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R Sealey's TUDOR PRINCE split cane 3 piece 9 feet fly / trout fishing rod (2.76 m appx.). Made by Precision Rods, Tudor Works, Redditch.

Royal Doulton Bunnykins figures from The Robin Hood Collection comprising of King John DB266, Maid Marian DB245, Robin Hood DB244, Little John DB243, Will Scarlet DB264, Fryer Tuck DB246, King Richard DB258 and Sheriff of Nottingham DB265 (all boxed) together Bunnykins from the Tudor Collection comprising of Henry VIII DB305, Anne Boleyn DB307, Jane Seymour DB308, Catherine of Aragon DB306, Catherine Parr DB311, Anne Of Cleaves DB309 and Catherine Howard DB310 (all boxed with certificates) (15)

Vintage Tudor gentlemen's watch with a mechanical 17 jewel movement. Plexi glass showing a crack. Gold plated 33mm case showing some corrosion. Movement running when tested.As well as a Seiko and a citizen

A RARE COTTON CHAIR COVER FROM QUEEN VICTORIA AT WINDSOR CASTLE patterned in red with three repeating emblematic tiles being Victoria's crowned cypher, a Tudor Rose and a Scottish thistle, the lining stamped in black-ink with 'Windsor Castle 1893, Room 520 No...' Provenance: letter to accompany reads ''...this is the chair cover of the tub chair used by Queen Victoria at Windsor. It came from her sitting room. Used regularly until her last illness. Given to my mother by the daughter of Mrs Davies, a palace servant of many years who was given it by his friend the housekeeper at Windsor Castle when the Queen's rooms were being refurbished by Edward VII and all the hangings and covers etc burnt in special incinerators. Mrs Davies asked her (as the sitting room curtains went by being carried by housemaids) if she could have a memento of the Queen. The housekeeper went inside and brought out the chair cover. 'That's from the Queen's chair' she said. Mrs Davies went on to St James's where she was chambermaid to the Prince of Wales eventually. The old Queen was very parsimonious and the chair covers had to be turned & patched until there was hardly any of the original left. This one has never been touched since it left her chair and there is still a faint odour of perfume perhaps from the pomade on her hair. Also a grease spot!! Joyce Williams, 29 Warren Road, Banstead, Surrey'' From a Vale of Glamorgan estate and by descent

A 1960s lady's 9ct gold cased Rolex Tudor cocktail watch, having a circular silvered face with dagger markers, and reeded chevron-faced lugs, on a 9ct gold bracelet strap, 15g

TUDOR OYSTER PRINCE STAINLESS STEEL ROTOR SELF-WINDING GENTLEMAN'S BRACELET WATCH with grey dial, silver baton numerals and hands, Rolex crown, on stainless steel Rolex bracelet, with original Tudor watch box and guarantee, c.1987

TUDOR PRINCESS OYSTER DATE LADY'S STAINLESS STEEL WRIST WATCH with rotor self-winding movement, blue dial, silver luminous baton numerals and hands, Rolex crown on blue leather strap and original Rolex stainless steel bracelet, case dia. approx. 22mm

Six Bronte Tudor Series candle snuffers, together with five from the Dickens character Series Condition:

Three various pocket watches, the first 19th Century silver open face example with chain fusee movement signed E.Cawson, Liverpool No.1141, white Roman dial with subsidiary at VI together with a Waltham full-hunter cased 'Moon' pocket watch and a Waltham open-face 'Royal', together with a lady's 9ct gold Tudor watch head with Arabic dial (4) Condition:

Tudor - Mid-size stainless steel Tudor Oyster wristwatch, cream dial with gilt baton hour markers and Arabic quarters, luminous baton hands and blued steel centre seconds sweep, stainless steel case stamped 18019 with Oyster Patent crown winder, to an associated leather strap and buckle Condition:

A Tudor style three storey double fronted doll's house, with furniture, 71.5cm H, 77.5cm L, 30.5cm D.

A Tudor Rose Table Soccer Game, 47cm long.

