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Lot 1195
A GEORGIAN MAHOGANY 8 DAY LONG CASE CLOCK, the hood with brass finials over reeded pillars, flanking a glazed door that's enclosing a painted 13 inch dial, moonphase movement to arch, Arabic numerals, seconds dial, subsidiary date aperture, indistinctly signed John Bloor of Newcastle-upon-Lyme, bell striking movement on a trunk with shaped door on bracket feet, height 235cm (condition:- dial appears poorly restored, signature rubbed, veneer loss to left side near trunk door) (two weights, pendulum, winding key and trunk key)
Lot 152
A VERY LARGE BATAK CARVED WOOD 'RUMBI' RICE CONTAINER Toba-Batak, Sumatra, Indonesia, the large vessel hollowed from a single trunk, with left off cover and twin handles, sold together with a copy of The Batak; Peoples of the Island of Sumatra, Achim Sibeth, 1991 82cm high; approximately 89cm diameter Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Lot 171
A collection of ceramics to include two Beswick trunk display stands 31cm w along with a quantity of Royal Doulton : 4 x seasonal Brambly Hedge plates, 4 x "The Wind in the Willows" plates, 2 x Special Occasion plates -The Wedding and The Engagement 20.5cm d, 4 x seasonal trinket dishes 12cm d together with a Royal Albert Beatrix Potter tea cup. See all images.
Lot 984
A collection of novelty miniatures to include, a coloured glass Murano duck with Drioli contents sealed inside, woven Rynbende cherry brandy bottle, Grande Liqueur De Sapins tree trunk bottle, destilerias A Nadalsa brandy, mini Guinness bottle, Bell's scotch whisky and ceramic Zaren Kaffee in the form of coffee pots. (x21)
Lot 304
A 19th century oak, mahogany and inlaid eight day longcase clock by R Pitts, Epworth. The hood surmounted with turned wooden finials over brass capped inlaid columns flanking a painted arched dial and subsidiary seconds and date aperture. The eight day movement striking on a bell, the trunk with an inlaid door over a crossbanded and inlaid box base, Condition Report: 228.5 cm high ( on short splayed feet)dial 33 cm wide, fits hood perfectly .photos should say all but look for lose right hand side finial, nick to beaded edge on top left hand side.As it has been almost completely wound right up I could not put on the weights ( both present) but did manage to hang the pendulum i noticed that when the pendulum rocked the seconds went backwards but I have a feeling that this is not at all seriousIt looks like the clock has been used for a long time judging by the dust to top.lovely case-nice thing
Lot 150A
A 19th century oak-cased and mahogany banded eight-day longcase clock (with adaptations and alterations): 13-inch broken arch dial with silvered chapter ring, Roman numerals and cornered by four ornate pierced gilt-metal spandrels with urns, scrolls and various fruits, below the arch with central circular silvered disc 'Tempus fugit' and further flanked by gilt-metal appliques modelled as leviathans, shaped cross-banded trunk door, shaped apron and raised on bracket-style feet, with pendulum and two weights (211 cm high)
Lot 520
Three planters: a stone-effect circular painted fibre-glass planter (42 diameter x 41 cm high); a circular salt-glaze stoneware planter (31.5 cm diameter); a circular stoneware planter decorated with flowerheads and fleurs-de-lys in relief, moulded plinth base as a gnarled trunk and initialled J. D © 1984 (30 diameter x 43 cm high).
Lot 522
A large terracotta circular planter of sectional tree trunk form, the planter decorated in relief with a repeating pattern of roses and leaves above a conforming stand modelled as three further smaller slightly splaying trunks with the branches removed (50 diameter x 72.5 cm high)* Condition: There is one old hairline crack to the planter, to the lower section extending into the base - it is not visible to the interior and was probably caused during manufacture (see photo). There are a number of small, old chips to the raised points on the rim and a few fresher looking ones. One moulded flower to the side of the planter is partially missing. The stand has some frost damage to the surface of the terracotta to one side and a few old chips to the top edges and raised detail.
