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Victorian silver fusee pocket watch by J Turner Penrith London 1881 no 7400 and a silver crown wound pocket watch by Dennison Birmingham 1926 Condition Report Click here for further images, condition, auction times & delivery costs

Five military clasp knives with single blade, tin opener and marlin spike, including examples by Thomas Wilson, Thomas Turner and Rogers of Sheffield, each body length approx 12cm (two af) (5).

Twelve late 19th/early 20th century boxed ivory, horn and bone handled razors including examples by Thomas Turner & Co, M Hunter & Son, Frank Mills, Wingfield Rowbotham & Co, Abram Brooksbank, R&W Bradford of Cork (12).

Nine boxed pairs of late 19th/early 20th century horn, ivory and ivorine bodied razors including examples by Joseph Haywood & Co, Joseph Rodgers & Sons, and WS Turner & Co, also a matched set of five Joseph Rodgers & Sons examples in original fitted coromandel and brass bound box with seven sectioned interior with brass cartouche dated 1885 to the lid, width 18cm.

Twelve late 19th/early 20th century boxed horn handled razors including examples by Thomas Turner & Co Royal Navy example, Joseph Allen & Sons, J Nowill & Sons, John Heiffor and John C Cockhill of Sheffield (12).

A large collection of various early 20th century horn and resin handled razors including examples by William Hukin & Sons, Thomas Turner, Joseph Rodgers & Sons, and Slater Bros (approx 30).

A collection of twelve predominantly late 19th/early 20th century razors including horn handled examples by John Petty & Sons, Joseph Elliot and Thomas Turner of Sheffield, all boxed (12).

A collection of twelve late 19th/early 20th century razors including horn handled examples by Thomas Turner and Slater Bros of Sheffield, and an ivory handled example by Shepherd with blade inscribed 'Js Weston Veris 1834', all boxed (12).

A collection of twelve late 19th/early 20th century razors including horn and ivory handled examples by Thomas Turner & Co, and a horn handled example by Harrison Bros & Howson, all boxed (12).

An Italia 90 official replica football signed by Emlyn Hughes, Dave Bassett, Dennis Law, Andy Grey, Lou Macari, Malcolm Mcdonald, David Sadler and Graham Turner.

A small group of collectors' items including a woodworking plane with blade marked 'Ward', stamped 'J Walker' and 'Hathersich', an ebonised prisoner of war page turner made by PS Hayns, Ceylon 1901, length 35cm, an E Thomas & Williams Ltd Cambrian brass miner's safety lamp, three bell shaped weights, a mahogany box, etc.

Six antler handled single bladed steel pen knives including examples by T Turner & Co, Taylor, and Brookes & Crookes of Sheffield, length 11.5cm (6).

A collection of twelve various horn, wooden and resin bodied pen knives including single bladed examples by Herbert Robinson, George Wostenholm, and Joseph Haywood & Co of Sheffield, also double bladed examples including one by T Turner & Co (12).

A collection of forty predominantly steel bodied single and double bladed pen knives including examples by Joseph Westby and G Ibberson & Co of Sheffield, both etched with ruler to one side of the body, length 8.5cm, an aluminium bodied example by T Turner & Co, the blade inscribed 'Encore', and a Singleton & Priestman example inscribed 'Ellis's Soda Water, Ruthin' (40).

A collection of six antler bodied single bladed pen knives including examples by Joseph Rodgers & Sons, length of body 12cm, John Petty & Sons and T Turner & Co, the blade inscribed 'Encore', length of body 11cm. (6)

THOMAS TURNER & CO OF SHEFFIELD; an antler horn bodied multi blade multi tool pocket knife, length of body 10cm, and two further similar examples (3). CONDITION REPORT: One knife tip is broken and ground, one has a broken blade, and the hook is loose on another, please see additional images.

A collection of various late 19th/early 20th century ivory, ivorine and antler bodied pen knives including predominantly double bladed examples by George Butler & Co, and Taulor of Sheffield, length of body 9.5cm, and a group of folding fleams/ink erasers, the largest body length 12.5cm, blade inscribed 'Saynor', also including examples by Joseph Rodgers & Sons and T Turner & Co (approx 20).

A collection of various ivory, ivorine and antler bodied pen knives including double bladed examples by Southern & Richardson, Turner and G Ibberson, inscribed 'Callender Cables', length of body 8.5cm, a corn knife by Harrison Bros and Howson, and a further single bladed scalpel by Settle of Chester (12).

