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Lot 309
Marc Warren signed 10x8 Band of Brothers colour photo. Marc Warren (born 20 March 1967) is an English actor, known for his British television roles. His roles have included Albert Blithe in Band of Brothers, Danny Blue in Hustle, Dougie Raymond in The Vice, Dominic Foy in State of Play, Rick in Mad Dogs, the Comte de Rochefort in The Musketeers and the Gentleman in Jonathan Strange and Mr Norrell, and Piet Van Der Valk in TV series Van Der Valk. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 311
Marc Warren signed 10x8 Band of Brothers colour photo. Marc Warren (born 20 March 1967) is an English actor, known for his British television roles. His roles have included Albert Blithe in Band of Brothers, Danny Blue in Hustle, Dougie Raymond in The Vice, Dominic Foy in State of Play, Rick in Mad Dogs, the Comte de Rochefort in The Musketeers and the Gentleman in Jonathan Strange and Mr Norrell, and Piet Van Der Valk in TV series Van Der Valk. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 366
Circa 1935 Hornby O gauge 0-4-0 clockwork locomotive No 1179 (AF) with 'gauge for rails' key, and boxed No 1 Special Tender in Southern green livery together with 10 boxed Hornby 0 gauge railway models comprising 2 M1/2 Pullman coaches C552 Marjorie and Aurelia, Fish Van RS699, Lumber wagon R167, No 1 Wagon W604, 2 x No 1 Wagon 42240, Milk Traffic Van RS701, Meat Van RS700 and Platelayer's Hut A818 (12)
Lot 408
Hornby Dublo Train Set; 1930-41 EDG7 Tank Goods Set comprising 0-6-2 Southern green Tank Loco No.2954, open wagon, goods van, guards van, 2 straight rails, 7 curved rails, 1 curved terminator rail and controller, together with Hornby HM 2000 power controller and further boxed vintage Hornby transformers and controllers.
Lot 412
A collection of boxed model vehicles including Dinky 'Heinz' Van DY4, coaches and trucks by EFE, Pickfords and US Army box sets by Lledo, 1949 Mercury Club Coupe by Eagle, together with unboxed vehicles by Dinky, Corgi, Lesney etc and 4 framed vintage advertising pages promoting Wolseley, Vauxhall and MG motor cars
Lot 1
A Peugeot Partner van, registration NU64 DRX, first registered 30.9.2014, MOT until 24.4.2024, one key, No V5C, 198,780 miles. CONDITION REPORT: Sold without reserve. Front tyre currently down. Cosmetic issues both internally and externally. Large dent to rear door. This is not a conclusive condition report. Please note there is no V5C and no further paperwork. Sold as seen, the vehicle has been running and moving but the battery is now flat.
Lot 1025
The Bauhaus was a revolutionary German art school that operated from 1919 to 1933. It is widely regarded as one of the most influential movements in the fields of art, design, and architecture. Here are some key points about the Bauhaus:1. Origins and Philosophy: The Bauhaus was founded by architect Walter Gropius in Weimar, Germany, in 1919. It aimed to unite art, craft, and technology, breaking down the traditional boundaries between fine arts and applied arts. The school promoted the idea of creating functional, aesthetically pleasing objects and buildings that could be mass-produced for the modern industrial society.2. Curriculum and Approach: The Bauhaus offered a comprehensive and interdisciplinary curriculum, combining theoretical and practical education in various artistic disciplines. The coursework included workshops in areas such as architecture, painting, sculpture, graphic design, textile arts, metalworking, and furniture design. The faculty consisted of renowned artists and designers who encouraged experimentation, craftsmanship, and the exploration of new materials and techniques.3. Integration of Art and Industry: The Bauhaus emphasized the integration of art and industry, seeking to bridge the gap between art and everyday life. The goal was to create functional and accessible designs that could enhance people's living environments. The school collaborated with industry and manufacturers to develop prototypes and designs for mass production.4. Bauhaus Style and Aesthetics: The Bauhaus style is characterized by simplicity, clean lines, geometric forms, and the use of modern materials such as glass, steel, and concrete. The emphasis was on functional design and the elimination of unnecessary ornamentation. Bauhaus artists and designers sought to create a new visual language that reflected the spirit of the modern age.5. Notable Figures and Teachers: The Bauhaus attracted a diverse group of talented artists, designers, and architects as both students and teachers. Prominent figures associated with the Bauhaus include Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, Marcel Breuer, Oskar Schlemmer, and Josef Albers, among many others. Each of these individuals made significant contributions to the fields of art, design, and architecture.6. Closure and Legacy: The Bauhaus faced political pressure and financial difficulties throughout its existence. In 1933, the school was forced to close under pressure from the Nazi regime, which deemed its ideas and artistic expression as "degenerate." However, the influence of the Bauhaus continued to spread globally as its teachers and students emigrated and disseminated its ideas. The legacy of the Bauhaus can be seen in modernist architecture, industrial design, and the principles of form-follows-function that still resonate in contemporary design practices.The Bauhaus remains a symbol of innovation, creativity, and the integration of art and design. Its ideas and principles have had a lasting impact on modern art, architecture, and design, shaping the way we perceive and interact with our built environment.Measures 18 x 24.Mounted to archival quality paper.
