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A Turner blue printed pearlware Villager pattern meat dish, early 19th c, 36.5cm l, impressed TURNER Undamaged

REEVE AFTER F.C. TURNER: FOUR SPORTING PRINTS; 'HAWKING' with hand colouring, 54 x 49cm (framed), publ. 1839 by I.W.Laird (late impressions, faint text)

A large coloured horse-racing print after F C Turner titled “The Baron”, 51.5cm x 62.5cm; together with four other decorative pictures, each in a glazed frame.

A quantity of vinyl LP records and 45 singles including Michael Jackson, Tina Turner, Frank Sinatra, ABBA, The Shadows, Marvin Gaye, etc. (1 box)

Sir Lawrence Gowing CBE RA, British 1918-1991 - Wood: Blue and Yellow Analysis, 1962; oil on board, 50.9 x 76.3 cm (ARR) Provenance: with Marlborough Fine Art Ltd., London, no.LOL4972 (according to the label attached to the reverse of the frame); private collection Note: Gowing was a pupil of William Coldstream and protégé of Bloomsbury art critic Clive Bell. As a portrait artist his sitters include Lord Attlee and Lord Halifax. As with Victor Pasmore, another artist involved with the Euston Road School, Gowing developed an abstract language in the late 1950s and 60s, as seen in the present work. A painting of a similar theme is now in the Tate Collection, 'Wood: Parabolic Perspective, 1963'. 1963He went on to become an acclaimed art historian and curator, writing books and exhibition catalogues on Vermeer, Hogarth, Cezanne, Turner, Matisse and Lucien Freud. In 1985 he was appointed honourary curator of the Royal Academy of Arts collection.

Roy Turner Durant, British 1925-1998 - Head study, 1962; monotype and ink on paper, signed and dated lower right 'durrant 62', 61.8 x 49.5 cm (ARR)  Note: Durrant would repeatedly return to this theme in his work and a number of similar head studies are now in public collections including 'Head of Woman, Composition' (Museum of Gloucester), 'Head, Black on Blue' (West Suffolk Heritage Service) and 'Head (2), 1970' (Kettle's Yard, University of Cambridge). Taking the human head in focus enabled a very Post-War sense of the inner tension of humanity, aligning this work with artists such as Robert Colquhoun, Frank Auerbach and John Craxton. 

J M W Turner (British, 1775 – 1851) Folkestone from the Sea, 1830 The Turner Collection in the Clore Gallery – Tate Gallery  Mesures approx.. 66.5cm x 82cm (26" x 32") Bridge of Sighs, Ducai Palace and Custom House, Venice Published by The Tate Gallery Measures approx. 57cm x 81cm (22.5" x 32") Aldeburgh, 1826 The Turner Collection in the Clore Gallery – Tate Gallery  Mesures approx.. 39cm x 51cm (15.5" x 20") The Battle of Trafalgar, 1805 Published by International Art Editions Ltd  Copyright 1988, with permission of Trustees of the National Maritime Museum, Greenwich  Measures approx.. 66.5cm x 82cm (26" x 32")

° ° Turner, Jane - Encyclopedia of Italian Renaissance and Mannerist Art. 2 vols. many illus.; publisher's cloth and d/wrappers. 2000; Saywell, David and Simon, Jacob - Complete Illustrated Catalogue: National Portrait Gallery.... illus. throughout (some coloured); publisher's cloth and d/wrapper, thick 4to. 2004; Walther, Ingo F. and Wolf, Norbert - Codices Illustres: the world's most famous illuminated manuscripts, 400 to 1600. col. illus. throughout; publisher's cloth and d/wrapper, thick 4to. 2001 (4)***CONDITION REPORT***Vg. cond.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Charles Turner after Sir Joshua Reynolds (1723-1792), mezzotint, 'The Most Noble George Markie Townshend', published by Charles Turner, 1807, visible sheet 68.5 x 42cm***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