Ladies tudor wrist watch with seconds dial

A Hanley Spring flowers pattern pottery part dinner service together with collectors plates, Sylvac dishes, Aynsley Wild Tudor strawberry set, telephone etc

Attributed to Mather Brown (American 1761-1831) Portrait of William Leyborne Oil on canvas 128 x 102cm (50¼ x 40 in.) Provenance: Leyborne-Popham Family, Sale: Sotheby's,The Contents of Littlecote House, 22nd November 1985, lot 871 This portrait once hung in historic Littlecote House, set amidst gardens and water-meadows on the banks of the River Kennet between Hungerford and Ramsbury on the Wiltshire/Berkshire border.Developed and extended over the years, the house has Tudor, Elizabethan and Georgian quarters which extend from the medieval core. Littlecote has hosted many famous visitors including Charles II, James I, James II, William III and Henry VIII, who is said to have courted Jane Seymour there.The story for this picture begins in 1589 when John Popham, later Sir John, Lord Chief Justice to Elizabeth I, acquired Littlecote following the sudden death of its notorious owner “Wild” William Darrell. The estate remained in the Popham family until 1929.Sir John Popham’s line of male descent failed in 1779 with the death of Francis Popham. Francis had married Dorothy Hutton, daughter of the Archbishop of Canterbury. They had no children, and when Francis died, Dorothy inherited. When she died in 1797, she left the Littlecote estates to Francis’s illegitimate son, also called Francis. However, he only outlived Dorothy by six years, and under the terms of her will, the Littlecote estates then reverted to Francis’s nephew, Edward William Leyborne, eldest son of Anne Popham and General William Leyborne Leyborne, who was obliged to add the name Popham to his own in order to inherit.His father, William Leyborne Leyborne, was Governor General of Grenada, Dominica, St Vincent and Tobago and died in the West Indies in 1775. In 1762 he had married Anne Popham, only daughter of Edward Popham of Littlecote, MP. The Leybornes lived at Westwell House, Westwell near Burford, Oxfordshire, and had four children: Edward William Leyborne, later Leyborne Popham; Shippen Leyborne; a daughter Marianne Leyborne, and finally, William Leyborne.William, born 1773, entered the Royal Navy and died in service shortly afterwards in 1790 aged 17. This portrait captures the young man in his naval uniform with a fleet of ships in the distance. It is likely that this was the last visual record of William Leyborne before his premature death. A memorial tablet was placed in the church at Chilton Foliat, in loving memory of the boy lost too soon: “Lamented youth! Tho’ thy too early doom has nipt these op’ning virtues in the bloom, still may we hope hereafter they’ll be blest with joys immortal, with eternal rest”.This portrait is mentioned in Vernon Watney’s guide to Littlecote House published in 1900. He notes that the portrait hung in the drawing room alongside a portrait of his sister Marianne, and was initially believed to be by George Romney. It was sold as part of the house contents in 1985 by Peter de Savary at Sotheby’s. Since 1996, the house has been owned by Warner Leisure and is now a hotel.We are grateful to genealogist Pauline Mobey, who has been immensely kind and informative in helping to compile this catalogue note

Tudor Royal, a lady's 9ct gold mechanical wrist watch on an unassociated bracelet, the circular signed white dial with gilt dagger batons and hands, the two piece case, signed 'Made for Rolex', hallmarked Chester 1958, housing a 21 jewel Swiss movement signed 'Tudor', 13 g gross excluding the movement

A Tudor cut glass Masonic gavel, etched with the set square and compass, etched mark, 19cm long.

Tudor Art Deco style gentleman's wristwatch with inset subsidiary seconds dial, gold hands and Arabic numerals, champagne face, square stainless steel case and signed 17 ruby movement, case diameter 27.6mm, serial number 636900812.

Tudor Prince Oysterdate gentleman's automatic wristwatch ref. 7966 with date aperture, luminous steel hands, steel baton markers and Arabic numerals, silver dial, stainless steel case marked to the back 'Original Oyster Case by Rolex Geneva' and 25 jewel ETA calibre 2484 movement, on stainless steel bracelet, case diameter 34mm, serial number 578300, in original box with outer box and paperwork. 