Lot 1057
The Bauhaus was a revolutionary German art school that operated from 1919 to 1933. It is widely regarded as one of the most influential movements in the fields of art, design, and architecture. Here are some key points about the Bauhaus:1. Origins and Philosophy: The Bauhaus was founded by architect Walter Gropius in Weimar, Germany, in 1919. It aimed to unite art, craft, and technology, breaking down the traditional boundaries between fine arts and applied arts. The school promoted the idea of creating functional, aesthetically pleasing objects and buildings that could be mass-produced for the modern industrial society.2. Curriculum and Approach: The Bauhaus offered a comprehensive and interdisciplinary curriculum, combining theoretical and practical education in various artistic disciplines. The coursework included workshops in areas such as architecture, painting, sculpture, graphic design, textile arts, metalworking, and furniture design. The faculty consisted of renowned artists and designers who encouraged experimentation, craftsmanship, and the exploration of new materials and techniques.3. Integration of Art and Industry: The Bauhaus emphasized the integration of art and industry, seeking to bridge the gap between art and everyday life. The goal was to create functional and accessible designs that could enhance people's living environments. The school collaborated with industry and manufacturers to develop prototypes and designs for mass production.4. Bauhaus Style and Aesthetics: The Bauhaus style is characterized by simplicity, clean lines, geometric forms, and the use of modern materials such as glass, steel, and concrete. The emphasis was on functional design and the elimination of unnecessary ornamentation. Bauhaus artists and designers sought to create a new visual language that reflected the spirit of the modern age.5. Notable Figures and Teachers: The Bauhaus attracted a diverse group of talented artists, designers, and architects as both students and teachers. Prominent figures associated with the Bauhaus include Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, Marcel Breuer, Oskar Schlemmer, and Josef Albers, among many others. Each of these individuals made significant contributions to the fields of art, design, and architecture.6. Closure and Legacy: The Bauhaus faced political pressure and financial difficulties throughout its existence. In 1933, the school was forced to close under pressure from the Nazi regime, which deemed its ideas and artistic expression as "degenerate." However, the influence of the Bauhaus continued to spread globally as its teachers and students emigrated and disseminated its ideas. The legacy of the Bauhaus can be seen in modernist architecture, industrial design, and the principles of form-follows-function that still resonate in contemporary design practices.The Bauhaus remains a symbol of innovation, creativity, and the integration of art and design. Its ideas and principles have had a lasting impact on modern art, architecture, and design, shaping the way we perceive and interact with our built environment.Measures 18 x 24.Mounted to archival quality paper.
