We found 66720 price guide item(s) matching your search

Vintage leather covered travelling trunk together with a cane bound trunk. (2) (B.P. 21% + VAT)

Red painted wooden trunk/storage box. (B.P. 21% + VAT)

VINTAGE TRAVEL TRUNK

A WOOD & METAL BOUND ZINC LINED TRAVEL TRUNK, LOCK HAS BEEN FORCED

AN OAK LONGCASE CLOCK SIGNED BENJAMIN BULLOCK AYFORD, the 30 hour lantern movement striking on a bell, 11" square brass dial with matted centre and signature over calendar aperture, silvered chapter ring with Roman and Arabic numerals, the case with moulded cornice over plain frieze with oval brass plaque inscribed "Robert Deverl", moulded edged trunk door with lenticle, panel base on plinth, 81 1/4" high (Est. plus 24% premium inc. VAT)Condition Report: Movement clean and in good condition, cutch loop slightly bent, face good bar some mild rubbing to silvered dial, marriage of case and movement, case generally good and of good colour but possibly reduced at the base and some minor losses near trunk door catch.

A leather domed-top trunk, early 19th century, Peruvian, with incised and stylised panels, the top centred with a roundel with a laurel wreath and shield with the coat of arms of Peru, with metal latch and carrying handles, on a later stand, 87cm wide 48cm deep38cm high, 79cm high overall (2)

JOHN OWEN OF LLANRWST LONGCASE CLOCK having a brass dial, oak trunk, weights and pendulum, 199 (h) x 59 (w) x 33cms (d)Provenance: deceased estate Conwy

THREE ITEMS OF VINTAGE STORAGE comprising vintage egg crate printed with 'Welsh Coast Egg Suppliers Ltd of Colwyn Bay' and four digit phone number, 37 (h) x 69 (w) x 34cms (d), steamer type trunk, printed with N ROBINSON, 34 (h) x 91 (w) x 52cms (d) and set of miniature mahogany drawers, 25 (h) x 26 (w) x 15cms (d)Provenance: private collection Conwy

LATE 19TH CENTURY OAK TRUNK with brass banding and iron handles, 44 (h) x 74 (w) x 51cms (d)Provenance: deceased estate Conwy

A ARENS; an early 20th century Art Nouveau brass clad trunk, the top decorated with scrolling foliage and faces, the front decorated with interior scene depicting a man playing the cello with a monkey above, indistinctly inscribed to the base and signed 'A. Arens' to the top, width 66cm, depth 34cm, height 54cm.

A 19th Century simulated mahogany Seamans trunk, with blue fabric lining, w128cm x d52cm x h51cm.

William Young of Dundee 19th century Scottish inlaid mahogany eight day longcase clock, the 13in painted dial depicting Cotter's Saturday Night, with twin subsidiary dials, the hood with burr wood inlay and satinwood crossbanding to the trunk, with weights and pendulum, overall 212cm high.

James Condliff of Liverpool (1816 - 1862) High Water at Liverpool 19th century inlaid mahogany eight day maritime-themed longcase clock, c. 1840, with scroll pediment and inlaid to the frieze of the hood with urns and foliate swags, glazed viewing door flanked by reeded columns, enclosing a 14in painted dial with British sailing boat on rough seas, above celestial globes and a painted figure of Britannia to each corner depicting the four continents, the trunk inlaid with boxwood stringing and quarter reeded column supports, with weights and pendulum, overall approximately 210cm high.