Lot 60
Three pieces: 1. a late 19th century German WMF two-handled pewter tray in Art Nouveau style with a couple about to kiss. 2. a late 19th to early 20th century French 'bronzed' figure of a torch bearer. 3. an Art Deco period (probably French) lighter modelled as an elephant and tree trunk upon a marble base.
Lot 7190
Richard Broad of Bodmin - 20th century bespoke 8-day oak longcase clock, with a break arch top and conforming hood door, fully glazed trunk door and carved plinth on bun feet, German key wound three train movement with a brass dial, silvered chapter ring and working moon dial, visible gridiron pendulum and three brass cased weights, movement chiming the quarters and hours on 12 gong rods, with Whittington, Westminster and St Michael chimes, silent and night silence features.Dimensions: Height: 210cm Length/Width: 55cm Depth/Diameter: 30cm
Lot 7190A
German - 20th century light oak longcase clock, replica design of an 18th century provincial case with a fully glazed trunk door, etched brass dial and silvered chapter ring with roman numerals and pierced serpentine hands, twin train chain driven movement striking the hours on three gong rods. With two brass cased weights and pendulum.Dimensions: Height: 193cm Length/Width: 43cm Depth/Diameter: 26cm
Lot 7191
20th century - mahogany cased 30hr Longcase clock, with a swans neck pediment and brass finials, fully glazed trunk door on a square plinth with applied moulding, brass dial and chapter with Roman numerals, engraving and working moon dial, German, two train chain /weight driven movement striking the hours and half hours on a single bell. With weights and Pendulum. Dimensions: Height: 190cm Length/Width: 38cm Depth/Diameter: 24cm
Lot 7193
John Hutchinson of Worksop - George III 8-day oak longcase c1790, with a swans neck pediment brass paterie and finial, glazed circular hood door flanked by two reeded pilasters with Corinthian capitals, trunk with canted and reeded quarter columns, long trunk door with a break arch top, on a rectangular plinth with applied skirting, circular silvered and engraved sheet dial with roman numerals, five minute Arabic's and decorative scroll engraving to the centre, with conforming date and seconds dials, dial pinned to a rack striking movement with a recoil anchor escapement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 206cm Length/Width: 43cm Depth/Diameter: 23cm
Lot 7194
Maxell of Horsham - 30 hr single handed oak longcase with a painted dial, c1790 with a flat top pediment and blind frieze beneath, glazed side panels and square hood door with attached pilasters, long trunk with a conforming flat topped door on a square plinth with a stepped base, early painted dial with Roman numerals, five minute Arabic's, makers name and a depiction of a songbird, with early gesso gold painted spandrels and a single pierced steel hand, dial pinned to an early design of "birdcage" rope driven movement with count wheel strike, striking the hours on a domed bell. With weight and pendulum. The spelling of the makers name has been poorly re-written and perhaps incorrectly. The maker is more likely to have been a member of the 18th and 19th century Muzzell family who were a prolific family of clockmakers in Horsham from 1724 to 1858. Late 18th century 30hr single handed clocks with painted dials are very rare and as with this clock are usually only found on clocks made in the more rural parts of the country.Dimensions: Height: 184cm Length/Width: 45cm Depth/Diameter: 23cm
Lot 7195
Robert Parkinson of Lancaster - an early George II oak cased 30 hr longcase clock, c 1740, with a flat caddy top, broad frieze beneath and glazed panels to the sides, square hood door with attached pilasters and wooden capitals, long trunk and conforming door with a flat top, plinth raised on bracket feet, square brass dial with spandrels, single steel hand, date aperture and makers name, silvered chapter ring with Roman numerals, half hour markers, and an unusual quarter hour and seven-and-a-half minute inner track, dial pinned directly to a count wheel striking movement with a recoil anchor escapement, striking the hours on a bell. With weight and pendulum. Dimensions: Height: 210cm Length/Width: 36cm Depth/Diameter: 22cm