Lot 1072
Austria is a landlocked country located in Central Europe. It is known for its rich history, stunning landscapes, and contributions to art, music, and culture. Here are some key points about Austria:1. **Geography:** Austria is bordered by eight countries: Germany to the northwest, Czech Republic to the north, Slovakia to the northeast, Hungary to the east, Slovenia and Italy to the south, and Switzerland and Liechtenstein to the west. It is characterized by the majestic Alps, rolling hills, and beautiful lakes.2. **History:** Austria has a rich history dating back to the Roman Empire. It was the center of the powerful Habsburg monarchy for centuries, which ruled a vast empire across Europe. The country was also part of the Austro-Hungarian Empire until its dissolution after World War I.3. **Cultural Legacy:** Austria has had a profound impact on European culture. It was the birthplace of many famous historical figures, including Wolfgang Amadeus Mozart, Ludwig van Beethoven, Sigmund Freud, and Gustav Klimt. The capital city, Vienna, has been a cultural hub for centuries, with a strong legacy in music, art, and architecture.4. **Music and Arts:** Austria's contributions to classical music are immense. It was the birthplace of numerous composers, including Mozart, Beethoven, Joseph Haydn, Franz Schubert, and Johann Strauss II. Vienna is famous for its opera houses, concert halls, and classical music scene. The Vienna Secession art movement, led by Klimt, was also a significant cultural milestone.5. **Language:** The official language is German, and the Austrian dialect has its distinct features and variations.6. **Cuisine:** Austrian cuisine is known for its hearty dishes, including schnitzel (breaded and fried meat cutlets), sausages, and pastries like strudels and Sachertorte (chocolate cake). The country is also famous for its coffeehouse culture.7. **Tourism:** Austria attracts tourists with its breathtaking natural landscapes, including the Alps and pristine lakes. The cities of Vienna, Salzburg (Mozart's birthplace), and Innsbruck are popular destinations for their historical sites, architecture, and cultural attractions.8. **Winter Sports:** The Austrian Alps are a haven for winter sports enthusiasts. The country is renowned for its ski resorts, which offer skiing, snowboarding, and other winter activities.9. **Political Structure:** Austria is a parliamentary democracy with a president as the head of state and a chancellor as the head of government.10. **European Union:** Austria is a member of the European Union, playing a role in regional and international politics.Austria's historical significance, cultural contributions, and stunning landscapes make it a fascinating and diverse country that continues to captivate visitors from around the world.Measures 36 x 54.Mounted to linen.
Lot 1099
The Bauhaus was a revolutionary German art school that operated from 1919 to 1933. It is widely regarded as one of the most influential movements in the fields of art, design, and architecture. Here are some key points about the Bauhaus:1. Origins and Philosophy: The Bauhaus was founded by architect Walter Gropius in Weimar, Germany, in 1919. It aimed to unite art, craft, and technology, breaking down the traditional boundaries between fine arts and applied arts. The school promoted the idea of creating functional, aesthetically pleasing objects and buildings that could be mass-produced for the modern industrial society.2. Curriculum and Approach: The Bauhaus offered a comprehensive and interdisciplinary curriculum, combining theoretical and practical education in various artistic disciplines. The coursework included workshops in areas such as architecture, painting, sculpture, graphic design, textile arts, metalworking, and furniture design. The faculty consisted of renowned artists and designers who encouraged experimentation, craftsmanship, and the exploration of new materials and techniques.3. Integration of Art and Industry: The Bauhaus emphasized the integration of art and industry, seeking to bridge the gap between art and everyday life. The goal was to create functional and accessible designs that could enhance people's living environments. The school collaborated with industry and manufacturers to develop prototypes and designs for mass production.4. Bauhaus Style and Aesthetics: The Bauhaus style is characterized by simplicity, clean lines, geometric forms, and the use of modern materials such as glass, steel, and concrete. The emphasis was on functional design and the elimination of unnecessary ornamentation. Bauhaus artists and designers sought to create a new visual language that reflected the spirit of the modern age.5. Notable Figures and Teachers: The Bauhaus attracted a diverse group of talented artists, designers, and architects as both students and teachers. Prominent figures associated with the Bauhaus include Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, Marcel Breuer, Oskar Schlemmer, and Josef Albers, among many others. Each of these individuals made significant contributions to the fields of art, design, and architecture.6. Closure and Legacy: The Bauhaus faced political pressure and financial difficulties throughout its existence. In 1933, the school was forced to close under pressure from the Nazi regime, which deemed its ideas and artistic expression as "degenerate." However, the influence of the Bauhaus continued to spread globally as its teachers and students emigrated and disseminated its ideas. The legacy of the Bauhaus can be seen in modernist architecture, industrial design, and the principles of form-follows-function that still resonate in contemporary design practices.The Bauhaus remains a symbol of innovation, creativity, and the integration of art and design. Its ideas and principles have had a lasting impact on modern art, architecture, and design, shaping the way we perceive and interact with our built environment.Measures 18 x 24.Mounted to archival quality paper.
