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Click here to subscribeCollection of vintage boxed O gauge Hornby Series model railway models to include an L457 No.1 Special Locomotive (complete with key, mechanism not working but otherwise model in very good external condition for age, box poor/fair), 4x goods wagons, a brake Van and a No.2 Hydraulic Buffer Stop (models in generally excellent condition for age, boxes at least very good for age) (7)Shipping £38.00 plus vat (UK Only)
A Selection of Bburago 1:18th Scale Cars to include 1962 Ferrari 250 GTO, 1991 Bugatti EB110, 1961 Jaguar E-Type, 1965 ford AC Cobra 427 and 1928 Mercedes-Benz SSK. Various collection of smaller scale cars to include Saica Morris Minor and Matchbox Vintage Van amongst others. Also included Corgi 'Scramble Fighter' Set featuring Six Classic Fighter Planes from WWII. a/f. (1 Tray)
Selection of scale diecast vehicles to include WM Classic Airlines CA 2B Douglas DC-7C 'Seven Seas' K.L.M., Matchbox 'Models of Yesteryear' special edition YS16 1929 Scammell one hundred tonne truck and trailer with GER Class E4 2-4-0 locomotive, Vanguard Commer Flatbed, Brumm Morgan MX-4 1935, Lledo Dads Army Jones Van and Royal Hampshire Miniatures 'Flying Scotsman' and 'The Mallard'. Boxed. (1 Tray)
Collection of Corgi vehicles to include Fowler B6 Showmans Locomotive (Lion) Anderton & Rowland 80101 limited edition, Dad's Army 18501 Bedford O Series Van with figure of Hodges, 15005 British Railways Scammell Scarab, 15201 Scammell Scarab delivery truck set, Macbraynes Bedford TK Platform trailer and container and 97084 Limited EditionBedford Luton Van. Boxed. (1 Tray)
Josefa Sánchez (active between 1639 and 1652, possibly in Castile).Carved and painted wooden cross for a monk / nun's cell. At the feet of the crucified Christ, we find the representation of Saint Anthony with the Child Jesus.56.7 x 37.3 cm.Attached is a certificate from Dr. Cathy Hall-van den Elsen, dated December 20, 2024. Numerous women artists in this and any other field of art and society throughout history have faced indifference, ignorance and collective contempt, most of them will never be recognized, as they have fallen into inexorable anonymity. The artist, María Josefa Sánchez, is no exception to this unfair rule. Fortunately, however, in recent years the work of women artists of great renown such as María Josefa Sánchez has been revisited, shining the spotlight where shadows have always reigned. This arduous task, made more difficult by the scarcity of information, was begun by Mrs. Carmen G. Perez-Neu in the case of our painter (and many others) in her book “Universal Gallery of Women Painters” (1964), a start that seemed the beginning of a long journey through the desert, but that has borne fruit. In fact, welcome news came recently of the acquisition, by the Meadows Museum of Dallas, of a cross for private worship by Josefa Sánchez, in the summer of 2024. This piece, which was purchased along with a still life by Josefa de Ayala, “demonstrates her artistic skill [and] highlights her role in shaping the religious expression and spirituality of the period,” the museum states in the release announcing the acquisition.Both the cross (inv. MM.2024.10) from the Meadows, a museum that “houses one of the largest and most complete collections of Spanish art outside Spain”, and especially another magnificent painted cross, signed and dated 1646, exhibited at the Art Institute of Chicago (inv. 2018.52), have an undoubted resemblance to the cross we present in this auction. María Josefa Sánchez (active between 1639 and 1652, probably in Castile) specialized, in fact, in the production of crosses like this one, popular objects for private worship in Spain and Latin America, widely used in 17th century devotional painting.The first artwork by Sánchez, which put her on the map of relevant artists of the Spanish Golden Age was made known by José de Mesa and Teresa Gisbert in their publication, in 1970, for the Spanish Art Archive (volume 43, no. 169). As the art historian Fernando Collar de Cáceres points out in his article “Sobre algunas cruces pintadas de María Josefa Sánchez” (Pursuant to some painted crosses by María Josefa Sánchez) (1989), the aim of this publication was not to extol the quality of the piece, a cross signed and dated 1639, but the “contribution of the name of this unknown artist to the meager repertoire of Spanish painters”. In addition to numerous iconographic and stylistic contributions by Collar -we strongly recommend reading the article- the historian reveals that this first piece ended up being two: a signed copy located in the Monastery of San Antonio el Real in Segovia, with a slender, upright Christ that “responds to late 16th-century models [such as] those of Tristán or Bartolomé de Cárdenas,” with Adam's skull at the lower end of the cross and the Immaculate Conception between the two; and the second one is the painted Christ of the Convent of Santo Domingo el Real, from 1649, with, at His feet, “a young woman dressed in white and kneeling on a weightless sphere wrapped in fire [who] receives into her heart the blood that flows from the Christ's side”.This cross is accompanied by Dr. Cathy Hall-van den Elsen's certificate detailing the small but rich corpus by Josefa Sánchez, an artist whose legacy arouses great interest, as evidenced by her presence in exhibitions such as “Spain: art and empire in the Golden Age” (San Diego Museum of Art, 2019) and “Leaving her mark: a history of women artists in Europe, 1400-1800” (Baltimore Museum of Art and Art Gallery of Ontario, 2024).This lot has a valid export license from the Spanish Ministry of Culture. Reference Bibliography:- Collar de Cáceres, Fernando. (1989). “Sobre algunas cruces pintadas de María Josefa Sánchez” Estudios Segovianos. XXX, 86. Págs. 355-373. https://estudiossegovianos.es/?page_id=5239- Mesa, José de; Gisbert, Teresa. (1970). “Una pintora española del siglo XVII: Josefa Sánchez”. Archivo Español de Arte; Madrid Tomo 43, N.º 169, p. 93. https://www.proquest.com/openview/a1333d2d147e109f28f66baa6fa987be/1?pq-origsite=gscholar&cbl=1818508- Hernández Miranda, Julián. (2024). “El Meadows Museum anuncia la adquisición de dos pinturas de mujeres artistas del Barroco”. Meadows Museum. https://meadowsmuseumdallas.org/wp-content/uploads/2024/07/Ayala-Sanchez-Acquisition-Release-FINAL-FORMATTED-SP-WEB.pdf- Art Institute of Chicago. (2019). “María Josefa Sánchez’s Crucifixion”. https://www.artic.edu/articles/780/maria-josefa-sanchezs-crucifixion
Conroy (Pat) The Lords of Discipline, original boards, dust-jacket, Boston, 1980; The Water is Wide, signed presentation inscription from the author on front free endpaper, original boards, dust-jacket, rubbed, few tears, Boston, 1972 § Brooks (Van Wyck) Days of the Phoenix, signed presentation inscription from the author on browned front free endpaper, cloth-backed boards, New York, 1957; and c.150 others, foreign language fiction and American literature, v.s. (c.150)
Morris Minor - Collection of books, manuals, magazines, etc, to include; two c1950s issues of 'The Morris Quarter-Ton Van Workshop Manual'; selection of modern 'Minor Matters' magazines, 'The Morris Minor Centre Catalogue' 1986; selection of books to include Ray Newell, 'Morris Minor, The Complete Story' (1998). Paul Skilleter, 'The World's Supreme Small Car Morris Minor', (third edition, 1989); Jon Pressnell, 'Morris Minor, Exploring the Legend' 1998; Vintage Ad Gallery Morris Minor 1000 March 1958 print; etc
A collection of boxed diecast vehicles to include Corgi trucks, a limited edition Vintage Glory of Steam Garrett 4CD road Tractor, and Sentinel Flatbed Wagon, Kings of the Road CC12503 Atkinson Borderer Fridge Van, Jet Fighter Power English Electric Lightening F.MkII, Matchbox, Lledo, etc, together with a Days Gone Anderton & Rowlands Golden Dragon Carousel, limited edition no. 09035/10200.Condition Report: - Please note that this lot is not suitable for our in-house postage service.We would recommend collecting this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on https://www.adampartridge.co.uk/services/transport/
Corgi Classic Models to include D711 SAAB 96, D708 Ford Cortina Saloon and Police example, 96042 Jaguar E Type Soft Top, D982 Bedford CA Dormobile, 91625 West Midlands Travel Ford Transit, C279/3 Rolls Royce Corniche, 859/1 Thornycroft Van with Roof rack, Corgi Club 1992 VW van, 1993 Double Decker Bus together with 7 Fina Petrol issued cars (box)
Dinky Lesney Diecast Cars Models: to include Duplo roadmaster Leyland Royal Tiger coach, Morris Capstan van - well repainted in reproduction box, Austin Devon, Rover 75, Plymouth Woody estate car, Dinky 35b midget racer, Dinky Dublo Singer sports car, Lesney milk float Evening News, MG Sport (missing driver) a good selection
Tri-ang Railways Loco / Coaches / Rolling Stock To include Tank loco, R344 Track cleaner, R15 Milk wagon, R21 Shell tanker, R123 Horse box x2, R214 Ore wagon, R124 Brake van x3, R16 Brake van x3. R14 Fish van, R28 2nd Brake coach x2, R224 Restaurant car x2, R20 LMS coach, R322 Restaurant car, R128 Operating Helicopter car x3, R70 Level crossing x2 all boxed (box)
Corgi TV & Film Related Vehicle Group, to include Doctor Who TY 96201 Bessie, Dr. Who, Dalek, K-9, Charlie's Angels CC87501 Charlie's Angels Van, 05506 The Italian Job Three Piece Mini Set & 57403 Kojak Buick with Kojak Figure, conditions generally appear to be Excellent to Near Mint, within Good to Excellent packaging. See photo.
