such that he was able to relocate to larger premises at 13 rue Vendome where he continued to develop his mystery timepieces as well as take an increasing interest in automata which he exhibited at the 1844 exhibition to great acclaim. In addition to being a talented and inventive maker of clocks and automata Robert-Houdin also had great stage presence. He opened his own conjuring theatre at 14 Galerie de Valois at the Palais Royal and, on 3rd July 1845, he premiered the first of his four 'Soirees Fantastiques' where he paraded a host of mechanical marvels that would respond to his voice, obeying the commands that spectators would suggest. His fame was such that in 1848 he travelled to London to perform at the St. James's Theatre, and also before Queen Victoria, who extended a personal invitation to have him perform at Buckingham Palace.During the 1850's Robert-Houdin developed an interest in electrical horology filing a patent for an electric master clock in 1855, as well as exhibiting alongside Maison Destouche at the Universal Exhibition that year. It is, however, Robert-Houdin's contribution to illusion and magic for which he is best remembered. He was the first illusionist to utilise technology in magic and is considered to be one of France's most famous magicians writing many books on the subject. After his death in 1871, is legacy is such, that he has by many, been considered the father of modern magic. The present lot belongs to Robert-Houdin's 'second series' developed in around 1840 with the illusion being the mystery as to what causes the hand to move whilst 'floating' in the middle of a glass dial with no apparent connection to a movement or motionwork. The timepiece operates by having the hand fixed to a second glass plate set behind the dial, which revolves through mechanical connection via the pair of foliate supports supporting the dial assembly. Condition Report: Movement is essentially in working condition as in the escapement will beat and the hammer for the hour bell will operate, however there is no pendulum present. The linkages to drive the dial are present however the fitment of the dial assembly is a little loose hence there are alignment issues causing the drive for the dial to be unreliable. As nothing appears to be obviously broken or missing it is most likely that drive can be made reliable through adjustment to the fitment of the dial assembly. The movement itself is a little discoloured/dirty hence a precautionary clean/service is advisable, and adjustment will probably be required. The dial assembly is in good condition with no visible chips to the glass or noticeable wear. The gilding has mellowed a little with some spots of discolouration/oxidation and the areas with patinated finish have some patches of spotting/discolouration. The giltwood stand is in good condition with only light wear/rubbing and age-related degradation to the velvet top surface.There is no pendulum or key present with the clock. Condition Report Disclaimer

Roy Gerrard, British 1934-1997 - Band performing in an Art Deco theatre, 1979; watercolour on paper, signed and dated lower right 'Roy Gerrard 79', 43.8 x 19.4 cm (ARR)

Drury Lane Theatre London Victorian hallmarked silver mounted conductor's baton, with inscription to Mr I Steadman from the gentlemen of the chorus, Feb 20th 1890, length 52cm

'Zig' (Louis Gaudin),  French 1882-1936 - Costume design for Mistinguett;  gouache, metallic paint and pencil on paper, signed lower centre 'Zig', 61.8 x 47.3 cm: together with another smaller work on paper by the same artist of the same medium (2) Provenance:  The Estate of Mistinguett (Jeanne Florentine Bourgeois 1873-1956) (according to the label attached to the reverse of the frame);  Charles Spencer Theatre Gallery, London (label attached to the reverse of the frame);  The Estate of Jill and Michael Barrington, purchased from the above  Note:  costume designs by the artist are in the collection of the V & A, London. Mistinguett was a French singer and dancer and was at one time considered the highest paid female entertainer in the world. 

Elena Liessner-Blomberg,  Russian/German 1897-1978 -  Berlin, 1933-34;  gouache on paper, signed lower right 'Elene Liessner 33' (covered by mount) and signed, dated and tilted to mount 'E. Liessner 34 Berlin', 21.3 x 13.8 cm (ARR)Note: Born in Moscow, Liessner-Blomberg studied under Antoine Pevsner and Ljubow Popowa at the Russian technical school Vkhutemas. In 1921, she emigrated to Berlin and worked as a costume designer for the cabaret and theatre. Her love of fashion and costume became a frequent subject of her work. By the late 1960s, the artist was credited as an integral member of the second generation of the Russian avant-garde.The artist was exhibited in The Groninger Museum’s ‘Sisters of the Revolution: Russia 1907-1934’ in 2013, alongside her contemporaries Aleksandra Ekster, Sofia Dymshits-Tolstaya and Anna Kagan. More recently in 2020, the Sprengel Museum Hannover held a retrospective of the artist’s work entitled ‘Drawings by a Moscow Berliner’.