Lot 1179
The Bauhaus was a revolutionary German art school that operated from 1919 to 1933. It is widely regarded as one of the most influential movements in the fields of art, design, and architecture. Here are some key points about the Bauhaus:1. Origins and Philosophy: The Bauhaus was founded by architect Walter Gropius in Weimar, Germany, in 1919. It aimed to unite art, craft, and technology, breaking down the traditional boundaries between fine arts and applied arts. The school promoted the idea of creating functional, aesthetically pleasing objects and buildings that could be mass-produced for the modern industrial society.2. Curriculum and Approach: The Bauhaus offered a comprehensive and interdisciplinary curriculum, combining theoretical and practical education in various artistic disciplines. The coursework included workshops in areas such as architecture, painting, sculpture, graphic design, textile arts, metalworking, and furniture design. The faculty consisted of renowned artists and designers who encouraged experimentation, craftsmanship, and the exploration of new materials and techniques.3. Integration of Art and Industry: The Bauhaus emphasized the integration of art and industry, seeking to bridge the gap between art and everyday life. The goal was to create functional and accessible designs that could enhance people's living environments. The school collaborated with industry and manufacturers to develop prototypes and designs for mass production.4. Bauhaus Style and Aesthetics: The Bauhaus style is characterized by simplicity, clean lines, geometric forms, and the use of modern materials such as glass, steel, and concrete. The emphasis was on functional design and the elimination of unnecessary ornamentation. Bauhaus artists and designers sought to create a new visual language that reflected the spirit of the modern age.5. Notable Figures and Teachers: The Bauhaus attracted a diverse group of talented artists, designers, and architects as both students and teachers. Prominent figures associated with the Bauhaus include Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, Marcel Breuer, Oskar Schlemmer, and Josef Albers, among many others. Each of these individuals made significant contributions to the fields of art, design, and architecture.6. Closure and Legacy: The Bauhaus faced political pressure and financial difficulties throughout its existence. In 1933, the school was forced to close under pressure from the Nazi regime, which deemed its ideas and artistic expression as "degenerate." However, the influence of the Bauhaus continued to spread globally as its teachers and students emigrated and disseminated its ideas. The legacy of the Bauhaus can be seen in modernist architecture, industrial design, and the principles of form-follows-function that still resonate in contemporary design practices.The Bauhaus remains a symbol of innovation, creativity, and the integration of art and design. Its ideas and principles have had a lasting impact on modern art, architecture, and design, shaping the way we perceive and interact with our built environment.Measures 18 x 24.Mounted to archival quality paper.
Lot 521
Vincent van Gogh (1853-1890) was a Dutch post-impressionist painter known for his highly recognizable and emotionally charged artworks. Here's some information about Vincent van Gogh:1. Artistic Style: Van Gogh's artistic style was characterized by bold and expressive brushwork, vivid colors, and a unique approach to capturing light and texture. His paintings often conveyed a sense of emotional intensity and personal interpretation of the subject matter.2. Life and Background: Van Gogh had a tumultuous life and struggled with mental health issues. He began his artistic career relatively late, in his late twenties, and was largely self-taught. Throughout his life, he moved frequently and lived in various cities, including Paris, Arles, and Saint-Rémy-de-Provence.3. Iconic Artworks: Van Gogh produced a vast body of work, including around 2,100 artworks, consisting of paintings, drawings, and sketches. Some of his most famous and beloved works include "The Starry Night," "Sunflowers," "Irises," "The Potato Eaters," and his self-portraits. These artworks showcase his unique style and exploration of color, texture, and emotion.4. Influence and Recognition: While Van Gogh's art was not widely appreciated during his lifetime, his posthumous recognition grew rapidly after his death. His unique style and personal expression had a profound impact on subsequent generations of artists. Today, he is considered one of the most influential figures in Western art history.5. Letters: Van Gogh was a prolific letter writer, and his letters to his brother Theo provide valuable insights into his artistic process, thoughts, and struggles. These letters offer a deeper understanding of his life and artistic development and have contributed significantly to his posthumous fame.6. Tragic End: Van Gogh's life was marked by mental health challenges and personal struggles. In 1890, at the age of 37, he died by suicide. His tragic death has added a layer of myth and fascination to his life story and has further propelled the interest in his art.Vincent van Gogh's art continues to captivate audiences worldwide with its unique style, emotional depth, and powerful expression. His contributions to the art world have left a lasting impact, and his artworks remain highly sought after and admired for their beauty, intensity, and profound exploration of the human experience.Measures 36 x 48.Frame measures 39 x 51.Sold "after" Van Gogh.
