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Click here to subscribeA Bacchanalian silver sherry drinks label, Birmingham 1963 makers Turner & Simpson Ltd, a silver mustard pot, glass pepper pots with sterling silver caps, a small fork and spoon, a cased set of six handled butter knives, two twist watches, two penknives, a mock camera cigarette lighter, and a necklace etc, 3.5 oz approximately
A single barrelled 10 bore percussion sporting gun by Thomas Turner, Reading (1840-60), 48½" overall, part octagonal barrel 32", engraved "Thomas Turner, Reading", the scroll engraved lock signed "Turner, Reading", walnut half stock with chequered fore end and wrist, horn fore end cap, steel mounts, and brass tipped ebony ramrod. GWO & generally GC (lightly pitted overall, some wear). £100-150
Bergbau und Hüttenwesen -- Konvolut von 20 Radierungen versch. Künstler 1. H. 20. Jh., mit Motiven aus Bergbau. Hüttenwesen und Industrie, darunter Hermann Peters, Josef Steib, Steinhauer, Trautmann, Hans Klemke, Julius Cohn Turner, Alfred Kitzig u.a., jeweils handsign., Altersspuren, Blattmaße bis 50 x 60 cm
Schnaps shot glasses (4 cl) with print, 10 x 3.5 cm. Multiple commissioned by the Kölnischer Kunstverein, Cologne, produced in an edition of 200. Two glasses are offered in this lot. Scottish artist Douglas Gordon’s practice encompasses video and film, installation, sculpture, photography and text. Price winner of the Turner Prize in 1996, he received the Central Kunstpreis at Kölnischer Kunstverein in 1998 and presented a solo show at the institute in 1999. Udo Kittelmann was the director of the Kölnischer Kunstverein at the time (later he became director of the National Gallery in Berlin, a.o.). They had plenty of reasons for a friendly drink.
A QUEEN VICTORIA SOUTH AFRICA MEDAL, the crowned and veiled head of Queen Victoria, the reverse has Britannia with a flag in her left hand holding out a laurel wreath to a party of advancing soldiers, in the background are two warships, suspended from an orange, blue and red striped ribbon with four bars, bars stamped, 'Laing's Nek, Transvaal, Relief of Ladysmith, Tugela Heights,' medal edge stamped 3402 Sgt R. Turner Durham Lt Infy (condition report: heavily tarnished)
A Georgian silver verge pocket watch, movement signed William Turner no: 9221 having Roman numeral dial to cracked face, silver case London 1807, ticks when wound but not tested for functionality and missing second case Condition report: Surface wear and some dents. Cracks to dial and discolouration, possibly areas of replacement pieces/ re-painted areas. Ticking when lightly wound but not tested for functionality
Turners Annual Tour - The Seine, with steel engravings by J.M.W. Turner R.A., 1834, pub by Longman & Co, Paternoster Row, green morocco binding; Pictures of Life and Character by John Leech, 1857, 1864, 1865 and 1866, a Victorian handwritten ledger, The Cop-erative Society Wholesale Societies Ltd Annual 1888, 1916 and other books:- One Box
A cased set of six Edward VII silver-gilt commemorative Coronation teaspoons, each modelled as a miniature form of the Anointing Spoon, Charles Edwin Turner, Birmingham 1936, together with a set of six silver apostle teaspoons, ensuite with sets of cased plated spoons, etc., combined weight of hallmarked silver 152g/4.88ozt approx (6)
A George VI cased set of six Art Deco style silver and enamel teaspoons, the terminal of each decorated with chevrons in bead and polychrome enamel, Royal blue and light green, Turner & Simpson Ltd., Birmingham 1948, ensuite with a fitted and lined presentation case, length of each spoon 9.7cm, weight (sans case) 61g/1.96ozt gross approx
Turner 1775 1851 by Tate Gallery Publications 1974 Catalogue / Softback Book with 200 pages, fair to good condition. Sold on behalf of Michael Sobell cancer Charity. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Turner (W.J., editor) [Britain in Pictures series], 105 vol., mostly first editions, several duplicates, plates and illustrations, some lightly spotted, the odd bookplate or ink ownership inscription, original pictorial boards, extremities slightly rubbed, a few spine ends bumped with loss, many with dust-jackets, a little rubbed, spines lightly faded, Collins, 1941-50. *** An extensive collection of the famous survey of Britain and the British people, intended to boost morale during the Second World War and covering all aspects of British life including poetry, sport, overseas, science, architecture, natural history, decorative arts and architecture. Many distinguished writers contributed to the series, with those present including John Betjeman, James Fisher, Elizabeth Bowen, George Orwell, John Piper and David Low.
