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Click here to subscribeTwo boxes of assorted china and glassware to include; Royal Albert floral teaware 'Victoriana Rose', Wade tortoise, Fairy figurine, Royal Worcester oven to tableware serving dishes, ramekin etc, Aynsley 'Wild Tudor' vase, Ridgway Staffordshire teapot, carnival glass bowls, glass dessert bowls, cut glass jug, blue enamel Danish casserole dish, Mason's ironstone and other floral dresser jugs. (2)(B.P. 24% incl. VAT)
WATERFORD CRYSTAL, STUART CRYSTAL AND EDINBURGH CRYSTAL, UNMARKED CUT GLASS, WRYTHEN GLASS BOWLS etc, to include four Stuart Crystal tankards, five Waterford cut glass wine glasses, five Royal Brierley knop stemmed cut glass wine glasses, five Stuart wine glasses, three Stuart sherry glasses, four Stuart liqueur glasses, three Edinburgh liqueur glasses, Tudor crystal water jug and four Tudor matching tumblers, five Italian wheel etched whisky glasses, five Wrythern glass bowls each having fluted rims, six satin glass star cut plates, two Stuart dessert dishes, six plate glass plates, and an oval glass plate, etc
A Collection of Tudor Mint Myth and Magic Figures (14) in total. To include The Celtic Wizard, The Protector of The Fairy Princess, The Navigator, The Water Dragon, The Scroll Of Spells, The Dreamy Dragon, The Water Dragon, The Dragons Arch, The Keeper Of The Magic Bridge, The Magic Pool, Contemplation, A Frosty Christmas, The MIghty Dragon and The Guardian of Time. Various heights and sizes.
A Collection of Tudor Mint Myth and Magic Figures (14) in total. To include A chilly Christmas x2, The Sooth-Slayer, The Ice Dragon,The Lonely Dragon, The Keeper, The Resisting Place, The Battle Against The Elements, The Font Of Knowledge, Sincere Friends,The Leaf Fairy, The Spell makers and The Crystal Treasures Various heights and sizes.
GENTLEMAN’S TUDOR OYSTER PRINCE 34 STAINLESS STEEL AUTOMATIC WRIST WATCH, the round dial with applied gold Arabic numerals, outer seconds track with dot markers, gold sword hands, centre seconds hand in black, 34mm case with 251269, 7950 to the caseback, screw down crown with coronet, on a stainless steel Oyster bracelet strap with 257 to the end links, with signed Rolex clasp with 4 71, lacking box and papers
RARE: GENTLEMAN'S TUDOR GENEVE CHRONOMETER ALL BLACK PVD AUTOMATIC WRIST WATCH, the round black dial with stainless steel edged lume plot hour markers, sunken subsidiary dials at 3 and 9, date aperture at 6, outer seconds track in white, lume filled stainless steel snowflake hands, stainless steel centre seconds/chronograph hand, tachymeter bezel to the 42mm case, on a PVD Oyster bracelet strap with a signed Tudor clasp, in box, with outer box, with papers, with swing tag, papers not completed by retailer
A MID SIZE STAINLESS STEEL ROLEX TUDOR PRINCE OYSTERDATE SUBMARINER BRACELET WATCH CIRCA 1990, REF. 75090 WITH BLACK DIAL Movement: 25J, automatic, quick-set date, cal. 2824-2, signed Tudor Auto-Prince. Case: Diameter approx. 36mm, Oyster case, signed Montres Tudor S.A., numbered B35x,xxx, 60 minute rotating bezel, sapphire crystal, Rolex crown. Bracelet: Original Tudor Oyster bracelet, numbered O10/9315/383B. CONDITION REPORT Dial: Original dial in excellent condition. Movement: Running at present. Case: In excellent condition, with some light scratches due to general use. Strap/Bracelet: In good condition, with light scratches due to general use. The timekeeping and accuracy of this watch has not been tested, therefore cannot be guaranteed.