Lady's Tudor Rolex 18ct gold wristwatch, late 1960s or early 1970s, silver circular dial, signed, and with baton numerals, within a milled bezel, the case 17mm diameter, 17 jewel signed manual movement, wire lugs, black leather strapPlease note our special conditions of sale regarding clocks and watches

Clara Montalba (1842-1929), The Tudor Interior, signed watercolour, 37cm x 27.5cm

Tudor Rolex gent's gold plated and stainless steel wristwatch, circa 1955, champagne coloured dial, 28mm, with baton and Arabic numerals, subsidiary seconds dial, stainless steel back numbered 685894/883, on a later stainless steel braceletPlease note our special conditions of sale regarding clocks and watches

A quantity of books on folklore, anthropology and customs to include, 'Legends of Icelandic Magicians', Jacqueline Simpson (ed and trans), Cambridge, for the Folklore Society, 1975, 'The Journey to the Other World' and 'Symbols of Power', H R E Davidson (ed), Cambridge, for the Folklore Society, 'Cambridgeshire Customs and Folklore', Enid Porter, 1969, 'Peasant Customs and Savage Myths, Selections from the British Folklorists', two volumes, Richard M Dorson (ed), 1968, 'Witchcraft in Tudor and Stuart England: A Regional and Comparative Study', Alan Macfarlane, 1970, 'The Werewolf', Montague Summers, New York, 1966, 'Phallos: A Symbol and its History in the Male World', Thorkil Vanggaard, 1972, 'Mimekor Yisrael: Classic Jewish Folktales', three volumes, Emanuel Bin-Gorion (ed), Indiana University Press, Bloomington and London, 1976 etc.

Matching Pair of Steel Candle Holders, tudor style, 25”h (2)

Collection of charters, wills and related documents, in Latin and English, on paper and parchment [England, sixteenth to nineteenth century] 97 documents, including: (a) charter in Latin on parchment issued by Milo Sampson for estates named “Northrolling”, 17 long lines, opening with initial and first four words in larger script, seal tags but no seal, with long 6-line subscription on reverse in Tudor English, dated 1560, 158+39 by 346mm.; (b) five quitclaims in Latin on parchment, in distinctive angular English secretarial hands, each approximately 110 by 450mm., sixteenth or seventeenth century; (c) two royal diplomas issued by King George III, both in English on parchment, and with printed royal portraits at head and remnants of royal seals at base (one with two-thirds surviving and in fair condition; the other in a metal box and very rubbed, issued for John Ellis and Thomas Benn, dated 2 June 1763 and 26 June 1765, each approximately 760 by 820mm.; plus another 89 documents of the seventeenth to nineteenth century

A vintage Tudor cushion-cased wrist watch, the silvered dial with Arabic and baton numerals and subsidiary seconds dial, the 17-ruby movement numbered 59, the steel case numbered 11100 and 1154, on expanding bracelet, 27mm.

Tudor Royal, a ladies 9ct gold wrist watch, the circular dial with '12', dart and dot markers and seconds subsidiary, the movement marked "Tudor", on tapered brick-link bracelet, 16.8g.

1930s Mock Tudor Dolls' House - with tinplate doors and windows and lot dolls' house furniture

The Deane Butler Architectural Drawingsfor Morristown Lattin, Co. KildareButler (Wm. Deane) Architect. An important and significant collection of original hand-drawn Architectural Drawings for various parts of the proposed re-design to Tudor-Revival style, of Morristown Lattin, Co. Kildare, on behalf of G.P.L. Mansfield in 1845. The collection consists roughly of the following:1. Kitchen Window2. Details of Bower Windows3. Sketch of Dining Room Chimneypieces 4. Plan of the Hall Ceiling 5. Cornice for Bedroom6. Elevation of Gothic .. for Ceiling of Inner Hall 7. Details of Cut Stone Work and Principal Elevation 8. Details of Drawing Room and Dining Room Doors 9. Details of Hall sash Door and Shutters 10. Rear Elevation of Lutchen Wing 11. Details of Cut Stone Work for Bower Window on principal front 12. Details of Finishing for Door and Window in Hall 13. Bower Window for Garden Front 14. Details of Gallery Railing 15. Details of Stairs 16. Elevation and Plan of Proposed Arcade 17. Details of Library Fixtures for Morristown Lattin 18. Bound Set No. 1 - Principal Elevation No. 2 - Rear Elevation No. 3 - Plan of Principal Storey No. 4 - Plan of Second Storey No. 5 - Plan of Attic StoreyNo. 6 - Transverse Sections No. 7 - Longitudinal Sections, all signed and dated by Dean Butler (24 identified plans and drawings )19. Revised Sketches and other sketches for Furniture, unsigned for Morristown Lattin -Including Elevation of cast iron Parapets (indistinctly signed) -Longitude section of Sewer, Carvings, Stairs, etc. (14 additional architectural drawings).Approx. 40 drawings in all, mostly in fine condition. A rare collection. As a m/ss, w.a.f.Note: William Deane Butler was born about 1793, son of a Dublin Solicitor. He firstly studied at the Royal Dublin Society's School of Architectural Drawing. In 1836, he was awarded a premium by the R.D.S. for Plans and Estimates for Farmhouses and Buildings. In 1837 he published a book "Model Farmhouses and Cottages for Ireland". In 1844, he is named as Architect to the Royal College of Surgeons. In 1853, he was appointed architect in ordinary to the Lord Lieutenant. He specialised in Churches, Institutional Buildings and fine Country Houses, and his work is evident throughout Ireland.

