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[ Boy Scouts / Cubs / Girl Guides / Brownies ] A pre 1967 Boy Scout Association Senior Scout / Sea Scout uniform jumper with King's Scout badge, bushman’s thong and assorted proficiency badges

[ Boy Scouts / Cubs / Girl Guides / Brownies ] A Boy Scout association uniform shirt was worn at the 1957 world jamboree, with 1957 jamboree participant's badge and various proficiency badges

Railwayana - a collection of assorted Railwayana to include; uniform buttons and badges, metal paycheque tokens, National Union of Railwaymen Members Contribution Cards, Circular Tours coupons, merchandise / goods train arrival invoice, GWR telephone circuit information, safety / danger signs, British Railways lookout armband, First Aid dressing pouches, cast iron plaques, cutlery and more.

A jointed bone figure of a Napoleonic age drummer in British uniform (probably prisoner of war work)

Samuel Shelley (1750-1808?), a portrait miniature of Viscount Augustus Keppel 1st Viscount Keppel (1725-1786) in an officers uniform, gold bordered blue coat, white frilled cravat and powdered hair en queue, approx. 85 x 70mm, presented in an ornate frame Keppel, approx. 80mm, framed.  Biographical note: Samuel Shelley was born in Whitechapel in 1750 and primarily self-taught. He entered the Royal Academy School in 1774 where he was influenced by the work of Sir Joshua Reynolds. He exhibited at the Royal Academy from 1774-1804. His work included oil paintings and watercolours but is most remembered for his miniature portraits, many of which are housed in notable British Museums.  Provenance: Elizabeth, Lady Ashcombe, Sudeley Castle & Gardens, Winchcombe, Gloucestershire.

§ After Pablo Picasso (1881-1973) The Painter and His Model, 1964lithograph, unnumbered from the Monte-Carlo, Sauret Edition of 300031.5 x 24cmIn nice overall condition; with some light and uniform toning throughout and with some minor acid mat burn to the outermost edges.

§ William Black (20th century) Guiding Angelssigned and dated 'William Black 71' (lower right)oil on board36.5 x 49.5cmBoard appears in nice condition. Along the lower edge and left hand side there are lines of raised paint, these are uniform in appearance and suggest that the work may have been framed more closely in the past. Overall in nice condition. See additional images.

§ Paul Banning RI, RSMA (1934-) Morning Light, Santa Maria, Venicesigned with initials (lower left)watercolour34 x 31cmProvenance:With Alresford Gallery, HampshirePerhaps very slightly faded (as per images), but this is uniform and even in appearance. A small stain along the top edge and with some minor scattered accretions to the sky, otherwise in nice, presentable condition. See additional images.

§ Joan Miró (1893-1983) Barcelona II, 1975signed 'Miró' (lower right); numbered 21/75 lithograph44 x 62.5cmNot examined out of the frame, the outermost edges are obscured by the mount and are, therefore, not available for inspection. The print with overall toning, though this is even and uniform in appearance. Where the mount is in contact with the paper support there is some minor acid mat burn. Otherwise in nice overall condition.

§ Sir Cedric Lockwood Morris (1889-1982) Surrealist landscape; the reverse with a keeper's cottage, possibly Wales oil on canvas, unframed 50.5 x 61cm Provenance: Gifted by the artist to Bettina Shaw-Lawrence thence by descent within the family Cedric Morris and Bettina Shaw-Lawrence shared a relationship shaped by their artistic sensibilities and mutual admiration. Initially meeting in 1939, introduced Morris' students, David Kentish and Lucian Freud, Shaw-Lawrence, then a promising young artist, was drawn to Morris’s bold vision and charismatic personality. Their friendship flourished as they discovered shared interests in art, nature, and travel, with Morris becoming something of a mentor figure to the younger Shaw-Lawrence.Their friendship deepened over time, with Shaw-Lawrence becoming a frequent visitor to Benton End, the Suffolk home Morris shared with his partner, Arthur Lett-Haines. Benton End was more than a residence; it was a hub for creativity, hosting a thriving community of artists, writers, and thinkers. Here, amidst Morris’s famed gardens, Shaw-Lawrence found inspiration and a space to develop her artistic voice. Though their lives diverged at times, their bond endured, leaving an enduring imprint on both their careers and demonstrating the profound influence they had on each other’s artistic lives.The present work was likely painted during the 1930s and is believed to depict a Welsh landscape and, on the reverse, a Welsh keeper's cottage. During this time, when industry was in decline, poverty was tangible, and national morale was at an all-time low, resources were limited, as demonstrated by this double-sided work. Previously kept by the family of Bettina Shaw-Lawrence, this is the first time the present lot has been offered at auction.We are grateful to Hugh St. Clair for his assistance in cataloguing this lot. In our opinion this appears to be in original, untouched condition, with no fluorescence under UV. The varnish with typical yellowing, this is even and uniform throughout apart from the outermost edges which show the original colours. The reverse slightly more rought and dirty in and with some blooming to the fence structure. Would benefit overall from a light clean. The edges of the canvas with tacks.