An extensive collection of Beswick birds, including barn owls, golden eagle, pheasants, pigeons, magpie and two tree trunk display stands Good condition

Miscellaneous surveyor items, early 20th c and later, including a painted pine trunk, the front inscribed 'samples of government work', 31cm h; 52 x 35cm, a cased theodolite by E R Watts & Son, various surveyor's tripods, measuring equipment, etc

Modern Trunk, Rainbow Giraffe Picture and Jack Vettriano Print of Mad Dogs

Chinese Ornately Carved Trunk, 89x42cm

A CHINESE TRAVELLING TRUNK painted all over with scenes and flowers, on a red ground, with metal fittings and hide lining 39cm high x 49 x 90cm

Dome topped trunk, oak two drawer writing table, Victorian mahogany scroll arm rocking chair, Ligna, Oswald Haerdtl? Czechoslovakia vintage Bentwood armchair and x-framed stool (5).

Various hand tools, in a metal trunk.

An early 20th deal trunk with hinged lid, cup side handles & later addition to the interior, 85.5cm wide x 35cm high x 43cm deep.

A 19th century pine trunk, the front painted with 'B&P 1870'. H.30 W.55 D.36cm.

A mixed assortment of metalwares, including tin trunk, cast iron brackets, urn and drain hoppers.

A dome topped twin handled tin trunk along with a small painted wooden box with padded seat top and raised on castors.

Vintage wooden framed steamer trunk

Vintage wooden bound trunk

Vintage leather bound trunk bearing labels for Hill & Millard, Military and Colonial Outfitters, Trafalgar Square, London

A trunk initialled H.M.M.

A twin handled metal travel trunk named to 'J. Oliver'

An early 20th century Madler Koffer wardrobe trunk, width 55cm, depth 55cm, height 140cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A VARIETY OF OCCASIONAL FURNITURE, to include a piano stool, with hinged storage, a green painted ottoman, a wall clock, a wall mirror, a standard lamp, a magazine rack, a metal trunk, a musical table, an oak table, two other tables and a barometer (condition report: marks, scuffs, discolouration, loose hinge to piano stool, clock trunk loose from movement, other wear and tear) (12)

This comprehensive grouping features a storage trunk finished in an animal skin style, boasting an all-black design with gold-toned metal hardware. Complete with wheels and a retractable handle for easy transport. Additionally included is a glass bottle marked The Devil's Keep, a salesman's sample from The Craft Irish Distilling Co., along with three Erimon tasting glasses, a pipette, two snapback hats, two cigar cutters, and a tasting journal, all featuring The Craft Irish Whiskey Co. logo. Also included are two boxes of 3 Srixon golf balls and a promotional poster. Truck measures. 19.5"L x 15"W x 24.75"H. Condition: Age related wear. Some writing in the journal.

Late 19th century - 8-day mahogany longcase clock c1870, with a swan necked pediment and brass paterie, break arch hood door beneath flanked by ring turned pilasters and shaped back splats, inlaid trunk with a short door and canted corners, broad plinth with inlay and shaped feet, painted dial with abstract floral spandrels and a romantic evening scene to the break arch, with Roman numerals, minute markers, date and second dials, makers name indistinct, stamped brass hands with date and seconds pointers, dial pinned directly to a rack striking movement with a recoil anchor escapement. With weights and pendulum.Dimensions: Height: 244cm  Length/Width: 60cm  Depth/Diameter: 23cm

John Walton of Alston - 30hr oak longcase c1850, with a flat topped pediment and break arch hood door beneath flanked by turned pilasters with brass capitals, trunk with a long crossbanded door and angled top, rectangular plinth with a shaped feet, painted dial with geometric spandrels and a biblical depiction of Abraham making an offering of a ram to God, with Roman numerals, minute track, matching brass hands and calendar dial, countwheel striking movement striking the hours on a cast bell. With pendulum and weight.Dimensions: Height: 208cm  Length/Width: 46cm  Depth/Diameter: 22cmCondition Report:Driving chain missing