A Royal Doulton comport, early 20th century, in cobalt blue with applied tudor roses to the rim and foliate motif ribbons running from the rim to the centre, artist's mark, impressed maker's mark and numbered 8405 to base, 23cm high, with a Doulton Lambeth jug, decorated by Maud Bowden, the jug of tapering form in cobalt blue, with central scrolling acanthus and bird motif against a brown ground, artist's mark, impressed maker's mark and number 8128 to base, 21.5cm high, a Royal Doulton small ewer of inverted baluster form, the shoulders with green floral and foliate decoration against a cobalt blue body, 17cm high, and a Royal doulton twin handled vase decorated by Nellie Garbett with beaded and geometric designs, 16.5cm high (4)
A gent's Tudor Oyster Prince 34 steel cased wristwatch, the signed black tuxedo dial with white cross to the centre, baton numerals, automatic movement, case dia. 33mm, back cover numbered 233382 7950, on replacement expanding bracelet.What appears to be glue residue to dial (looks like lumps).No papers or provenance present.In running order.
A vintage lady's 18ct gold cased Rolex dress watch, the engine turned silvered dial signed Rolex Precision, having baton markers, manual wind movement, and with original 18ct gold meshlink bracelet and Rolex clasp, gross weight 35.9g, 16mm, watch No.75778, with original Rolex guarantee papers; purchased in Suadi Arabia, August 10th 1958, in probably associated Tudor silk and velvet lined box
A large collection of Royal Doulton Bunnykins: Tudor Collection comprising of Henry VIII DB305, Anne Boleyn DB307, Jane Seymour DB308, Catherine of Aragon DB306, Catherine Parr DB311, Anne Of Cleaves DB309 and Catherine Howard DB310 (with certificates) and stand together with Sousaphone DB23, Little Bo Peep DB220, Will Scarlett DB251, Little Jack Horner, Jack & Jil DB222(all boxed)(14)
Fine English gold and tortoiseshell mounted violoncello bow by and stamped A.R. Bultitude to both sides of the handle, also stamped England under the back of the handle behind the frog, the stick octagonal, the tortoiseshell frog inlaid with gold Tudor roses, with foliate engraved ferrule and frog back, the ebony adjuster with two foliate engraved gold bands, 80gm, within an oak case * This bow is sold with a CITIES Article 10 Exemptions certificate no. 509034/01 and a copy purchase receipt from the maker dated 4th September 1976
circa 1975, model 12, the black dial, 35mm diameter, with oversized signature, luminous batons, white luminous hour and minute hands, orange chronograph centre sweep and two subsidiary dials with orange hands, date window at 6 o'clock and outer tachymetre bezel, the unsigned 17 jewel crown wind manual movement by Valjoux, number 7734, with pushers above and below the crown, the PVD coated stainless steel case, 40mm diameter, with screw down back, presented lacking its strapFootnote: The rare model 12 was produced in the mid to late 1970s at a time of great upheaval and turmoil for the company. There is little information available about the '12', having been overshadowed by the Montreal and Pasadena models, and they do not appear to have been sold in great numbers. The model 12 does however appear in the late 1970's catalogues, although without a photograph, and the original strap was not metal, but rubber, with what was described as a 'links effect'. The Valjoux 7734 movement was one of the most respected chronograph movements of the day, and was used by other watch houses, including Breitling and Tudor. It operates at a slightly slower VBH (vibrations per hour) than modern automatic movements resulting in a pleasing 'tick tick' sound reminiscent of vintage watches. The movement and crown are unsigned, which is correct and proper for this model.
TUDOR; a gentleman's stainless steel cased 'Prince Oyster Date' wristwatch, the circular dial set with baton numerals, date aperture and further inscribed 'Rotor Self-Winding', diameter excluding winding crown 3.3cm, case reverse inscribed 'Original Oyster Case by Rolex Geneva', the brick link bracelet no.357 in two places and further 783519 with Rolex branded clasp stamped S T3 7835 (af), also a silver cased open face key wind pocket watch with base metal chain (for restoration) (2).Additional InformationIn heavily worn condition throughout. The batons at 12 as well as seconds and minutes hands Tudor logo have fallen off and are loose but still within the glazed dial. The watch has not been tested. No guarantee of working order. We do not want to activate the self winding mechanism for fear of further damaging the dial. There are heavy scratches and nicks throughout to case bracelet and glass. Dirty. Some of the bracelet links are loose and have indentations. Sold as seen. The case of the pocket watch has hairline cracks in numerous places. Heavy wear throughout. Not tested and no guarantee as to the working order.