§ Sophie Ryder (1963-) Black Goatstamped 'PROOF'screenprint78 x 103cmUnsigned, but acquired directly from Kip Gresham. Frame with some cosmetic knocks but of sturdy construction. The print appears to be adhered to the backboard at the corners and along each length and shows deckled edges to all sides. The paper support with overall toning, though this is even and uniform throughout. The print with some shallow handling creases to the centre and deeper creases to the margins. Some slight undulation to edges.

§ Sophie Ryder (1963-) Boxing Haresstamped 'PROOF'screenprint78.5 x 103cmUnsigned, but acquired directly from Kip Gresham. Frame with some cosmetic knocks but of sturdy construction. The print appears to be adhered to the backboard at the corners and along each length and shows deckled edges to all sides. The paper support with overall toning, though this is even and uniform throughout. The print with some shallow handling creases to the centre and deeper creases to the margins. The top corners appear with slightly bleached marks where the adhesive tape is beneath.

§ Jean Gorin (1899-1981) Compositionsigned 'J. Gorin' (lower right); numbered 151/175screenprint, published by Editions Denise René68 x 68cmThe perspex box frame has abrasions throughout casting shadows onto the work. The extreme left hand edge shows two very narrow  and shallow creases extending from the top to the bottom of the sheet, these are very uniform in appearance, almost appearing as shallow score marks, and only visible under close inspection. There is a minor knock to the lower edge of the sheet and perhaps some toning of the surrounding margins, through the print itself appears in good condition. The work appears to have been adhered to the backboard at each corner resulting in some minor undulation along the top edge.

A Hallmarked Silver Curb Link Bracelet, to heartshape padlock clasp, stamped "silver" (36grams), a muff chain, of uniform design, stamped "800" (15grams), a pendant mount (damaged) (indistinctly stamped) (3.5grams), a claw set ring, lacking stone, stamped "silver" (1.3grams).

A 9ct Gold Single Stone Dress Ring, the circular stone claw set between chevron shoulders and uniform reeded band (finger size O1/2); Together With A Slim Wishbone Ring, suspending St. Christopher charm (3.3grams). (2)

A pair of 18k round brilliant-cut diamond solitaire ear studs. The diamonds of 0.50ct estimated total weight, of uniform white colour and estimated clarity VS2.

A cultured white pearl double-strand necklace with a 14k clasp. The uniform pearls of 7.5-8mm, the pierced disc clasp stamped 14k, length 41cm.

Books – English literature: Dickens (Charles), The Works of Charles Dickens, Household Edition, 22 vols., London, Chapman & Hall, 1873-79, illustrated, royal 8vo, bound black and gilt embossed dark green cloth, gilt titles to spines, bindings slightly worn, one or two volumes with some staining to boards, text printed in double column and with steel engraved frontis., numerous steel engravings to text: Oliver Twist, 1871 vi + 204pp; David Copperfield, 1872 vi + 437pp; Martin Chuzzlewit, 1872, vi + 423pp; Bleak House, 1873, xi + 440pp; Little Dorrit, 1873 viii + 423pp; A Tale of Two Cities, 1874, 176pp; Barnaby Rudge, 1874, x + 322pp; Pickwick Papers, 1874, xii + 400pp; Nicholas Nickleby, 1875, xii + 420pp; Our Mutual Friend, 1875, viii + 419pp; Great Expectations, 1876, 225pp; Old Curiosity Shop, 1876, vi + 274pp; Sketches by Boz,1876, viii + 240pp; Dombey & Son, 1877, x + 449pp; Hard Times, 1877, 134pp; The Uncommercial Traveller, 1877, 174pp; American Notes & Pictures from Italy, 1878, 210pp; Christmas Books, 1878, 200pp; A Child's History of England, 1879, vii + 190pp; Christmas Stories, 1879, 277pp; Edwin Drood & other stories, 1879, 348pp also, uniform: Forster (John), Life of Dickens, 1879, xviii + 449pp (22).

