Full title: Five Dutch Delft blue, white and polychrome tiles with birds and three tulips, 17th C.Description:Dim.: ca. 13 x 13 cm (each tile)Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
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Full title: A pair of Dutch Delft manganese tile murals with a cat and a dog ('Roos'), 18th C.Description:Work: ca. 13 x 13 cm (each tile) Frame: 47,5 x 35 cm The tile mural with the cat with heading 'Dese kat en byt niet' (this cat doesn't bite).Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
Full title: A varied collection of Dutch Delft blue and white tiles with birds, figures, sea monsters, landscapes and floral design, 17th/18th C.Description:Ca. 12,5 x 12,5 cm (each tile)Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com
A collection of framed wall mounted decorative tiles, dating from the late 19th century onwards. The lot to include a pair of Art Nouveau style cream sets of three tiles, each featuring a blue flower & foliate design, a Victorian tile in cream with blossoming pink flower design, a William Morris style framed set of four tiles on cream ground with yellow flowers & brown leaf pattern, and two others. Majority with wall hanging fixtures & baize lined to verso. Seven framed sets of tiles total. Largest to measure approx. 66cm x 20cm.
Herzfeld, Ernst. Matériaux pour un Corpus Inscriptionum Arabicarum. Deuxième Partie: Syrie du Nord. Inscriptions et Monuments d’Alep. 2 Textbände und 1 Tafelband. Kairo 1954 – 1956. Folio. Mit 173 Tafeln. XVI, 493 Seiten. Broschiert. (11) * Mémoires publiés par les membres de l’Institut Français d’Archéologie Orientale du Caire …, Tome LXXVI-LXXVIII. Beiliegen: Van Berchem, Max. Matériaux pour un Corpus Inscriptionum Arabicarum. Deuxième Partie: Syrie du Sud – Jerusalem. Tafelband. 1920. Mit 120 Tafeln. Aufgeschnittene Broschur. / Ecochard, M und C. Le Coeur. Les bains de Damas. Monographies architecturales. 2 Bände. Beirut 1942 - 1943. Folio. Mit Abbildungen. 57; 128 S., 2 Bll. Geheftet. / Luschey – Schmeisser, I. The pictorial tile cycle of Hast Behest in Isfahan and its iconographic tradition. Rom 1978. Folio. Mit 109 Tafeln. XXIV, 240 Seiten. Geheftet. Zustand: Innen etwas gebräunt. Alle Teile mit Gebrauchsspuren, wenigen Anmerkungen und Notizen, Benutzungsspuren und Defekten. Versandgewicht 10 kg.
An Amsterdam plaque depicting Winter, circa 1730-45Decorated with an elegant couple ice skating, surrounded by smaller figures, some smoking from long pipes, a small dog or 'Keeshondje' dancing around the couple, an imaginary city cropping up behind the couple, 28cm wide x 2cm deep x 38.5cm high, (11in wide x 0 1/2in deep x 15in high) (some restored sections to the rim)Footnotes:ProvenanceWith H.C. van Vliet, Amsterdam; Sotheby's, Amsterdam, 10 October 1978.ExhibitedAmsterdam Historisch Museum (now the Amsterdam Museum), Delfts uit de provincie. Aardewerk uit Hollandse tegelfabrieken (Delft From The Province. Pottery From Dutch Tile Factories), 3 September 1999 - 9 January 2000.LiteratureJ.D. van Dam, Delfts uit de Provincie, Vormen uit Vuur, vol. 168/169 (1999) , p.53, cat. no. 51.Another polychrome plaque with the same depiction, also attributed to Amsterdam, is illustrated by Van Dam (op.cit. p. 53, cat.no. 51a), however its whereabouts today are unknown.In the last 50 years there has been much added to the research into the exact historic locations of the Dutch Delftware factories in the city of Delft, but also outside of this main centre of production. We know that tiles and plaques were made in Rotterdam, and that Utrecht and particularly Amsterdam, too, were locations for smaller but interesting factories. Jan Daniel van Dam published an important account in the newsletter of Dutch Ceramics, called Vormen uit Vuur in 1999 under the title 'Delftware from the Provinces (op.cit.). Here, Van Dam discusses the necessity for Amsterdam and Rotterdam makers who up until the first quarter of the 18th century mainly produced tiles, to re-invent their trade with the decline of demand for tiled interiors in the Netherlands and beyond. It may be that the present plaque is the result of such an adaptation, feeding a market hungry for less costly but impressive pieces of Delftware for the interior. Van Dam argues that as a result, the rims and borders around these Amsterdam or Rotterdam plaques often show a less refined finishing than those produced in Delft, often the plaques we now identify as Amsterdam have a rim that is later applied rather than moulded from the outset like in Delft.This plaque is likely composed using several print sources, the most prominent being the print of Winter from a series of the Seasons by Hendrick Goltzius (1558 – 1617), which were in turn copied by Jan Saenredam (1565 – 1607) in 1601.Image credit: Rijksmuseum, RP-P-OB-10.616This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
