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Various China, ceramics, etc., a Sevres style enamel box of oval form polychrome decorated with flowers and ribbons, predominately in pink and green with gilt metal highlights, 8cm wide, a Samson Paris vase of small proportion, oriental style cup, continental porcelain bulbous vase decorated with insects and raised with flowers and a bowl with lady aside flowers. (a quantity)
A CHINESE WUCAI OVOID VASE ADAPTED AS A LAMPIn 17th century style but probably laterPainted with a figure riding a qilin with four attendants, beneath a border of lotus flowers and tendrils, vase 24cm high, wood stand (2)Drilled hole to lower part of body for electricity. Some surface scratches and wear to enamels
A LARGE FRENCH PORCELAIN OCATAGONAL VASE AND COVER IN CHINESE `FAMILLE-ROSE' STYLELate 19th centuryEnamelled with pheasants amongst rocks, flowering shrubs and insects, the cover surmounted by a gilt Buddhist lion, 89cm high (2)The vase has extensive restored breaks. The Buddhist lion with wear to the gilding
THREE ITEMS OF CHINESE FAMILLE-ROSE PORCELAIN18th/19th centuryComprising; an export bowl, enamelled with panels of flowers inside underglaze blue frames and borders, 22.5cm diameter; a Canton cylindrical pierced vase, moulded and painted with figure panels, 12cm high; a small Canton baluster vase painted with figure panels, 15cm high (3)Bowl- very feint starcrack to the base.Minor wear to enamelsCylindrical vase- very fine haircrack to the rim, approx. 3cm length. Minor wearBaluster vase- some chips.Minor wear
A LARGE JAPANESE IMARI DISHMeiji periodPainted with a central vase of flowers inside panels of cranes and karako (boys) at leisure, divided by smaller dragon panels, blue four character Fuki Chosun mark, 56cm diameterFine haircrack to the rim, approx. 6cm. length. Minor wear. Some imperfections to the glaze on the underside.
A SILVER TRUMPET SHAPED VASE AND FURTHER MOSTLY SILVER (10)The largest vase embossed with lily of the valley below a flared rim, Birmingham 1906, also a pair of smaller trumpet shaped vases, a composite three piece christening set, another christening set, both with cases, three silver napkin rings and a pair of plated pepperettes
A PLATED TABLE CENTREPIECE STAND, EIGHT FRENCH TABLE KNIVES AND FURTHER ITEMSThe stand with a central vase above a twin handled bowl, the table knives fitted with later steel blades and plated wares, comprising; twelve pairs of dessert or fruit knives and forks, a circular salver raised on three ball and claw feet, diameter 36cm and another salver, the gadrooned rim decorated with floral motifs, diameter 29cm
A PAPER KNIFE AND SIX FURTHER ITEMS (7)The handle modelled as a lioness, detailed 835, an Asian trumpet shaped vase, engraved with figures and floral sprays, height 15.5cm, a rose quartz mounted model of a butterfly, a model of a humming bird, two models of spiders webs and a plated butter knife, having a mother-of-pearl handlePaper knife engraved to the back 21/6 28, mark is a little indistinct, otherwise in good conditionTrumpet vase ; stain underneath which would probably clean off, one or two dents to the foot edge, otherwise in good conditionButterfly; good condition, it is possible that the wings were once mounted with coloured glass, no longer present? Difficult to see how these would have been held in position. Split to one butterfly wingHumming bird - small piece missing from underside of neck of humming bird, wing terminals a bit bentSpider's webs slightly distorted as they are fragile, legs of spiders a bit bentButter knife plating worn
A GROUP OF SILVER AND SILVER MOUNTED WARES (6)Comprising; a Victorian heart shaped trinket box, London 1891, a vase, Birmingham 1900, height 16.5cm, a smaller vase, a glass scent bottle, (the stopper lacking), a circular photograph frame, diameter 9cm and a cream ladle, Sheffield 1962, weight of box, smaller vase and ladle 153 gms
A GLASS DECALCOMANIA TABLE LAMPLate 20th CenturyOf baluster form, decorated with flowers, birds and insects, with a brass twin light fitment, 68cm high overallCondition report;Some loss of white paint to the neck of the vase otherwise with general wear. No shade. Will require rewiring and PAT testing prior to use.