Elena Liessner-Blomberg, Russian/German 1897-1978 -  Village scene with donkey;  gouache and ink on paper, bears inscription on the reverse of the frame 'Elene Liessner-Blomberg born 1897', 36 x 26 cm (ARR)Note: This is a charming example of Liessner-Blomberg’s graphic style, with its dynamic composition interplaying between people and place. Born in Moscow, the artist studied under Antoine Pevsner and Ljubow Popowa at the Russian technical school Vkhutemas. In 1921, she emigrated to Berlin and worked as a costume designer for the cabaret and theatre. Her love of fashion and costume became a frequent subject of her work. By the late 1960s, Liessner-Blomberg was credited as an integral member of the second generation of the Russian avant-garde.The artist was exhibited in The Groninger Museum’s ‘Sisters of the Revolution: Russia 1907-1934’ in 2013, alongside her contemporaries Aleksandra Ekster, Sofia Dymshits-Tolstaya and Anna Kagan. More recently in 2020, the Sprengel Museum Hannover held a retrospective of the artist’s work entitled ‘Drawings by a Moscow Berliner’. 

John Piper CH,  British 1903-1992 -  Customs House, Poole, 1951;  gouache and collage on paper, 55 x 37.8 cm (ARR)  Provenance:  Hans & Elsbeth Juda;  private collection and thence by descent  Literature:  S. John Woods, 'John Piper Paintings, Drawings and Theatre Designs', Faber & Faber, 1955, illus. no.2 (in colour)  Exhibited:  Graves Art Gallery, Sheffield, ' "In our view": some paintings and sculpture bought by Hans & Elsbeth Juda between 1931-1967', May - June 1967, no.100 (according to the label attached to the reverse of the frame)  Note:  the collection of Hans and Elsbeth Juda also included works by William Scott and Christopher Wood. Hans Juda was the founder of 'The Ambassador', an export journal for textiles, an Elsbeth was a photographer, who took portraits of Henry Moore, Graham Sutherland and Piper, amongst other art world figures. The catalogue had a preface written by the celebrated critic Robert Melville.  The building depicted is in fact the Guildhall in Poole and not the Customs House - although both have a similar style of entrance.   

Nicholas Georgiadis CBE, Greek/British 1923–2001 - Costume Design for Manon, Ballet by Sir Kenneth MacMillan, Royal Ballet, 1974; ink and gouache on paper, signed and dated upper right 'Georgiadis '74', 53.3. x 37 cm: together with another work on paper by the same artist, 'Costume Design for The Tempest, Ballet by Rudolphe Nureyev, Royal Ballet, 1982 (2) (ARR) Provenance: with Charles Spencer Theatre Gallery, London (label attached to the reverse of the frame); the Estate of Jill and Michael Barrington, purchased from the above Exhibited: The Royal Opera House, London, 1986 (according to the label attached to the reverse of the frame) 

Charles Gesmar,  French 1900-1928 -  Costume design 'Lange';  gouache, metallic paint and pencil on paper, signed lower right 'Gesmar', 46.6 x 27.6 cm  Provenance:  The Estate of Mistinguett (Jeanne Florentine Bourgeois 1873-1956) (according to the label attached to the reverse of the frame);  Charles Spencer Theatre Gallery, London (label attached to the reverse of the frame);  The Estate of Jill and Michael Barrington, purchased from the above Note:  Mistinguett was a French singer and dancer and was at one time considered the highest paid female entertainer in the world. 

