An Album Containing Eighteen Signed Michael Turner Printed Cards, including original signatures to include: Juan Manuel Fangio, Jackie Stewart, Emerson Fittipaldi, Mario Andretti, Stirling Moss, Chris Amon, Niki Lauda, Jody Scheckter, Clay Regazzoni, Alan Jones, John Watson, Michele Alboretto, Patrick Tambay, Alain Prost, Nigel Mansell and Riccardo Patrese
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'Liber Studiorum: Illustrative of Landscape Compositions. by J. M. W. Turner R.A. A Selection of fifteen of the best Plates', pub. Day & Son, lithographers to the Queen, 6. Gate Street Lincoln's-Inn Fields, folio, undated, 19thC, together with 'Skira Prints, History of an Art', other prints etc., (a lot)
An Elizabeth II Gold Mug, by Turner and Simpson Ltd., Birmingham, 1963, 9ct in the George III style, baluster and on spreading foot, with leaf-capped scroll handle10.5cm high, 7oz 7dwt, 229.4grFully marked near rim with gold marks. The marks are generally clear. There is some minor surface scratching and wear, consistent with age and use. The capacity is approximately 1/2 pint.
An Elizabeth II Silver and Enamel Cigarette-Case, by Turner and Simpson Ltd., Birmingham, 1952 oblong and with canted corners, the front enamelled with flowers on a white ground and over engine-turning, the base engine-turned, the interior gilt83m high, gross weight 3oz 8dwt, 106grFully marked inside base with silver marks and further part marked inside cover. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. There are some tiny chips to the edges of the enamel on the left side.
A quantity of books comprising:Rudyard Kipling - 'Kim' (Macmillan and Co., London 1930);Rudyard Kipling - 'Captains Courageous' (Macmillan and Co., London 1932);Samuel Miles - 'Lives of the Engineers: George and Robert Stephenson' (John Murray, London 1874);R. L. Stevenson - 'Prince Otto', Tusitala Edition (William Heinemann Ltd, London);R. L. Stevenson - 'The Wrecker', Tusitala Edition (William Heinemann Ltd, London 1926);Sir Arthur Quiller-Couch (ed.) - 'The Oxford Book of English Prose' (Clarendon Press, Oxford 1948);Sir Arthur Quiller-Couch (ed.) - 'The Oxford Book of English Verse 1250-1918' (Clarendon Press, Oxford 1949);Thomas Hughes - 'Tom Brown's Schooldays' (J. M. Dent, London 1951);Cecil J. Sharp and Herbert C. Macilwaine - 'The Morris Book', Part III (Novello and Company, London 1910);John Anster (transl.) - 'Marlowe's Tragical History of Doctor Faustus and Goethe's Faust, Part I' (Henry Frowde, OUP, London);Francis Turner Palgrave - 'The Golden Treasury' (Henry Frowde, OUP, London 1909);Francis T. Palgrave - 'The Golden Treasury' (Macmillan and Co., London 1904)William Shakespeare - 'Shakespeare's Tragedies' (J. M. Dent, London 1921);'Atlas of Ancient and Classical Geography' (J. M. Dent, London 1909);Dinah Maria Mulock (Mrs Craik) - 'John Halifax Gentleman' (J. M. Dent, London);'Pears' Centenary Edition of Charles Dickens' Christmas Books' ('A Christmas Carol', 'The Chimes', 'The Haunted Man', 'The Battle of Life' and 'The Cricket on the Hearth' (A & F Pears, London);Charlotte Bronte - 'Jane Eyre' (Thomas Nelson and Sons Ltd, London);Oliver Goldsmith - 'The Vicar of Wakefield' (J. M. Dent, London);Charles Dickens - 'Great Expectations' (J. M. Dent, London 1944);Charles Lamb - 'The Essays of Elia' (J. M. Dent, London 1929);Alexandre Dumas - 'The Son of Porthos' (Collins, London);G.W. Kitchin (ed.) 'Spenser's The Faery Queene, Book II' (Clarendon Press, London 1890);J. F Ostervald - 'La Sainte Bible' (Dépots de la Société Biblique Britannique et Étrangère, Paris 1908);New Testament (Cambridge University Press, London);I.H.B. Spiers (ed) - 'Bazin: Les Oberlé' (D. C. Heath, London 1935);Francis Tarver (ed.) - cloth-bound ('Molière: Les Bourgeois Gentilhomme' (Hachette, London 1913); Louisa M. Alcott - 'Little Women', Grade IV reader, cloth-bound (Collins, London).