° ° Sussex - 48 works relating to Sussex consisting of: Hutchinson, Margaret - A childhood in Edwardian Sussex, Saiga Publishing Co. Ltd., 1981Spence, Keith - A Companion Guide to Kent & Sussex, Collins, 1st ed., 1973Maxwell, Donald - A Detective in Sussex, The Bodley Head,1932Peter Gwynne - A History of Sussex, Phillimore, 1990Godfrey, Walter H. - A History of Lewes, Lewes Borough Council1971Armstrong, J.R. - A History of Crawley, Phillimore,1990Armstrong, J.R. - A History of Sussex, Phillimore,1961 1st edition, 1984Page FSA, William, Editor - A Peep into the Past, James Street, 1905Bishop, John George - A Saunterer in Sussex, Herald Office, 1892Copper, Bob - A Song for every season, Country Book Club, 1972Summers, Leonard A. - A Southern Sketch Book, The Homeland Association, 1st ed., 1921Bond, Peggie - A Shop in LewesPayne, Shaun & Pailthorpe, Richard - A Sussex Christmas, Alan Sutton 1990Ridge, Dudley - A Sussex Family the Ridge family, Phillimore, 1st ed. 1975, £5Collins, Sophie - A Sussex MiscellanySargent, Gilbert (edited by Dave Arthur) - A Sussex Life, Barrie & Jenkins, 1st ed., 1989Wilkinson, Walter - A Sussex Peepshow, Geoffrey Bles, 1st ed., 1933Boogart, Pieter - A272 An Ode to a Road, Pallas Athene, ?199?Copper, Bob - Across Sussex with Belloc, Alan Sutton Publishing LtdHarrison, David - Along the South Downs, Cassel 1975, 1st Ed, 2nd impressionLeslie, Kim & Short, Brian - An Historical Atlas, Phillimore, 1999Cook, C.F. - Another Book of Sussex Verse, Hove SX Gombridges, 1928Cartland, James (& Hendrick, T.W.) - Arundel - A Picture of The Past, Phillimore & Co, 1978Gwendolen - Duchess of Norfolk - Arundel Castle, William Heinemann, 1918Christian, Garth - Ashdown Forest, Farncombe & Co., 1983Hunt, Arthur - Ashurst Wood in the 20h Century, Danewood Press, 2000Edwards, Robert - Attitude to Sussex, Burble,1995Kipling, Rudyard - Barrack Room Ballards, Methuen, 1902Official Guide, Bexhill, ?1954Sawyer FSA, Frederick E. - Black's Guide to the County of Sussex and its Watering Places, Adam and Charles Black,1892Sitwell, Osbert & Barton, Margaret - Brighton, Faber & Faber, 1935?, 1st ed.Underwood, Eric - Brighton, B. T. Batsford Ltd, 1978Middleton, Judy - Brighton & Hove in old photographs, Alan Sutton, 1988Middleton, Judy - Brighton and Hove - picture postcards, SB Publications, 1991Melville, Lewis - Brighton its History Follies Fashions, Chapman & Hall, 1909Dale, Antony & Gray, James S. - Brighton Old & New, EP Publishing Ltd,1976Tombs, Joyce - By Way of Beachy Head, Praxis Books, 1996Evans, A.A. - By Weald and Down, Methuen & Co Ltd,1939, 1st ed.Fuller & Turner - Bygone Uckfield, Phillimore, 1988Matthews, Mike - Captain Swing, Hastings Press,1999 2006Save the Children Fund - Childhood in Sussex, SCF, 1988City Council - City of Chichester, R. J. Ackford Ltd, 1967Come to Sussex Official County Guide - The County Associations Ltd, ? 1950'sWymer, Norman - Companion Into Sussex, Spurbooks Ltd, 1972 (1st ed.)Copthorne Village Millennium Group - Copthorne the Story So Far, C Millennium GP, 1999***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A collection of music items to include a pair of boxed Wharfedale 308 speakers. 12" and 7" vinyl records to include Tina Turner, Prince, Eagles, Rod Stewart, and similar. A Quartz SL-QD3 Turntable System. A Quartz ST-Z450L Stereo Tuner. SU-Z250 Stereo Integrated Amplifier. A RS-D250 Stereo Cassette Deck. An SL-PD8 Compact Disc Changer. Comes with various cables for items but is unchecked for completeness. ST-Z450L Stereo Tuner comes with instruction manual. (This does not constitute a guarantee) (3) (M)