A 19th century gilt metal novelty table vesta, ccast as a monkey dressed in a Napoleonic military uniform, hinged cover, glass eyes, 8cm high, c.1860

Leather bindings, a small collection in fine condition, including three early C20th prize bindings by Bickers, of which two full tree calf gilt, spines gilt in compartments, the other full black morocco gilt, spine gilt in compartments, all with 'The Pilkington Prize' gilt crests to front covers; Tennyson & Coleridge's Works, 2 volumes, each full Burgundy morocco gilt by Maclehose, gilt ruled, spines with raised bands gilt, top edges gilt; Charles Lamb Essays/Last Essays of Elia, 1926, 2 volumes, uniform three quarter morocco gilt by Riviere, marbled end papers, top edges gilt; plus Tennyson 'Idylls of the King', 1861, in full decorative black morocco gilt, spine gilt in compartments, all edges gilt, and two others similar (10)

F.O. Morris: 'A Natural History of the Nests and Eggs of British Birds', London, George Bell, 1879, 2nd (and best) edition, 233 coloured plates complete, uniform original cloth gilt, volume I lower portion of backstrip part detached (3)

A collection of W.E. Johns titles, in original cloth, including Eight first editions, comprising 'Biggles Second Case', 1948. Dust jacket; 'Biggles Sweeps the Desert', 1942. Dust jacket; 'Biggles Air Commodore', 1937; 'Biggles in the Orient', 1944; 'Biggles Breaks the Silence', 1949; 'Sergeant Bigglesworth, C.I.D.', 1946; 'Biggles Delivers the Goods', 1946; 'The Rustlers of Rattlesnake Valley', 1948; plus five reprints, in original cloth, uniform dust jackets: 'Biggles Flies South', 1950; 'Biggles Goes to War', 1949; 'Biggles Charter Pilot', 1949; 'Biggles in Africa', 1948; 'Biggles in the South Seas', 1947 (13)

Lieut. Gen. Antoine Henri de Jomini: 'Histoire Critique et Militaire des Guerres de la Révolution', Paris, Anselin et Pochard, 1820, new edition, volumes 2-4, 7-9 & 12 (of 15 volumes) only, content covering the campaigns of 1792, 1793 1st and 2nd period, 1795, 1796 1st and 2nd period, and 1799 2nd period, uniform old quarter calf gilt (7)

Thomas Garner & Arthur Stratton: 'The Domestic Architecture of England During the Tudor Period', London, Batsford, 1929, 2nd edition revised and enlarged, 2 volumes, 210 photogravure plates + numerous illustrations in text complete, numerous plates Norfolk and Suffolk including various Norwich, Oxburgh Hall, East Barsham Manor, Bentley Hall, Hengrave Hall, Kentwell Hall, Lavenham etc etc, folio (39 x 30cm), uniform original cloth gilt (2)

(Japan.) Hiroshi Hamaya: 'Landscape of Japan', Tokyo, Kokusai Johosha Limited, 1975, 1st edition, 2 volumes, profusely illustrated with colour photographs by the author, folio, uniform original cloth gilt, glassine dust wrappers, original slipcases (2)