Seven pictures and prints comprising:1. Chichester Canal (after Turner), watercolour initialled R.R. (frame 45.5 x 64 cm)2. COLIN SCHULER - still life of flowers, oil on artist's board (gilt frame 52 x 42 cm)3. Yachts on a river, signed and dated lower right (gilt frame 41 x 51.5 cm)4. D.V. Henderson 'Cyclamen' (frame 42 x 43 cm)5. 'Still Life with Pitcher', ink and watercolour (frame 48.5 x 38 cm)6. After SUE MCDONALD - a pair of colour prints, 'Beside the Wave Gallery' (frames 45 cm square)
Six limited edition prints by renowned aviation artist Micheal Turner P.G. Av.A all signed in pencil by the artist and at least one ex crewmember to include Spitfire Special Delivery, (Raymond Baxter 90/500), 53x43.3cm, Hurricanes From Kenley (655/850), Friendly Smoke D-Day 1944 (84/500), 1938 King's Cup-The Last Blue Riband Air Race (Alex Henshaw 210/500), and 2 copies of Spitfires In The Sunshine (545 and 553/850)
VICTORIA, Queen (1819-1901). A document, SIGNED "Victoria R.", appointing William Turner Thiselton-Dyer as a Fellow of the University of London, with a portrait of Queen Victoria, in common mount, framed and glazed, 360 x 445mm., 1887.VICTORIA, Queen (1819-1901). A document on 2-pages, SIGNED at the head by Queen Victoria ("Victoria R."), appointing William Turner Thiselton-Dyer as a Fellow of the University of London, with a portrait of Queen Victoria, in common mount, framed and glazed, 360 x 445mm., 1887. William Turner Thiselton-Dyer (1843-1928) was an eminent British botanist, author and the third director of the Royal Botanic Gardens at Kew. He was a Fellow of the University of London from 1887 to 1890.
An impressive 18th century brass-bound ebony quarter-repeating table clock with moonphaseClaude Duchesne, LondonThe case surmounted by an inverted caddy top with central finial over a silk-backed pierced soundfret framed by four further finials over an elaborately moulded cornice raised on brass-mounted Tuscan three-quarter columns to each corner framing the long shaped pierced brass-framed sound frets backed in silk to each side, the front and rear doors with similar brass frames, all on a multi-layered moulded base bound in brass to the top and bottom, on substantial brass bun feet. The 8-inch arched brass dial with rare 'Chronos' spandrels depicting a bearded Father Time below a sandglass and pair of wings, framing the silvered Roman and Arabic chapter ring with lozenge half-quarter marks and fleur des lys half-hour markers signed Claudius DuChesne Londini between V and VII, the finely matted centre with ringed winding holes, chamfered and engraved calendar and mock pendulum apertures under intricately pierced blued steel hands, the arch decorated with foliate scrolls and a pair of birds within strapwork enclosing a strike/not strike lever, moonphase (the outer scale marked 1-59) and aperture for setting the phase of the moon. The twin gut fusee movement with five knopped pillars and knife-edge verge escapement, the backplate with extensive floral and strapwork engraving, a partridge in the centre and a beast mask below, framed by a stylised wheatear border. Ticking, striking and repeating with a door key and a winding key. 73cms (28.5ins) highFootnotes:Claude Duchesne was seemingly born around 1670. It is commonly accepted that he lived in Paris, until just after the Revocation of the Edict of Nantes in 1685, at which point he joined many other Huguenot refugees and fled to the U.K. It is uncertain exactly when he arrived, with some putting it as early as 1689. The first concrete evidence of his life in the U.K. is from 1693; not only was he made free of the Clockmaker's Company in this year, he also married Elizabeth Bossu in Stepney. The couple would have at least three children; Claudius, born in 1699, Elizabeth born in 1706, and Anthony, born in 1708, though there are some contemporary reports of the couple having five children at one point. Claudius would eventually become a weaver, and Anthony would become a goldsmith. It is not known what became of Elizabeth. Duchesne became a British citizen