Five: Sergeant Major 1st Class E. ‘Turk’ Fowles, Royal Flying Corps, an ‘early bird’ of the Corps, and later Captain with the British South Africa Police British War and Victory Medals (80 S.M. 1 E. Fowles. R.A.F.); War Medal 1939-45; Permanent Forces of the Empire L.S. & G.C., G.V.R. (2034 Staff Cpl. Ernest Fowles, B.S.A. Police.); Army Meritorious Service Medal, G.V.R., 1st issue (80 Sjt: E. Fowles. R.F.C.) mounted for wear, nearly very fine, a rare combination (5) £800-£1,200 --- M.S.M. London Gazette 1 January 1917. Approximately 140 Army Meritorious Service Medals were awarded to Royal Flying Corps personnel.
 Permanent Forces of the Empire L.S. & G.C. Southern Rhodesia Gazette 21 October 1927. Ernest ‘Turk’ Fowles was born in Bracknell, Berkshire, in 1887. He initially served with the Grenadier Guards between August 1909 and June 1912, prior to transferring to the newly formed Royal Flying Corps on 27 June 1912. Fowles advanced to Corporal in September 1914, and to Sergeant in March 1915. He served during the Great War in the French theatre of War between February 1916 and July 1917, and between May 1918 and February 1919. Fowles served with the British South Africa Police after the War. The following (which probably includes embellishments regarding his RFC career!) appeared as his obituary in the B.S.A. Police Journal Outpost in 1974: ‘With deep sorrow we record the death in Durban on April 17 of Ernest ‘Turk’ Fowles at the age of 82. Mr Fowles was born in Berkshire and joined the Grenadier Guards on leaving school. In May, 1912, Turk was one of the first applicants for transfer to the embryo Royal Flying Corps, military aviation in Britain up to then having been the responsibility of the 55th (Balloon) Coy., Royal Engineers. Mr. Fowles joined No. 1 Squadron then equipped with balloons, kits (man-lifting) and four airships. In early 1913 he was sent to the Central Flying School at Upavon to join the select band that included virtually all the British air aces of World War I and other notables such as a ‘Major’ Trenchard (who was to influence the future of not only the Royal Air Force but also the British Police Force in later years) and a gentleman named Winston Churchill who was taught to fly at Upavon and also signed Turk’s navigation certificate. In March 1919 having survived the development flights and other vagaries of almost every type of allied fighter and bomber aircraft, and having been awarded the Meritorious Service in 1916, Turk opted for the ‘peace and quiet’ of a career in the B.S.A. Police. Mr Fowles attested on April 26, 1919, and served with distinction for 14 years in Mashonaland before transferring the Permanent Staff Corps. He spent a further 12 years with the Staff Corps before retiring with the rank of Captain in 1945. He then spent some time with the Native Department at Wedza, ranched at Marandellas and worked on the Salisbury Tobacco Floors before seeking retirement in Natal in 1957. To his widow, Connie, and daughter Jean, we extend the sincere condolences of all who were privileged to know such a wonderful character.’ Sold with copied research.

A Great War M.M. awarded to Sergeant W. Lomas, Army Cyclist Corps Military Medal, G.V.R. (6176 Sjt: W. Lomas. VII C.C. Bn: A.C.C.) good very fine £240-£280 --- Provenance: Bill and Angela Strong Collection, Dix Noonan Webb, May 2011. M.M. London Gazette 12 June 1918. William Lomas attested for the Army Cyclist Corps and served with them in the Gallipoli theatre of War from 6 August 1915. He was discharged Class ‘Z’ Reserve on 8 February 1919.

Pair: Second Lieutenant F. W. King, Royal Flying Corps and Royal Air Force, late Royal Engineers, an S.E.5a pilot who flew just 23 hours and 40 minutes with 40 Squadron before being shot down by the German Ace Leutnant Fritz Rumey on 17 September 1918. King was taken Prisoner of War, and Rumey, the 6th highest scoring German Ace of the War, was killed just ten days later British War and Victory Medals (2/Lieut. F. W. King. R.A.F.) mounted on card for display, generally very fine or better (2) £200-£300 --- Frederick Willis King was born in Battersea, London, in August 1892. He was educated at the London County Council School, after which he was employed as a Shipping Inward Freight Clerk. King initially served during the Great War as a dispatch rider with the Royal Engineers in the French theatre of War from 20 July 1915 (entitled to 1914-15 Star). He was commissioned Second Lieutenant in the 3rd Battalion, Devonshire Regiment 1917, prior to transferring to the Royal Flying Corps in September 1917. King carried out initial training as a pilot, and was posted for operational flying with 40 Squadron (S.E.5a’s) in France in March 1918. He took off on an Observation Patrol at 9am on 17 September 1918. King was last seen by members of his patrol at 9.55am South of Cambrai. His aircraft was claimed as the 38th ‘Victory’ of the German air ace Fritz Rumey, of Jasta 5. King survived to be taken Prisoner of War, whilst Rumey was killed just ten days later after colliding with a British plane. He was the sixth highest scoring German ace of the Great War. King was repatriated at Leith in December 1918, and transferred to the Unemployed List in March 1919. His flying hours are recorded at 23 hours and 40 minutes. Sold with copied research, and a memory stick, containing further copied research.