Attributed to A. W. N. Pugin (1812-52). A mid 19th century Reformed Gothic oak writing table, supplied by John Webb and possibly made by J.G.Crace, with detachable leather inset top, fixed by turn keys or buttons (some lacking), on fish-scale carved and collared hexagonal twin end supports, the chamfered sledge carved feet with Tudor rose roundels, united by a central chamfered stretcher, W.4ft 6in.Provenance: This table came from Horsted Place, Sussex, built for Francis Barchard by George Myers, A. W. N. Pugin's builder, according to the contract for the house to the design of Samuel Daukes. It is probable, however that the house was to some extent designed by A. W. N. Pugin. The furniture of the house was supplied by John Webb of 13 George Street, Hanover Square; it is possible, however, that Webb acted as a middleman and obtained the Gothic furniture at Horsted from the firm of J. G. Crace, who normally executed Pugin's designs, and may have had some furniture by him in stock at the time of his death in 1852.Victorian and Edwardian Decorative Art: The Handley-Read Collection. Ed. Simon Jarvis. London: Royal Academy, 1972. Nos. B6, pp. 24Literature:Compare a pen and ink design by A.W.N. Pugin for a card table in the Victoria & Albert Museum E.1537-1912 which features identical fish-scale twin end supports. These designs for a card table are on one of 11 sheets of designs by Pugin for internal decoration and furniture for Henry Sharples at Oswald Croft, Bishop Eton near Liverpool Pugin's designs were to be executed by J.C. Crace of the Crace firm for the owner Henry Sharples in 1847.Among other original designs by A.W.N. Pugin in the Victoria & Albert Museum are tables with detachable tops. One pen and ink drawing, museum no. E.1628-1912, is inscribed 'top fastened by oak buttons' which may be similar to the fixings on the detachable top of this table.

Attributed to A. W. N. Pugin (1812-52). A pair of mid 19th century Reformed Gothic oak pedestal tables, supplied by John Webb, probably made by J.G.Crace, each canted rectangular top above a fish-scale column, four downswept supports framing Gothic tracery foliate panels, on X-shaped legs with Tudor rose medallions and concealed brass castors, W.2ft 6in.Provenance: These tables came from Horsted Place, Sussex, built for Francis Barchard by George Myers, A. W. N. Pugin's builder, according to the contract for the house to the design of Samuel Daukes. It is probable, however that the house was to some extent designed by A. W. N. Pugin. The furniture of the house was supplied by John Webb of 13 George Street, Hanover Square; it is probable, however, that Webb acted as a middleman and obtained the Gothic furniture at Horsted from the firm of J. G. Crace, who normally executed Pugin's designs, and may have had some furniture by him in stock at the time of his death in 1852.Victorian and Edwardian Decorative Art: The Handley-Read Collection. Ed. Simon Jarvis. London: Royal Academy, 1972. Nos. B6, pp. 24