Lot 563
Yoshitomo Nara is a contemporary Japanese artist known for his distinctive style of art, often depicting innocent-looking, childlike characters with a touch of rebellion. Here are some key points about Yoshitomo Nara:1. Style and Artistic Approach: Nara's art is characterized by his portrayal of young, often solitary figures with large, expressive eyes. His subjects are reminiscent of children or young adults, evoking a sense of vulnerability, innocence, and mischief. Nara's art combines elements of manga, anime, and Western pop culture with a blend of traditional and contemporary influences.2. Influences: Nara's artistic influences stem from various sources, including Japanese popular culture, punk music, and Western art movements such as Pop Art and Street Art. He is inspired by the aesthetics of manga and anime, as well as by artists like Vincent van Gogh, Edward Hopper, and Egon Schiele.3. Themes and Symbolism: Nara's artwork often explores themes of childhood, identity, rebellion, and isolation. His characters, while seemingly innocent, can convey a sense of defiance, melancholy, or even a mischievous attitude. They often reflect the complexities and contradictions of human emotions and experiences.4. Painting and Sculpture: Nara is known for his skill in both painting and sculpture. In addition to his iconic paintings, he has also created three-dimensional works, including sculptures of his recognizable characters. His sculptures often retain the same expressive qualities and childlike innocence found in his two-dimensional art.5. International Recognition: Yoshitomo Nara's artwork has gained international acclaim and recognition. He has exhibited in major museums and galleries around the world, including the Museum of Contemporary Art, Los Angeles; the Museum of Modern Art, New York; and the National Museum of Modern Art, Tokyo.6. Popularity and Influence: Nara's unique style and recognizable characters have garnered a devoted following. His art has influenced many contemporary artists and has become highly sought after in the art market.7. Philanthropy: Nara has been involved in various philanthropic efforts. He has used his artwork to support charitable causes and has collaborated with organizations to raise funds for children's education and welfare.8. Nara's Persona: Nara is often described as a humble and down-to-earth artist, despite his international fame. He has been known to live a relatively private life, maintaining a sense of independence and avoiding excessive media attention.Yoshitomo Nara's art captures a blend of innocence and rebellion, evoking a wide range of emotions and resonating with viewers around the world. His distinctive style and iconic characters have made him a significant figure in contemporary art, continuing to inspire and captivate audiences with his unique artistic vision.Walk on Flip clock.Plastic.Measures 4.1 x 7.6 x 2.9.
Lot 932
The Bauhaus was a revolutionary German art school that operated from 1919 to 1933. It is widely regarded as one of the most influential movements in the fields of art, design, and architecture. Here are some key points about the Bauhaus:1. Origins and Philosophy: The Bauhaus was founded by architect Walter Gropius in Weimar, Germany, in 1919. It aimed to unite art, craft, and technology, breaking down the traditional boundaries between fine arts and applied arts. The school promoted the idea of creating functional, aesthetically pleasing objects and buildings that could be mass-produced for the modern industrial society.2. Curriculum and Approach: The Bauhaus offered a comprehensive and interdisciplinary curriculum, combining theoretical and practical education in various artistic disciplines. The coursework included workshops in areas such as architecture, painting, sculpture, graphic design, textile arts, metalworking, and furniture design. The faculty consisted of renowned artists and designers who encouraged experimentation, craftsmanship, and the exploration of new materials and techniques.3. Integration of Art and Industry: The Bauhaus emphasized the integration of art and industry, seeking to bridge the gap between art and everyday life. The goal was to create functional and accessible designs that could enhance people's living environments. The school collaborated with industry and manufacturers to develop prototypes and designs for mass production.4. Bauhaus Style and Aesthetics: The Bauhaus style is characterized by simplicity, clean lines, geometric forms, and the use of modern materials such as glass, steel, and concrete. The emphasis was on functional design and the elimination of unnecessary ornamentation. Bauhaus artists and designers sought to create a new visual language that reflected the spirit of the modern age.5. Notable Figures and Teachers: The Bauhaus attracted a diverse group of talented artists, designers, and architects as both students and teachers. Prominent figures associated with the Bauhaus include Walter Gropius, Paul Klee, Wassily Kandinsky, Ludwig Mies van der Rohe, Marcel Breuer, Oskar Schlemmer, and Josef Albers, among many others. Each of these individuals made significant contributions to the fields of art, design, and architecture.6. Closure and Legacy: The Bauhaus faced political pressure and financial difficulties throughout its existence. In 1933, the school was forced to close under pressure from the Nazi regime, which deemed its ideas and artistic expression as "degenerate." However, the influence of the Bauhaus continued to spread globally as its teachers and students emigrated and disseminated its ideas. The legacy of the Bauhaus can be seen in modernist architecture, industrial design, and the principles of form-follows-function that still resonate in contemporary design practices.The Bauhaus remains a symbol of innovation, creativity, and the integration of art and design. Its ideas and principles have had a lasting impact on modern art, architecture, and design, shaping the way we perceive and interact with our built environment.Measures 18 x 24.Mounted to archival quality paper.