Rogers (Samuel) Italy, A Poem, first illustrated edition, engraved vignette illustrations after J. M. W. Turner and T. Stothard, a few small ink inscriptions to front free endpaper, light foxing to margins, some light offsetting, bookplate, hinges reinforced, contemporary morocco, g.e., a little rubbed, rebacked preserving original backstrip, T. Cadell and E. Moxon, 1830; Poems, first illustrated edition, engraved vignette illustrations after J. M. W. Turner and T. Stothard, spotting and offsetting, contemporary morocco with elaborate gilt borders, spine richly gilt in compartments, g.e., extremities slightly rubbed, T. Cadell and E. Moxon, 1834; Recollections of the Table-Talk of Samuel Rogers. To Which is added Porsoniana., occasional light foxing and staining, contemporary calf, spine richly gilt in compartments, morocco spine label, t.e.g., extremities slightly rubbed, Edward Moxon, 1856; and c.30 others including a first edition of Wild Flowers by Robert Bloomfield and a collection of ephemera relating to John Clare, v.s. (c.30)
2 Hasen. Meissen. Schwertermarken, 2. H. 20. Jh., 1. Wahl. 1x weiß, 1x Böttger-Steinzeug. 1x Modell-Nr. N 222, Entwurf nach 1919 von Louis Clemens Paul Walther (1876-1933): Feldhase (H 10 cm). / 1x Modell-Nr. 271, Entwurf 1933 von L. C. Paul Walther: aufrecht sitzender Hase (H 16,5 cm). "Zu den produktivsten Tierplastikern der Meissener Manufakturgehörte der in Meißen gebürtige Louis Clemens Paul Walther(1876 – 1933). Bereits als Fünfzehnjähriger lernte er an der Zeichenschuleder heimatlichen Porzellanmanufaktur. Seit 1894 war er inder Manufaktur halbtags mit Dreharbeiten beschäftigt, bevor er1895 schließlich eine Lehre als Dreher und 1898 eine als Bossiererbegann. Zwischen 1899 und 1906 arbeitete er abwechselnd alsBossierer und Dreher. In den Folgejahren bis 1926 war Walther alsentwerfender Modelleur beschäftigt.In diesem Modell bildet er einen Feldhasen ab, der auf einemkleinen Sockel sitzt. Feldhasen sind bekannt für ihre Schnelligkeit,was die Hinterläufe des Hasen, die länger sind als die vorderen,zum Ausdruck bringen." (Petra Werner, in: Katalog: Auf der Pirsch - Jagdbare Tiere in Porzellan, Porzellanikon (Bd. 117), Hohenberg a.d. Eger 2015, S. 38/39/Kat.-Nr. 29/30). Provenienz : Deutsche Privatsammlung. Aufrufzeit 14. | Juni 2024 | voraussichtlich 19:00 Uhr (CET) 2 hares. Meissen. Sword marks, 2nd half 20th century, 1st choice. 1x white, 1x Böttger stoneware. 1x model no. N 222, design after 1919 by Louis Clemens Paul Walther (1876-1933): Field hare (H 10 cm). / 1x model no. 271, design 1933 by L. C. Paul Walther: upright sitting hare (h 16.5 cm). "One of the most productive animal sculptors of the Meissen manufactorywas the Meissen-born Louis Clemens Paul Walther(1876 - 1933). At the age of fifteen, he was already studying at the drawing schoolof the local porcelain manufactory. From 1894 he workedpart-time turning work at the manufactory from 1894, before he finally1895 he finally began an apprenticeship as a turner and in 1898 as an embosser.began. Between 1899 and 1906, he worked alternately as aas a moulder and turner. In the following years until 1926, Walther was employed as aemployed as a designer modeller.In this model, he depicts a hare sitting on a small pedestal.sitting on a small pedestal. Brown hares are known for their speed,which is expressed by the hare's hind legs, which are longer than the front ones,express this." (Petra Werner, in: Catalog: Auf der Pirsch - Jagdbare Tiere in Porzellan, Porzellanikon (vol. 117), Hohenberg a.d. Eger 2015, p. 38/39/cat. no. 29/30). Provenance : German private collection. Call time 14 | June 2024 | presumably 19:00 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Roy Turner Durrant (1925-1998)Composition, Lavenham, 1953signed and dated (lower right)oil on board20 x 23cm. Provenance:Katharine House Gallery, Marlborough. The board has some minor losses to the top edge and bottom edge - contemporary to the work. Well presented in floating mount and gallery frame.
JAMES ABBOTT MCNEILL WHISTLER (AMERICAN 1834-1903) VENETIAN CANAL (RECTO); AND BRIDGE OVER CANAL (VERSO), (M.0766) Chalk and pastel on brown paper 30 x 20cm (11¾ x 7¾ in.) Executed circa 1879-80. Provenance: Macbeth, New York; Sale, Sotheby's, New York, 30 May 1984, lot 43, bt. Merrington; Rodney Merrington, London; From a Private Collection. Exhibited: New York, M. Knoedler & Co, Inc., Notes, Harmonies and Nocturnes: Small Works by James McNeill Whistler, 29 November - 27 December 1984, no. 86; London, Bankside Gallery, Visions of Venice, 1 November - 2 December 1990; Amsterdam, Rijksmuseum, Whistler and Holland, 16 August - 9 November 1997, fig. 39; Glasgow, The Hunterian Museum and Art Gallery, Whistler and Holland, 19 October 2000 - 27 January 2001; Glasgow, The Burrell Collection, Palaces in the Night: Whistler in Venice, 17 October 2003 - 18 January 2004; Valencia, The Valencian Institute of Modern Art (IVAM), Whistler-Music, 21 July - 25th September 2005; Riehen/Basel, Fondation Beyeler, Venice from Canaletto and Turner to Monet, 28 September 2008 - 25 January 2009, no number. Literature: M. MacDonald, Notes, Harmonies and Nocturnes: Small Works by James McNeill Whistler, 29 November - 27 December 1984, no. 86, ill., p. 66 J. F. Heijnbroek and M. F. MacDonald, Whistler and Holland, 1997, ill., fig. 39, p. 34 MacDonald, James McNeill Whistler, Drawings, Pastels and Watercolours: A Catalogue Raisonné, New Haven, 1995, no. 1278, pp. 281-2, ill., No. 766 Dr. A Grieve, Whistler's Venice, New Haven, 2000, pp. 56, 59, ill., pl. 46 M. MacDonald, Palaces in the Night; Whistler in Venice, Aldershot & California, 2001, pp. 45, 46, 53, ill., pl. 50 M. Schwander, ed, Venice from Canaletto and Turner to Monet, 2008, pp. 94, 102, 220 M. MacDonald, G. Petri, James McNeill Whistler: The paintings, a catalogue raisonné, University of Glasgow, 2020, website at ., no. M.0766 The present subject captures the Rio dei Tre Ponte from the Fondamenta San Marco. The Ponte da Ca'Rizzi is in the left foreground and the Ponte dei Tre Ponte in the distance. The area has changed considerably since Whistler's depiction, with bridges altered and rebuilt. The bridge depicted in the sketch on the verso of the sheet is the Ponte del Guglie. As Dr Alastair Grieve notes, Whistler has drawn the view from a slightly elevated position so that he is looking down on the fondamenta, from a bridge that is no longer extant. He has used the edge of the structure to form a vertical axis in the centre of his paper. The bridge with two arches in the distance in his pastel is part of the Ponte dei Tre Ponti, a knotty interchange of bridges which was rebuilt in 1933 when the Rio Novo was made. It is obscured...today by a bridge with a pointed top, the Ponte del Pagan. (Grieve, op. cit.p.59). His delight in the architecture and the constantly changing views of the city