Attributed to A.W.N. Pugin. A pair of mid 19th century Reformed Gothic oak serving tables, probably made by J.G. Crace, each with a canted rectangular top above stop chamfered swept end supports headed by berry and foliate brackets and with visible pegs to the mortice and tenon joints, the sledge feet with Tudor rose roundels joined by a solid shelf, W.3ft 6in.Provenance: Abney Hall, Cheadle, Cheshire. The house was remodelled c.1849-51 for James Watts, later Mayor of Manchester, by Travis & Magnall of Manchester with Gothic revival decorations to the interior by J.G. Crace possibly to designs by A.W.N. Pugin. See Mark Girouard, The Victorian Country House, Book Club Associates, 1979 which illustrates a Victorian photograph of a Pugin Gothic Revival oak dining table in the Dining Room of Abney Hall.Purchased from Jeremy Cooper Ltd., 9 Galen Pace, Bury Place, London, 24th March 1981.

Lewis Nockalls Cottingham (1787-1847). A a set of four Gothic gilt bronze candle branches, c.1832, made for the Chapel of Magdalen College, Oxford, the fluted hexagonal arms supporting nozzle cups cast with Tudor roses, leaf and berry and fleur de lys, each stamped 'Summers', probably for W. Summers, listed as a coppersmith and brazier at Herbert's Place, Waterloo Road in 1835, approx 39cmProvenance: L.N. Cottingham was a British architect who pioneered the study of Medieval Gothic architecture. He won a competition to remodel the interior of the Chapel of Magdalen College, Oxford; work started in July 1829 and lasted at least six years. See Gothic Rampant: Design by L.N. Cottingham for Snelston Hall, Victoria & Albert album no.3 1984, fig. 16 for an example.

A pair of George III silver oval two handled sauce tureens, covers and stands by Tudor & Leader, with palmette and swag decoration and beaded borders, with engraved armorial, Sheffield, 1776, stand 23.2cm, 44.5 oz.

A gentleman's 1960's stainless steel Tudor Oyster manual wind wrist watch, with arrowhead numerals, on a stainless steel Rolex bracelet, with Tudor case.

Antique oil on millboard, head and shoulder portrait of a Tudor gentleman (possibly Shakespeare) with white ruff collar CONDITION REPORT 5ins x 4.5ins

Gentleman's mid 20th Century 18ct gold cased Tudor wristwatch with subsidiary seconds dial and a manual wind movement with a brown leather strap

Tudor No. 6 plate camera by Albert Coe, Norwich, together with an Ilford 35mm camera and a bellows camers

Tudor Rolex 9ct gold wristwatch, no 2635 movement stamped Tudor, case stamped Rolex hallmarked Edinburgh 1956 Condition Report case diameter 3.2cmticking awayClick here for further images, condition, auction times & delivery costs

A Stainless Steel Mid-Size Automatic Centre Seconds Wristwatch, signed Tudor, model: Oyster Prince 31, ref: 7810, circa 1950, lever movement, textured silvered dial with dagger markers, screw down crown, screw back numbered 7810 160254, 30mm wide see illustration 07.09.18, Case with scratches, bezel with small dents, crown is not screwing down on the case thread, case back milled edge is slightly rubbed in parts, plexi glass with crazing cracks and scratches, dial surface is very slightly discoloured in parts, hand setting correctly, movement in going order, strap/bracelet is missing.

A Bi-Metal Automatic Calendar Centre Seconds Wristwatch, signed Tudor, model: Oyster Prince Date, ref: 74033, circa 1990, (calibre ETA 2824-2) lever movement signed, gold coloured textured dial with diamond set hour markers, date aperture, screw back signed and numbered inside 74033, Tudor bi-metal bracelet with a deployant clasp numbered 6248-19, 35mm wide see illustration 07.11.18, Case and bracelet with surface scratches, dial is clean, hand setting correctly, date changing correctly, movement in going order.

A Stainless Steel Calendar Centre Seconds Wristwatch, signed Tudor, model: Oyster Date, Shock Resisting, ref: 7992/0, circa 1970, (calibre 2423) lever movement signed, silvered dial with baton markers, date aperture, screw down crown, screw back signed inside Montres Rolex and numbered 7991, case serial number 718240, Rolex Tudor stainless steel oyster bracelet with a deployant clasp, 35mm wide see illustration 07.11.18, Case and bracelet with surface scratches, plexi glass with scratches, minute hand with small scratches, dial is clean, hand setting correctly and winding smoothly, date is changing correctly, movement in going order.