Bronte, Charlotte, Emily and Anne: 'Novels of the Sisters Brontë', edited Temple Scott, Edinburgh, John Grant, 1924, Thornton Edition, 12 volumes, 67 full page plates complete including portraits, photogravures and ills from photographs etc, the set comprising 'Jane Eyre', 2 volumes, 'Wuthering Heights', 'Agnes Grey', 'The Tenant Of Wildfell Hall', 2 volumes, 'Shirley', 2 volumes, 'Villette', 2 volumes, 'The Professor', and 'The Life of Charlotte Brontë' by Elizabeth Gaskell, uniform original publisher's green cloth, spines with art nouveau style flower decorations and lettered in gilt, top page edges green, others uncut, original art nouveau style dust wrappers (12)

R.L. Wilson: ‘The Colt Engraving Book’, New York, Bannerman's, 2001, 1st edition, limited edition, No. 1,216 of 3,000 signed & numbered copies, signed to limitation page and further signed & inscribed by author to opposite leaf, 2 volumes, profusely illustrated throughout, large 4to, uniform original cloth gilt, dust wrappers (2)

Richard F. Burton: 'The Book of The Thousand Nights and a Night - Supplemental Nights', Privately Printed by the Burton Club, [nd], 16 volumes, illustrations, uniform original cloth (16)

John S. Keltie (edited): 'A History of the Scottish Highlands, Highland Clans and Highland Regiments. With an Account of the Gaelic Language, Literature and Music', Edinburgh & London, A. Fullarton & Co, 1877, 2 volumes bound in 4, numerous mounted colour plates of clan tartans, plus engraved views, portraits etc and ills. in text complete, uniform half morocco gilt, all edges gilt, by G. Fox (4)

Alexander Jeffery: 'The History and Antiquities of Roxburghshire and Adjacent Districts', 1857-1864, 2 odd volumes, volume 2, Jedburgh District & volume 3, Melrose & Hawick, extra illustrated with bound in litho plates and 24 C19th photographic views, uniform contemporary full calf gilt (2)

A collection of 15 assorted volumes on yachting, yacht cruising, sailing etc, including Frank Cowper: 'Sailing Tours: The Yachtsman's Guide to the Cruising Waters of the English Coast. Part I. The Coasts of Essex and Suffolk; Part II. The Nore to Tresco, Isles of Scilly', London, L. Upcott Gill, 1892-1899, 2 volumes, volume I, 1892, 1st edition, 7 plates + 6 colour sea charts + ills. in text complete, volume II, 1899, revised edition, 25 colour sea charts complete, uniform original pictorial cloth gilt, Francis B. Cooke: 'Seamanship for Small Yachts', L, The Yachtsman, 1906, 1st edition, original cloth gilt, Frank Cowper: 'Jack-All-Alone: His Cruises', L, Upcott Gill, 1897, 1st edition, frontis + b/w illustrations in text, orig. cloth gilt, Tyrrell E. Biddle: 'The Corinthian Yachstman, or Hints on Yachting', L, C. Wilson, 1886, b/w frontis + ills. in text, orig. pictorial cloth gilt, 'Yachting Monthly Magazine. Illustrated. Volume II, July to December 1898.', L, The Yachtsman Office, 1898, a/f, lacks some of the folding plates (being design plans of yachts), small number of other leaves damaged/with loss, but with the 20 photographic plates complete (some loose) plus large number of ills. in text throughout, orig. cloth gilt, inner joints split, lacks FFEP, top edge gilt, Vanderdecken: 'The Yacht Sailor: A Treatise on Practical Yachtsmanship Cruising and Racing', L, Hunt, 1871, 3rd edition, 2 folding plates complete, 184pp, original cloth gilt, inner joint near split, Lord Brassey and others: 'The Badminton Library: Yachting', L, Longmans, 1895-1901, 2nd edition, 2 volumes, numerous full page plates (some coloured) and in text illustrations, uniform original cloth gilt, plus 6 others similar (15)

William Yarrell: 'A History of British Fishes', London, John Van Voorst, 1841, 2nd edition, 2 volumes, 500 wood engravings, uniform original cloth gilt (2)

Robert M. Lee & R.L. Wilson: ‘The Art of the Gun: Magnificent Colts. Selections from the Robert M. Lee Collection’, Sparks, NV, Yellowstone Press, 2011, 1st edition, special first edition of 5,000 sets, 2 volumes, profusely illustrated throughout in colour, oblong folio (29 x 36cm), uniform original cloth gilt, dust wrappers, DVD and original booklet loosely inserted (2)