Seven mother of pearl bodied double bladed pen knives including examples by Thomas Turner & Co, and by Southern & Richardson of Sheffield, also a single bladed example by J Hinge and two button hook and knife combinations, one by Abram Brooksbank (10).

Two military clasp knives with single blade, tin opener and marlin spike by Thomas Turner & Co, both inscribed 'Encore', one no.363004, length of body 12cm (2).

A collection of eighteen various Sheffield steel bladed knives and daggers, predominantly with antler handles, including Leppington, Alfred Williams, Joseph Allen & Sons, Francis Newton & Sons examples and a James Turner 'Majestic' model, the majority with scabbards, contained in a painted tin deposit box, width 33.5cm.

Two military clasp knives with single blade, tin opener and marlin spike, one inscribed 'M&D Canada 1915', the other with spike inscribed '159 760 RGA', both by Thomas Turner of Sheffield, length of body 12cm, and a further 'Barlow Shackler Knife' by G Ibberson & Co, patent no.978245 (3).

Eight late 19th century horn bodied multi bladed steel fleams, including examples by Rodgers (af), Oates, Thomas Turner & Co, and Borwick.

Stuart Turner compressor engine with 4.5 inch heavy flywheel, 2 cylinders and pulley for belt drive opposite flywheel, take off spigot in brass for hose connection all on wood base 6 inches x 8 inches overall

Victoria 1837 Coronation porcelain & rosewood souvenir page turner, handle with ball finial painted with a portrait of Victoria, gold plated mounts marked J H, L38cm Condition Report Click here for further images, condition, auction times & delivery costs

Stuart Turner, Sun Trunk piston design hydroplane racing engine, comprising of twin acting single cylinders, cast iron piston, steel crankshaft, gunmetal bearings and machine cut gear wheels, exhaust at the top of the piston valve measuring 4 inches in height and 3 inches in width

A very well engineered Stuart Turner Steam Plant, comprising horizontal boiler with burner, expected fittings with take off, sight glass, whistle and steam gauge, fitted with water pump and water tank, powering a single cylinder horizontal mill engine, with spoked fly wheel, powering a dynamo, that powers a light strip across the front of the model, free running

A collection of thirteen racing related posters and prints, to include a 1930's style Monaco advertising poster, 102 x 69cm, a Shell advertising poster, a re-edition for l'Automobiliste, 89 x 66cm, a Bentley event advertising poster for the 'Leeds International Balloon and Bentley Fiesta', limited edition no 70/300, 59 x 42cm, a Monaco 1980 advertising poster, a 1989 re-edition for l'Automobile Club de Monaco, 99 x 67cm, a Monaco 1997 advertising poster, 95 x 69cm, Nicholas Watts, Circuit de Lyon, signed, lithograph, 70 x 98cm, a photographic print of a motor race, signed 'Roy Salvadori', 102 x 35cm, a reproduction Morgan advertising poster, 57 x 45cm, Michael Turner, Race at Monaco, signed lower right, lithograph, 32 x 36cm, Two Geoff Harry racing prints, 60 x 48cm each and a Monte Carlo 1994 advertising poster, 60 x 40cm (13)

A George V silver golfing trophy and cover, Turner and Simpson Ltd, Birmingham 1928 and 1930, the cover surmounted with a figure of a golfer in full swing, the twin handled base on a knopped pedestal stem and spreading circular foot, gross weight 20ozt, 28cm highPROVENANCE: Private collection, from a Thames riverside house, Windsor.

A collection of six vintage hard wood crown green bowls, comprising two Jaques 5 1/16 bowls, two by Bussey of London, one by Thomas Taylor of Glasgow and one by Turner of London (6)PROVENANCE: Private collection, from a Thames riverside house, Windsor.

A late Victorian library chair / rocking chair, with patterned carpeted upholstery on double sprung base and fitted casters, label to underside for Turner Son & Walker, 95cm H

Antique Turner stoneware jug embossed hunting scene decoration to white body. Cobalt blue collar. Circa early 19th century. Height 16cms approx.

Records : Box of approx 30 albums, all good/vg+ condition, incl Bachmann Turner, ELO, John Lees, Big Country etc.

