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Harold Francis Riley DL, DLitt, FRCS, DFA, ATC (b.1934), Oil on canvas, Portrait of Eva Turner, Signed lower right and dated '67' for 1967, 74.5cm x 100cm, FramedProvenance: From a private collection and thence by descent (by repute purchased direct from the artist in the early 1970s). Dame Eva Turner DBE (1892-1990) was an operatic soprano with an international reputation.
A wooden work box containing a quantity of buttons, buckles etc, 16cm H x 23.5cm W x 17cm D, with a heart shaped white metal pincushion box, a silver plated trinket box, a wooden jewellery box containing a small quantity of costume jewellery, a faux shagreen dressing table set, an amber type chard, a pair of opera glasses, an unfinished mother of pearl bracelet, a bone page turner and a circular white metal photograph frame (Qty)
A silver and enamel compact by Turner & Simpson, Birmingham 1941, of circular form with green guilloche enamel cover, 7.2cm diameter, together with a silver cased travel comb by Turner & Simpson, 11.4cm x 2.8cm, a cased part-set of onyx cufflinks, a cased part-set of silver mother of pearl dress buttons and a cased part-set of yellow metal dress buttons (5)
Three silver and enamel wine labels by Turner & Simpson Ltd., Birmingham 1951 (2) and 1966 (1), with engine turned borders, enamelled Port, Sherry and Whisky, 5cm (2in) long, 48g (1.55 oz) grossCondition Report: Marks partially obscuredEnamel goodLight scratches and wear commensurate with age and useCondition Report Disclaimer
A collection of 18th century and later blue and white porcelain including a tea cannister and cover with rose finial, probably Worcester, decorated with a landscape scene, height 13cm, printed Caughley dish and tea bowl, with 19th century printed quadraform bowl by Turner, etc (16).Additional InformationOne of the blue and white saucers is crazed and does not ring true, one of the tea bowls with cubbin collection label to the underside, the same bowl with chip to the inside rim, further tea bowl with minor chip to the foot rim, one of the blue and white painted tea bowls with large crack running down the body, the teacup with hairline crack terminating at the rim, the cover with a tiny sliver chip to the underside and numerous chips to the relief decoration, the canister with heavy wear to the gilding, minor chips to the interior rim, the cover with a sliver chip.
A George III Macclesfield Bank £1 note no.523 dated 10th December 1814 for Thomas Critchley & Robert Turner, with signature to obverse and two price annotations to reverse.Additional InformationBrowned, further spotting, has been folded into four, some losses to corners and edges. For further particulars, please refer to illustrations and request additional if necessary.
AN ANGLO-INDIAN WRITING SLOPE,mid-19th century, India, sandalwood veneered with ivory and sadeli mosaic, internally lined with purple velvet, with compartments and wells, with a mahogany page-turner veneered with sadeli mosaic and ivory, 36cm wide26cm deep10cm highopen 40.5cmCondition report: With losses, notably to the front right medallion. Ivory cracked in places. With stains.
Art - to include , The Art Book, Turner's England 1810-1838' JMW Turner - 'A Wonderful Range of Mind' , Constable, Rodin, Matisse, The Uffizi Gallery, ' Turner's Early Scrapbooks' 'The Prince of Wales Watercolours' , ' Impressionist Drawings' The Studio - Special winter November 1903 to 1904, The Genius of J M W. Turner, Edward Bawden etc
Hermes silver plated pipe stand incised 'Hermes, Paris, Made in France', Hermes Paris metal and silver plated wine bottle opener with ring handle and Kenneth Turner plated stand with pair stag head handles (3) Condition ReportMeasurements for pipe stand are base 13cm diameter x height 13cm max. Stag dish height 11cm x width 27cm x 16.5cm approx.
Cased and loose silver flatware, set of silver-gilt and red enamel coffee spoons, Walker & Hall, Birmingham 1964, cased, set of silver harlequin enamel silver-gilt coffee spoons, Turner & Simpson Ltd, 1956, cased, six other silver pieces, 3.6oz, six plated tea spoons by Birks and Italian metal coffee spoons, cased set of plated tea knives.