Five: Sergeant G. Yeates, Royal Army Service Corps 1914-15 Star (T-19616 Far. Cpl. G. Yeates, A.S.C.); British War and Victory Medals (T-19616 Sjt. G. Yeates. A.S.C.); Army L.S. & G.C., G.V.R., 1st issue (T-696 Sjt. G. Yeates. R.A.S.C.); Army Meritorious Service Medal, G.VI.R., 2nd issue (696 Sjt. G. Yeates. R.A.S.C.) number officially corrected, mounted for wear, scratches to reverse of Star, otherwise very fine and better (5) £140-£180 --- George Yeates attested for the Army Service Corps and served as Farrier Corporal during the Great War in the Egyptian theatre of War from 28 March 1915, later being advanced Sergeant.

A Great War 1916 ‘Western Front’ M.M. group of four awarded to Sergeant E. Lee, 15th Battery, Canadian Field Artillery Military Medal, G.V.R. (83851 Gnr: E. Lee. 15/By: Can: F.A.); 1914-15 Star (83851 Gnr: E. Lee. Can: Fd: Art:); British War and Victory Medals (83851 Sjt. E. Lee. C.F.A.) tarnished, very fine (4) £300-£400 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- M.M. London Gazette 18 July 1917. The original recommendation states: ‘For conspicuous gallantry and devotion to duty at Railway Embarkment near Vimy, on May 13th 1916. When his battery was being heavily shelled, both entrances to the deep dugout were blown in by enemy shells, with delay action fuzes. There were five men in the dugout at the time, which had not been connected up between the two entrances. Gunners Lee and Crocker seeing the situation and knowing that the men could not last long in the small dugout, despite the hostile shelling dug an opening into the dugout, and liberated the imprisoned men. The men relieved were in a very exhausted condition, and it was due to the great courage and resourcefulness displayed by those two men that the lives of the five men in the dugout were saved.’ Edgar Lee was born in March 1891. He enlisted in the 15th Battery, 4th Brigade, Canadian Field Artillery at Toronto, Ontario, in December 1914. Lee served with the Battery in the French theatre of War and was demobilised in May 1919.

Four: Private J. Holder, Middlesex Regiment 1914 Star, with clasp (L-14042 Pte. J. Holder, 4/Midd’x. R.); British War and Victory Medals (L-14042 Pte. J. Holder. Midd’x.R.) mounted as worn; Defence Medal, unnamed, also mounted as worn, some edge bruising, fine and better (4) £120-£160 --- Private Joseph Holder, 4th Battalion Middlesex Regiment, entered the French/Flanders theatre of War on 14 August 1914. Sold with cap badge added for display purposes and with copied Medal Index Card.