* Jigsaw. History of England, Paris: H. Rousseau, after 1853, three hand-coloured lithographed jigsaws, printed on paper laid down on wood, depicting the monarchs of England, surrounded by vignette scenes of battles, deaths of monarchs etc., the first jigsaw featuring Saxon and Danish monarchs and history, from Egbert to Harold II, the second featuring the Norman and Plantagenet eras, and the third showing the Tudor, Stuart and Hanoverian monarchs ending with Victoria, each monarch numbered and listed, each title, name and vignette description in both English and French, each comprising between 83-86 pieces, the first with two tabs lacking and six detached (four with old repairs), the second with three tabs detached, the third with four tabs lacking and eight detached, each 31.5 x 39.5 cm (12.25 x 15.75 ins), contained together in original board box (and separated by two sheets of board covered in blue paper), the lid with hand-coloured lithographed pictorial design of Victoria receiving her crown, and title in English and French, surrounded by decorative paper border, printed label to verso 'From Leuchars Late Dunnett's 3, Cheapside, London', soiled and edge-worn, lacking board sides, base (also lacking board sides) with printed label to verso bearing central vignette of a rocking horse and lettered 'Leuchars Late Dunnett's Toy Warehouse, 3, Cheapside. Dressing Case, Writing Desk, and Work Box, Manufactory 38 Piccadilly London' (Qty: 1)NOTESThe last Dunnett was recorded at 3 Cheapside in 1853, with Leuchars taking over the premises after this date. A rare example of this handsome jigsaw.
A MID 20TH CENTURY 9CT TUDOR ROYAL LADIES MECHANICAL COCKTAIL WRISTWATCH, Arabic numerals and baton markers on a cream dial, 17 jewel movement, round case approximately 20mm, chevron styled link fitted to an integral Rolex fold over clasp and safety chain, marked Rolex within the case back and hallmarks for Birmingham 1965, approximate gross weight 16 grams, with a Tudor box, working at time of cataloguing
A MID 20TH CENTURY TUDOR MECHANICAL WRISTWATCH, silvered dial with yellow hands as well as Arabic numerals and baton markers, subsidiary seconds dial, signed 15 jewel hand wound movement, approximate 32mm round 9ct gold case, hallmarked Edinburgh 1957, maker's mark R.W.C., fitted to a dark tan leather strap, approximate gross weight 28 grams
‡ Frank O. Salisbury (1874-1962) Fantasy Signed and further titled and inscribed to verso Oil on canvas 87 x 112cm Provenance: By descent from the artist Exhibited: Royal Academy, 1902, no. 726; Liverpool, Manchester, Bradford, Southport and New Zealand (according to inscription to verso) The model is the artist's wife Maud. Frank O. Salisbury was one of the greatest society artists of his age, know as 'Britain's Painter Laureate'. Since 2013 Woolley and Wallis have had the pleasure of selling a group of Salisbury's work which were kept by the artist in his personal collection, and have been passed down to his descendants. The selection of paintings offered here are the last of this collection, and were clearly deeply personal and important to Salisbury. Although he frequently depicted historical subjects, it is perhaps portraiture for which Salisbury is best known, and the list of his sitters is long and distinguished. Six American presidents and twenty-five members of the British royal family sat for him, and no-one painted Winston Churchill more. However, his most frequent subjects were his family, in particular his twin daughters. Salisbury relates in his memoirs how they sat for him for an hour each morning when they were young, and they are the models in some of his most successful early works, such as Field Mice (lot 27). By 1932 Salisbury was so successful on both sides of the Atlantic that he was able to build Sarum Chase, a neo-Tudor mansion in Hampstead. He filled the walls with his own work, in both fresco and oil. A photograph of the gallery at Sarum Chase shows the artist seated below one of his portraits of George VI, flanked by portrayals of his twins in bridal dress, Monica (lot 29) and Sylvia (sold Woolley and Wallis, 5 June 2013, lot 440). Salisbury continued to be in great demand throughout his life, receiving commissions for both historical subject and portraits. However, the collection of paintings offered here are works that he opted to keep and decorate his home with, and both the portraits and the allegorical works held deep significance for him.