Corgi & Dinky Toys (Atlas Editions) Fire Service Vehicle Group, to include Corgi Fire Heroes & Nine Double Nine models, Dinky (Atlas Edition) 32E, and others, conditions generally appear to be Good to Good Plus, within Good to Good Plus boxes.. Also includes Corgi Only Fools & Horses Reliant Regal Super Van III, Excellent, within Good box. See photo.
Van Cleef & ArpelsCoin-style dress watchReference: 74244Serial: 111756Bezel: 18ct goldYear: 1960sCase Material: 18ct goldCase Diameter: 30mmDial: 18ct gold, Blue Steel Stick HandsNumerals: Pierced to Bezel, Roman at Cardinal points, Baton, also to case back, minute track to dialCrown: FlutedMovement: 17-Jewel manual-wind movementStrap: Black LeatherInner Circumference: Approximately 18cm at widestBuckle: 18ct gold buckleBox: Yes, unassociatedPapers: NoGross Weight: 31.8 grams The watch is currently running, no long-term tests have been performed and accuracy cannot be guaranteed, a full service is advised on all watches and pocket watches once purchased.Scratches to crystal, consistent with age and use.Scratches to all metal surfaces consistent with age and use.Slight wear and discolouration to dial.Slight wear to minute track.Debris surrounding case back.Wear to leather strap consistent with age and use.Case back engraved ‘74244’ and ‘11175G’.The online condition report may not mention mechanical replacements or imperfections to the movement, case, dial, pendulum, separate base(s) or dome. Watches with water-resistant cases may have been opened to examine movements, but no warranties are given regarding their water resistance. It is also important to note that we cannot guarantee the authenticity or originality of individual components, such as wheels, hands, crowns, crystals, screws, bracelets, and wrist bands, since subsequent repairs and restoration may have changed the original components. Also, we cannot guarantee the authenticity or originality of any engraving or re-engraving on watch cases, case backs, bracelets, straps or internal movements.
Kleine Bildplatte "Rembrandt"um 1900, unsigniert und ungemarkt, hochrechteckige Porzellanplatte mit feiner polychromer Aufglasurbemalung, wohl Selbstportrait des Malers Rembrandt Harmenszoon van Rijn (1606 in Leiden bis 1669 in Amsterdam), mit schwarzem Mantel und braunem Barett mit Feder vor dunklem Grund, über die Schulter blickend und den Betrachter verschmitzt zulächelnd, in breiter Lackleiste der Zeit, rückseitig in Tusche bezeichnet und Händlerstempel Conrad Leckert Coburg, minimalst fachmännisch restauriert, sonst guter altersgemäßer Zustand, Maße Platte ca. 11,5 x 9 cm, Maße Rahmen max. 22,5 x 20 cm.