Thomas Fletcher of Gateshead (Tyne-and-Wear) Eight-day oak longcase clock c 1820, with a flat top and turned pilaster flanking the break arch dial, trunk with canted corners and a spire topped door, tall plinth on shaped feet, painted dial with Arabic numerals, minute track and a painted scene of a sailing ship leaving port, with brass stamped hands, seconds and date dial, movement pinned via a falseplate to a rack striking movement with a recoil anchor escapement, with weights and pendulum. A good example of a typical North-eastern case and movement form the early 19th century.Thomas Fletcher is recorded as working in Gateshead and Newcastle upon Tyne 1810-1850.Dimensions: Height: 210cm  Length/Width: 47cm  Depth/Diameter: 24cm

William Underhill of Newport (Shropshire) - Early 19th century mahogany longcase clock c1820, with a swans necked pediment and inlaid paterae, break arch hood door flanked by reeded pilasters with Corinthian capitals, trunk with quarter columns and a wavy topped door, square plinth with inlay raised on a shaped plinth, painted dial with floral spandrels and moon phase disc to the arch, Arabic numerals and matching steel hands with subsidiary date and seconds hand, dial pinned directly to an 8-day rack striking movement, sounding the hours on a cast bell. With pendulum, weights and key.Dimensions: Height: 224cm  Length/Width: 50cm  Depth/Diameter: 25cm

Oak and Mahogany - 8-day longcase clock c1830 with a swan necked pediment and break arch hood door beneath flanked by reeded pilasters with Corinthian capitals, trunk with three quarter reeded columns and a short door with canted corners, on a conforming plinth with a raised panel, painted dial with Arabic numerals, painted birds to the spandrels and a depiction of a soldier and encampment to the arch, with subsidiary calendar aperture and seconds dial, makers name indistinct, with a rack striking movement striking the hours on a bell. No weights or pendulum.Dimensions: Height: 244cm  Length/Width: 51cm  Depth/Diameter: 24cm

An early 20th century canvas, wood and metal bound dome hinge topped travelling trunk, w.91.5cm

A walnut drop trunk wall clock, with pendulum and winding key

A 19th century Eastern gilt decorated, leather clad pine and further brass mounted domed hinged top travelling trunk, w.109cmLarge areas of losses, tears and damage consummate with age to leather.

A rustic boarded pine and metal bound domed hinge topped travelling trunk, having iron end carry handles, w.87cm

An antique leather carriage trunk with stitched decoration and metal binding, 69 x 44 x 44 cm