A small collection of George III and later English provincial silver flatware including Plymouth. Comprising; an old English pattern table spoon with script initials, mark of Robert Ferris, Exeter 1788; three fiddle pattern teaspoons each with a gothic initial, mark of William Sweet of Plymouth, Exeter 1832; another with a conforming initial and the mark of Henry M Norris of Plymouth, Exeter 1843; a fiddle pattern sugar tongs with the mark of George Turner, Exeter 1829; an old English pattern small cream ladle with a beaded border and engraved with a crest, mark probably that of William Woodman of Bristol circa 1830; together with a pair of old English pattern tea spoons, each with the mark of John Langlands II, Newcastle circa 1796-1803; the nine weigh 238g (a little over 7 1/2 ozs)

Five George III and later old English pattern table spoons. Comprising; one engraved with a crest, mark of James Sutton & James Bult, London 1782; another similaly engraved, mark of Richard Crossley, London 1792; another engraved with a script initial 'V', mark of Richard Turner, London 1813; another with foliate script initials, the makers mark over-struck with that of another, London 1813; and another with script initials, mark of John, Henry and Charles Lias, London 1833, 310g gross (a little under 10 ozs)

Large collection of books, including British Tea and Coffee Cups 1745-1940, Yorkshire Textiles, Northamptonshire Landscape, The Art of J.M.W Turner etc

Set of six 1930s silver-gilt and enamel coffee spoons, the bowls and finials decorated verso in black and white enamel, hallmarked Turner & Simpson Ltd, Birmingham 1933, contained within fitted caseCondition Report: ApproxGeneral wear commensurate with age and use, in the form of surface scratches, nicks and small knocks. Some damage and small losses to the enamel on a couple of examples. Case with wear and discolouration to interior and exterior.

WILLIAM LAKIN TURNER (1867-1936) 'Sunshine and Shower Near the Bowder Stone Borrowdale'signed lower right, oil on canvas, 19cm x 29.5cm

J Turner Ginger Beer of Carlisle bottle, miniature ornaments including figurines, Oriental ceramics, Crown Ducal jug, dog plate and Staffordshire flat back figurine

Frank SHORT (1857-1945) after J.M.W. TURNER Four mezzotints Sheep-washing, Windsor, 1920, signed by Short, image 18.5 x 25.5cmMill near The Grand Chartreuse, Dauphiny, 1886, signed by Short, image 19 x 25.5cmRaglan Castle (Berry Pommeroy Castle), 1885, signed by Short, image 19.5 x 27cmThe Watermill, 1885, signed by Short, image 18 x 25.5cmEach mounted(4) THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Min WARDMAN (1951-2024) Golden Bird Acrylic and gold-leaf on canvas, studio stamp verso, 101.5cm x 76cm Min Wardman (1951-2024) Artist - Feminist - GardenerMin was born in Yorkshire in 1951, her mother an artist, her father a civil engineer. After a comprehensive education she was awarded an exhibition in Birmingham, followed by postgraduate studies in both History of Art and Painting in London.After graduating, Min found the London scene not to her taste, finding it too difficult to be taken seriously as a female painter. At the time, Devon was developing its Community Colleges and Min worked developing Textile and Printmaking courses across Bideford College, promoting modern ideas of Art and Art Education. After being promoted to Head of Department, teaching painting, ceramics, textiles and design, Min realised she wasn't having enough time to create her own work, so went part-time.Min studied art all her life. Landscape is a near constant within her work: there are stone monuments, myths and legends, birds, plants and other motifs which pass in and out of her paintings.Classical Art was a major influence, also the work of Rothko, Turner and Hokasai. Other favourite artists included Miro for block colour, Manrique for art and community planning and Picasso for returning to images and perseverance. Female artists, such as Barbara Hepworth, Rose Hilton, Wilhelmina Barns-Graham, Frida Kahlo and Tracey Emin were admired for their ability to keep working despite the patriarchy.Min was very private about her art, never exhibiting, rarely signing her work, allowing people into her studio or even talking about it. For her, art was her expressing her thoughts and not for the public to analyse or judge. On the wall of her studio were two unattributed quotes: 'Painting down to the bones of the matter', and 'Make slow paintings with mystery'. When Min died in 2024, she requested no announcement, funeral or obituary, - 'throw my body out in the orchard for the dogs...'