in 1711. Duchesne was known to sign his clocks as either 'Claude' or 'Claudius' and 'Duchesne' or 'Du Chesne'. The exact location of his shop is questionable; most clocks give a location of either 'Dean Street, Soho' or 'Long Acre', so it seems likely that he was working in Soho. Wherever he worked, Duchesne appears to have been a highly regarded maker, especially in the construction of musical clocks. An account given by Jane Squire in 1731, notes that she 'understood he had made the musical Part of most of the musical Clocks of Note in Town'. Duchesne set himself apart from other makers of the time by featuring interchangeable music barrels, a style that had last been extensively practiced by William Jourdain in the later 17th century. Both makers also featured twelve bells with multiple, variable hammers and parallel motion music work. This suggests a detailed knowledge of music theory, in addition to the horological skill required to make such clocks. It seems that Duchesne may also have had some acquaintance with George Graham and John Harrison, the latter being introduced to Duchesne by the former. It is thought that Harrison contacted Duchesne in order to obtain the large quantities of brass he, Harrison, needed for his horological experimentations. Claude Duchesne is believed to have died in April 1733, and been buried in St. James, Paddington. His son, Anthony, married Anne Gagnon, and the couple had six children, one of whom, Claude (born in 1735) would go on to be a clockmaker. Duchesne's other known son, Claudius, married Anne, and the couple had four children. One of their children, Elizabeth 'Betty' Duchesne was born in 1724 and was known to be close friends with John, Charles and Sarah Wesley, with John Wesley conducting her funeral in 1776. It is thought that Elizabeth was responsible for gifting a walnut, moon phase eight-day longcase clock, made by her grandfather, to the Wesley's. The clock is reported to have never left Wesley's house, where it remains to this day. A late 19th century account suggests that the clock is the very timepiece that inspired Henry Wadsworth Longfellow to write The Old Clock on the Stairs, though this is not definitive: 'Half-way up the stairs it stands/And points and beckons with its hands.By day its voice is low and light/But in the silent dead of night,Distinct as a passing footstep's fall/It echoes along the vacant hall,Along the ceiling, along the floor/And seems to say, at each chamber-door, --'Forever -- never!/Never -- forever!''Blake, G. (2011) 'A Record of the Death of Claude Duchesne', Antiquarian Horology, Vol. 32 (5), pgs. 730-731.Turner, A. (2014) 'Charles Clay: fashioning timely music', Antiquarian Horology, Vol. 35 (3), pg.933.Betts, J. (2017) Marine Chronometers at Greenwich. Oxford: Oxford University Press. Pg. 143.Blake, G., Wintle, C., Gill, J. (2010) 'Claude Duchesne- Huguenot Clockmaker', Antiquarian Horology, Vol. 32 (1), pgs. 43-51.British Horological Institute (1891) 'Correspondence', The Horological Journal, Vol. 34 (1), pg. 16.Wesley's Chapel & Leysian Mission (2023) Virtual Tour: Wesley's House, Study. Available at: https://www.wesleyschapel.org.uk/your-visit/virtual-tour/ Dawber, E. G. (1898-1899) 'Some Thoughts on Clocks and Their Decoration: Part Two', The Architectural Review Vol. 5, pg. 261.Longfellow, H. (1890) The Poetical Works of Henry Wadsworth Longfellow, with Bibliographical and Critical Notes, Riverside Edition, Boston and New York: Houghton, Mifflin.Ord-Hume, A. W. J. G. (1995) The Musical Clock, Ashbourne: Mayfield Books.For further information on this lot please visit Bonhams.com
George Turner (British 1843-1910) "Hay-Field, Barrow" Signed and dated 1866, titled on verso, oil on canvas.29 x 49.5cm (framed 44 x 64cm)The painting is in good, restored condition. Under UV light there is evidence of cleaning and extensive overpainting. There is minor craquelure and cracking across the surface of the painting. The painting is ornately framed but not glazed. The frame has some minor scuffs and knocks commensurate with age.