A vintage pine trunk with metal mounts, a/f, 90 x 46 x 42 cm high

Hans Steinbrenner 1928 Frankfurt a. Main - 2008 Frankfurt a. Main Figur (Napoleon). 1960. Bronze mit dunkelgrauer Patina. Auf der Plinthe mit dem eingeschlagenen Künstlersignet und der Nummerierung. Eines von sechs Exemplaren. Ca. 212 x 58 cm (83,4 x 22,8 in). Durchmesser der Plinthe ca. 70 cm (27,6 in). Weitere Werke aus der Sammlung Dr. Theo Maier-Mohr werden in unserem Evening Sale am Freitag, 7. Juni 2024 und in unserem Modern Art Day Sale am Samstag, 8. Juni 2024 angeboten – siehe Sonderkatalog „Eine private Sammlung – Dr. Theo Maier-Mohr”. • Frühe, kubisch-abstrakte Bronze aus einer kleinen Auflage. • Zunächst aus einem Holzstamm geschlagen und dann in Bronze gegossen. • Arbeiten dieser Größe werden äußerst selten auf dem Auktionsmarkt angeboten (Quelle: artprice.com). Wir danken Herrn Jakob Steinbrenner, München, für die freundliche Auskunft. PROVENIENZ: Sammlung Dr. Theo Maier-Mohr (direkt vom Künstler erworben). Seitdem in Familienbesitz. AUSSTELLUNG: Zur ursprünglichen Holzfigur vgl. die Ausstellung: Hans Steinbrenner. Skulpturen 1948-1960, Sinclair-Haus, Bad Homburg v. d. Höhe, 23.10.-16.12.1990, Kat. Nr. 87 (m. Abb.). LITERATUR: Zur ursprünglichen Holzfigur vgl.: Claire Hellweg, Hans Steinbrenner. Die Entwicklung der Formensprache im plastischen Werk, Diss. Frankfurt a. Main, 1990/91, WVZ-Nr. 141 (m. Abb.). Aufrufzeit: 07.06.2024 - ca. 13.54 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONHans Steinbrenner 1928 Frankfurt a. Main - 2008 Frankfurt a. Main Figur (Napoleon). 1960. Bronze with dark gray patina. Plinth with the hammered artist's signet and the number. From an edition of 6 copies. Ca. 212 x 58 cm (83.4 x 22.8 in). Diameter of the plinth ca. 70 cm (27,6 in. ). [AR]. Further works from the Dr. Maier-Mohr Collection will be offered in our Evening Sale on Friday, June 7, 2024 and in our Modern Art Day Sale on Saturday, June 8, 2024 – see collection catalog 'A Private Collection - Dr. Theo Maier-Mohr'. • Early, cubic-abstract bronze from a small edition. • First carved from a wooden trunk and then cast in bronze. • Works of this size are extremely rare on the auction market (source: artprice.com). We are grateful to Mr Jakob Steinbrenner, Munich, for his kind support in cataloging this lot. PROVENANCE: Dr. Theo Maier-Mohr Collection, Hesse (acquired from the artist). Ever since family-owned. EXHIBITION: For the original wooden figure, see the exhibition: Hans Steinbrenner. Skulpturen 1948-1960, Sinclair-Haus, Bad Homburg v. d. Höhe, October 23 - December 16, 1990, cat. no. 87 (illu.). LITERATURE: For the original wooden figure, see: Claire Hellweg, Hans Steinbrenner. Die Entwicklung der Formensprache im plastischen Werk, PhD thesis Frankfurt a. Main, 1990/91, no. 141 (illu.). Called up: June 7, 2024 - ca. 13.54 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.