Lot 7196
Johnathan Storr of York - late 18th century 30hr oak longcase clock c 1790, with a deep swans neck pediment and break arch hood door flanked by two turned pilasters with brass capitals, long trunk with a wavy topped door, rectangular plinth with a raised panel on four bracket feet, brass dial with a matted centre and cast spandrels, silvered chapter with Roman numerals, five minute Arabic's, minute track and matching steel hands, silvered date ring and engraved boss to the arch with the makers name, dial pinned directly to a chain driven count wheel striking movement striking the hours on a bell.30hr clocks with brass break arch dials are comparatively rare, this clock being a good example by a reputable York maker. With weight and pendulum. Dimensions: Height: 220cm Length/Width: 45cm Depth/Diameter: 21cm
Lot 7197
William Terry of Bedale - 30hr pine cased longcase clock c 1770, with a deep broken pediment and dog tooth moulding, square hood door with attached pilasters, long trunk door with a wavy top, plinth with applied skirting and feet, brass dial with silvered chapter ring and dial centre, centre with finely engraved decoration, calendar aperture and dummy winding holes, chapter engraved with roman numerals and five minute Arabic's, dial pinned to a rope driven count wheel striking movement. With pendulum and weight.William Terry, father (I) and son (II) were prolific 18th century Yorkshire clockmakers, recorded as working predominantly in Bedale but also other provincial towns in North Yorkshire.Dimensions: Height: 220cm Length/Width: 45cm Depth/Diameter: 25cm
Lot 7198
Edmund Sagar of Skipton - 18th century oak 30hr long case clock c 1790, with a flat top and double cornice, deep frieze and square hood door, detached reeded pilasters with wooden capitals, trunk with reeded quarter columns and a long ogee topped door, on a rectangular plinth with bracket feet, brass dial with a well engraved slivered centre, calendar dial and chapter ring, chapter with Roman numerals and five minute Arabic's, dial pinned to a chain driven count wheel striking movement, striking the hours on a bell. With pendulum and weight.Dimensions: Height: 210cm Length/Width: 44cm Depth/Diameter: 23cmCondition Report:Pendulum suspension missing
Lot 7199
William Semcock of Warrington - Mid 19th century 8-day mahogany longcase clcok c1860, with a swans necked pediment and central ball and eagle finial, deep frieze with a square hood door and reeded pilasters beneath, broad trunk with recessed cluster colums and a triple spire door, plinth with inlay, canted corners and decorative skirting, fully painted dial with replicated cottages to the spandrels, Roman numerals and minute track, seconds and calendar dials with non-matching stamped brass hands, dial pinned via a falseplate to an eight-day rack striking movement, striking the hours on a bell. With weights, pendulum and winding key. Dimensions: Height: 232cm Length/Width: 52cm Depth/Diameter: 25cm
Lot 252
Taxidermy: Lesser Spot-Nosed Guenon Monkey (Cercopithecus petaurista), a superb high quality full mount adult casually sat atop a dry tree trunk with head turning to the right, mounted upon a shaped base, overall height 79cmPart of a Private European Collection - imported into the UK prior to Brexit, not suitable for re-export.
Lot 347
Taxidermy: A Wall Cased Green Woodpecker & Chick (Picus viridis), modern, by Robert Ellis, Taxidermy, Middlesbrough, Cleveland, a high quality full mount adult male clinging to a tree trunk, his head raised with grubs within the beak, feeding his chick above within a small hole, amidst creeping ivy leaves, enclosed within a wall hanging picture frame style five-glass display case, 41.5cm by 18cm by 50cm excluding outer frame.