A set of four George III silver sauce tureens and coversMaker's mark I.T probably for James Turner, London 1806 Oblong form with gadroon rims, the sides with plain moulded girdle and either side an applied lion mask and hinged drop handle, on a broad moulded foot, the lift-off covers with screw fitted ribbed loop handles (unmarked), engraved shield armorial to the bases and the covers crested with a hawk closed proper (Bell), length 17cm, weight 93.5oz. (4)Footnotes:ProvenanceFrom The Silver Collection of Dr Andrew J RaineyThese are the arms and crest of Mathew BELL (1768-1811) of Newcastle-upon-Tyne and his wife Marianne BARBER (1777- ) daughter of John BARBER (born 1748) of Renfrewshire, Scotland by Margaret SEMPLE (born 1751). They were married in 1790 at Newcastle-upon-Tyne. Mathew BELL was the son of Mathew BELL (1746-1782) by Dulcibella EDEN (1746-1778). The family origin was at Woolsington, Northumberland.For further information on this lot please visit Bonhams.com
ROBERTSON CLIFF: (1923-2011) American actor, Academy Award winner. Signed 8 x 10 photograph of the actor in a head and shoulders pose in costume as Joe Turner from the drama film Out of Season (1975). Signed by Robertson in bold black fountain pen ink with his name alone to a largely clear area of the image. EX
ACTRESSES: Selection of signed 8 x 10 photographs and very slightly smaller (1) by various film actresses comprising Winona Ryder (in costume from Mermaids), Glenn Close, Lena Olin (in a passionate embrace with Richard Gere from Mr. Jones), Angela Bassett (composite publicity still in costume as Tina Turner from What's Love Got to Do with It), Kimberly Williams, Michelle Pfeiffer (publicity portrait for The Fabulous Baker Boys), Debra Winger and Lily Tomlin (publicity portrait for Shadows & Fog). Most are signed in bold black inks to clear areas of the images and five are inscribed. VG to EX, 8
UNDERCOVER BLUES: Herbert Ross (1927-2001) American film director. Signed 10 x 8 photograph of Ross standing in a half-length pose alongside a camera on the set of his action comedy film Undercover Blues (1993). Signed in bold black ink with his name alone to the image; Kathleen Turner (1954- ) American actress. Signed 8 x 10 photograph of Turner standing in a three-quarter length pose in costume as Jane Blue alongside Dennis Quaid, in costume as Jefferson Blue, in a scene from Undercover Blues. Signed in bold black ink with her name alone to the image; Dennis Quaid (1954- ) American actor. Signed 10 x 8 photograph of Quaid, in costume as Jefferson Blue, seated in a half-length pose alongside Kathleen Turner, in costume as Jane Blue, in a scene from Undercover Blues. Signed in bold black ink with his name alone to a clear area of the image; Stanley Tucci (1960- ) American actor. Signed and inscribed 10 x 8 photograph, the composite publicity still featuring two images of the actor in costume as Muerte from Undercover Blues. Signed by Tucci in black ink to a dark area of the image. VG to EX, 4
SERIAL MOM: John Waters (1946- ) American film director. Signed 8 x 10 photograph of Waters standing in a three-quarter length pose, with a camera and crew in the background, on the set of his black comedy crime film Serial Mom (1994). Signed in bold blue ink to the right white border, '30 years!! John Waters'; Kathleen Turner (1954- ) American actress. Signed and inscribed 8 x 10 photograph of Turner in a head and shoulders pose in costume as Beverly Sutphin, gripping a pair of scissors in her hands, from Serial Mom. Signed by Turner in bold blue ink to a light area of the image. VG to EX, 2
TURNER BIG JOE: (1911-1985) American blues and rock 'n' roll singer, remembered for his recordings during the 1950s, in particular of Shake, Rattle and Roll. Signed and inscribed 4 x 5 photograph of Turner in a close-up smiling head and shoulders pose. Signed by Turner in bold black ink to the image. A couple of very minor, extremely light corner creases, VG