Hans Steinbrenner 1928 Frankfurt a. Main - 2008 Frankfurt a. Main Figur (Große Vegetative). 1959. Holz (Ulme) auf Metallplatte. Unikat. Höhe: 200 cm (78,7 in). Durchmesser der Standfläche: 50 cm (19,7 in). Weitere Werke aus der Sammlung Dr. Theo Maier-Mohr werden in unserem Evening Sale am Freitag, 7. Juni 2024 und in unserem Modern Art Day Sale am Samstag, 8. Juni 2024 angeboten – siehe Sonderkatalog „Eine private Sammlung – Dr. Theo Maier-Mohr”. • Unikat aus Ulmenholz, später auch in Bronze ausgeführt. • Überlebensgroße, wunderbar biomorphe Skulptur. • Auf der documenta III in Kassel wird 1964 eine 5 Meter hohe Holzskulptur des Künstlers gezeigt. Wir danken Herrn Jakob Steinbrenner, München, für die freundliche Auskunft. PROVENIENZ: Sammlung Dr. Theo Maier-Mohr (direkt vom Künstler erworben). Seitdem in Familienbesitz. AUSSTELLUNG: Hans Steinbrenner, Skulptur und Plastik IV, Galerie Appel und Fertsch, Karmeliterkloster, Frankfurt a. Main, 1965, Nr. 36 (m. Abb. 14). Hans Steinbrenner, Arbeiten von 1955-60, Galerie Ostertag, Frankfurt a. Main, 1978, o. S. (Abb. 13). Hans Steinbrenner. Skulpturen 1948-1960, Sinclair-Haus, Bad Homburg v. d. Höhe, 23.10.-16.12.1990, Kat.-Nr. 86 (m. Abb. S. 97). LITERATUR: Claire Hellweg, Hans Steinbrenner. Die Entwicklung der Formensprache im plastischen Werk, Diss. Frankfurt a. Main, 1990/91, WVZ-Nr. 135 (m. Abb.). - - Auswahl: K. Gabler, Hans Steinbrenner und sein Bruder, in: Adam Seide (Hrsg.), was da ist, Frankfurt a. Main, o. J. (m. Abb. S. 155). G. Nicol, Das Fabelwesen im Wohnzimmer, Frankfurter Neue Presse, Nr. 211, Frankfurt a. Main, 25.11.1978, S. 18. Von biomorpher Form zu kubischen Elementen Hans Steinbrenner (1928–2008) verdingt sich in den Nachkriegsjahren bei den US-Streitkräften als Plakatmaler und Grafiker. Von 1946 bis 1949 studiert er an der damaligen Werkkunstschule Offenbach am Main (heute Hochschule für Gestaltung). 1949 bis 1952 besucht er die Städelschule in Frankfurt am Main und wird dort Meisterschüler von Hans Mettel (1903–1966), im Anschluss wechselt er von 1952 bis 1954 ebenfalls als Meisterschüler bei Toni Stadler (1888–1982) an die Akademie der Bildenden Künste in München. Während Hans Steinbrenner sich in seinem Frühwerk noch an seinen Lehrern in Frankfurt und München orientiert, wird ihn die Begegnung mit den Bildhauern Constantin Brâncusi (1876–1957) und Henri Laurens (1885–1954) nachhaltig prägen. Auch der Einfluss von Hans Arp (1886–1966) ist sowohl in seinen kubisch-abstrakten Quaderskulpturen als auch in seinen charakteristischen, überlebensgroßen biomorphen Figuren vor allem aus Holz nachfühlbar, wie beispielsweise bei unserer überlebensgroßen Arbeit mit dem Titel 'Große Vegetative'. Ab den späteren 1960er Jahre schließlich findet Steinbrenner zu einer plastischen Sprache, die, wie hier an zwei Beispielen anschaulich, auf kubische Elemente zurückgreift und menschliche Proportionen aufnimmt. Von da an nennt der Künstler seine Skulpturen ohne weitere namentliche Unterscheidung 'Figur'. Und so verfährt der Bildhauer auch mit dieser zunächst aus einem Holzstamm geschlagenen und dann in Bronze gegossenen Stele. Mit zeichnerischer Präzision reduziert er die Anschauung des menschlichen Körpers zu streng geometrischen, aufeinander gestapelten Formen, deren einzelne Elemente nicht symmetrisch angeordnet, sondern geringfügig gegeneinander verschoben sind. Die rhythmisierte Vertikale verleiht der Skulptur jeweils eine lebendig wirkende Silhouette und auch die Bewegtheit der Oberflächen steht in einem spannungsreichen Kontrast zur strengen Materialität, wie bei der rund 200 Zentimeter hohen 'Stele' aus Stein aus dem Jahr 1985. [MvL] Aufrufzeit: 07.06.2024 - ca. 14.00 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONHans Steinbrenner 1928 Frankfurt a. Main - 2008 Frankfurt a. Main Figur (Große Vegetative). 