Meissen Bildplatte Orientaleum 2000, rechts unten signiert Scherf F(elix), Lauschaer Porzellanmaler (geboren 1954), unterglasurblaue Schwertermarke mit Zusatz Hobby Collection um 2000, ein Unterstrich, Prägenummern und Jahreszeichen für 1997, hochrechteckige Porzellanplatte mit ovalem, leicht gemuldetem Bildfeld, feiner polychromer Aufglasurbemalung und rahmender Goldkante, Schulterportrait eines bärtigen Mannes in orientalischer Tracht vor dunklem Grund, nach Gemälde-Vorlage des niederländischen Malers Rembrandt van Rijn (1606-1669), guter Zustand, Maße ca. 18 x 15 cm.
Fünf Vasen Delftmeist 19. Jh., drei Deckelvasen gemarkt Johannes van Duijn Manufaktur De Porceleyne Schotel, dazu eine gemarkt De drie Klokken, heller Fayencescherben mit kleisterblauer Glasur und kobaltblauer Bemalung, niederländische Motive mit rauchendem Fischer, Segelbooten und Architekturmalerei, die Deckel bekrönt von Papageien mit Kugeln, geringe Glasurabplatzer und Craquelé, H max. 38 cm.
Roland Paris, figürliche Tischlampe "Jongleur"um 1925, unsigniert, Bronze dunkelbraun patiniert, auf einem Ball balancierender Jongleur auf ornamentverziertem und getrepptem, facettiertem Sockel, die Züge der Lampe als weitere, durch die Luft fliegende Bälle, diese ergänzt, dreiflammig elektrifiziert, Elektrik erneuert und auf Batteriebetrieb umgestellt, funktionstüchtig, H 61,5 cm. Künstlerinfo: österreichischer Maler, Plastiker und Holzschneider (1894 Wien bis 1945 Swinemünde), studierte bei Henry van de Velde und Gottlieb Elster an der Kunstschule Weimar, weitergebildet in München, betrieb als Graphiker seinen eigenen Verlag, arbeitete vorwiegend als Entwerfer für Porzellanplastik, unter anderem für Rosenthal, Hutschenreuther, Heubach, Fraureuth, Lichte und die Schwarzburger Werkstätten, tätig in Berlin, Quelle: Thieme-Becker, Vollmer und Dressler.
Jan van der Heyden, Das Löschen von Gebäudebrändendetailreiche Darstellung zum Löschen von Bränden mittels Schläuchen, erschienen als Ergänzung zu" Brandspuiten-boek", im oberen Bereich zwei Kartuschen in Niederländisch und Französisch, unterhalb der Darstellung zweisprachiger Text, Kupferstich, um 1690, saubere Faltlinien, leichte Erhaltungsmängel, auf Karton aufgelegt und hinter Glas gerahmt, Blattmaße ca. 56,5 x 49 cm. Künstlerinfo: holl. Maler und Erfinder (1637 Gorinchem bis 1713 Amsterdam), Lehre als Glasmaler, ging nach Amsterdam und Beschäftigung mit der Architekturmalerei, Entwicklung einer Straßenbeleuchtung für Amsterdam, ab 1669 Beschäftigung und Erfindung von technischen Geräten zur Feuerbekämpfung sowie Erfindung des Feuerwehrschlauchs, Quelle: Thieme-Becker, Meyer´s Konversationslexikon und Wikipedia.
Klaus Böttger, Mappenwerk "Weltsprache Musik"enthält 14 Aquatintaradierungen zu verschiedenen Komponisten der letzten Jahrhunderte, unter anderem von Johann Sebastian Bach, Ludwig van Beethoven, Anton Bruckner, Franz List, Gustav Mahler, Wolfgang Amadeus Mozart und Richard Wagner, jedes Blatt unter der Darstellung in Blei rechts signiert und datiert "Klaus Böttger (19)89", links nummeriert "56/99" und mittig betitelt, mit drei Doppelbögen Begleittext, eingelegt in hellblauer Leinenkassette (etwas fleckig), erschienen bei Kunst Publik Monika Limbacher-München 1989", Darstellungsmaße ca. 33 x 24,5 cm, Blattmaße ca. 53,5 x 36 cm. Künstlerinfo: dt. Graphiker (1942 Dresden bis 1992 Wiesbaden), 1963-69 Studium der Kunstgeschichte in Mainz, ab 1964 Auseinandersetzung mit der Druckgraphik, enge Zusammenarbeit mit der Büchergilde Gutenberg, Teilnahme an fast 500 Ausstellungen im In- und Ausland. Quelle: Wikipedia.
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