RUSSELL JANE: (1921-2011) American actress and sex symbol. Signed and inscribed 8 x 10 photograph of Russell in a head and shoulders pose in costume as Nella Turner from the western film The Tall Men (1955). Signed by Russell in blue ink to a light area of the image. Some very light, extremely minimal creasing, largely to the white borders, VG
ACTRESSES: Selection of vintage signed album pages (5) and signed cards (3; each with attached magazine images) by various film actresses comprising Lana Turner, Joan Fontaine, Cyd Charisse, Rita Moreno, Mitzi Gaynor, Barbara Stanwyck, Lillian Gish and Honor Blackman. The album pages each with a single file hole to the upper left corner and some creasing and light staining, FR to G, 8
William Turner of Oxford (1789-1862)'East Side of the Old Folly Bridge, Oxford', signed, also signed with initials and inscribed with title, pencil, 14 x 24.5cm; and one further by the same hand - 'Old Folly Bridge, Oxford', 22.5 x 17cm (2)East side - has some staining to the upper left corner, and some splashes of light green paint to the surface. . Both have patchy light foxing, grubbiness and stained backings. Not examined out of the frames.
Rock LPs and 12" Singles to include Ray Thomas, From Mighty Oaks (THS 16); Bachman-Turner Overdrive, Best of BTO (9100 026); Rod Stewart, Blondes Have More Fun (RVLP 8); Focus, At The Rainbow (2442118); The Who, The Best of Ten Years (2448 318); Meatloaf featuring Stoney & Meatloaf (PDL 2010); Albert Hammond, It Never Rains in Southern California (S MUM 65320); 12" singles include Patti Smith Group, Set Free (ARIST 12197); Bryan Adams, Run to You (AMY 224); Roger Daltry, Under A Raging Moon (TENG 81-12); Bruce Springsteen, Glory Days (QTA 6375) - all generally Very Good to Very Good Plus in Good Plus to Very Good Plus sleeves; John Miles, Stranger In The City (TXS 118); Boz Scagges, Silk Degrees (S 81193); Roxy Music, Greatest Hits (2302 073); Pat Benatar, We Belong 12" single and Eric Clapton with Michael Kamen, Edge of Darkness 12" single - all Fair to Good in Good to Very Good Plus sleeves. (42)
A collection of Pop/Soul/Singer Songwriter/Soundtrack LPs to include artists; Culture Club, Michael Jackson, ABBA, Simply Red, Maxayn, Otis Redding, Gladys Knight & The Pips, Michael Bolton, Sade, Tina Turner, Agnetha Faltskog, Frida, The Three Degrees, Carole King, Billy Connolly, Vangelis, The Steve Miller Band as well as others; All conditions from Good to Very Good with generally Fair to Good sleeves. (34)
A collection of Rock and Soft Rock LPs to include Artists; Boston, Fleetwood Mac, Reo Speedway, Supertramp, Bachman Turner Overdrive, 10CC, Ken Hensley, Boz Scaggs, Climax Blues Band, Chris Rea, Dire Straits, ZZ Top; also included in lot a Mark Knopfler Shangri-La 2005 World Tour Program condition Good Plus to Very Good; All conditions vary from Good to Very Good with generally Fair To Good sleeves. (29)
A Group of Soul/Disc LPs and 12" Singles to include Aretha Franklin, Aretha in Paris (588149) - 1968 UK pressing with red/crimson Atlantic label; The Drifters, 24 Original Hits; Earth Wind and Fire, The Collection; Four Tops, Greatest Hits; The Isley Brothers, Take Some Time Out; Jacksons, Victory; Kool and The Gang, Twice As Kool and Emergency; Lionel Richie, Can't Slow Down and Lionel Richie; Diana Ross, I'm Still Waiting; Jimmy Smith, Stay Loose; Tina Turner, What You Get Is What You See; Dionne Warwick, Soulful and Valley of the Dolls - all generally Very Good to Very Good Plus including sleeves plus various other mainly early releases which are generally only Fair to Good Plus including sleeves. (35)
Pop/Rock/Soul LPs and 12" Singles to include Crispy and Co, Funky Flavored (CRLP 505) - UK release; Gibson Brothers, On The Riviera (ILPS 9620); Pink Floyd, Relics (SRS 5071) with textured sleeve; Gerry Rafferty, City to City (UAS 30104); Various Artists, Knuckle Sandwich (EMTV 18) - all generally Very Good Plus in Very Good to Very Good Plus sleeves plus others including artists such as Rod Stewart, Tina Turner, Jimmy Ruffin, Commodores and various compilation LPs - conditions range from Good to Very Good including sleeves. (43)