A rare Great War ‘India theatre’ M.S.M. group of six awarded to Sergeant Major 2nd Class R. T. Short, Royal Air Force, late Army Ordnance Corps 1914-15 Star (216 Q.M. Sjt. R. T. Short, A.O.C.); British War and Victory Medals (338059. S.M. 2. R. T. Short. R.A.F.); Delhi Durbar 1911 (Q.M.S. Short. A.O.C.) neatly engraved naming; Royal Air Force Meritorious Service Medal, G.V.R. (216. S.M. 2 R. T. Short) naming slightly rubbed, and missing unit; Royal Air Force L.S. & G.C., G.V.R. (338059. S.M. 2. R. T. Short. R.A.F.) mounted on card for display, (6) £600-£800 --- M.S.M. London Gazette 3 June 1919 (India). Awarded the M.S.M. for services in India, one of just 4 M.S.M.s awarded to the R.A.F. for this theatre during the Great War. Reginald Thomas Short was born in Plymouth, Devon, in December 1876. He enlisted in the Army Ordnance Corps in August 1901, and was attached as Armament Quartermaster Sergeant attached to the 66th Battery, Royal Field Artillery at Jhansi, India in 1911 (Delhi Durbar confirmed on the roll of Ordnance Department - Headquarters, 6th Brigade A.O.C.) Short remained in India throughout the Great War, and according to his MIC he had some affiliation with the Royal Flying Corps. This may well have been behind his decision to transfer to the Royal Air Force on its formation. At some stage he re-engaged for a term of 21 years. Short’s service record is a little confusing in that an original entry shows transfer to the R.A.F. as being on 5 August 1918 - this is later amended to 1 April 1918. This could be the part explanation of his A.O.C. Service Number ‘216’ continuing to be used during the first few months of the new organisation. Short’s R.A.F. M.S.M. is gazetted on 3 June 1919 as ‘216 S/M2, and surprisingly the medal itself is so named - but with the exception of his unit. Obviously by this time he had the R.A.F. number ‘338059’. At the time of transfer his unit was R.A.F. Air Park, India confirming his previous attached service to the R.F.C. Short remained with the above unit until leaving for the UK, 15 May 1920 (R.A.F. L.S. & G.C. announced in AMO N.119/1922, but with an effective date of 13 August 1919). His only unit thereafter being the School of Technical Training, Manston, where he remained until discharged to pension on completion of 21 years’ qualifying service, on 13 August 1922. The confusion with the dates of his transfer form the A.O.C. appears to have continued with the award of his medals - with them all being issued a year or two after his discharge. Short died in Truro, Devon, in 1945. Sold with copied research.

A Great War ‘Egyptian theatre’ M.C. group of four awarded to Major L. Gall, 1st City of London Yeomanry and 25th Cavalry Frontier Force, Indian Army Military Cross, G.V.R., unnamed as issued; 1914-15 Star (Capt. L. Gall. 25-Cavalry.); British War and Victory Medals, with M.I.D. oak leaves (Major L. Gall.) minor patch of staining to obverse of VM, generally very fine (4) £600-£800 --- M.C. London Gazette 3 June 1916. Lawrence Gall was born on 10 September 1884 and educated at Cheltenham College. Appointed to a commission on 21 January 1903, he is listed as a newly promoted Captain in the Cheltenham Looker-on of 6 April 1912 and witnessed initial service at home upon the outbreak of the Great War as Captain in the 1st County of London Yeomanry. Transferred to the 25th Cavalry Frontier Force, Indian Army, he served in Egypt from 28 April 1915 and was advanced Major. Composed of four distinct squadrons of Sikhs, Dogras, Punjabi Muslims and Hindustani Muslims/Pathans, the 25th Cavalry were later posted to East Africa and saw fighting at Nahungo and Chingwea. Involved in the pursuit of General Paul von Lettow-Vorbeck to the Portuguese African border, their impressive campaign against the Schutztruppe finally ground to a halt in consequence of illness transmitted by the bites of tsetse flies. Gall later applied for his medals - which were issued by the India Office mint - on 17 February 1922, his address at that time given as 90 Seymour Street, Hyde Park, W.2.

Three: Lieutenant R. G. Hunter, Argyll and Sutherland Highlanders, who was killed in action on the Western Front on 23 April 1917 1914-15 Star (2. Lieut. R. G. Hunter. A. & S. Highrs); British War and Victory Medals (Lieut. R. G. Hunter.); Memorial Plaque (Robert Gibson Hunter) generally very fine (4) £200-£300 --- Robert Gibson Hunter was the son of Robert and Harriette Mary Hunter, of Kirkmailing, Larbert, Stirlingshire. He served during the Great War with "A" Company, 1/7th Battalion, Argyll and Sutherland Highlanders in the French theatre of War from 28 July 1915. Lieutenant Hunter was killed in action on 23 April 1917, and is buried in the Level Crossing Cemetery, Fampoux, France.