Lot 28
The origins of Vanden Plas went back to Carrosserie Van den Plas, formed in Belgium in 1898, and an English subsidiary established in 1913. In the 1920s it went bust but was reformed and prospered making bodywork for the likes of Bentley and Alvis. Acquired by BMC in 1946. By the late 1950s the company was engaged in adding luxury fittings to a range of Austin-Morris models produced by BMC. In 1963, the ADO16 range of saloons began to be upgraded culminating in the lavishly equipped Vanden Plas 1300 Princess as offered here. Leather upholstery, wood veneer, a distinctive radiator grille and special badging distinguished these VDP examples, whilst the 1.3-litre twin carburettor engine shared with the MG models developed some 65bhp, resulting in a 90mph top speed.Having been registered on 7th February 1972. The car went through a comprehensive restoration in 2021. Appearing to have covered just 84,000 miles from new. The car now looks like the car could have concours winning potential. Whilst the Vanden Plas Princess isn’t considered something overtly special, or highly desirable, we have to say this car is! In the catalogue we can see why you might just flick past. However, everyone who has walked up to this car has been blown away by how good it looks and feels. In the flesh, it beats some other great cars we have to offer.The history file shows 4 previous keepers and comes with a document wallet with some photographic evidence as well as invoices and notes, of the work carried out in 2021. If you do nothing else take some time whilst you are at Bishton to pay homage to this beautiful piece of engineered luxury. You won’t regret it.
Lot 561
1959 Austin Mini Se7en Deluxe Saloon Registration no. XAA 807 Chassis no. A-A2S7-7854 Engine no. 8AM-U-H/411714 (see text)•Dating from the first year of Mini production•Restored in the late 1980s•Regularly attendee at car shows and rallies throughout the Southeast•Substantial history file'The new Mini was as different from the British small car norm in 1959 as a space shuttle from a firework. It bristled with innovative ideas, it looked radically different from any other car and was the most compact 'real' car Britain ever produced.' – Chris Rees, Complete Classic Mini. One of the most influential automobiles of all time, the Alec Issigonis-designed Mini debuted in 1959 to universal acclaim. True, there had been numerous front-wheel-drive designs before the Mini's arrival, but the transverse engine layout allowed Issigonis to create a trend-setting masterpiece of automotive packaging. The first Mini prototypes were running by November 1957 and in April 1959 the first pre-production examples were hand-assembled at Austin's Longbridge factory. In May 1959, the first Morris-badged version was built at Cowley and that car, registration '621 AOK', now forms part of the British Motor Industry Heritage Trust's collection at Gaydon. Less than two-and-a-half years after its initial conception the Mini was officially launched at the 1959 Motor Show, having been shown to the motoring press eight days previously. BMC chose to market the car as the 'Austin Se7en' and 'Morris Mini Minor' before 'Mini' became a marque in its own right in 1969. In due course estate and van versions arrived, larger engines became available, more luxurious Riley and Wolseley models joined the line-up and the sporting Mini Cooper was introduced. The early Mk1 had the 848cc A-Series engine, rubber cone suspension and floor-mounted starter button, the latter two features being replaced by Hydrolastic suspension and key starting respectively in 1964. De Luxe versions – preferred by the majority of customers – came with bumper over-riders and additional exterior brightwork.Competed on 30th November 1959, this very early Austin Se7en was despatched new to Haigs Motor Co Ltd in Southsea, Hampshire. Originally finished in Tartan Red with grey/red interior, it left the factory equipped with a heater, kicking strips, and a rubber mat in boot, and was registered as 'XAA 807' on 18th December 1959. It would appear that the original engine ('8AM-U-H/7590') has since been replaced. The car's early history is unknown until 1973 when it was purchased in Southampton for £95. The Mini was used continuously and well loved. The same family owned the car until 1986, by which time it was worn out and had been garage stored for some considerable time. In 1988 'XAA' was purchased by Malcolm Bell and lovingly restored using many original parts. The Mini was also returned to its original red exterior colour. Since then the car has been maintained by the aforementioned owner, regularly attending shows and rallies throughout the Southeast. There is a substantial file with the car containing numerous old MoTs, ownership history, bills and other documents, while in the boot may be found sundry spares, some books, and other associated equipment. Described by the vendor as in generally good, condition, though with some minor cosmetic imperfections, 'XAA 807' represents a wonderful opportunity to acquire a restored example of one of the 20th Century's greatest cars in its earliest, purest form. Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 502