A collection of Rock and Pop LPs to include artists; Led Zeppelin, Free, Genesis, Eric Clapton, Family, Roxy Music, Siouxsie And The Banshees, Charlie Bleak, Slade, New Heavenly Blue, U2, Deep Purple, The Nice, The Rolling Stones, The Byrds, ZZ Top, Climax Blues Band, Golden Avatar, Rory Gallagher, Ike & Tina Turner, Wings, The Firm, Queen as well as Compilation titles, all conditions vary from Good to Good Plus with generally Good to Good Plus sleeves. Lot also includes Booklets / Programmes artists to include Dire Straits, Aerosmith and The Hollies All conditions generally Very Good. (30)
Collections of variety of Autographs signatures includes Mark Eden, James Villiers, Angela Scoular, Jessica Turner, Christina Matthews, Giles Cole, Jacki Piper, Lynne Miller, Phyllis Calvert, Roger Bond, Mark McGee, Ross King, Sheila Ferguson and others. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Kathleen Turner, a signed 10x8 promo photo for the film, Switching Channels (1988). An actress who became widely known during the 1980s, with roles in Body Heat (1981), The Man with Two Brains (1983), Crimes of Passion (1984), Romancing the Stone (1984), and Prizzi's Honor (1985). Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
Approximately 120 albums including Dire Straits, Fleetwood Mac, Sting, Rod Stewart, The Beatles, Tina Turner, Neil Diamond, Chis De Burgh, Diana Ross, Paul Simon, Sade, Eagles, ELO, Genesis, 10cc, John Lennon, Roxy Music, The Police, Supertramp, Eurythmics, Wings, Whitney Houston, Alison Moyet etc
Classic and vintage motorcycle interest books and literature to include 1908-2008 P.C.Vincent the Snarling Beast, signed limited edition, Triumph Trident and BSA Rocket 3, The Complete Story, Velocette literature, Triumph 650cc twin workshop manual, BSA competition history by Norman Vanhouse, Phil Irving Black Smoke, limited edition signed copy, Edward Turner by Clew, Franklin's Indians and Roy Bacon restoration guides
A collection of autograph books and signed pictures including pop stars, actors, DJs and sports stars, autographs include the Beatles Paul McCartney, John Lennon, George Harrison, Ringo Starr and their manager Brian Epstein, Dusty Springfield, Peter Asher and Gordon Waller, Joe Brown, Cilla Black, Billy Fury, Kenny Lynch, Alma Cogan, Kenneth Horne, Hughie Green, Wayne Fontana, Matt Munro, Richard Wattis, Marty Wilde, members of the Dave Clark Five, members of 'Me and Them', Danny Williams, Lionel Blair, Susan Hampshire, Jimmy Tarbuck, Jackie Trent, Diana Dors, Sandie Shaw, Gene Pitney, (Sir) Malcolm Campbell, Helen Shapiro, Tommy Steele, Pete Murray, The Bachelors, Frank Ifield, Lonnie Donnegan, Cliff Richard, Millicent Martin, Patrick Mcnee, Pat Smythe, Harry Llewellyn, Frankie Vaughan, Brenda Lee, Freddie Garrity, Sussex 1963 cricketers including Ted Dexter, Moiseyev Dance Company 1964 and Ballet Minerva dancers, Jimmy Edwards, Margaret Lockwood, Anna Neagle, Ann Todd, Tommy Handley, Vera Day, Eddie Robinson, Donald Sinden, Billy Mayerl, Val Doonican, Shaw Taylor, Jimmy Justice, Caroline Lloyd, Leslie Dunn, Mike Sarne, Eric Delaney, Joe Henderson, Patsy Ann Noble, Steve Brett, Honor Blackman, Mark Wynter, Russ Conway, Noelle Gordon, Bert Weedon, Craig Douglas, Tommy Steele, Lionel Blair, Joan Turner, Adam Faith, Clinton Ford, Bob Monkhouse, Kenny Ball, Susan Maughan, John Leyton, Brian Matthew, Joe Brown, Tommy Quickly, Billy J Kramer etc
baluster form, by Francis Turner, London 1726, together with, a George III milk jug, with a reeded border and embossed & chased decoration, no maker's mark, London 1801, and a George V milk jug, with a wavy rim & on three legs, by Lambert & Co, London 1914; the latter 4" (10cm) high; 12ozt (3). *Condition: All with wear, the embossed one has a repaired handle (solder visible), George II example also has a repaired handle at the bottom joint, & foot pushed into the body slightly. 3 legged example is in the best condition but still with wear For further information contact Connor connor.swanwick@lawrences.co.uk.