Thomas Babington Macaulay: 'The History of England From the Accession of James the Second.', London, Longmans, 1853-1868, 9th edition, 5 volumes, ex Sandwich Grammar School, uniform contemporary half calf gilt, marbled paper covered boards, black leather gilt title labels to spines, armorial bookplates of Edward Alexander Pole (5)

Peter Mackenzie: 'Reminiscences of Glasgow and the West of Scotland', Glasgow, John Tweed, 1865, 1st edition, 2 volumes, mounted portrait frontis to volume I, uniform contemporary half calf gilt; together with Robert Renwick, George Eyre-Todd and others: 'The History of Glasgow', Glasgow, Maclehose/Jackson Wylie, 1921-1934, 3 volumes, numerous portrait plates, facsimiles, plates from photographs etc, uniform original cloth gilt (5)

'Picturesque Views of the Southern Coast of England, from Drawings made principally by J. M. W. Turner, B.A. and engraved by W. B. Cooke, George Cooke, and other eminent Engravers.', London, John & Arthur Arch et el, 1826, 1st edition, 2 volumes, 80 finely engraved illustrations complete (comprising 48 full page plates & 32 vignettes), 4to (29 x 23cm), contemporary half green morocco gilt, spines gilt decorated in compartments, marbled paper covered boards, formerly the copy of Adele Galton (1784–1869), daughter of Samuel John Galton Jr. (1753-1832), English Arms Manufacturer, with her morocco gilt label attched to front pastedown of volume II, together with E. & W. Finden: 'Finden's Views of the Ports, Harbours, Watering places, and Picturesque Scenery of Great Britain [and Ireland]. Illustrated by Views Taken on the Spot, by W.H. Bartlett, J.D. Harding, T. Creswick, and others. With descriptions historical and topographical.', London, Virtue & Co., [1857], 2 volumes in 6 parts, 2 additional engraved titles + 142 engraved plates complete, including the additional 20 views of the coast of Ireland lacking in other editions, printed title pages and lists of plates bound at the end of part VI, uniform original publisher's cloth gilt, together with another copy of part I, added engraved title + 20 engraved plates, orig. cloth gilt (9)

Henry M. Stanley: 'In Darkest Africa: or, The Quest , Rescue, and Retreat of Emin, Governor of Equatoria', London, Sampson Low, 1890, 1st edition, 2 volumes, 3 folding maps + 1 profile sketch plate + 38 plates and folding table complete, vol. I part excised at head of title page, uniform original pictorial cloth gilt; plus Colonel JCB Statham: 'With My Wife Across Africa by Canoe and Caravan', London, Simpkin, Marshall & Co, [1924], 1st edition, 3 maps and 55 illustrations complete, original pictorial cloth gilt; plus 2 others Africa (5)

Henry Stevenson: 'The Birds of Norfolk, with Remarks on their Habits, Migrations and Local Distribution', London, J. Van Voorst; Norwich, Matchett & Stevenson, 1866-1890, 1st edition, 3 volumes, 10 plates complete, of which 5 hand coloured lithographs: Pallas's Sandgrouse, Capped Petrel, Paget's Pochard (by J. Wolf) and Great Bustard, Feathers of the Wall Creeper (by J. Smit), 4 tinted lithographs and portrait plate of Stevenson, uniform original cloth gilt (3)

Thomas Rymer Jones: 'Cassell's Book of Birds. From the text of Dr. Brehm', London, Cassell, Petter, & Galpin, [c.1870], 4 volumes in 2, 40 chromolithographed plates plus over 400 wood-engraved illustrations complete, uniform half navy morocco gilt (2)

W. A. Copinger: 'County of Suffolk: its history as disclosed by existing records and other documents, being materials for the history of Suffolk', London, Henry Sotheran & Co, 1904, 5 volumes, plus Index volume compiled by H.B. Copinger, Manchester, privately printed, 1907, uniform original blue cloth gilt, top edges gilt (6)