A POSSIBLY UNIQUE MUSICAL LANTERN CLOCKBy Thomas Archer, Moreton in Marsh, circa 1690/1720The dial: 10 1/2in. square brass dial with cherub mask spandrels, the brass chapter ring signed Tho Archar Moreton Inmahis, with single outer line, Roman chapters between fine tridents, and twin inner lines with quarter marking, enclosing a matted centre with single pierced steel hand The movement: With posted frame surmounted with four vase-shaped finials, and a large bell with cutaway section for the carillon carriage, supported by a quatrefoil strap and turned finial, three train movement with anchor escapement, hourly strike from an internal countwheel and musical movement on a carillon of eight bells with eight shaped hammers with a secondary countwheel on the central rear post, played from a wooden barrel with steel pins and brass wheel work The case: In a later oak case with a moulded pediment above dentil ornament, with glazed door flanked by Corithian columns, above teh trunk with rectangular panel door outlined with a parquetry design, on stepped base inlaid with a marquetry foliate oval205cm highThis magnificent and rare clock by Thomas Archer is charmingly signed using a variant of the family surname. It is highly likely that authorship can be attributed to the father: it may, however, be by his first-born of the same Christian name, or possibly even by them both! Thomas Archer (b. 1641), a blacksmith and gunsmith, (sometimes written Archar or Archard) lived in Moreton-in-the-Marsh. He died in 1721. His eldest child was also Thomas (b. 1670) and followed his father in the blacksmith and gunsmith trade at Moreton. In the father’s Will of October 1720 (Thomas Snr.) he leaves his tools to be shared between his two sons, Walter (b. 1674 - d. 1742) and Charles (b. 1676). The implication of this is that Thomas (Jnr.) had predeceased his father by this date. Walter and Charles are known to have moved from Moreton in the last years of the 17th Century and worked as partners in Stow-on-the-Wold. A good deal has been written about the Archers by Loomes and Smith. COMPARATIVE LITERATUREBarnaby Smith, The Archer Family of Stow, Antiquarian Horology, Winter 1998, p. 345-352.Brian Loomes, Clocks, January 1986, January 1989, October 2000, September 2001, April 2002, June 2011 and March 2012, for a variety of articles on the Archers.Brian Loomes, Clockmakers of Britain 1286-1700, Ashbourne 2014, p. 17.Antiquarian Horological Society, Time and Place, English Country Clocks 1600-1840, an Exhibition at the Museum of the History of Science, University of Oxford, November 2006. See page 81 for a musical movement by Edward Bilbie of Chew Stoke of around the same date.
A FRENCH ORMOLU AND SEVRES-STYLE PORCELAIN-MOUNTED MANTEL CLOCKIn the Louis XVI style, last quarter 19th CenturySurmounted by a pair of Bacchic cherubs, on an arched top, with a bearded mask and two Bacchic goats’ masks below, the arched dial with blue surround, inscribed about the centre JULIEN LEROY A PARIS, the twin train movement, also inscribed, with silk suspension and countwheel strike on a bell, on a bow-fronted base, with laurel wreath and floral-filled vase ornament, on bun feet33cm highCondition reportWith a pendulum.The case has three vacant holes to the upper side. The porcelain panels are in good order. The minute hand is very slightly mis-shaped. The movement may require a service.
A PAIR OF CHINESE FAMILLE-VERTE YENYEN VASESBlue six character Kangxi mark, but late 19th/early 20th centuryPainted with birds amongst lotus, 35.5cm high, adapted as lamps with wood standsEach vase with a drilled hole through the mark in the centre of the base. One vase has a haircrack to the rim, approx 12cm length. On both vases, one of the colours has misfired/oxidized, leaving areas of a brown tone.Provenance: Hylda and Lewis Gilbert, Sheldrake Place,London. Lewis Gilbert (d.2018), the celebrated film director, producer andscreenwriter, best known for his 007 James Bond movies and Alfie.
A CHINESE CLOISONNE BALUSTER VASE AND COVEREarly 20th centuryWorked with flowers against a green ground beneath a blue ruyi head border, 20.5cm high, wood stand and box, (4)Provenance: Hylda and Lewis Gilbert, Sheldrake Place, London. Lewis Gilbert (d.2018), the celebrated film director, producer andscreenwriter, best known for his 007 James Bond movies and Alfie.Condition Report: Good condition
THREE CANTON FAMILLE- ROSE HEXAGONAL TWO-HANDLED VASES19th centuryOf similar form, each painted with figurative panels, against a ground filled with baskets of flowers, insects and flowers, 14.5cm, 24cm and 24.75cm high (3)Provenance: Hylda and Lewis Gilbert, Sheldrake Place, London. Lewis Gilbert (d.2018), the celebrated film director, producer andscreenwriter, best known for his 007 James Bond movies and Alfie.Condition Report: Some overall wear to the gilding. Minor wear to enamels.The smallest vase has a chip to the rim, approx. 1cm by 0.5cm. The tallest vase has a shallow chip along the top of the rim, approx. 1.5cm by 0.75cm. Also with a loss to the lower part of one handle