Min WARDMAN (1951-2024) Dean Quarry Blast Oil on canvas, studio stamp verso, 20cm x 20cm, 27cm x 27cm framed. Min Wardman (1951-2024) Artist - Feminist - GardenerMin was born in Yorkshire in 1951, her mother an artist, her father a civil engineer. After a comprehensive education she was awarded an exhibition in Birmingham, followed by postgraduate studies in both History of Art and Painting in London.After graduating, Min found the London scene not to her taste, finding it too difficult to be taken seriously as a female painter. At the time, Devon was developing its Community Colleges and Min worked developing Textile and Printmaking courses across Bideford College, promoting modern ideas of Art and Art Education. After being promoted to Head of Department, teaching painting, ceramics, textiles and design, Min realised she wasn't having enough time to create her own work, so went part-time.Min studied art all her life. Landscape is a near constant within her work: there are stone monuments, myths and legends, birds, plants and other motifs which pass in and out of her paintings.Classical Art was a major influence, also the work of Rothko, Turner and Hokasai. Other favourite artists included Miro for block colour, Manrique for art and community planning and Picasso for returning to images and perseverance. Female artists, such as Barbara Hepworth, Rose Hilton, Wilhelmina Barns-Graham, Frida Kahlo and Tracey Emin were admired for their ability to keep working despite the patriarchy.Min was very private about her art, never exhibiting, rarely signing her work, allowing people into her studio or even talking about it. For her, art was her expressing her thoughts and not for the public to analyse or judge. On the wall of her studio were two unattributed quotes: 'Painting down to the bones of the matter', and 'Make slow paintings with mystery'. When Min died in 2024, she requested no announcement, funeral or obituary, - 'throw my body out in the orchard for the dogs...'

Joseph Mallord William TURNER (1775-1851) Isis, 1819 Etching and mezzotint, image 18 x 26cm, sheet 30 x 43cm, mountedDrawn and etched by Turner, engraved by W Say THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Joyce TURNER (1920-2020) Abstract Blooms Oil on board, 45 x 56cm.This unframed work displays a number of very minor surface marks, other than this, it is in good condition.

Joyce TURNER (1920-2020) Abstract Oil on board, 45 x 56cm.A small bump can be found in the lower right hand corner of the piece. Other than this the piece is in good condition.

Joseph Mallord William TURNER (1775-1851) Windmill and Lock, 1811 Mezzotint, image 18 x 26cm, sheet 21 x 28.5cm, mountedDrawn, etched and published by Turner, engraved by W Say THE JANE ALLINSON COLLECTION The Allinson Gallery of Connecticut USA, is a member of the International Fine Print Dealers Association and has been trading since 1976.Over 40 years ago, Derek and Jane Allinson began to collect works by British printmakers, primarily from the 1850s through the 1940s, who concentrated on landscapes, images of villagers, sailors and the sea, farmers and agriculture.Hailing from the North of England and with an inborn love of the British countryside, Derek W. Allinson is a professor emeritus at the University of Connecticut whose teaching and artistic interests lay in the fields of agronomy and animal industry. Jane Allinson has a background in medieval studies. The Allinsons now wish to share the works in the hope that other enthusiastic collectors will provide a home for these outstanding examples of the British etching tradition. The collection is especially appealing to collectors of Cornish art and we are delighted that Jane & Derek have chosen Lay’s to handle their exceptional collection of prints, drawings and watercolours.

Joyce TURNER (1920-2020) Bebop Abstract Oil on board, signed, 40 x 30cm.

Joyce TURNER (1920-2020) Abstract Oil on board, signed, 30 x 25cm, 37 x 33cm framed.A little surface dirt can be found. Other than this, the piece is in good condition.

Joyce TURNER (1920-2020) Bikini Girl Oil on board, signed, 59 x 37cm, 63 x 41cm framed.There are a number of minor surface marks present on the piece. Other than this the piece is in good condition.