(Botany.) William Curtis: 'The Botanical Magazine; or, Flower-Garden Displayed', London, Printed by Stephen Couchman for W. Curtis, 1787-1803, volumes 1-18, 691 fine hand coloured engraved plates (of which 1 folding), plus 1 uncoloured plate (vol. 4, plate 120, not in index), volume 12 contains plate 427 twice (instead of plate 428), plates by J. Sowerby, Sydenham Edwards, W. Herbert and T. Curtis, plates and leaves generally very clean/VGC commensurate with age, uniform contemporary full tree calf gilt, spines with morocco gilt labels, several volumes with neat contemporary ownership signatures of Catherine Harbord (1776-1857), youngest daughter of Harbord Harbord, 1st Baron Suffield (1734-1810), of Gunton Hall, Norfolk (18)

F.O. Morris: 'A History of British Birds', London, John C. Nimmo, 1895-97, 4th edition revised, corrected and enlarged, 6 volumes, 394 hand coloured plates complete, uniform original publisher's pictorial cloth gilt (6)

Winston S. Churchill: 'The World Crisis', London, Thornton Butterworth Limited, 1923-1929, 1st edition, 4 volumes (of 6), comprising Volume II 'The World Crisis 1915', October 1923, 1st edition, 7 maps (of which 5 folding) + 2 leaves facsimile proposed Admiralty Order of March 23 complete; Volumes III & IV 'The World Crisis 1916-1918 Parts I & II', 1927, 1st editions, Part I 12 maps & charts (several folding) + 10 ills in text complete, Part II 9 maps & charts (several folding) + 8 ills. in text complete, tipped in errata slip; Volume V 'The Aftermath', March 1929, 1st edition, 4 folding maps + 4 maps in text complete, tipped in errata slip, uniform original publisher's cloth gilt (4)

Hitler Youth Leader’s buckle and dress brocade (belt). The back of the buckle is stamped RZM 4/22; indicating this set was manufactured by or for the Christian Dicke uniform supply firm. The leather end of the belt is marked 105.

This autographed black and white photograph features Fleet Admiral Ernest J. King, one of the most significant naval officers in American history. This portrait captures King in full uniform, exuding confidence and authority during his tenure as Commander-in-Chief of the United States Fleet and Chief of Naval Operations. The signature, Ernest J. King, Admiral, U.S. Navy, 1944, is prominently displayed beneath the photograph, adding authenticity and historical value to this piece. Admiral King played a pivotal role in the Allied victory during World War II, overseeing naval operations in both the Atlantic and Pacific theaters. His leadership and strategic acumen were instrumental in coordinating naval efforts and ensuring the success of key wartime campaigns. Issued: 20th centuryDimensions: 11.5"L x 13.5"W x 0.75"DCondition: Age related wear.

A Michael Sutty porcelain military figurine representing the Trumpeter of the Junior Leaders' Regiment Royal Artillery in 1981. This finely detailed collectible showcases the Trumpeter in full ceremonial uniform, adorned with elaborate gold embellishments, a red and black plumed shako, and a gold ceremonial bugle. This figure is part of a limited edition of 250 pieces, numbered 130, as authenticated by the accompanying certificate. Handcrafted in England, this exquisite figurine is a testament to Michael Sutty's artistry, capturing military history with precision and elegance. Certificate of Authenticity included. Michael Sutty backstamp. Artist: Michael SuttyIssued: 20th centuryDimensions: 7.75"HCountry of Origin: EnglandCondition: Age related wear. As is.

This autographed black and white photograph features Admiral William D. Leahy, a key figure in the U.S. Navy during the early 20th century and World War II, serving as the first Fleet Admiral and Chief of Staff to President Franklin D. Roosevelt. This historically significant piece serves as a tribute to his lasting impact on American military leadership. Signed and inscribed to Rear Admiral Snyder with the dedication: To Rear Admiral Snyder, With affectionate regards, William D. Leahy. The photograph captures Leahy in full naval uniform, exuding the dignity and authority of one of the most prominent figures in U.S. military history. The wooden frame complements the vintage aesthetic of this remarkable collectible. Issued: 20th centuryDimensions: 9.25"L x 11.25"W x 1"DCondition: Age related wear.