‡ Frank O. Salisbury (1874-1962) Sweetening the Hay Signed, and further titled, inscribed FRANK O. SALISBURY/62 avenue Rd/NW8, and with oil sketch of figure to verso Oil on canvas 108 x 194cm Provenance: By descent from the artist Frank O. Salisbury was one of the greatest society artists of his age, know as 'Britain's Painter Laureate'. Since 2013 Woolley and Wallis have had the pleasure of selling a group of Salisbury's work which were kept by the artist in his personal collection, and have been passed down to his descendants. The selection of paintings offered here are the last of this collection, and were clearly deeply personal and important to Salisbury. Although he frequently depicted historical subjects, it is perhaps portraiture for which Salisbury is best known, and the list of his sitters is long and distinguished. Six American presidents and twenty-five members of the British royal family sat for him, and no-one painted Winston Churchill more. However, his most frequent subjects were his family, in particular his twin daughters. Salisbury relates in his memoirs how they sat for him for an hour each morning when they were young, and they are the models in some of his most successful early works, such as Field Mice (lot 27). By 1932 Salisbury was so successful on both sides of the Atlantic that he was able to build Sarum Chase, a neo-Tudor mansion in Hampstead. He filled the walls with his own work, in both fresco and oil. A photograph of the gallery at Sarum Chase shows the artist seated below one of his portraits of George VI, flanked by portrayals of his twins in bridal dress, Monica (lot 29) and Sylvia (sold Woolley and Wallis, 5 June 2013, lot 440). Salisbury continued to be in great demand throughout his life, receiving commissions for both historical subject and portraits. However, the collection of paintings offered here are works that he opted to keep and decorate his home with, and both the portraits and the allegorical works held deep significance for him.
‡ Frank O. Salisbury (1874-1962) Silent Confidences Signed and titled to verso Oil on canvas 76 x 76cm, framed as circle Provenance: By descent from the artist Exhibited: The St. James Art Society (according to label) Frank O. Salisbury was one of the greatest society artists of his age, know as 'Britain's Painter Laureate'. Since 2013 Woolley and Wallis have had the pleasure of selling a group of Salisbury's work which were kept by the artist in his personal collection, and have been passed down to his descendants. The selection of paintings offered here are the last of this collection, and were clearly deeply personal and important to Salisbury. Although he frequently depicted historical subjects, it is perhaps portraiture for which Salisbury is best known, and the list of his sitters is long and distinguished. Six American presidents and twenty-five members of the British royal family sat for him, and no-one painted Winston Churchill more. However, his most frequent subjects were his family, in particular his twin daughters. Salisbury relates in his memoirs how they sat for him for an hour each morning when they were young, and they are the models in some of his most successful early works, such as Field Mice (lot 27). By 1932 Salisbury was so successful on both sides of the Atlantic that he was able to build Sarum Chase, a neo-Tudor mansion in Hampstead. He filled the walls with his own work, in both fresco and oil. A photograph of the gallery at Sarum Chase shows the artist seated below one of his portraits of George VI, flanked by portrayals of his twins in bridal dress, Monica (lot 29) and Sylvia (sold Woolley and Wallis, 5 June 2013, lot 440). Salisbury continued to be in great demand throughout his life, receiving commissions for both historical subject and portraits. However, the collection of paintings offered here are works that he opted to keep and decorate his home with, and both the portraits and the allegorical works held deep significance for him.