is evident in the present work, which seems to embody the lively portrayal that Whistler wrote in a letter to his mother describing, the colours of the walls and their reflections on the canals are more gorgeous than ever - and with sun shining upon the polished marble, mingled with rich, toned bricks and plaster this amongst the city of palaces becomes really a fairyland - created one would think especially for the painter. (M. Schwander, op. cit, p. 95). For a condition report on this lot, please contact our Picture department directly, at pictures@dreweatts.com.
WILLIAM TURNER OF OXFORD (BRITISH 1789-1862) A SCENE IN THE VICINITY OF A BARONIAL RESIDENCE IN THE REIGN OF STEPHEN Watercolour heightened with bodycolour Signed and dated '1830' (lower left); further signed, titled, and dated (verso) 101 x 74.5cm (39¾ x 29¼ in.)Exhibited: Dulwich Picture Gallery, 2 February - 24 April 2005; Whitworth Art Gallery, Manchester, 13 May - 7 August 2005, The Triumph Of Watercolour: The Early Years Of The Royal Watercolour Society, 1805-50, No. 71
JOHN VARLEY OWS.(1778-1842) Harlech Castle, signed, watercolour , 5 x 7 in in original exhibition frame. Provenance: Private Collection, Dorset. For other views depicting Harlech Castle, with Snowdon in the distance cf. John Varley by C.M. Kauffmann, Batsford , 1984. no.36, p137 and front cover; and no.56 p160. In both works Harlech Castle is seen from the south. The picturesque subject of Harlech Castle was painted by a number of the leading artists of the time including Turner and Girtin. A number of variants of Varley's views of Harlech Castle are known including examples at The Whitworth Art Gallery, Manchester and The Lady Lever Art Gallery, Liverpool.
William Turner of Oxford (1789-1962) The Sands at Barmouth, watercolour, signed lower left, additionally signed and inscribed on label to verso, 28 x 48.5 cm, frame 48 x 67 cmProvenance: A Private Herefordshire Collection, purchased Agnews of London (label to verso), additional handwritten labels verso. Condition:The painting is a watercolour on paper, framed under glazing - not examined external to the frame. The full sheet is visible, the sheet appearing to be in good general condition- no obvious tears or losses. The paint surface appears stable and well preserved, the colours appearing to be good. The frame has minor wear and tear.
Rod Stewart and related artists - a group of LPs and EPs to include Faces - Long Player (K 46064) - 1971 re-issue - Very Good in Very Good to Very Good Plus sleeve; Faces - A Nod's As Good As A Wink To A Blind Horse (K 56006) - 1971 UK release, complete with giant poster - Very Good in Very Good to Very Good Plus sleeve; Rod Stewart - A Shot of Rhythm and Blues (2C 068-98.198) - French release - Very Good Plus to Excellent including gatefold sleeve; Rod Stewart & Tina Turner - It Takes Two (ROD 1 (T)) - 1990 12" single - Very Good Plus to Excellent including sleeve plus others where conditions are generally Very Good Plus to Excellent in Very Good Plus sleeves and Jeff Beck - Truth (SCX 6293) - UK re-issue - Very Good Plus including front laminated non-flip back sleeve. (17)
A collection of Chart Pop Hits LPs and 12" Singles 1980s - 1990s. Includes artists: Duran Duran, Communards, It Bites, OMD, Yazoo, Kim Wilde, Bonnie Tyler, Sting, Tears For Fears, Bronski Beat, Tina Turner, Now That's What I Call Music No.26. and more Overall condition: Very Good to Very Good Plus.