A finely crafted Royal Doulton figurine titled Australian Digger HN322, designed by renowned sculptor E.W. Light. This rare piece pays tribute to the ANZAC soldiers, featuring a standing figure of an Australian infantryman in uniform with hands in pockets and a slouch hat, embodying the resilience and spirit of the Australian forces. This figurine is finished in a matte military green glaze, highlighting its historical and commemorative significance. The base is inscribed with "DIGGER," further emphasizing its tribute to the Australian soldiers of World War I. Manufactured in England, this exceptional piece is a sought-after collectible among military enthusiasts and Royal Doulton collectors. Royal Doulton backstamp. Artist: E.W. LightIssued: c. 1918 - 1938Dimensions: 11.75"HCountry of Origin: EnglandCondition: Age related wear.

Variation Two. Non-embossed. Black uniform, white and black helmet badge, hat badge decal decorated. Royal Doulton backstamp. Artist: Stanley J. TaylorIssued: 1987 - 2001Dimensions: 5.5''L x 5.25''W x 5.25''HCountry of Origin: EnglandCondition: Age related wear.

Limited-edition fine bone china figurine of Prince William, Duke of Cambridge, designed by John Bromley for The Figurine Collective. This piece commemorates the royal wedding of Prince William and Catherine, Duchess of Cambridge, on April 29, 2011. Prince William is depicted in his formal red military uniform with gold accents, a blue sash, and a peaked cap. The base bears the edition details and designer's signature. Handcrafted in England, this figurine is number 172 of a worldwide limited edition of 795. Artist: John BromleyIssued: 2012Dimensions: 11"HCountry of Origin: EnglandCondition: Age related wear.

This autographed black and white photograph features General Lauris Norstad, a prominent United States Air Force officer and NATO Supreme Allied Commander Europe from 1956 to 1963. Collectible for military history enthusiasts, highlighting the career of a key figure in Cold War era military leadership. The portrait captures Norstad in his military uniform, decorated with various medals and insignias that represent his distinguished service. Issued: 20th centuryDimensions: 8.5"L x 10.5"W x 1"DCondition: Age related wear.

A limited edition Michael Sutty porcelain military figurine. This meticulously hand painted figure showcases a striking red and black uniform with gold detailing, complemented by a decorative feathered hat. The officer is posed on a white base accented with gold, inscribed "Royal Artillery 1820." This piece is authenticated by the Royal Artillery Institution and is numbered 130 out of an edition of 250. Certificate of Authenticity included. Michael Sutty backstamp. Artist: Michael SuttyIssued: 20th centuryDimensions: 9"HCountry of Origin: EnglandCondition: Age related wear.

This autographed black & white photograph features Field Marshal John Harding, a senior British Army officer who fought in both the First World War and the Second World War, served in the Malayan Emergency, and later advised the British government on the response to the Mau Mau Uprising. The portrait shows Harding in full uniform, adorned with medals and insignia reflecting his military career. This item includes a 1970 letter from his private secretary, written on his behalf, to accompany the signed photograph. Issued: 1970Dimensions: 8.5"L x 10.5"W x 1"DCondition: Age related wear.

This autographed black and white photograph features Admiral Arthur W. Radford, signed and inscribed with a personal message of personal regards & good health wishes. The image depicts Radford in full naval uniform, standing confidently before an American flag, embodying the dignity and authority of one of the U.S. Navy's most prominent leaders. The simple silver frame complements the photograph, preserving its historical and personal significance. Admiral Radford was a distinguished officer who played a key role in the evolution of U.S. military strategy during the mid-20th century. His service as the second Chairman of the Joint Chiefs of Staff and his contributions to naval aviation made him a pivotal figure in American military history. Issued: 20th centuryDimensions: 8.5"L x 10.5"W x 0.75"DCondition: Age related wear. Glass is missing from frame.

Limited edition porcelain modelled as a poised man in military uniform with trumpet. Gold and silver accents seen throughout. Michael Sutty backstamp. Dimensions: 4"W x 11"HCountry of Origin: EnglandCondition: Age related wear.