Lot 97
Taxidermy: A Cased Re-creation of a Yellow Kākāpō (Strigops habroptilus), modern, a superbly composed re-creation of a very rare and unusual Yellow Kākāpō, the adult stood upon a fallen tree trunk, over looking her young chick nestled below within a ground nest, amidst a natural setting of tall grasses and fauna, set above painted soil covered groundwork beneath, enclosed within a large five-glass wooden framed table display case, 65.5cm by 37cm by 55.5cm, The original specimen bird became part of the important nineteenth-century New Zealand ornithologist Walter Lawry Buller's collection, the Kākāpō is one of the rarest birds in the World, with only 201 living specimens known as of 2021, a Yellow Kākāpō is known to have occurred only once, captured near Cromarty, Fiordland of New Zealand in 1898 and purchased for Buller's son, who considered it "the most beautiful thing in the bird line that i have ever seen", this example was created using various donor specimens including Common Buzzard tail feathers.With Cites Article 10 (non transferable) licence no. 349180/04 - Buzzard Tail Feathers used.In 1871, 310 bird specimens were purchased by the Colonial Museum, Wellington, from the important nineteenth-century New Zealand ornithologist Walter Lawry Buller. This was the first large and representative collection of New Zealand birds obtained by the national museum, and it originally included type specimens of 11 species and 23 specimens of birds that are now extinct. Most of this collection (77%) was lost or destroyed in the nineteenth century, and today only 70 of the specimens have been located, with none having the locality and date of collection on the original label. Professional jealousy and a desire to conceal his sources may have been one reason for Buller’s failure to label his specimens at the start of his career, although laxity in recording specimen data was prevalent in New Zealand at the time. Subsequently, the museum was unable to care for these specimens properly, mainly owing to inadequate provision by the government for the museum and its collections. This contrasts with the professional care given to Buller’s later collections of New Zealand birds by Rothschild’s private museum in England, the American Museum of Natural History and the Carnegie Museum of Natural History. The latter two museums each have over 500 New Zealand bird specimens from Walter Buller, and these collections are well documented and still largely intact. Together they provide a precious record of the decline of most New Zealand endemic bird species during the late nineteenth century, which resulted from the introduction of mammalian predators. In this paper, Buller’s collections are used to document the decline and extinction of endemic New Zealand birds. Analysis of the ‘Second’ and ‘Third’ Buller collections showed a decline in the proportion of juveniles of extinct and threatened birds, which may indicate that predation of nests and young, rather than of adults, was a key step in the demise of many New Zealand mainland species. Buller’s assertion that he built up three separate collections of New Zealand birds is shown to be incorrect. Each of these three ‘collections’ was selected from Buller’s own collection, which was not fully disposed of until his death. The number of specimens collected was relatively small, and no evidence was found of Buller’s personal collecting, or collecting on his behalf, significantly impacting on any New Zealand bird species. Nor did Buller profit greatly from the sales of his bird collections. Tail feathers used from a Common Buzzard - This specimen would require a re-export licence to export from the UK, an import permit would be required into your chosen country, this is the responsibility of the buyer alone, Tennants Auctioneers do not offer any onward re-export or import licences.
Lot 1007
Großer Papagei auf Stamm mit reliefiertem, farbenprächtig staffiertem Federkleid und gelb-braunem Schnabel, den Kopf nach rechts gewandt. Polychrome Malerei. Entw. Johann Joachim Kaendler. Modell-Nr. A 43 b. Unw. rest.; Schwertermarke. H. 42 cm. Provenienz: Aus dem Nachlass einer bedeutenden norddeutschen Privatsammlung.A large porcelain figure of a parrot on a trunk. Insignificantly restored. Crossed swords mark.Meissen. Um 1924 - 1934.
Lot 1014
Papagei auf Kirschbaum Auf einem Baumstumpf mit plastisch aufgelegten Blättern und Kirschen sitzender Papagei mit reliefiertem, in blau-grünen Tönen staffiertem, Gelb akzentuiertem Gefieder. Polychrome Malerei. Entw. Johann Joachim Kaendler. Modell-Nr. 114. Unw. rest.; Schwertermarke. H. 17 cm.A porcelain figure of a parrot on a trunk. Insignificantly restored. Crossed swords mark.Meissen. Um 1924 - 1934.
Lot 262
Figural has clear faceted body, trunk up, metal braided tail and black eyes. Swarovski backstamp. 7640055000. This item has its original box: 5"L x 5"W x 4"H. Artist: Max SchreckIssued: 1982 - 1989Dimensions: 2.5"L x 1.5"W x 2.50"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
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66727 item(s)/page