1985 Austin Maestro 700 City Van Registration no. B959 DOF Chassis no. SAXXCHGD1AM281900 Engine no. 12HB12AA0101029Replacing the outgoing Ambassador model, the Maestro debuted as Austin Rover Group's new medium sized hatchback in 1983, but unlike its predecessor used steel springs rather than the Hydragas suspension system and mounted its gearbox at the end of the crankshaft instead of beneath it. Engine options ranged from the venerable 1.3-litre A-Series to more modern 1.6- and 2.0-litre overhead-camshaft units, while the VW Golf gearbox was an example of cross-manufacturer technology sharing. Offered here is an example of the Maestro-based light van. First registered to Patrick Motors Ltd as '280 PMG', this vehicle was used to deliver parts to Austin dealerships and was liveried to match the Patrick Motors branding at that time. It has been driven once or twice in recent years and will require recommissioning before returning to the road. Offered with old/current V5C documents and an expired MoT (2018). Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 504
1985 Bedford Astra Van Registration no. B85 EOG Chassis no. SKF000037FE107807 Engine no. 1314369General Motors imported Chevrolet commercial vehicles into the UK during the 1920s before setting up domestic manufacture at Vauxhall's Luton plant under the 'Bedford' brand name in 1931. Chevrolet cabs were used initially but otherwise the first Bedfords were entirely new and successful to such an extent that the company coined the advertising slogan 'You See Them Everywhere'. Bedford's light commercial vans were, as one might expect, based on Vauxhall chassis and this 1.3-litre Astra Van is derived from its popular Vauxhall saloon car namesake. It is one of GM's last light commercials to be badged as a Bedford - later ones were Vauxhall.This Bedford Astra was originally registered to Reeve & Stedeford of Solihull (Patrick Motors' Jaguar/Daimler dealership) and used as a parts delivery van. Registered to Patrick Motors Ltd in 1993, it has not been driven for many years and will require recommissioning before further use. Offered with an old-style V5C document.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 510
1992 Rover Mini 'British Open Classic' Saloon Registration no. K450 EKV Chassis no. SAXXNYADBBD054952•Rare 'special edition' Mini•One of 1,000 UK-market examples'The new Mini was as different from the British small car norm in 1959 as a space shuttle from a firework. It bristled with innovative ideas, it looked radically different from any other car and was the most compact 'real' car Britain ever produced.' – Chris Rees, 'Complete Classic Mini'.One of the most influential automobiles of all time, the Alec Issigonis-designed Mini debuted in 1959 to universal acclaim. True, there had been numerous front-wheel-drive designs before the Mini's arrival, but the transverse engine layout allowed Issigonis to create a trend-setting masterpiece of automotive packaging. Less than two-and-a-half years after its initial conception the Mini was officially launched at the 1959 Motor Show, having been shown to the motoring press eight days previously. BMC chose to market the car as the 'Austin Se7en' and 'Morris Mini Minor' before 'Mini' became a marque in its own right in 1969. In due course estate and van versions arrived, larger engines became available, more luxurious Riley and Wolseley models joined the line-up and the sporting Mini Cooper was introduced. The early Mk1 had the 848cc A-Series engine, rubber cone suspension and floor-mounted starter button, the latter two features being replaced by Hydrolastic suspension and key starting respectively in 1964.'Special Edition' Minis first appeared in the mid-1970s and that offered here is an example of one of the two 1992 offerings, the Mini 'British Open Classic', the other being the Mini 