Popular Artists from 1950s/1960 Vinyl Albums & CDs. Includes artists: Jan & Dean, Roy Orbison, The Shadows, Chuck Berry, Ike & Tina Turner, The Everly Brothers, Jerry Lee Lewis, The Four Tops, Duane Eddy, Dusty Springfield and Cher. Over all condition: Good/Very Good. Some groovewear on vinyl, light marks on CDs. Sleeves/casing have light wear. (63)
A large collection of 20th Century vintage LP long play vinyl record albums to include: Fleetwood Mac - Rumours and Greatest Hits; Emerson Lake and Palmer; Eric Clapton - At His Best; Boney M - Nightflight to Venus; The Beach Boys - 20 Golden Greats, 15 Big Ones, Surf's Up, Best of the Beach Boys Volumes 1 & 2; Animals - The Most of the Animals; Simon and Garfunkel - Bridge over Troubled Water and Greatest Hits; Strawbs - Grave New World and Bursting at the Seams; Ten Years After - Cricklewood Green, Sssssh Ten Years After and Undead; Jethro Tull - This as a Brick; Tina Turner - Private Dance; Stevie Wonder - Songs in the Key of Life and Greatest Hits Vol. 2; Wings - At the Speed of Sound, Venus and Mars, Band on the Run; Elton John - Don't Shoot Me, Goodbye Yellow Brick Road, Greatest Hits; amongst many other examples.
Sir Lawrence Gowing CBE RA, British 1918-1991 - Wood: Blue and Yellow Analysis, 1962; oil on board, 50.9 x 76.3 cm (ARR) Provenance: with Marlborough Fine Art Ltd., London, no.LOL4972 (according to the label attached to the reverse of the frame); private collection Note: Gowing was a pupil of William Coldstream and protégé of Bloomsbury art critic Clive Bell. As a portrait artist his sitters include Lord Attlee and Lord Halifax. As with Victor Pasmore, another artist involved with the Euston Road School, Gowing developed an abstract language in the late 1950s and 60s, as seen in the present work. A painting of a similar theme is now in the Tate Collection, 'Wood: Parabolic Perspective, 1963'. 1963He went on to become an acclaimed art historian and curator, writing books and exhibition catalogues on Vermeer, Hogarth, Cezanne, Turner, Matisse and Lucien Freud. In 1985 he was appointed honourary curator of the Royal Academy of Arts collection.
Roy Turner Durant, British 1925-1998 - Head study, 1962; monotype and ink on paper, signed and dated lower right 'durrant 62', 61.8 x 49.5 cm (ARR) Note: Durrant would repeatedly return to this theme in his work and a number of similar head studies are now in public collections including 'Head of Woman, Composition' (Museum of Gloucester), 'Head, Black on Blue' (West Suffolk Heritage Service) and 'Head (2), 1970' (Kettle's Yard, University of Cambridge). Taking the human head in focus enabled a very Post-War sense of the inner tension of humanity, aligning this work with artists such as Robert Colquhoun, Frank Auerbach and John Craxton.
A group of books, mainly relating to English and Old Master paintings, including 'J.M.W. Turner: A Wonderful Range of Mind', 'Master Paintings from the Phillips Collection, Washington', 'Italian Art', 'Great French Painters from the Barnes Foundation', 'German Renaissance Prints 1490-1550', etc (17).