This exquisite limited edition Michael Sutty porcelain figurine depicts the Drum Major of the Royal Regiment of Artillery in 1840. Known for his detailed military sculptures, Sutty meticulously crafted this figure with vibrant hand painted features and gold embellishments, capturing the grandeur of the period's uniform. The Drum Major stands proudly, adorned with a tall bearskin plume, ceremonial sash, and regimental accouterments, including the iconic drum major's baton. This figurine is part of a limited edition run of 250, with this piece numbered 130. Certificate of Authenticity included. Michael Sutty backstamp. Artist: Michael SuttyIssued: 20th centuryDimensions: 8.25"HCountry of Origin: EnglandCondition: Age related wear. As is.

This framed autographed photograph features General Dwight D. Eisenhower, the Supreme Commander of the Allied Expeditionary Force during World War II and the 34th President of the United States. The photograph captures Eisenhower in his military uniform, exuding the calm and confident demeanor that defined his leadership. Signed by Eisenhower in bold ink, it adds a personal and historical touch to this remarkable artifact. Accompanying this photograph is the historical Instrument of Surrender document, signed by Karl Donitz with the German Reichsadler emblem. This document is directly related to Eisenhower, as his leadership was pivotal in coordinating the Allied victory in Europe. Together, these items represent significant pieces of history tied to Eisenhower enduring legacy. Issued: 1945Dimensions: Each: 11.5"L x 14.5"W x 0.75"DCondition: Age related wear.

This extensive collection of Soviet-era memorabilia offers a comprehensive look into the history and symbolism of the USSR. The lot includes: Soviet Union Flag: A vivid red flag prominently displaying the hammer and sickle emblem with a star, emblematic of Soviet ideology. The flag is a striking representation of the USSR's identity. Soviet Military Insignia and Buttons: Multiple items include a bag of gold-tone buttons, many with iconic star designs, and insignias reflecting the official uniform embellishments of the Soviet military. Assorted Soviet Patches and Epaulets: A colorful assortment of military and organizational patches, shoulder epaulets, and embroidered badges, showcasing the design hierarchy and craftsmanship of Soviet-era uniforms. Commemorative Stainless Steel Flasks: Two stainless steel flasks adorned with Soviet insignias, including "???????" (Guards) badges, serving as functional and symbolic memorabilia. Medals, Pins, and Decorations: A collection of Soviet medals, badges, and awards featuring gold-tone details, red stars, and intricate designs. Highlights include military service awards and insignias with unique Soviet iconography. This collection is a treasure trove for collectors, historians, and enthusiasts, providing a vivid snapshot of Soviet history and its cultural artifacts. Each item is representative of the USSR's meticulous design and propaganda ethos, making it a valuable addition to any collection. Flag: Approx. 50.5"H and flasks: 5.5"H. Issued: 20th centuryDimensions: See DescriptionCountry of Origin: RussiaCondition: Age related wear.

A finely crafted Michael Sutty porcelain figurine representing a Royal Artillery Officer in 1815 uniform. This exceptional piece captures intricate details, including the officer's red and black military attire adorned with golden epaulets and buttons, complemented by a white feathered plume on the shako hat. The figurine is mounted on a glossy white base, edged with gold trim and inscribed "Royal Artillery 1815." This collectible figurine is authenticated by the Royal Artillery Institution and is part of a limited edition of 250, with this being number 130. Certificate of Authenticity included. Michael Sutty backstamp. Artist: Michael SuttyIssued: 20th centuryDimensions: 8"HCountry of Origin: EnglandCondition: Age related wear. As is.

This autographed black and white photograph features General Andrew J. Goodpaster, renown for his exceptional strategic acumen and leadership in various roles, including as the Supreme Allied Commander of NATO forces in Europe and as an advisor to multiple U.S. presidents. His career reflects a lifetime of dedication to the United States and its military operations. The image depicts General Goodpaster in full military uniform, standing against a patriotic backdrop with the American flag and military insignia visible in the background. Housed in a wooden frame, this piece is a significant collectible that honors the legacy of one of the most influential military leaders of the 20th century. Issued: 20th centuryDimensions: 9.25"L x 11.25"W x 0.75"DCondition: Age related wear.