‡ Frank O. Salisbury (1874-1962) Youth's Dreamland Garden Signed, dated 1912, and further titled and inscribed to verso Oil on canvas, circular 152 cm diameter Provenance: Painted for Samuel Ryder J.P., St. Alban's; his posthumous sale, Christie's, where purchased by the artist's family (all according to inscriptions to verso); by descent Exhibited: Royal Academy, 1912, no. 250, as Childhood; Liverpool, 1913; Southport, 1913; Oldham, 1914 This painting was originally painted for Samuel Ryder (1858-1936). Today he is best known for the eponymous golf tournament between Europe and the United States. Ryder was integral in setting up the competition, and donated the trophy for the inaugural event in 1927. Frank O. Salisbury was one of the greatest society artists of his age, know as 'Britain's Painter Laureate'. Since 2013 Woolley and Wallis have had the pleasure of selling a group of Salisbury's work which were kept by the artist in his personal collection, and have been passed down to his descendants. The selection of paintings offered here are the last of this collection, and were clearly deeply personal and important to Salisbury. Although he frequently depicted historical subjects, it is perhaps portraiture for which Salisbury is best known, and the list of his sitters is long and distinguished. Six American presidents and twenty-five members of the British royal family sat for him, and no-one painted Winston Churchill more. However, his most frequent subjects were his family, in particular his twin daughters. Salisbury relates in his memoirs how they sat for him for an hour each morning when they were young, and they are the models in some of his most successful early works, such as Field Mice (lot 27). By 1932 Salisbury was so successful on both sides of the Atlantic that he was able to build Sarum Chase, a neo-Tudor mansion in Hampstead. He filled the walls with his own work, in both fresco and oil. A photograph of the gallery at Sarum Chase shows the artist seated below one of his portraits of George VI, flanked by portrayals of his twins in bridal dress, Monica (lot 29) and Sylvia (sold Woolley and Wallis, 5 June 2013, lot 440). Salisbury continued to be in great demand throughout his life, receiving commissions for both historical subject and portraits. However, the collection of paintings offered here are works that he opted to keep and decorate his home with, and both the portraits and the allegorical works held deep significance for him.
‡ Frank O. Salisbury (1874-1962) Field Mice Signed Oil on canvas laid on board 162 x 123cm Provenance: By descent from the artist Literature Frank O. Salisbury, Sarum Chase: New and Enlarged Edition of Portrait and Pageant (London, John Murray), p.18, illustrated The models are the artist's twin daughters, Monica and Sylvia. This is the original version of the 1910 work sold at Christie's, London, 5 March 1987, The field mice nutbrown maidens, the twins. The Christie's work contained a mouse, reputed to be a later addition painted by Sylvia. Frank O. Salisbury was one of the greatest society artists of his age, know as 'Britain's Painter Laureate'. Since 2013 Woolley and Wallis have had the pleasure of selling a group of Salisbury's work which were kept by the artist in his personal collection, and have been passed down to his descendants. The selection of paintings offered here are the last of this collection, and were clearly deeply personal and important to Salisbury. Although he frequently depicted historical subjects, it is perhaps portraiture for which Salisbury is best known, and the list of his sitters is long and distinguished. Six American presidents and twenty-five members of the British royal family sat for him, and no-one painted Winston Churchill more. However, his most frequent subjects were his family, in particular his twin daughters. Salisbury relates in his memoirs how they sat for him for an hour each morning when they were young, and they are the models in some of his most successful early works, such as Field Mice (lot 27). By 1932 Salisbury was so successful on both sides of the Atlantic that he was able to build Sarum Chase, a neo-Tudor mansion in Hampstead. He filled the walls with his own work, in both fresco and oil. A photograph of the gallery at Sarum Chase shows the artist seated below one of his portraits of George VI, flanked by portrayals of his twins in bridal dress, Monica (lot 29) and Sylvia (sold Woolley and Wallis, 5 June 2013, lot 440). Salisbury continued to be in great demand throughout his life, receiving commissions for both historical subject and portraits. However, the collection of paintings offered here are works that he opted to keep and decorate his home with, and both the portraits and the allegorical works held deep significance for him.
‡ Frank O. Salisbury (1874-1962) Twins, The Twenty First Birthday Signed, and further inscribed to verso Oil on canvas 129 x 102cm Provenance: By descent from the artist The sitters are the artist's twin daughters, Monica and Sylvia. Frank O. Salisbury was one of the greatest society artists of his age, know as 'Britain's Painter Laureate'. Since 2013 Woolley and Wallis have had the pleasure of selling a group of Salisbury's work which were kept by the artist in his personal collection, and have been passed down to his descendants. The selection of paintings offered here are the last of this collection, and were clearly deeply personal and important to Salisbury. Although he frequently depicted historical subjects, it is perhaps portraiture for which Salisbury is best known, and the list of his sitters is long and distinguished. Six American presidents and twenty-five members of the British royal family sat for him, and no-one painted Winston Churchill more. However, his most frequent subjects were his family, in particular his twin daughters. Salisbury relates in his memoirs how they sat for him for an hour each morning when they were young, and they are the models in some of his most successful early works, such as Field Mice (lot 27). By 1932 Salisbury was so successful on both sides of the Atlantic that he was able to build Sarum Chase, a neo-Tudor mansion in Hampstead. He filled the walls with his own work, in both fresco and oil. A photograph of the gallery at Sarum Chase shows the artist seated below one of his portraits of George VI, flanked by portrayals of his twins in bridal dress, Monica (lot 29) and Sylvia (sold Woolley and Wallis, 5 June 2013, lot 440). Salisbury continued to be in great demand throughout his life, receiving commissions for both historical subject and portraits. However, the collection of paintings offered here are works that he opted to keep and decorate his home with, and both the portraits and the allegorical works held deep significance for him.