A group of white stoneware ceramics, late 18th/early 19th century, comprising two Staffordshire jugs, each with applied white reliefs to the body, the larger depicting Apollo driving the chariot of the sun, with brown slip to the neck and handle, impressed mark 'TURNER' to the underside, together with a teapot attributed to Chetham & Woolley,larger jug 17cm wide18cm deep22cm high (3)Provenance: The Collection of the late Rosemary and Theo Cutting.The items in this lot were on long-term loan to the Fitzwilliam Museum, Cambridge, until 2023.Condition ReportGeneral light surface wear. The teapot is unmarked and possibly earely 19th century. A crack to the base and a firing crack to the handle. General surface wear to the jugs.
J M W Turner (British, 1775 – 1851) Folkestone from the Sea, 1830 The Turner Collection in the Clore Gallery – Tate Gallery Mesures approx.. 66.5cm x 82cm (26" x 32") Bridge of Sighs, Ducai Palace and Custom House, Venice Published by The Tate Gallery Measures approx. 57cm x 81cm (22.5" x 32") Aldeburgh, 1826 The Turner Collection in the Clore Gallery – Tate Gallery Mesures approx.. 39cm x 51cm (15.5" x 20") The Battle of Trafalgar, 1805 Published by International Art Editions Ltd Copyright 1988, with permission of Trustees of the National Maritime Museum, Greenwich Measures approx.. 66.5cm x 82cm (26" x 32")
° ° Turner, Jane - Encyclopedia of Italian Renaissance and Mannerist Art. 2 vols. many illus.; publisher's cloth and d/wrappers. 2000; Saywell, David and Simon, Jacob - Complete Illustrated Catalogue: National Portrait Gallery.... illus. throughout (some coloured); publisher's cloth and d/wrapper, thick 4to. 2004; Walther, Ingo F. and Wolf, Norbert - Codices Illustres: the world's most famous illuminated manuscripts, 400 to 1600. col. illus. throughout; publisher's cloth and d/wrapper, thick 4to. 2001 (4)***CONDITION REPORT***Vg. cond.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Charles Turner after Sir Joshua Reynolds (1723-1792), mezzotint, 'The Most Noble George Markie Townshend', published by Charles Turner, 1807, visible sheet 68.5 x 42cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
° ° Sussex - 48 works relating to Sussex consisting of: Hutchinson, Margaret - A childhood in Edwardian Sussex, Saiga Publishing Co. Ltd., 1981Spence, Keith - A Companion Guide to Kent & Sussex, Collins, 1st ed., 1973Maxwell, Donald - A Detective in Sussex, The Bodley Head,1932Peter Gwynne - A History of Sussex, Phillimore, 1990Godfrey, Walter H. - A History of Lewes, Lewes Borough Council1971Armstrong, J.R. - A History of Crawley, Phillimore,1990Armstrong, J.R. - A History of Sussex, Phillimore,1961 1st edition, 1984Page FSA, William, Editor - A Peep into the Past, James Street, 1905Bishop, John George - A Saunterer in Sussex, Herald Office, 1892Copper, Bob - A Song for every season, Country Book Club, 1972Summers, Leonard A. - A Southern Sketch Book, The Homeland Association, 1st ed., 1921Bond, Peggie - A Shop in LewesPayne, Shaun & Pailthorpe, Richard - A Sussex Christmas, Alan Sutton 1990Ridge, Dudley - A Sussex Family the Ridge family, Phillimore, 1st ed. 1975, £5Collins, Sophie - A Sussex MiscellanySargent, Gilbert (edited by Dave Arthur) - A Sussex Life, Barrie & Jenkins, 1st ed., 1989Wilkinson, Walter - A Sussex Peepshow, Geoffrey Bles, 1st ed., 1933Boogart, Pieter - A272 An Ode to a Road, Pallas Athene, ?199?Copper, Bob - Across Sussex with Belloc, Alan Sutton Publishing LtdHarrison, David - Along the South Downs, Cassel 1975, 1st Ed, 2nd impressionLeslie, Kim & Short, Brian - An Historical Atlas, Phillimore, 1999Cook, C.F. - Another Book of Sussex Verse, Hove SX Gombridges, 1928Cartland, James (& Hendrick, T.W.) - Arundel - A Picture of The Past, Phillimore & Co, 1978Gwendolen - Duchess of Norfolk - Arundel Castle, William Heinemann, 1918Christian, Garth - Ashdown Forest, Farncombe & Co., 1983Hunt, Arthur - Ashurst Wood in the 20h Century, Danewood Press, 2000Edwards, Robert - Attitude to Sussex, Burble,1995Kipling, Rudyard - Barrack Room Ballards, Methuen, 1902Official Guide, Bexhill, ?1954Sawyer FSA, Frederick E. - Black's Guide to the County of Sussex and its Watering Places, Adam and Charles Black,1892Sitwell, Osbert & Barton, Margaret - Brighton, Faber & Faber, 1935?, 1st ed.Underwood, Eric - Brighton, B. T. Batsford Ltd, 1978Middleton, Judy - Brighton & Hove in old photographs, Alan Sutton, 1988Middleton, Judy - Brighton and Hove - picture postcards, SB Publications, 1991Melville, Lewis - Brighton its History Follies Fashions, Chapman & Hall, 1909Dale, Antony & Gray, James S. - Brighton Old & New, EP Publishing Ltd,1976Tombs, Joyce - By Way of Beachy Head, Praxis Books, 1996Evans, A.A. - By Weald and Down, Methuen & Co Ltd,1939, 1st ed.Fuller & Turner - Bygone Uckfield, Phillimore, 1988Matthews, Mike - Captain Swing, Hastings Press,1999 2006Save the Children Fund - Childhood in Sussex, SCF, 1988City Council - City of Chichester, R. J. Ackford Ltd, 1967Come to Sussex Official County Guide - The County Associations Ltd, ? 1950'sWymer, Norman - Companion Into Sussex, Spurbooks Ltd, 1972 (1st ed.)Copthorne Village Millennium Group - Copthorne the Story So Far, C Millennium GP, 1999***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A collection of music items to include a pair of boxed Wharfedale 308 speakers. 12" and 7" vinyl records to include Tina Turner, Prince, Eagles, Rod Stewart, and similar. A Quartz SL-QD3 Turntable System. A Quartz ST-Z450L Stereo Tuner. SU-Z250 Stereo Integrated Amplifier. A RS-D250 Stereo Cassette Deck. An SL-PD8 Compact Disc Changer. Comes with various cables for items but is unchecked for completeness. ST-Z450L Stereo Tuner comes with instruction manual. (This does not constitute a guarantee) (3) (M)
A small collection of George III and later English provincial silver flatware including Plymouth. Comprising; an old English pattern table spoon with script initials, mark of Robert Ferris, Exeter 1788; three fiddle pattern teaspoons each with a gothic initial, mark of William Sweet of Plymouth, Exeter 1832; another with a conforming initial and the mark of Henry M Norris of Plymouth, Exeter 1843; a fiddle pattern sugar tongs with the mark of George Turner, Exeter 1829; an old English pattern small cream ladle with a beaded border and engraved with a crest, mark probably that of William Woodman of Bristol circa 1830; together with a pair of old English pattern tea spoons, each with the mark of John Langlands II, Newcastle circa 1796-1803; the nine weigh 238g (a little over 7 1/2 ozs)
Five George III and later old English pattern table spoons. Comprising; one engraved with a crest, mark of James Sutton & James Bult, London 1782; another similaly engraved, mark of Richard Crossley, London 1792; another engraved with a script initial 'V', mark of Richard Turner, London 1813; another with foliate script initials, the makers mark over-struck with that of another, London 1813; and another with script initials, mark of John, Henry and Charles Lias, London 1833, 310g gross (a little under 10 ozs)
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