Min WARDMAN (1951-2024) Untitled Mixed media on canvas, studio stamp verso, 50cm x 50cm Min Wardman (1951-2024) Artist - Feminist - GardenerMin was born in Yorkshire in 1951, her mother an artist, her father a civil engineer. After a comprehensive education she was awarded an exhibition in Birmingham, followed by postgraduate studies in both History of Art and Painting in London.After graduating, Min found the London scene not to her taste, finding it too difficult to be taken seriously as a female painter. At the time, Devon was developing its Community Colleges and Min worked developing Textile and Printmaking courses across Bideford College, promoting modern ideas of Art and Art Education. After being promoted to Head of Department, teaching painting, ceramics, textiles and design, Min realised she wasn't having enough time to create her own work, so went part-time.Min studied art all her life. Landscape is a near constant within her work: there are stone monuments, myths and legends, birds, plants and other motifs which pass in and out of her paintings.Classical Art was a major influence, also the work of Rothko, Turner and Hokasai. Other favourite artists included Miro for block colour, Manrique for art and community planning and Picasso for returning to images and perseverance. Female artists, such as Barbara Hepworth, Rose Hilton, Wilhelmina Barns-Graham, Frida Kahlo and Tracey Emin were admired for their ability to keep working despite the patriarchy.Min was very private about her art, never exhibiting, rarely signing her work, allowing people into her studio or even talking about it. For her, art was her expressing her thoughts and not for the public to analyse or judge. On the wall of her studio were two unattributed quotes: 'Painting down to the bones of the matter', and 'Make slow paintings with mystery'. When Min died in 2024, she requested no announcement, funeral or obituary, - 'throw my body out in the orchard for the dogs...'

Joyce TURNER (1920-2020) Lavender & Green Abstract Oil on board, 45 x 56cm.There are a number of minor surface marks present, other than this the piece is in good condition.

Joyce TURNER (1920-2020) Pink & Green Abstract Oil on board, 50 x 61cm.

Min WARDMAN (1951-2024) Untitled Collage Studio stamp verso, 59cm x 75cm, 67.5cm x 98cm framed. Min Wardman (1951-2024) Artist - Feminist - GardenerMin was born in Yorkshire in 1951, her mother an artist, her father a civil engineer. After a comprehensive education she was awarded an exhibition in Birmingham, followed by postgraduate studies in both History of Art and Painting in London.After graduating, Min found the London scene not to her taste, finding it too difficult to be taken seriously as a female painter. At the time, Devon was developing its Community Colleges and Min worked developing Textile and Printmaking courses across Bideford College, promoting modern ideas of Art and Art Education. After being promoted to Head of Department, teaching painting, ceramics, textiles and design, Min realised she wasn't having enough time to create her own work, so went part-time.Min studied art all her life. Landscape is a near constant within her work: there are stone monuments, myths and legends, birds, plants and other motifs which pass in and out of her paintings.Classical Art was a major influence, also the work of Rothko, Turner and Hokasai. Other favourite artists included Miro for block colour, Manrique for art and community planning and Picasso for returning to images and perseverance. Female artists, such as Barbara Hepworth, Rose Hilton, Wilhelmina Barns-Graham, Frida Kahlo and Tracey Emin were admired for their ability to keep working despite the patriarchy.Min was very private about her art, never exhibiting, rarely signing her work, allowing people into her studio or even talking about it. For her, art was her expressing her thoughts and not for the public to analyse or judge. On the wall of her studio were two unattributed quotes: 'Painting down to the bones of the matter', and 'Make slow paintings with mystery'. When Min died in 2024, she requested no announcement, funeral or obituary, - 'throw my body out in the orchard for the dogs...'

HARRY WILMOT TURNER (CONTEMPORARY SCHOOL)  PHEBUS  Oil on board, 76 x 63cm  Title inscribed to label verso   Together with a print and a gouache by Phil Gibson, a mixed media by Thora Clyne and another (5) Condition Report:Available upon request

Various items of vintage and antique treen, to include butter pats, fishing priest, lidded boxes, circular boxes, brushes, small tools, rosewood page turner, bowls, darning mushrooms, an ebony candlestick, an early 19th century leaf-shaped box with swivel lid, etc.