Roscoe, Thomas. The Tourist in Italy. 4 Bl., 271 S. Mit Frontispiz, gestochenem Titel und 24 Stahlstichtafeln. 20 x 12 cm. Schwarz gefärbtes Leder d. Z. (etwas berieben und bestoßen) mit goldgeprägtem RTitel und dreiseitigem Goldschnitt. London, Jennings and Chaplin, 1833. Erste Ausgabe mit 24 malerischen Ansichten italienischer Städte, z. B. von Vietri, Gaeta, Terni, La Spezia, Genua, Trevi und Nizza. Sie stammen von James Duffield Harding (1798-1863), einem bedeutender Landschaftsmaler und Lithographen Englands im 19. Jahrhundert. Ruskin nennt Harding nach Turner als "den besten Meister des Baumschlages" (Thieme-Becker XVI, 26). - Leicht gebräunt und stellenweise gering braun- bzw. stockfleckig. - Dabei: Joseph Addison. Remarks on Several Parts of Italy. Fifth Edition. 304 S., 4 Bl. 16 x 9 cm. Geglättetes Kalbsleder d. Z. (Gelenke und Rücken erneuert, leicht bestoßen und berieben) mit goldgeprägten Doppelfileten. London, J. and R. Tonson, 1736. - Leicht gebräunt, im oberen äußeren Rand mit schwachem Feuchtigkeitsfleck. Mit hs. Anmerkung auf dem vorderen fliegenden Vorsatz. Die Vorsätze etwas leimschattig.
A Brown and White Pottery "Harris's Sausages" Circular Plate and Three Other Pieces of Pottery, the Harris's plate printed with "The Winner of the Pork Sausage Derby", 9.5ins diameter, a white glazed and blue rimmed pottery circular plate worded in black "In Commemoration of Queen's Diamond Jubilee Bullock Roasted on West Leigh", 8.5ins diameter, a Turner cream glazed and blue rimmed pottery circular plate, worded "W&M Emerton", 10ins diameter, and a blue and white pottery rectangular meat plate, produced for "John Waller Family Butcher Birdwell", 14ins x 11.5ins
Barbizon landscape. Original oil on canvas. Original stretcher, original lining. Appears to be in uncleaned condition.Signed lower left. Measurements: Sight - 17 1/2 x 23 1/2 in. Overall - 23 x 29 in. A French landscape painter, Victor Dupré was taught painting by his brother Jules Dupré (April 5, 1812 - October 6, 1889). Like his brother, he was friends with Théodore Rousseau, Constable, Turner, Crome, and Bonington, the great landscape artists of the time. He was awarded the third prize at the Salon of 1849.In circa 1850, he began painting rustic scenes of nature, his favorite subjects. A plein air artist, he traveled throughout France, painting its riverbanks and the stormy skies of Berry, the Limousin region, and Normandy.