1959. Wood (elm) on a metal plate. Unique object. Height: 200 cm (78.7 in). Diameter of the base plate: 50 cm (19,7 in). Further works from the Dr. Maier-Mohr Collection will be offered in our Evening Sale on Friday, June 7, 2024 and in our Modern Art Day Sale on Saturday, June 8, 2024 – see collection catalog 'A Private Collection - Dr. Theo Maier-Mohr'. • Unique object. • A huge wooden sculpture with a wonderful biomorphic appearance. • A 5-meter-high wooden sculpture by the artist was shown at documenta III in Kassel in 1964. We are grateful to Mr Jakob Steinbrenner, Munich, for hius kind support in cataloging this lot. PROVENANCE: Dr. Theo Maier-Mohr Collection, Hesse (acquired from the artist). Ever since family-owned. EXHIBITION: Hans Steinbrenner, Skulptur und Plastik IV, Galerie Appel und Fertsch, Karmeliterkloster, Frankfurt a. Main, 1965, no. 36 (illu. 14). Hans Steinbrenner, Arbeiten von 1955-60, Galerie Ostertag, Frankfurt a. Main, 1978, no p. (illu. 13). Hans Steinbrenner. Skulpturen 1948-1960, Sinclair-Haus, Bad Homburg v. d. Höhe, October 23 - December 16, 1990, cat. no. 86 (illu. on p. 97). LITERATURE: Claire Hellweg, Hans Steinbrenner. Die Entwicklung der Formensprache im plastischen Werk, PhD thesis Frankfurt a. Main, 1990/91, no. 135 (illu.). - - Auswahl: K. Gabler, Hans Steinbrenner und sein Bruder, in: Adam Seide (ed.), was da ist, Frankfurt a. Main, no year (illu. on p. 155). G. Nicol, Das Fabelwesen im Wohnzimmer, Frankfurter Neue Presse, no. 211, Frankfurt a. Main, November 25, 1978, p. 18. From biomorphic forms to cubic elements In the post-war years, Hans Steinbrenner (1928-2008) worked as a poster painter and graphic designer for the US army. From 1946 to 1949, he studied at the former Werkkunstschule Offenbach am Main. From 1949 to 1952, he attended the Städelschule in Frankfurt am Main, where he joined the master class of Hans Mettel (1903-1966), before he studied at the Academy of Fine Arts in Munich in the class of Toni Stadler (1888-1982) from 1952 to 1954. While Hans Steinbrenner's early work still shóws the influence of his teachers in Frankfurt and Munich, his encounters with the sculptors Constantin Brâncusi (1876-1957) and Henri Laurens (1885-1954) would have a lasting impact on him. The influence of Hans Arp (1886-1966) can also be observed in his cubic-abstract sculptures, as well as in his characteristic, oversized biomorphic figures, mainly made of wood, such as our huge work entitled 'Große Vegetative'. From the late 1960s, Steinbrenner finally attained a visual language that, as our two works demonstrate, draws on cubic elements and incorporates human proportions. Henceforth, the artist called his sculptures 'figures' without further distinguishing them by names. And this is also how the sculptor proceeded with this stele, which he first hewed from a wooden trunk and then cast in bronze. With graphic precision, he reduced the human body to strictly geometric, stacked forms, the individual elements of which are not arranged symmetrically, but slightly offset from one another. The rhythmic vertical lines lend the sculpture a lively silhouette and the dynamic surfaces also provide a fascinating contrast to the rigid materiality, as in the approximately 200 centimeter high stone 'Stele' from 1985. [MvL] Called up: June 7, 2024 - ca. 14.00 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.