Three: Corporal J. A. Potts, Royal Flying Corps and Royal Air Force British War and Victory Medals (36226. 1. A.M. J. A. Potts. R.A.F.); Territorial Force War Medal 1914-19 (36226 Pte. J. A. Potts. R.F.C.) mounted on card for display, generally good very fine, scarce (3) £500-£700 --- Approximately 114 TFWMS to the Royal Flying Corps, 13 to officers and 101 to other ranks. John Adam Potts was born in Wandsworth, London, in October 1885. A carpenter by trade, Potts enlisted in the 23rd (County of London) Battalion, London Regiment in August 1914. He advanced to Sergeant, before transferring to the Royal Flying Corps as a 2nd Class Airman with the trade of Rigger (Aero) in July 1916. Potts advanced to Acting Corporal in September 1916, before reverting to his lower rank and serving in the French theatre of War from 3 February 1917. He transferred to the Royal Air Force in April 1918, and advanced to 1st Class Airman in October of the same year. Potts continued to serve in France until January 1919, before transferring to the Reserve the following month and being discharged in April 1920. Sold with copied service papers.

A Great War ‘Italian theatre’ Piave River Crossing M.C. group of four awarded to Second Lieutenant O. J. Olding, 8th Battalion, Devonshire Regiment Military Cross, G.V.R., unnamed as issued; British War and Victory Medals (2. Lieut. O. J. Olding.); together with the recipient’s Italian Armata Altipiani Medal 1918, silver, unnamed as issued, nearly extremely fine (4) £600-£800 --- M.C. London Gazette 10 December 1919: ‘For conspicuous gallantry and devotion to duty on 27th October 1918, near Cimadolmo. The courage and leadership of this officer throughout the whole action were most praiseworthy. At the critical stage during the wading through the Piave river, and the continuation of the advance upon reaching the mainland under heavy machine and rifle fire, he led his platoon forward with great skill and control. Later by the tactical handling of his platoon, he captured several enemy strong points with a large number of prisoners and machine guns with the minimum number of casualties. He did fine work.’ Oliver James Olding was born in Southampton in 1891. A shopman by occupation, he attested at Portsmouth as a Private in the Hampshire Regiment for the duration of the War on 17 November 1915. He joined the 15th Battalion at Etaples on 1 June 1916; attached to the 9th (Service) Battalion, Devonshire Regiment on the Somme on 11 July 1916, the battalion took part in the actions at Bazentin Le Grand, High Wood, and Ginchy between July and September 1916. Olding was formally transferred to the 9th Battalion on 9 October 1916 with the rank of Corporal. Posted to an Officer Cadet Battalion at Oxford on 9 March 1917, he was commissioned temporary Second Lieutenant in the Devonshire Regiment on 27 June 1917 and transferred the 8th (Service) Battalion near Bullecourt on 27 June 1917. The 8th Battalion entrained for Italy on 18 November 1917 and took over the trenches along the River Piave on 26 January 1918, subsequently transferring to the Asiago Plateau in April 1918. He commanded No. 4 Party, ‘C’ Company during the raid on Vaister, on the Asiago Plateau, on 4 May 1918, and served as Second in Command of ‘C’ Company during the operations to cross the River Piave on 26-27 October 1918, for which services he was awarded the Military Cross. Advanced Temporary Lieutenant, he relinquished his commission on completion of service on 21 February 1920, and retained the rank of Lieutenant. Following the Great War he obtained employment as a Hotel Steward and died in hospital at Coulsden, Surrey, on 3 February 1929, aged 36. Note: The Armata Altipiani Medal 1918 was awarded for the Battle of the Piave, Asiago Plateau, on 15 June 1918. About 450 of these medals were awarded to British Officers. The medal is not official but was created by the Italian authorities on the initiative of General Montuori, commander of the Italian 6th Army, and awarded early in 1919 to Italian, British and French officers of the forces that had fought in the Battle of the Piave from 15 to 24 June 1918. The medal, when attributed, is scarce. Sold with the recipient’s Identity disc (2nd Lt. O. J. Olding C.E. 8th Devons); and copied research.

A Great War 1918 ‘French theatre’ M.S.M. awarded to Staff Sergeant J. L. Robertson, Canadian Army Medical Corps, attached 1st Divisional Headquarters Army Meritorious Service Medal, G.V.R., 1st issue (33165 Sjt: - A. S. Sjt: - J. L. Robertson. Can. A.M.C.) very fine £100-£140 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- M.S.M. London Gazette 17 June 1918.