A George III Silver Fiddle Pattern Fish Slice, by Robert Turner, London 1817, with shaped and pierced blade, six George III silver fiddle pattern dessert spoons, by Richard Crossley & George Smith, London 1811, and six Victorian silver fiddle pattern dessert forks, by George Adams, London 1839, weight 21ozs
An Old English Silver Part Table Service, comprising - seven table forks by Richard Turner, London 1816, five table forks London 1808, four table spoons, various dates and makers, six dessert spoons, George Smith, London 1782, six Victorian dessert forks, George Adams, London 1864, weight 49ozs - all variously crested
William Lakin Turner (1867-1936) - Two oil paintings - "Shine after Shower, Grange, Borrowdale" and "Raven Crag, West Thirlmere, Cumberland" - River landscapes with mountains to background, canvases 10ins x14ins, signed, one dated to label on verso 1903, the other dated 1917 on canvas, both in modern gilt moulded and swept frames Provenance: Bonhams London - Auction 6th March 2012 - Lot 93
A Chinese Cantonese Ivory Page Turner, the blade finely carved with flowers on a textured ground, the handle fretted and carved with figures of sages and children in a garden scene, 10.75ins (27cm) x 1.75ins (4cm), and a Chinese ivory parasol handle of cylindrical form, carved in relief with an entwined dragon, 10.25ins (26cm) overall Note: Please be aware that according to CITES Regulations, it will be necessary to acquire an export licence to export this lot of ivory outside the EU. It will NOT be possible to export this lot of ivory to the USA
A collection of vertu and collectables, comprising a group of two silver handled button hooks and shoe horn, James Deakin & Sons (John & William F Deakin), Chester 1898 and 1899, cased, a further small silver handled button hook and one with a mother of pearl handle, 'The Lady's Companion', containing a thimble, pen knife, pair of scissors, and memo board, 6 by 4 by 10cm high, a Thos Turner and Co manicure set, comprising two pairs of scissors and a nail file, a mother of pearl card case, 9 by 6 by 0.5cm high, a turned wooden egg spindle, a bone needle case carved as a parasol, 9cm long and three pairs of opera glasses, one cased, 12 by 5 by 6.5cm high. (14)
FEMALE SINGERS - A large group of signed cards (some dedicated) for various female singers comprising: GERI HALLIWELL, HEATHER SMALL, DANA, SANDIE SHAW, VERA LYNN, NANA MOUSKOURI, MARIANNE FAITHFUL, BRENDA ARNAU, SEVERINE, CHELSEA BROWN, VICKY LEANDROS, LENA MARTELL, JULIE FELIX, RUBY TURNER, MARY HOPKIN, MOIRA ANDERSON, JULIE ROGERS AND CLODAGH RODGERS - 18 signatures - PROVENANCE: The Alex Brown Autograph Collection - please see Lot 0
Early George III silver-gilt repousse pair cased verge fusee pocket watch by William Turner, London, No. 7775, square baluster pillars, pierced and engraved balance cock, white enamel dial with Roman hours and outer Arabic minute ring, the outer case depicting a central classical scene, with scroll borders, case makers mark D.A , London 1766Condition Report:Movement currently functioning, some surface rust the winding pin, movement depth = 11mm, hour marker finial broken, dial has a few brown spots otherwise good, gilding is very good, bright with a few minor scratches, minor rubbing to repousse work - good detail, the the inner case silver hallmark clear, the repousse case faintly marked with same initials and also has the standard silver mark, additional brass loop been drilled into the case at the top, clasps and hinges are good, outer case diameter = 45mm Click here to view further images, condition reports, sale times & delivery costs for this lot.
A group of three early nineteenth century blue and white transfer printed wares, c. 1800-1825. To include: a Minton Queen of Sheba soup dish, a marked Turner House on the Bridge pattern dish and a Willow Mandarin handled dessert dish. 20 - 25 cm wide. (3). Ex-Trevor Kentish collection. Condition: Small rim chips to the Turner along with some rubbing to the rim.
Two early nineteenth century blue and white transfer printed wares, c. 1800-1810. To include: a Turner two-handled loving cup with the Stag pattern border and floral sprays and a Lidded Conversation pattern jug. 17 - 26 cm tall. (2). Ex-Trevor Kentish collection. Condition: Loving cup extensively restored, jug with four chips to lid, nine rim chips and body crack to jug.