ARR William George Simmonds (1876-1968)Head Studies of a Rabbit and a Horseone inscribed 'Near Tile Mill'; the back of the frame inscribed 'Two pages from the sketch book of William Simmonds, given to me by Gerry Carter after I helped him display W Simmonds's Puppets in the Gloucester Museum 1968', Theo Merrettpencil each 12cm x 17cm, within a glazed wooden frame, overall measurements 24cm x 49cm In 1919 William Simmonds and his wife Eve moved to the tiny hamlet of Far Oakridge, Gloucestershire, where they became involved with a group of artists and craftsmen including William Rothenstein, Ernest Gimson, Sidney and Ernest Barnsley. Simmonds' carved figures and animals took inspiration from the surrounding countryside and farming community, and it is possible that the sketches offered here were designs that he later used when creating his popular puppets. Gerry Carter and Theo Merrett, both mentioned in the note on the back, were also Oakridge craftsmen and knew Simmonds personally
MIXED GLASSWARE & POTTERY GROUP comprising an Aller Vale slip decorated jug, 12cms H, 7 x millefiori and other glass paperweights, the largest in the form of a duck, 14cms H, Victorian floral decorated pottery tile, 15.5cms square and 6 x antique stained glass panels, five blue and one red, with starcut detail to the centres, 11.5cms squareProvenance: the glass panels believed to be the from the Old Labour Exchange, Colwyn Bay, private collection Conwy
A collection of pottery to include an opposed pair of terracotta lamps, one blue, one orange; a tall vase with leaf decorations; a blue glazed twin handled jardinière; a half-yellow-glazed terracotta vase; a Tony Gant bowl; and a Mexican ceramic tileQty: qtyRepairs to the top of one of the lamps and a plastic top to the other. One missing baize on the bottom. The studio vase with mild chipping to the top and scratching around the rim. The yellow terracotta vase with minor hairline fractures around the top, and a chip out of the glaze on the rim and minor chipping to the bottom. The Tony Gant in generally good condition. The blue glazed jardinière with surface dirt.
A collection of various items of bijouterie to include; a Mdina Rosenthal glass decanter, a porcelain framed mirror with applied floral decoration surmounted by cherubic figures; a print of Caledonia Place, Clifton; a Delft tile stamped to the back 'Joost Thooft' & Labouchere; a studio pottery bowl by Bill Moore; a modern glass vase; three items of treen; a Chinese lidded pot decorated with smiling figures; two saucers with a lidded cup; a further cabinet plate decorated in the Chinese style; a Royal Crown Derby pheasant; etcQty: qtyAll in various conditions. Significant repair to the lid of the lidded jar. Losses and repairs to the porcelain framed mirror. Chips out of one of the modern glass vases. Claremont Castle jug with significant repair.
A SELECTION OF OCCASIONAL FURNITURE, to include a teak framed rectangular coffee table, with needlework insert, width 86cm x depth 54cm, a hardwood coffee table, a Danish teak tile top nest of two tables, a pine square side table, a long needlework footstool and a bookcase (condition report: tear to footstool, scratches and missing shelves to bookcase, other imperfections to all) (6)
A small rectangular turquoise glazed pottery tile, possibly 12th century Kashan, Iran, 9.2cm x 4.7cm x 2.7cm deep, purportedly purchased from Christopher GibbsCONDITION REPORTS & PAYMENT DETAILSIMPORTANT * Descriptions do not include condition reports. Please contact us to if you require further information or images. * Please consider shipping costs before bidding as this may affect your decision to bid * Please familiarise yourself with our payment methods. Our preferred method of payment is by bank transfer. We do not take cash or card payments.
An Arts and Crafts oak Tile Top Table, circa 1910, with oak underself and stamped 886, W 51 cm x H 70 cm x D 52.5 cm. Provenance: property of a West Country Collector. After buying an Arts & Crafts house, the vendors researched and sought-out beautiful, often unique, Arts & Crafts pieces to furnish their home.
An Arts and Crafts oak Plant Stand, with tile to top, (base) W 25.5 cm x D 26.5 cm, (top) W 24.5 cm x D 24.5 cm, H 77 cm. Provenance: property of a West Country Collector. After buying an Arts & Crafts house, the vendors researched and sought-out beautiful, often unique, Arts & Crafts pieces to furnish their home.

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26443 item(s)/page