'Italian Job'. Finished in British Racing Green metallic, the 'Open Classic' was the first special edition to be based on the new 1.3-litre Mini and the first UK-market model with a folding sunroof, the latter electrically operated. Being one of just 1, 000 built, this example has been subject to recent restoration works. The car upgrades include being resprayed in British Racing Green with an added touch of sparkle, along with a stage one kit (including LCB manifold & single box, manifold exhaust, fitted with 13 x 7' Minilite wheels and sportpack arches, custom made alum chequer-plate dash with centre clock, Hi-Lo's Spa adjustable dampers, poly bushes, aluminium radiator and copper lines). The suspension was set up by Southam Mini & Metro Centre. Displaying 55,233 miles on the odometer, the car comes with V5, 2 keys, handbook and service log. Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 514
1955 Austin A40 Devon Van Registration no. UYC 177 Chassis no. GV5/91915Like most British motor manufacturers, Austin recommenced civilian production after WW2 with pre-war designs, its first new models not appearing until 1947. One of the most important introductions was the A40, which replaced the old 8hp, 10hp and 12hp models. Somewhat conservative in its retention of a separate chassis, the new A40 was built as the two-door Dorset (soon discontinued) and four-door Devon saloons, plus the Devon van. Although the A40 Devon saloon was replaced in 1952 by the Somerset, the Devon van continued in the range until 1956. This A40 Devon van was owned by flower shop proprietor Mr Roland F Harris for 25 years. He was followed by Mr W Lee (three years); Mr M G Snelin; A E Brabham (four years); and Mr Kenneth Eric Brunt (21 years), the latter displaying the vehicle in his Memory Lane Museum in Ireland, during which period it covered only seven miles. Owner of the Welsh Transport Museum, our vendor has owned the van for the last eight years. The wiring loom has been replaced and the van is said to be in good condition and largely original apart from the exterior paintwork (resprayed to cover previous sign writing).Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 503
1979 Peugeot 304 Van Registration no. TNP 540V Chassis no. 4198544 Engine no. 4198544Most motor manufacturers base their light van designs on models from their passenger car range, and this Peugeot commercial is derived from the French firm's 304 saloon. Styled by Pininfarina, the latter was launched at the Paris Motor Show in 1969 and would enjoy a lengthy production run, the last (estate) models leaving the factory in 1980, by which time nearly 1.2 million had been produced. Of advanced specification, the 304 featured front-wheel drive, independent suspension and disc brakes, and was powered by an all-alloy single-overhead-camshaft inline four that would be offered in various capacities up to 1.3 litres (petrol) and 1.5 litres (diesel). The body's generously proportioned centre section was inherited from the smaller 204, the 304's extra length providing a much bigger boot. The van version (fourgonette in France) was introduced in September 1977.This 304 van was originally registered to Patrick Motors Ltd and used at their Peugeot/Talbot dealership in Evesham for delivering parts. The vehicle has not been driven for many years and will require recommissioning before further use. Offered with an old-style V5C document.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 356
Matchbox Regular Wheels No. G6 Commercial Truck Gift Set comprising eight commercial vehicles as shown. All mostly very good to excellent with only the odd minor chip. Rentaset Van with a few more than the rest but is complete with accessories (off sprue). All contained in a very good box (with only minor wear) including inner tray. Hard to find set.
Lot 57
ASSORTED ART & ART REFERENCE BOOKS, including Vincent van Gogh, 'Letters to an Artist', New York, Viking Press, 1936, clothbound, red lettering to spine, 4to; Julius Meier Graefe, 'Vincent Van Gogh: A Biographical Study', trans. by John Harold Reece, London, Medici Society, 1992, quarter clothbound, gilt lettering to cover and spine, 4to; John Jackson, 'A Treatise on Wood Engraving', second edition, London, Henry G. Bohn, 1861, ownership inscription to endpaper, AEG, marbled endpapers, bookplate for Sir Hubert Jerningham, full Morocco, decorative gilt cover, gilt lettering to spine, 4to etc. (14)Provenance: private collection Glamorgan
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