FLEAM - THOMAS TURNER a 3 bladed fleam by Thomas Turner, Sheffield, also with a boxwood Bloodstick. (2)

The Official Normandy Veterans Association 60th Anniversary Limited Edition Print by Michael Turner. This Special Edition has been signed by the artist along with the outstanding, historical, collection of 24 Normandy veterans; ROYAL AIR FORCE Lieutenant General Avi Baron M. Donnet CVO, DFC, FRAes, Group Captain James Tait DSO DFC, Air Commodore Peter Brothers CBE, DSO, DFC, Flight Lieutenant Bob Knights DSO, DFC, Air Commodore John Ellacombe CB, DFC, Colonel Pierre Closterman CDLL, MM, CdeG, DFC, Wing Commander Jack Rose CMG, OBE, DFC, Flying Officer Leslie Valentine CdeG. AIRBORNE FORCES Colonel David J. Wood MBE, Captain Richard Todd OBE, Colonel Terence Otway DSO LdH, Staff Sergeant Peter Boyle, Madame Arlette Gondree-Pritchett her family owned cafe which helped supply the resistance movement information about the Germans. It was one of first buildings liberated by the Allies and is still open today. THE ROYAL NAVY Commander Mike Crosley DSC, Rear Admiral E. Gueritz CB, OBE, DFC, Admiral Sir Desmond Cassidi GCB, Able Seaman LC SIG Robert Gale DSM. THE ARMY The Rt Hon Lord Carrington KG, GCMG, CH, MC, PC, The Rt Hon Lord Deedes KBE, MC, PC, DL, Major General P L de C Martin CBE, Major Sir Hereward Wake Bart MC, DL, Field Marshall Lord Bramall KG, GCB, OBE, MC, Field Marshall Sir Roland Gibbs GCB, CBE, DSO, MC, 1er Maitre Leon Gautier LdH, MM, CdeG, MDLR free French commando. The Eastern Flank of the D-Day battlefield, 1300 hours, June 6th 1944. No single picture could possibly encompass the actions of all British forces on D-Day, let alone the Allies overall, the front stretched 60 miles along the Normandy coastline. The eastern flank of the D-Day battlefield has been chosen to symbolise the achievements of British forces on June 6th 1944 because no other part of the invasion front illustrates better the combined efforts of all three services. 28 x 21 inches this has been mounted and never rolled. Its in pristine condition and the colours stunning. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95

Nine WW2 Bomber ace autographs. Signatures and details of RAF Bomber Command No. 2 Group Officers Association lunch held at the RAF Club Saturday 5th May 1990. JOHN TURNER & ROY GILLMAN were Beaufighter Ship Busters based in Malta and attacking axis shipping taking supplies to North Africa for Rommels campaign. FLIGHT LIEUTENANT MIKE HENRY was a tail gunner in Blenheims and author of Tail Gunner. TONY VAUGHAN, RAY FEARNLEY DFC, J.P. QUIRES, J.A. WEBSTER & FRANK ORAM. AIR MARSHAL SIR IVOR BROOM KCB CBE DSO DFC AFC Learned to fly in 1940 and as a Sergeant Pilot was posted to 114 Sqn in 1941. The squadron were flying Bristol Blenheim light bombers in low-level daylight operations against Channel and North Sea shipping as well as targets along the French, Dutch and German coasts. In late 1941, still a sergeant, Detailed to lead a flight of six Blenheims to reinforce Singapore, en route the bombers landed on Malta under siege by the Axis Germans and Italians. Broom and his crew were commandeered by Air Vice Marshal Hugh Pugh Lloyd to replace the islands losses, the other five Blenheims flying on to Singapore. Broom joined No. 107 Squadron whose Blenheims were incurring heavy losses while attacking Axis shipping between Italy and North Africa as well as land targets in Italy and North Africa. When No. 107 Squadron lost all its officers, Lloyd told Broom Move into the officers mess. We will sort the paperwork out later. Broom was promoted to Pilot Officer. On 17 November 1941 he bombed and set on fire a 4000 ton ship in the Gulf of Sirte. After flying 43 sorties he was awarded the DFC and returned to Britain in January 1942. In May 1944, Broom joined No. 571 Sqn flying the Mosquitos as part of the Light Night Striking Force where he teamed up with his navigator Flt Lt Tommy Broom no relation. They were known as The Flying Brooms and had a pair of crossed broomsticks painted on the nose of their aircraft. The Mosquito was modified to carry a 4, 000lb bomb known as cookies and carried no defensive armament. They made numerous raids over Berlin and ended the war both highly decorated. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95