A Lady's Bi-Metal Automatic Calendar Centre Seconds Wristwatch, signed Tudor, model: Prince Oyster Date, ref: 92513, circa 1990, (calibre ETA 2671) lever movement signed, gold coloured textured dial with diamond set hour markers, date aperture, screw back numbered inside 12960A, Tudor bi-metal bracelet with a deployant clasp numbered 62423, 23mm wide see illustration 07.11.18, Case and bracelet with light scratches, bracelet plated centre links are slightly discoloured, dial is clean, hand setting correctly, movement in going order.

Tudor gentleman's wristwatch with unusual curved lugs, the signed silver dial with Arabic and baton numerals, subsidiary seconds dial, manual wound, the case 33mm diameter

Tudor Oyster Prince 34 gentleman's wristwatch, the signed black "Tuxedo" dial with white cross to the centre and baton numerals, automatic movement, the case 33mm diameter

Tudor Oyster watch, the signed cream dial with Arabic numerals interspersed with triangular batons, automatic movement, the case back engraved "Ted Hansun U.S.A.F 1951", the case 34mm

Tudor Prince Oysterdate gentleman's wristwatch, the signed blue dial with magnified date aperture at the three o'clock position, automatic movement, the case 38mm diameter

Tudor Oyster gentleman's wristwatch, the signed silver dial with Arabic numerals, manual wound, the case 34mm

Tudor Royal 9 carat gold gentleman's wristwatch, the signed cream dial with Arabic and triangular gilt numerals, manual wound, the case back with presentation inscription, the case 32mm diameter

A Tudor Rolex 9ct gold lady's bracelet Wristwatch, with silvered dial and raised gilt Arabic numerals and baton markers, on flexible rope-twist bracelet with Rolex clasp, appx. gross weight 21g.

An 18ct yellow gold Signet Ring, the front set black onyx with engraved seal, together with an 18ct yellow gold ring, the front gypsy set with small diamond and a 9ct gold cased Tudor lady's wristwatch, on a damaged, gilt metal expanding strap (3)

A Tudor Prince-Oysterdate rotor self winding, gilt metal fronted and steel backed gentleman's wristwatch, the signed black dial with gilt arrow shaped numerals, flower motit at 12 o'clock, centre seconds and with a date of the month aperture, the caseback detailed Original Oyster case by Rolex Geneva, with an associated gilt metal bracelet, two Sekonda gentlemen's wristwatches and two further wristwatches, (5).

A Tudor Oyster steel circular cased gentleman's wristwatch, the signed silvered dial with gilt Arabic and dot numerals, gilt hands and with centre seconds, detailed between the lugs, Stainless Steel and numbered to the milled screw-off caseback 30040 4453, on a black leather strap. Illustrated.

A 9ct gold Tudor ladies cocktail watch with Rolex clasp, approximately 17 grams overall, case width approx 1.6cm including button, not currently running in the saleroom

After Antonis Mor, portrait of Mary Tudor, oil on panel

A 9ct hallmarked lady's Tudor wrist watch, Arabic numerals to a circular dial to a 9ct link bracelet, total weight 17g, boxed.

A Large Modern Dolls House, in the form of a mock tudor house, double fronted with six rooms, conservatory and summer pagoda, 80cm high, 66cm wide, 37cm deep; complete with a large quantity of furniture and accessories for each room.

A Collection of Mint and Used Great Britain Stamps of Queen Elizabeth from 1953 Coronation Mint and Fine Used to 1969 High Values to £1. Includes 1952 Tudor crown set mint, 1955 castles to ten shillings, 1968 castles to £1 mint and used. Nice well presented lot.

Silver sugar sifter with Tudor rose decoration, Birmingham 1916, maker's mark of Albert Edward Jones, 17.5cm high

Early Antique carved oak panel featuring the bust of a gentleman, 11" x 7.5"; together with a further carved oak panel with a Tudor Rose over a row of lancet arches 13" x 9.5"; also an early carved polychrome door escutcheon panel of a religious mitre hat, 12" x 7" (3)