‡ Frank O. Salisbury (1874-1962) The Bride, Mrs Leonard Norris Signed, dated 1929, and titled and further inscribed to verso Oil on canvas 112 x 87cm Provenance: By descent from the artist Literature Frank O. Salisbury, Sarum Chase: New and Enlarged Edition of Portrait and Pageant (London, John Murray), p.127, illustrated The sitter is the artist's daughter Monica. Frank O. Salisbury was one of the greatest society artists of his age, know as 'Britain's Painter Laureate'. Since 2013 Woolley and Wallis have had the pleasure of selling a group of Salisbury's work which were kept by the artist in his personal collection, and have been passed down to his descendants. The selection of paintings offered here are the last of this collection, and were clearly deeply personal and important to Salisbury. Although he frequently depicted historical subjects, it is perhaps portraiture for which Salisbury is best known, and the list of his sitters is long and distinguished. Six American presidents and twenty-five members of the British royal family sat for him, and no-one painted Winston Churchill more. However, his most frequent subjects were his family, in particular his twin daughters. Salisbury relates in his memoirs how they sat for him for an hour each morning when they were young, and they are the models in some of his most successful early works, such as Field Mice (lot 27). By 1932 Salisbury was so successful on both sides of the Atlantic that he was able to build Sarum Chase, a neo-Tudor mansion in Hampstead. He filled the walls with his own work, in both fresco and oil. A photograph of the gallery at Sarum Chase shows the artist seated below one of his portraits of George VI, flanked by portrayals of his twins in bridal dress, Monica (lot 29) and Sylvia (sold Woolley and Wallis, 5 June 2013, lot 440). Salisbury continued to be in great demand throughout his life, receiving commissions for both historical subject and portraits. However, the collection of paintings offered here are works that he opted to keep and decorate his home with, and both the portraits and the allegorical works held deep significance for him.
‡ Frank O. Salisbury (1874-1962) Portrait of Mrs Leonard Norris, née Monica Salisbury, daughter of the artist Oil on canvas Signed and dated Aug 14 1930 112 x 87cm Provenance: By descent from the artist Literature Frank O Salisbury, Sarum Chase: New and Enlarged Edition of Portrait and Pageant (London, John Murray), p126, illustrated Frank O Salisbury was one of the greatest society artists of his age, know as 'Britain's Painter Laureate' Since 2013 Woolley and Wallis have had the pleasure of selling a group of Salisbury's work which were kept by the artist in his personal collection, and have been passed down to his descendants The selection of paintings offered here are the last of this collection, and were clearly deeply personal and important to Salisbury Although he frequently depicted historical subjects, it is perhaps portraiture for which Salisbury is best known, and the list of his sitters is long and distinguished Six American presidents and twenty-five members of the British royal family sat for him, and no-one painted Winston Churchill more However, his most frequent subjects were his family, in particular his twin daughters Salisbury relates in his memoirs how they sat for him for an hour each morning when they were young, and they are the models in some of his most successful early works, such as Field Mice (lot 27) By 1932 Salisbury was so successful on both sides of the Atlantic that he was able to build Sarum Chase, a neo-Tudor mansion in Hampstead He filled the walls with his own work, in both fresco and oil A photograph of the gallery at Sarum Chase shows the artist seated below one of his portraits of George VI, flanked by portrayals of his twins in bridal dress, Monica (lot 29) and Sylvia (sold Woolley and Wallis, 5 June 2013, lot 440) Salisbury continued to be in great demand throughout his life, receiving commissions for both historical subject and portraits However, the collection of paintings offered here are works that he opted to keep and decorate his home with, and both the portraits and the allegorical works held deep significance for him
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