A CHINESE BLUE AND WHITE CRACKLE GLAZED VASE AND COVERLate 19th centuryOf baluster form, painted with dragons amongst flowers, the domed cover with buddhistic lion knop, 45cm high, wood standProvenance: Hylda and Lewis Gilbert, Sheldrake Place, London. Lewis Gilbert (d.2018), the celebrated film director, producer andscreenwriter, best known for his 007 James Bond movies and Alfie.Condition Report: Overall in good condition
A GROUP OF CHINESE AND JAPANESE CERAMICS18th to 20th centuryComprising; a pair of Chinese figures of cockerels, impressed China, 21cm high; a pair of turquoise glazed Buddhist lions, 14cm high; a small turquoise glazed bottle vase, 10cm high; a pair of famille-rose saucers, six character Guangxu marks; a `Mandarin' palette coffee cup and saucer and another saucer; a blue ground `dragon' vase adapted as a lamp, 24cm high; a Japanese Satsuma teapot and cover and an Imari plate ( 14)Provenance: Hylda and Lewis Gilbert, Sheldrake Place, London. Lewis Gilbert (d.2018), the celebrated film director, producer andscreenwriter, best known for his 007 James Bond movies and Alfie.Condition Report:Pair of cockerels- one with two small chips to tips of comb. Some wear to the red enamel.Buddhist lions- each with a glued and damaged tail.Small bottle vase- shallow chip to footrimPair of famille-rose saucers- good conditionMandarin palette coffee cup and saucer- cup with haircrack to the rim. Each with minor wear to enamels and gilding. Mandarin saucer- small chip and haircracks to the rimBlue ground vase/lamp- repaired breaks and chipsSatsuma teapot and cover- haircracks and chipsImari plate- haircrack to the rim
A box of assorted glass including a pair of Bohemian gilt portrait vases, a Persian glass vase, a Bohemian scene bottle (no stopper) and a Nailsea glass rolling pin etc.Condition/;- general wear throughout, crack to base of jug, one paperweight badly cracked, surface damage to rolling pin, no other sign of anf major damage or repair.
A collection of twenty seven pieces of Herend porcelainincluding: a lamp base; six rose place card holders; two large baskets; a small basket; a pierced white vase; a floral vase; two small vases; an ashtray; two small dishes; two pin dishes; bird motif dish; square trinket box; circular trinket box; heart shaped dish; cigarette holder; oval dish; circular lidded bonbonnierre; toothpick holder; in a variety of patterns, all marked/ stamped to base, (27)the lamp 42cm total heightCondition: Chip to one rose petal, overall condition apparently good.
An 18th century Dutch Delft pottery garlic neck bottle vaseof hexagonal baluster form, decorated in underglaze blue with panels painted with flower and insectsheight 27.5 cm.Condition: Restoration and chip to rim. Surface knock with loss to glaze on side
An early 20th century twin handled vase believed Thomas Forester & Sons Phoenix Ware with arts and crafts peacock design, base marked 4013height 33cmCondition: Crazing to body of vase, some minor flaking to paint, some small factory flaws visible, otherwise good condition.
A Moorcroft Prestige 'Paramore' vase designed by Rachel Bishop, 2002, of baluster form, with tube lined decoration, signed 'Rachel J. Bishop' to base, bearing Moorcroft stamps, unboxed,height approximately 53cmCondition: In very good original condition, with no obvious damage, lacking original box.
A Moorcroft Prestige 'Woodside Farm' vase, by Anji Davenport produced 2012, dated 1999, of baluster form, with tube lined decoration, signed 'Anji Davenport', numbered 7, impressed marks to base, with original box and outer sleeveheight approximately 54cmCondition: In excellent overall condition, with original box with some wear, additional outer sleeve with scuffs and splitting.
A Moorcroft 'Wanderers Sky' vase, designed by Emma Bossons, 2002, of baluster form, tube lined decoration, impressed and painted marks to base, with original box and outer sleeveheight approximately 32cmCondition: In very good original condition, no obvious damage, sleeve and box with some minor wear, sleeve with pencil inscriptions. This vase is believed to be one of an edition of approximately 30 .
A Moorcroft for Liberty & Co. 'Tudric Dream' vase, designed by Rachel Bishop, 2005of baluster form, painted tube lined decoration, limited edition number 39/50, decorated by Wendy Mason, double signed by Rachel Bishop and dated 19.5.05' to base, further stamped 'Made for Liberty' bearing impressed Moorcroft marks, boxed and with outer sleeveheight approximately 22.25cm Condition: The vase in very good overall condition, no obvious chips or cracks. The presentation box with some minor wear, card sleeve with some scuffs, splitting, pencil inscriptions and wear.
A Moorcroft for Liberty & Co. 'Rachel' vase, designed by Rachel Bishop, 2003 of Persian form with knopped neck, painted tube lined decoration, in green colour, limited edition number 49/50, gilt signed and dated 'Rachel J. Bishop, 15th May 2003' to base, stamped 'Liberty', artist monogram and impressed Moorcroft marks, original box and outer sleeveheight approximately 24.25cmCondition: In very good overall condition with no apparent chips or cracks, presentation box with some wear, outer sleeve with pencil inscription splits and general wear,

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709612 item(s)/page