A rare Great War Romanian Medal for Bravery and Loyalty 2nd Class group of eight awarded to Flight Lieutenant W. M. Brims, Royal Flying Corps and Royal Air Force, late Argyll and Sutherland Highlanders 1914-15 Star (10477 Sjt. W. M. Brims, A.&S. Highrs.); British War and Victory Medals (115891 Sgt. W. M. Brims. R.A.F.); General Service 1918-62, 1 clasp, Kurdistan (115891. Sgt. (A./F/Sgt.) W. M. Brims. R.A.F.); Defence and War Medals 1939-45; Royal Air Force L.S. & G.C., G.V.R. (115891. F/Sgt W. M. Brims. R.A.F.); Romania, Kingdom, Medal for Bravery and Loyalty, 2nd Class, with crossed swords, silver, mounted as worn and affixed to card for display, generally very fine (8) £700-£900 --- Romania, Medal for Bravery and Loyalty, 2nd Class London Gazette 15 July 1919. Approximately 51 Romanian Medals for Bravery and Loyalty awarded to British forces for the Great War, of which only nine were awarded to the Royal Air Force - two of which were 2nd Class awards. William Mitchell Brims was born in Glasgow, Scotland, in May 1889. He attested for the Argyll and Sutherland Highlanders in May 1907, with whom he advanced to Acting Quartermaster Sergeant. Brims served with the 1st Battalion in India from 11 August 1914 until 31 January 1915, before serving with the Battalion in the French theatre of War from 17 February 1915. He continued to serve in France until 9 May 1915, and then transferred to the Royal Flying Corps in December 1917. Brims returned to serve France from 20 October 1917 to 5 February 1919. On his transfer to the Royal Air Force he mustered in the trade of Disciplinarian. Brims served with 55 Squadron in Iraq between 2 November 1921 and 13 October 1923, and was then posted to Egypt where he served with 208 Squadron. He returned to the UK in January 1925, and was posted to Cranwell before serving with 29 Squadron at Duxford and North Weald (awarded L.S. & G.C. in July 1925). Brims was discharged on 2 May 1931, having completed 24 years’ regular service for pension. He transferred to the Reserve, only to be mobilised as Temporary Warrant Officer in August 1939. Brims was posted to R.A.F. Dyce, and then commissioned Flying Officer (on probation) in the ASD Branch in June 1941. He advanced to Flight Lieutenant in June 1942, and retired in October 1945. His son Alexander served with the Fleet Air Arm during the Second World War, and was shot down and taken Prisoner of War. Brims died in Sidcup, Kent, in March 1967. Sold with photographic image of recipient in uniform, and copied research.

Mirren Hurt Fiennes and more signed Theatre programme. Good condition Est.

Glenister Stevenson Russell Beale and more signed Theatre programme. Good condition Est.

A framed and glazed 'The Palace Theatre' poster advertising Sara Vaughan, 46cm (h) x 32cm (w) / All lots are located at The Barn, Hampstead Farm, Nr Henley on Thames, Oxfordshire, RG9 4LG. Regretfully Wellers are unable to offer any type of shipping, please see our important information for courier recommendations and collections information.

St. Jamess Theatre, King Street, S.W. 1, programme, first performance, May 11th, 1951. 5"x8". A festival theatre production. Laurence Olivier presents Antony and Cleopatra by William Shakespeare. Laurence Olivier as Antony and Vivien Leigh as Cleopatra and Peter Cushing as Alexas Diomedes, with Wilfred Hyde White as Lemprius Euphronius. Excellent condition. From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

Charles Aznavour and his Musicians, Official programme. The Dome, Brighton on Monday, 3rd November 1975. Ticket included. 14 pages. Excellent copy in publishers thick paper covers. 10"x13". From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

The Alexandra Theatre, Birmingham, 72 pages. Souvenir Programme and Book of Words for Simple Simon. Excellent condition. Produced 1946/47. From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

The Royalty Theatre, Dean Street, Soho, programme. 7th November 1877. 6 ¼"x10". Charles Lecocq Mariolaine. From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

King the Musical, Piccadilly Theatre. Simon Estes and Cynthia Haymon. From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

The Empire, Birmingham, Programme for The Carnival Review of 1934. From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

The New Theatre, St Martins Lane, 4 programmes. Oliver starring Ron Moody as Fagan and Barry Humphries as Mr Sowerberry, produced in 1960. Oliver starring Aubrey Woods as Fagan and Michael Bretton as Mr Sowerberry, 1960s. The Millionairess by Bernard Shaw starring Katherine Hepburn, circa 1952. Under Milkwood by Dylan Thomas starring Donald Houston, circa. 1956,. From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