Φ Julian Trevelyan RA (1910-1988)Harbour (Turner 61)Offset Lithograph, from the School Prints series, 194649.6 x 76.4cm (sheet)Unframed

Φ Julian Trevelyan RA (1910-1988)The Well of Loneliness (Turner 384)Signed, numbered and inscribed 2/50 The Well of Loneliness Julian Trevelyan (in pencil to margin)Etching and soft-ground with hand colouring, 1984, from Late Dream City series17.3 x 24.8cm (plate)

Φ Julian Trevelyan RA (1910-1988)Pebble Mill '83 (Turner 382)Signed, numbered and inscribed 2/50 Pebble Mill Julian Trevelyan (in pencil to margin)Etching and softground with hand colouring, from Late Dream City Series14.6 x 25cm (plate)

Φ Julian Trevelyan RA (1910-1988)Chiswick Mall (Turner 281)Signed, numbered and inscribed 21/52 Chiswick Mall Julian Trevelyan (in pencil to margin)Etching, aquatint and soft-ground, 197459.3 x 78.3cm (sheet)Unframed

A Japanese engraved and embossed brass page turner/letter opener, 31cm

A selection of interesting items, including several brass and tortoiseshell note pads and cases, an A/F Victorian silver and mother-of-pearl page turner, a quantity of Kensitas cigarette silks, a Vintage metallic pencil sharpener, a small Cadbury Bournville Cocoa tin, etc

Two large prints, framed and glazed. Coastal scene after Prudence Turner, and photographic print of lake side scene

A late Victorian oak framed chaise longue by Thomas Turner of Manchester

Two presentation brass handled daggers, a WWI 1914-15 Star, named to Pte C J Turned R.A.M.C., 23280, and a Victory medal, named to W.A.M.I Turner, R.F.C., 3238, Civilisation medal, mother of pearl handled penknife, collector's crown, etc. (a quantity)

Collector's ceramics, comprising a Mintons ceramic teapot, with gilded star and dotted detail, 13cm high, a Royal Doulton Parian ware style jug, with pewter top, 19cm high, and a John Turner Basalt ware jug, with silver plated rim, 18cm high. (3)

Cadfryn- Roberts (John). British Sporting Prints, to include Henry Alken, Robert Pollard, James Berringer, James Pollard, F C Turner, and George Stubbs, published by The Ariel Press, in a slip case.

A set of fifteen gilt framed JMW Turner prints, mostly 42 x 36 cm. Not available for in-house P&P

A Framed watercolour painting with a view of the Thames, London together with a Framed Turner print.

λ &nbspNICHOLAS TURNER (BRITISH B. 1972) POPPY HEADS Oil on board Signed (verso) 25 x 20cm (9¾ x 7¾ in.) Provenance: Jenna Burlingham Fine Art, Kingsclere Acquired from the above by W.A. Palmer on the occasion of Cherry's 90th birthday, 24th November 2018

A silver vesta/match case and two cigarette cases. The two oblong cigarette cases each engraved with foliate scrolls, one with a round reserve with script initials and '1928', mark of Charles Edwin Turner, Birmingham 1924, 9cm x 8cm; the other with a rectangular reserve with foliate script initials, mark of M H Meyer, Birmingham 1933, 8.5cm x 6.75cm; the vesta with engine turned bands and a round reserve, mark of William Hair Haseler, Birmingham 1921; the three weigh 173g gross

SOUL / DISCO - LP COLLECTION. A collection of approx 47 x LPs. Artists/ Titles include Inez & Charlie Foxx (HAC 8241), Donny Hathaway - Everything Is Everything, The Sue Story (HAC 8239), Ike & Tina Turner - The Hunter, The Ike & Tina Turner Show - Live!, The Stylistics - Thank You Baby, The Stylistics inc Let's Put It All Together, From The Mountain, The Disputed Truth - Cosmic Truth, Joe Tex - Buying A Book, Stevie Wonder, Lou Rawls, Barbara Acklin, Ashford & Simpson and Rah Band. The condition varies between VG and Ex+.

CSNY AND RELATED - LP COLLECTION. Another fantastic collection of 21 LPs Crosby, Stills, Nash & Young and related solo releases. Artists/ titles include Neil Young inc Everybody Knows This Is Nowhere (HRES 291-42), S/T (RS 6317), Time Fades Away. Graham Nash & Tony Hicks - Rolling Stone Magazine Productions (3LP radio show with A4 cue sheets). CSNY inc Celebration Record, Story, Deja Vu, Crosby Stills Nash, CSN, Allies. Graham Nash inc Wild Tales, Songs For Beginners. David Crosby/ Graham Nash inc S/T, Wind On The Water, The Best Of. Various - Off The Record Specials With Mary Turner. Stephen Stills Manassas inc S/T and Down The Road. Stills And Collins - Everybody Knows. Stephen Stills - Thoroughfare Gap, Graham Nash - Innocent Eyes and David Crosby - Oh Yes I Can. Condition is generally VG+ to Ex+.