Piece of Cake print by Michael Turner. Signed by Squadron Leader Ginger Lacey DFM, Group Capitan Brian Kingcome DSO, DFC, Wing Commander Paddy Barthopp DFC, AFC, and The Artist Michael Turner. This reproduction is one of a single edition limited to 1494 copies signed by the artist. Each one commemorating an RAF Aircrew loss during the Battle as recorded in the Battle of Britain Memorial Chapel in Westminster Abbey. 28 x 21 inches this has been mounted and never rolled. Its in pristine condition and the colours stunning. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95

ESCAPE TO VICTORY 16x12 inch photo signed by NINE footballing legends who starred in the classic film ESCAPE TO VICTORY. This has been signed by Ossie Ardiles, Russell Osman, John Wark, Mike Summerbee, Robin Turner, Kevin O Callaghan, Laurie Sivell, Paul Cooper and Kevin Beattie. Good Condition. All signed items come with our certificate of authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.95, EU from £4.95, Overseas from £6.95

Good Group of American Sterling Silver Objects, late 19th/early 20th c., incl. page turner, Shreve, Crump & Low, Boston, wc. 1869-present, with engraved monogram and presentation date Sept. 16-1919, l. 11 in.; desk scissors in repousse sheath, Davis & Galt, Philadelphia, wc. 1888-1915, l. 10 1/4 in.; and small perfume flask, Tiffany & Co. Makers, New York, pattern introduced 1910, h. 3 3/8 in.; total wt. (weighable) 8.70 troy ozs

John Wesley Jarvis (British, 1781-1840, act. New Orleans, 1821-1834), "Portrait of Samuel Chambers Bell (b. 1805), husband of Eulalie Longer (b. 1811), New Orleans", oil on canvas, unsigned, artist stamp en verso (now obscured), 30 in. x 25 in., antique frame Provenance: Descended in the family of the sitter. Note: At about the age of five, the precocious John Wesley Jarvis was brought from his native Northumberland to Philadelphia, where he worked with the engraver Edward Savage (1761-1817). In 1801, at the age of twenty, Jarvis moved with Savage to New York. After a brief partnership with the painter Joseph Wood (c. 1778-1830) and a sojourn in Baltimore from 1810 to 1813, for the next two decades, Jarvis became the foremost portrait painter in New York. Jarvis and fellow artist Henry Inman (1801-1846) spent the winters of 1820-21 and 1821-22 in New Orleans, when they were frequently visited by John James Audubon (1785-1851); Jarvis continued those visits alone in 1828-29, 1829-30, and 1833-34. At the beginning of the last visit in New Orleans, Jarvis suffered a stroke—he had a notoriously undisciplined lifestyle—and returned to New York, where he died on January 12, 1840. Jarvis’s much-praised naturalism, objectivity, and liveliness are beautifully exemplified in this striking portrait. The sitter, Samuel Bell, is remembered for the very fact of his marriage: his wife of 1828 was one of the immensely famous and widely celebrated eight Longer sisters of New Orleans—her sister, Odile, married Edgar Degas’s (1834-1917) uncle, Michel Musson. Odile’s and Michel’s daughter, Mathilde Musson, married the nephew of this present sitter, William A. Bell, who sat as a model in Degas’s "Portraits in a Cotton Office, New Orleans" of 1873. Ref.: Driscoll, John and Jane Turner, ed. “Jarvis.” Grove Dictionary of Art. London: Oxford University Press, 1996, vol. 17, p. 450; Mahé, John A. and Rosanne McCaffrey, eds. Encyclopedia of New Orleans Artists 1718-1918. New Orleans: The Historic New Orleans Collection, 1987, pp. 201-202; Feigenbaum, Gail, et al. Degas and New Orleans. New Orleans: New Orleans Museum of Art, 1999, pp. 222-235 and 275-288.

British School, late 18th/early 19th c., "Portrait of Thomas Turner, Master of Chancery (d. 1715)", oil on canvas, unsigned, 2 handwritten inscriptions identifying sitter en verso, 10 3/4 in. x 8 in., framed. Provenance: The Sturm Collection