Theatre Royal, Drury Lane. 30th November 1813. 8"x11" Illusion, Trances of Nourjahad, including Whos to Have Her? and The Mock Doctor. From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

1871, Voci E Cantanti, Ventotto Capitoli di Considerazioni Generali, Sul la voce e SullArte del Canto per il maestro cav. Enrico Panofka, Tradotti dal Francese, Dal D. Vincenzo Meini. UnAltro lavoro dello Stesso autore col titolo di: Consigli al cantante Che Hannu la voce o Alterato Ostanca, Aeguiti Da 68 Caercisi Eon Accom. Pianoforte, Verra Pubblicato Quanto Prima. Prezzo netto lire tre. Proprieta DellAutore. Si trova dai principali Librai E Negozianti di musica, come pure Dallautore, via Tornabuoni, Firenze coi tipi di M Celleni E C. Alla Galileiana. 131 pages. Generally, good condition in publishers light green paper covers 6"x 9½". Paper spine defective making pages very loose. Spine needs attention. Inscribed on the top of the paper cover is: "Given to me by the author 1876". From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

Town Hall, Herne Bay, programme. September 1883. 4 ½"x7 ¼". Grand Cricket Concert. Instrumental duets and songs. Top edge jagged. From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

Programme. Monday, December 1st, 1958. 5"x7 ½". Variety performance with the provocative scintillating Shirley Bassey amongst others. Excellent condition. From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

The Lyceum Theatre, programme. July 1883. 6"x8 ¼". Henry Irving in the Merchant of Venice. Tope edge jagged. From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

The London Phoenix Theatre, 2 programmes. Paul Muni in Elia Kazans production of Death of a Salesman, circa. 1950s. Baal play by Bertolt Brecht starring Peter OToole, 1963,. From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

Programme Victor Borge with the Bournemouth Symphony Orchestra. Principal conductor: Paavo Berglund Leader: Brendan OBrien and Marylyn Mulvey. This item is signed "Love Patricia" with a heart and arrow and signed by Borge. 16 pages. Excellent condition in publishers thick paper covers. 8¼"x 11¾". From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

Son et Lumiere at the tower of London, 28 pages. May September 1967. 8"x10". Synopsis of the programme. Excellent condition. From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

First Edition 1897, Song Flowers, from "A Childs Garden of Verses" by Robert Louis Stevenson with music by Katharine M Ramsay. Publisher: London: Gardner Darton and Co and Paternoster Buildings. Inscribed on the front free end paper by the composer. 61 pages plus 2 pages of publishers advertisements. Generally, good condition in publishers light blue board 9½" x 11". The light blue covers have been slightly faded in places, possibly by damp. From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

Approximately 1878, Edizioni Economiche Ricordi, G Meyerbeer, Gli Ugonotti Opera in cinque atti rappresentata per la prima volta a Teatro DellAccademia reale di Parigi il 29 Febbraio 1836 Traduzione Italiana, Edizione conforme alla partitura originale. Opera completa per canto e pianoforte. Proprieta Dell Editore. R Stabilimento Ricordi, Milano, Napoli, Roma, Firenze, Londra, 265 Regent Street, W. 439 pages. Excellent condition in publishers paper covers 8"x 11". From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

The Royal Canterbury Theatre of Varieties, Westminster Bridge Road, single sheet programme, after having been cut down.. Monday, September 17th, 1894. 4 ½"x10". Rough copy of the programme of plays entitled Heroes of Our Time The Fight at Rorkes Drift, 1879, Florence Nightingale in Scutari Hospital, 1854, General Gordon at Khartoum, 1885 etc, etc. Photograph of the theatre on front cover. Rare. From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

Football Association Challenge Cup Competition Final, 26 page official souvenir programme, 6 ¾"x9 ¾". Manchester United v. Southampton. Wembley Stadium Saturday, May 1st, 1976. Excellent condition. From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £

The Willesden Football Club -- programme. 1883, - 5"x8". A concert at The Assembly Rooms, Harlesden. A programme of songs and recitals. Top edge jagged. From single vendor collection of Books, Music Scores, Theatre and Opera memorabilia Records. Est. £