Engravings - JMW Turner, after, Bolton Abbey, Yorkshire, engraved Rob Wallis, published 1827; others Passing the Brook, Chatsworth House, View in Middleton Dale etc, 21cm x 27cm and smaller; Local Interest - E Dayes, after. A View of Chatsworth House, hand colored engraving, 18cm x 24cm; others T Allom, F L Chantry, H Heath Junr, The Impudent Challenge etc (12)
* Marlborough (Sarah Churchill, Duchess of, 1660-1744). Document signed, 9 April 1730, a pre-printed document completed in manuscript for the repayment of a loan of £5,000 to the Duchess of Marlborough, Francis Earl Godolphin, William Clayton and John Hanbury, executors of John late Duke of Marlborough, signed in right column by Ch. Turner, Geo. Doddington and Wm. Clayton, signed on verso and dated 7 July 1731 having received the full sum, by the Duchess of Marlborough 'S. Marlborough', Godolphin and J. Hanbury, document slightly frayed and browned with old tape repairs to both margins and a few fold repairs to verso barely affecting lettering, long brown ink tick to recto and small printed cutting pasted to verso adjacent to signatures, 4to (30 x 24 cm), together with: Campbell (John, 2nd Duke of Argyll, 1680-1743). Document Signed, 'Argyll & Greenwich', 6 January 1719, manuscript on laid paper, Argyll giving Power of Attorney to his attorney to collect all funds due to him as Steward of His Majesty's Household, 3 embossed VI pence stamps to blank upper margin, red wax seal adjacent to autograph, witness signatures of James Cockburn and Otto Foreman lower left, the document marked 'No. 2' upper right, some spotting and browning, slight old damp staining to left edge, two large pin holes to centre top and bottom not affecting text or signature, a little marginal fraying, one page, folio, tipped onto an album leaf at upper margin, plus two receipts, one a manuscript receipt signed by Sir Francis Child, 20 December 1701, the receipt of £70 from Sir William Trumbull for one year's rent for a house in Jermyn Street, dust soiling to left and right margins, 8 x 20 cm, tipped on to a paper mount, the second a pre-printed receipt completed in manuscript, being a signed subscriber's receipt made out to Denny Martin, 28 April 1720, the receipt for 'Half a Guinea, being the First Payment for Subscription to a Book of Doctor Fiddes his Life of Cardinal Wolsey...', signed 'Ri: Fiddes' lower right, 11 x 16 cmQty: (4)
Lancaster, Jr. (Robert A.). Historic Virginia Homes and Churches, 1st edition, Philadelphia: J. B. Lippincott Company, 1915, 316 monochrome illustrations, some light toning & minor spotting, top edge gilt, publishers original gilt decorated green cloth, front boards lightly marked, spine slightly rubbed to head & foot, 8vo, together with; Hammond (John Martin), Colonial Mansions of Maryland and Delaware, 1st edition, Philadelphia: J. B. Lippincott Company, 1914, 65 monochrome illustrations, front gutters cracked, some spotting & toning, top edge gilt, publishers original pictorial cloth, boards & spine toned, 8vo, and Goodall (John), The English Castle 1066-1650, 1st edition, New Haven: Yale University Press, 2011, numerous colour illustrations, original cloth in dust jacket, large 4to, plus other architecture reference & related including, Some Account of Domestic Architecture in England,..., 3 volumes, by T. Hudson Turner, Oxford: John Henry Parker, 1851-59, uniform gilt decorated half calf, 8vo, mostly original cloth, many in dust jackets, G/VG, 8vo/4toQty: (6 shelves)
* Robins (William, Palmer, 1882-1959). Veene, Holland, 1949, watercolour on paper, showing the town from the beach, 25 x 41.5cm, signed and dated lower left, together with a collection of watercolours (all unframed) including Mary Blyth (1903-1986), farm view, watercolour on paper, signed lower left, 38.5 x 56cm, Bristol Savages artist Michael Long (1940 -), rural landscape with farm, cows and hills, signed lower right, 24.5 x 34.5cm, mount aperture, George A. Johnson, fox huntsman and hounds, signed lower right, 32 x 22cm, Stanley Francis Turner (1883-1953), industrial view possibly in Canada, watercolour, 18.5 x 26cm, other artists include J.J. Waldock, A.D. Bell, Christopher David Watkiss, G.M. Avondale, Alfred Henry Hart, Bert Wright, Albert Charles Bown, Mary Beresford Williams, P.D. Nairne, E.M. Southby, H. Taylor Green, Conway Lloyd-Jones, Margaret Morcom, Peter Catterall, Alfred H. Hart and Irene BiggsQty: (65)

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30865 item(s)/page