A 19TH CENTURY SCOTTISH DIRK, 31cm fullered blade with faceted back edge, characteristic hilt with white metal thistle mounts, carved basket weave wooden grip, the pommel set with a faceted citrine stone, contained in its white metal mounted leather scabbard, decorated to match, complete with companion knife and fork. Leather covering worn, lifting and with losses. The throat mount is engraved with the crest and motto of the Wilson Clan and the bi-knife bears the maker's name of Turner.
ROY TURNER DURRANT (British 1925-1998) : "Ars longa, vita brevis", an original mixed media abstract of table and chairs. Vendor states - identified with Professor Paul Greenhalgh former director of SCVA. Beccles framer and original purchase labels verso circa 1960, framed and glazed, image size 48cm x 36cm
To comprise examples by or attributed to Miss Turner of Great Yarmouth, Alexander Fraser, P** Williams, ** Kendall, Samuel John Hodson, Joseph Nash (circle), Charles Annesley and others; subjects to include Tintern Abbey, Westerham Church, Haddon Hall, Pen Point, Brecknockshire, Browns Hill, Caernarvon Castle, Herstmonceux Castle, Rouen, Rosslyn Castle and elsewhere, various sizes, unframed (10) Provenance: The Collection of the etcher Percy James Westwood (1878-1958) and by descent. *Condition: Mixed; generally fair.
1960 BSA Sunbeam Scooter 175cc. Registration number 480 FNN (non transferrable). Frame number 9306B. Engine number S1446 (V5C states 51446). The BSA Sunbeam, also sold as the Triumph Tigress, was a scooter designed to have good performance and handling for the motorcycle enthusiast. The entry of the BSA group into the scooter field was announced by Edward Turner in October 1958. The design by Edward Turner drew on Triumph's long experience of building fast motorcycles, and was sold under two brand names to take advantage of established distribution networks. This badge engineering was one of the last uses of the Sunbeam marque. The differences between the BSA Sunbeam and Triumph Tigress were entirely cosmetic - the former in polychromatic green paint, also two-tone red and cream, with a BSA badge; the latter in a shell blue or mimosa and ivory (two tone) with Triumph badging. The scooter was available with a 250 cc four-stroke twin or 175 cc two-stroke single-cylinder engine. The 250 cc model was discontinued in 1964, the 175 cc model in 1965. FNN, its original number, was first registered to Henstocks of Mansfield on the 29th March 1960 before being sold to Timothy Hickling in the April, he sold it to Melvyn Ward in November 1961 and then Harry Bacon of Sutton in Ashfield in 1967. In 2000 Scooter Club member Robert Kennedy bought it in running order and over the next 12 months fully restored it; he sold it to our vendor to fund a Vespa combination project. There is a 1967 MOT on file. and a You Tube video pre the restoration. In running order she is sold with the V5C, R.F. 60, 1967 MOT and an original Instruction manual.

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