A late 19th century dome top travelling trunk, wicker frame with rexine cover, hardwood and leather bound with brass studs, complete with leather buckles and carry handle to each end. H62cm, L70cm, D53cm. 

A hand painted tin/toleware trunk decorated with fruits (h- 39cm, w- 65cm)

A large flat topped metal bound trunk

A 19th Century Oak Longcase Clock by Richard Roughedge of Twickenham, the 11ins square brass dial with silvered chapter ring with Roman and Arabic numerals and subsidiary seconds dial and date aperture to matted dial centre, cast spandrels, the eight day two train movement striking on a bell, contained in case with moulded and blind fret carved cornice, split turned fluted columns to hood, trunk door carved with mask and leaf scrolls, on plinth base carved with floral and foliage ornament, 76ins high

A 19th Century Oak Longcase Clock by George Hallifax of Doncaster, the 12ins arched brass dial with Roman and Arabic numerals subsidiary seconds dial and date aperture to the matted dial centre, cast spandrels, to the eight days two train movement striking on a bell, contained in case carved with floral and leaf scroll ornament with moulded scroll pediment and turned columns to hood, fluted quarter columns to trunk, on plinth base with bracket feet 95ins high

A Late 17th Century Walnut and Marquetry Longcase Clock by Thomas Cruttenden of Yorke, the 10ins square brass dial with engraved centre and silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and with bold cast winged cherub head pattern spandrels, to the eight day two train five pillar movement striking on a bell contained in walnut and marquetry case, the rising hood with moulded cornice and spiral turned columns, trunk door inlaid with two shaped panels with flowers in a bowl, and with circular lenticel to centre, replaced plinth inlaid with similar floral panel, on bun feet 77ins high Note: Thomas Cruttenden recorded working London and York 1668-1698. He was apprenticed to Robt. Scignier in July 1668 and was then passed over to John Fromanteel until November 1677, free of The Clockmakers Company 1677. In 1680 he moved to York to establish one of the first important clock workshops in the North of England and became free of the City of York. He died in 1698. Provenance: Purchased Hotspur Antiques Ltd, 14 Lowndes Street, London SW1X 9DEExternally the clock presents very well indeed, showing wear commensurate with age and moderate usage.  There is some light shrinkage here and there on the veneer panels which is to be expected on a clock of this vintage. There is some light cracking on the door, and general chips and marks but no real areas of concern.  There is a nice patination. The item has been refurbished at some point but this would be historic. The two lower marquetry panels at the base of the trunk door have been replaced and the plinth base is later - the base has some marks. The marquetry retains good colour. The glasses have some marks but no obvious signs of damage or chips and may be considered original. The doors sits on its original hinges and functions correctly. Likewise the inner cabinet is in good condition. The weights appear original and are strung. The original winding crank is present. To the inside of the door there are various notations and pieces of information as shown in the images, relating to the clock.  The hood is in good condition, fits and locks correctly, the locking bracket appears to be original. No obvious sign of restoration but has had attention over the years on a historic basis. The mechanism and the fit is good and again appears to be contemporary with the case.  Some slight marks and one or two small wormholes, again historic, to the sides and lower hood plinth.  The dial is in very good condition but again at some point would have been re-silvered, but this is historic.  The engraving is complete and intact and the hands appear original.  The mechanism is complete although we cannot warrant the originality of all components. The clock winds, runs and sets but should be regarded as untested. The hammer and bell appear original. Overall a very nice example of this early clock. Please note we are unable to comment as to whether any additional movement would fit into the cabinet. This needs to be the decision of the prospective bidder.  Prospective bidders are strongly advised to view all images closely prior to bidding. 

18TH C. MAHOGANY 8-DAY LONGCASE CLOCK, Thomas Foden, Congleton, central Ho-ho brass finial with brass acorn outers, 13in. full silvered dial with Roman hours and Arabic minutes, decorative star engraved winding holes above flower sprig, hood door with reeded brass bezel, reeded shanked pilasters to hood and trunk, chamfered base, plinth, 225cms (h)Provenance: private collection PenarthComments: untested, finials maybe associated.

A Collection of Miscellaneous Cane Fishing Rods, late 19th / early 20th century, in elongated painted pine cases, together with a galvanized bath, a large leather suitcase and a small Chinese lacquered trunk (qty)

An African Tribal Stool, carved from a single section of trunk, on four cylindrical legs, 30cm diameter

Vintage wooden bound dome top trunk

Green travel trunk

Metal trunk, 106cm long x 40cm

A vintage trunk, with tray fitted interior and labelled for Smith's Trunk Stores, London. 86x34x52cm.

A vintage metal-bound travelling wardrobe, with label for Watajoy, dimensions (closed) 37x93x56cm, and vintage travelling trunk, 93x57x53cm. (2)

A BRONZE FIGURE OF AN ELEPHANT, INDIA, 19TH CENTURY with flared ears and scrolling trunk, wearing blanket and trappings, a rectangular howdah on his back, 25cm high