Helen Maria Turner (American/New Orleans, 1858-1958), "Coquette", oil on canvas, signed lower left, handwritten inscription with artist, title and remnant of exhibition label en verso, "E.C. Slater" embossed en verso of frame, 22 in. x 18 in., period frame. Note: In the 1880s, the art world opened significantly for women in America, and Helen Maria Turner benefited greatly from the art clubs and associations in both New Orleans and New York, where she studied under artists such as Andres Molinary, Bror Anders Wikstrom, William Merritt Chase, and Joseph De Camp. Maia Jalenak writes, “In this regard, Turner was among a generation of women breaking new ground. Her combination of talent and determination enabled her to move to professional status, support herself, and achieve a distinguished reputation.” Although many artists of this time period were interested in studying painting abroad, exposing themselves to the French Impressionist paintings, Turner preferred to work with American painters. William Merritt Chase was particularly influential on her style, and her sensitive depictions of her models directly reflect her training with him. By 1900, Turner was teaching both privately and at institutions, as her work became more popular and she gained national acclaim. In "Coquette," Turner's studies with Chase are apparent in the light, airy palette using mostly pastel colors, as well as the loose brushstrokes that form the hair, dress, and fan that the model holds. Turner often used the same models for multiple canvases; the girl in this portrait is most likely Julia Polk Hunsicker, who also posed for the seminal "Lilies, Lanterns, and Sunshine" in the collection of the Chrysler Museum of Art. By 1914, the Corcoran Gallery had exhibited and purchased one of her paintings, Girl with Lantern, and The Flower Girl of 1920 won the Second Altman Prize; Turner was the first woman to receive any of the Altman prizes. This award led to her being elected to the National Academy of Design in 1921. In 1917, Turner’s works were included in the exhibition Six American Women, which was comprised of works by the most prestigious female painters in America, including Mary Cassatt and Alice Schille. While women who painted in the late nineteenth and early twentieth centuries had many more opportunities than their predecessors, there still existed a pervasive notion that women were less qualified to become artists and created “weaker” works. This idea that a woman artist has an inherently female quality that is translated to her work was a popular theory in the early 20th century known as “essentialism.” Because of this concept, art critics would sometimes refer to Turner’s work – with a negative connotation – as having a “feminine quality” to it. Time has been on Turner’s side as the idea of “essentialism” in her work has been rejected over the years as the strength of her painting technique and talent has been increasingly acknowledged and celebrated. Turner’s presence on a national level speaks to the fact that her works have a universal appeal, and her success then helped to set the stage for future female artists from the region. Not only did she defy the odds by supporting herself as a working artist, but her accomplishments are inspiring. Her solo exhibition at the age of 90 at the New Orleans Museum of Art (then the Delgado Museum of Art) in 1949 likely inspired the next generations of artists such as Ida Kohlmeyer to reach similar heights in their own careers. Ref.: Bonner, Judith. “Women Artists in Louisiana, 1825-1965: A Place of Their Own.” Arts Quarterly. Volume XXXI, Issue 2. New Orleans, New Orleans Museum of Art, 2009; Faquin, Jane Ward. Helen M. Turner: The Woman’s Point of View. Memphis: Dixon Gallery and Gardens, 2010. Jalenak, Maia. Helen M. Turner: American Impressionist. Louisiana State University Master of Arts Thesis, 2003.

SET OF SIX GEORGE VI SILVER AND ENAMEL TEASPOONSmaker Turner & Simpson Ltd., Birmingham 1936-7, the handle with enamel flower decoration, 9cm long, 50g gross

A ROYAL SCOTS GT WAR TRIO. A 1914/15 Star, British War & Victory Medals named to 325437 Pte S K Turner R Scots. S K Turner served in the 8th Battalion The Royal Scots Regt, landing in France on the 27th April 1915. He was disembodied 1/4/1919

1932 Rolls-Royce 20/25 Special- Restored Hispano Suiza-style special featured in the 1983 film 'Sahara'- Rolls Royce 20/25 chassis and running gear- 4-litre Rolls Royce FB 60 engine with automatic gearboxThis Hispano Suiza-style special was created for and featured alongside Sir John Mills and Brooke Shields in the 1983 film Sahara. Based on a Rolls Royce 20/25 chassis and running gear, it is powered by a 4-litre Rolls Royce FB 60 engine with automatic gearbox. Following the film it was kept in long term dry storage in a private collection until it was purchased by the vendor who commenced an extensive two year restoration which included: body stripped, chassis and axles cleaned, prepared and refinished; aluminium body prepared and refinished in original colour; internal upholstery, door card, internal trim and carpets renewed; rear brakes renewed with machined and resurfaced brake drums, servo assisted braking system; new wheel bearings to rear axle; bespoke stainless steel exhaust with large bore sport silencer; new radiator with integral automatic box cooling capability; new aluminium petrol tank with original H. S. Sports filler; Brooklands style windscreens and side step. A real head turner on the road, we understand only a small amount of work to the instrumentation remains to be done. Offered with Swansea V5 and the original film luggage carrier.PLEASE NOTE: All estimates are subject to a buyer's premium of 16.2% incl. VAT