SOUL / DISCO 7". Approx 119 x 7" singles - US and UK issued. To inc: The Miracles (T-54034), The Olympics (ACT4539), other artists to inc: Sly and the Family Stone, Prince, Al Green, Retta Young, Joe Simon, Judy Clay, The Formations, The Joneses, Rufus, The Staple Singers, Bobby Newsome, Chet 'Poison' Ivy, Ike and Tina Turner, Ohio Players, The Isley Brothers, The Jacksons, Dorothy Moore, Otis Redding, Stevie Wonder. Condition will vary but most VG to Ex / Ex+.

COMEDY - LP COLLECTION. Hysterical collection of around 88 x LPs featuring famed comedians. With releases featuring Richard Pryor, Eddie Murphy, Michael Flanders/Donald Swann, Billy Bennett, Fisher & Marks, Stan Freberg, Roy Hudd, Tony Hendra/Nick Ullett (signed), Cheech & Chong, Rowan & Martin, The Three Stooges, Zero Mostel, Harpo Marx, Ron Carey, Frankie Howerd, Joan Turner, Joe Baker, Laurel & Hardy, Steve Martin, Peter Sellers, Redd Foxx, Dame Edna Everage, Morecambe & Wise and Mickey Katz.

Stuart Turner Beam Steam Engine & Boiler, Stuart Turner beam engine built from castings, green panted base mounted on polished wooden plinth, eccentric on long bar to steam chest valve gear, parallel linkage to beam, with stuart turner 504 copper boiler incomplete and missing chimney, the engine Length: 13 Inches, Flywheel Diameter: 7 Inches, Bore: 1 Inch Diameter, Stroke: 2 Inches. Note: engine stiff but turns

After JMW Turner,The Ports of England,six colour prints after the originals in the Tate Gallery, with certificates,15x22cm.

A pair of silver berry spoons mid to late 18th century, by Ebenezer Coker, London,20.2cm long,together with a similar pair of George IV silver berry spoons,by George Turner, Exeter 1825, with bright-cut decoration,22.8cm longtotal 6.7ozt (4)Condition ReportRubbing to the marks of the Coker spoons. Possibly gilding loss to the bowl with no remnants. Minor knocks and wear.

FDC 2 x Collection. Judy Finnigan signed Autographed Editions FDC double PM Occasions 2 postage marks 06 February 2001 Merryfield London 5 Stamps. Wendy Turner signed Autographed Editions FDC double PM Cats and Dogs 13 February 2001 Battersea. Wendy Turner signed Autographed Editions FDC double PM Cats and Dogs 2 postage marks 13 February 2001 Battersea 5 Stamps. Good condition Est.

A group lot of silver plate and objects de vertu Including a small French rectangular tray inset with sodolite, 21cm wide, a circular engraved tray, a Spanish circular bowl, a larger bowl, 28cm diameter, a Kenneth Turner beehive candle holder, another enamel beaded candle holder and another, a foliate pierced cupholder, a beaker, five napkin rings, a fish knife and fork, and a vesta case. (qty)

Yellow Fever - The Collector: original 4 page complete story artwork by Ron Turner (1984) for The Eagle Annual 1984. 'Intrepid explorer, Sir John is pushed to his death in the Amazon by jealous companion, Kane, who makes off with the Inca gold as the piranhas tear apart their grisly meal ...' Black ink and wash on card. 17 x 12 ins (4 artworks)

River Scenery of France depicted in sixty-one line engravings from drawings by J M W Turner, published Henry G Bohn, London.

Armstrong (Sir Walter), Turner, edition limited to 350 copies on Japanese paper, this copy with a duplicate set of plates, 2 vols, folio, finely bound in matching full red morocco, spines decorated in gilt by Leighton, Thomas Agnew, 1902.