A LATE VICTORIAN SILVER MOUNTED TORTOISESHELL PAGE TURNER with plain handle, 37cm long, London 1894, makers mark J.A.; a silver handled magnifying glass with a pistol grip and ribbon handle, the handle by The Yates Brothers, 1915, 13.5cm long; a pair of miniature Danish candlesticks; and a silver plated Ronson table lighter (5)

Thirteen 'Tottenham Hotspur Football & Athletic Company Ltd' unused Directors invitation cards:, circa 1930 with facsimile signature for A W Turner, Secretary, gilt edged with perforated upper right corner.

A CASED JADE PAGE TURNER

A relief embossed silver handled ivory page turner, Jack & The Beanstalk design, makers marks JKSJ, London 1888, length 34cm.

AFTER JOHN MORRIS, Monochrome print of Highland Cattle, 68cm x 48.5cm, another monochrome print of Three setters in a landscape, an unframed print of a horsedrawn fire engine and a colour print after Turner (4)

A BOX OF COLLECTABLES, including badges, cigarette lighters, cased scales, commemorative crowns, vintage spectacles, treen page turner, etc

CRICKET, signed album page, Yorkshire 1939, 11 signatures inc. Leyland, Barber, Sutcliffe, Hutton, Verity, Turner etc., 3.75 x 5.5, in pencil (four written-over in ink), G

CRICKET, magazines etc., inc. complete run of Sticky Wicket (Nos. 1-13); brochures for tours, Benefits, Wells, Hick, Taylor, Mendis, Turner, Hadlee, Hemmings etc. (13); Scarborough Festival, Women's Cricket, Twenty20 & other programmes (some signed) etc., VG to EX, 60*

FOOTBALL, signed selection, inc. The Topical Times Football Book 1990 (27* signatures), inc. Alan Smith, Phil Gee, Steve Sutton, Mark Slein, Nigel Spackman, Kerry Dixon, Colin Pates, Pat Nevin, Roger Wylde, Bernie Slaven, Lee Chapman, Chris Turner, David Seaman etc; t/cs (14 sigs), Erland Johnsen, Chris Coleman, Dave Beasant, Alan Devonshire, Phil Neale, Kevin Hitchcock, Marcus Gayle, Andy Hinchcliffe, Mark Hughes; together with 140* t/cs unsigned; Charlton Athletic club pennant, 2000, signed by 22* players, G to VG, 156*

Sir Frank Short (British, 1857-1945), Poole, etching, 23 x 16.5cm, together with an etching of the Tin Chant, Whitby, by D Law and another of a town by Terry Thomas, and a colour print of a view of the town and harbour, of St Georges Grenada, West Indies after Captain H A Turner (4).

A silver mounted tortoiseshell page turner, the handle modelled as a Heron's head, 43cm long

Two hallmarked sterling silver mustard pots, one early 20th century, with a scrolling handle, the other assayed in Birmingham in 1932, made by Turner & Somers, both with liners, together with two associated silver plated cruet spoons, the silver 100g (3.22 t oz) gross.

A box of black and white engravings depicting views of London and Wales after Turner

1950s & 1960s period motor racing postcards and other ephemera,including 4 T.E. North and 4 Raymond Groves colour postcards, 12 b&w Valentine & Sons Real Photo Racing Car Series, 4 B.R.M. Supporters Club b&w photographic cards, 4 colour photos from Beaulieu Motor Museum, 5 period European cards, plus 14 later reproductions; 11 of 48 World Racing Cars colour collectors cards from Merrysweets, 19 of 50 Racing Cars of the World from Planet, a full set of 50 History of the Motor Car from Brooke Bond; 36 cards untitled 1911-1956 by an Italian artist; a full set of Grand Prix Cars of 1960: 4 fold-out period F1 brochures from The Motor magazine for Cooper-Climax, Lotus-Climax, B.R.M. and Ferrari, each using artwork and drawings by Michael Turner, also four Michael Turner greetings cards and two A4 magazine prints on card (qty.)

A cased set of six modern silver gilt and enamel set teaspoons, maker Turner & Simpson Ltd, Birmingham 1972