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Andy Warhol, American 1928-1987,Cheddar Cheese from Campbell's Soup II, 1969;screenprint in colours on paper, signed in ball pen and stamp numbered 95/250 (on the reverse),printed by Salvatore Silkscreen Co. Inc, New York,published by Factory Editions, New York, sheet: 89 x 58.3 cm,(framed)Note: for more than 20 years, Warhol claimed he ate nothing but Kellogg's Corn­flakes for break­fast and Camp­bell’s soup and a sand­wich for lunch. His allegiance to the Campbell's soup brand was well known and by consuming it he was truly endorsing the products he was printing images of.Literature: F. Feldman, J. Schellmann, C. Defendi, Andy Warhol Prints | A catalogue raisonné 1962-1987, New York 2003, II.63 

Andy Warhol (American 1928-1987) & Cecil Beaton (British 1904-1980),Marilyn Monroe, 1956;a postcard from the Cecil Beaton exhibition at the Barbican Gallery printed in 1986, signed and dedicated to 'John' by Warhol in black marker pen, sheet: 15 x 10.5 cm, (unframed)Note: this was probably signed by Warhol at The Anthony d'Offay exhibition in 1986 where Warhol exhibited his famous 'Fright wig' canvases and prints. This card unifies three great artists of the 20th Century, Marilyn Monroe, Cecil Beaton and Andy Warhol

Andy Warhol, American 1928-1987,A Whole Stocking Full of Good Wishes;lithograph in red on cream wove, with Andy Warhol foundation stamps to the reverse, a relating sticker on the rear with number PM16. 0480, TJH below, (Tim Hunt, who worked at at the Foundation),  visible image: 54 x 41 cm,  (framed)Provenance: Halcyon Gallery, London | UK Private Collection 

Andy Warhol, American 1928-1987,Mick Jagger, 1975;two sets of 10 cards each, plus one extra signed in black marker pen (no.5), printed and published by Multiples Inc and Castelli Graphics, New York, each card: 15.5 x 10.2 cm, each set in a card folder, (unframed) 

Andy Warhol, American 1928-1987,Fright Wig, 1986;monochrome photograph on paper, signed and dated in silver pen, and inscribed 'London', sheet: 25.5 x 20.2 cm, (unframed)Note: this photo was signed by Warhol at the Anthony D'Offay exhibition in London in 1986, where he displayed a range of his Fright wig canvases and prints.

Andy Warhol, American 1928-1987,Andy Warhol's Film Trash, 1970;a poster in colours on thin paper, advertising the controversial film, starring Joe Dallessandro, produced by Vaughn films, sheet: 75 x 101 cm, (framed)

Andy Warhol, American 1928-1987,Tattooed Woman Holding a Rose, circa 1955 (Not in F. and S.);offset lithograph printed in orange on green watermarked onion skin paper,  with the two blue Andy Warhol foundation stamps and annotated  'PM15.0172,' on the reverse of the print in pencil and also on a label on the reverse of the frame  sheet: 24 x 78 cm,  (framed)Provenance: Halcyon Gallery, London | Private UK CollectionNote: This work is from the early part of Warhol's career, and was used as a calling card for his services as it has his telephone number and address 'Murray Hill' across the woman's waist. It is not known how many of these prints were produced, but they are becoming increasingly rare.            

After Andy Warhol, American 1928-1987,Three Skatedecks with Dollar Sign Motif; Three Skatedecks with the Pink Cow Motif;six skatedecks produced in wood by the Skateroom in Canada, with the collaboration of the Andy Warhol Foundation, each measures: 80 x 20 cm, each contained within a grey felt carry case, (6)

Andy Warhol, American 1928-1987,Warhol by Warhol;an offset lithograph poster mounted to card, created by the Observer newspaper in 1986, featuring a Fright Wig image, courtesy of the Anthony d'Offay Gallery, signed in black marker pen and in the plate, sheet: 75 x 48.7 cm, (unframed) Note: together with a framed black and white photo showing Warhol signing the poster, at the Anthony d'Offay gallery, London.Provenance: the vendor's father had the poster signed by Warhol.

Andy Warhol, American 1928-1987,Gee Merrie Shoes;monochrome lithograph, signed in the plate and numbered PM 16.0183 with initials TJH (Tim Hunt) and stamped with the blue Warhol Foundation marks on the reverse, image: 22.8 x 19.4 cm, (framed)Provenance: Halcyon Gallery, London | UK Private Collection 

Andy Warhol (American 1928-1987) & Richard Bernstein (American 1939-2002),Interview Magazine, Catherine Oxenberg;offset lithograph magazine, signed by Warhol in marker pen, sheet: 41 x 28 cm, (unframed)Note: Catherine Oxenberg is an American actress best known for her role in the soap opera Dynasty.  

Andy Warhol (American 1928-1987) & Robert Rauschenberg (American 1925-2008),  Mao, from the New York Collection for Stockholm (Feldman & Schellmann IIA.89), 1973; Sketch for Monogram, from the New York Collection for Stockholm, 1973;(i) unique xerox print on typewriter paper with the Perpetual Bond watermark, signed in ball-point pen verso and numbered 145/300 (there were also 25 artist's proofs), published and printed by Experiments in Art and Technology/Julie Martin, New York, with the Andy Warhol/Styria Studio copyright ink stamp verso, sheet: 27.9 x 21.7 cm,  (ii) lithograph printed in colours on wove paper, signed, dated and numbered 145/300 in pencil, published by Experiments in Art and Technology, Inc., and with the artist's ink stamp on the verso, sheet: 30.3 x 22.7 cm, (unframed) (2)

Bill Ray, American 1936-2020,Andy Warhol, 1980;c-print on crystal archival paper, an assignment for New York magazine, signed and dated in black pen, sheet: 50.5 x 40.5 cm, (unframed)Note: together with a signed certificate of authenticity from the artist. 

Andy Warhol (American 1928-1987) & Richard Bernstein (American 1939-2002),Interview Magazine, cover page; Vol. VII No.12, 1977;offset lithograph in colours on thin paper, signed by Warhol in marker pen, sheet: 38.4 x 29 cm, together with 'No gossip' a photo advert offset lithograph on paper (38.4 x 28.5 cm), (unframed) (2)Note: this image shows Mick Jagger dressed as Santa Claus, Iman, David Bowie's wife to be, and Paul Ravenstein, Warhol's then boyfriend. Richard Bernstein designed the cover and the original photo was taken by Ara Gallant. This cover is from a highly sought after edition of Interview magazine which ran until 2018.

Andy Warhol, American 1928-1987, Nike Sneakers, 1984; two unique polaroid prints, each bears Estate of Andy Warhol ink stamp, individually numbered, each sheet: 10.8 x 8.6 cm, (unframed)  (VAT applied on the Hammer) (2) Provenance: Andy Warhol @ Christie's: Always in Fashion, 21st October, 2014, Lot 20.

Warhol: Jackie - by Bob Colacello. Published by Blandi Donna (as new, still sealed in cellophane).

A collection of three vintage Rolling Stones vinyl LP records. Including 'After Math' LP Mono Decca 1966; 'Let it Bleed' LP stereo Decca 1969; 'Sticky Fingers' LP 1971 with Andy Warhol real zip cover

After Andy Warhol, 'Cat Named Sam' limited edition coloured lithograph no.29/125, blind Andy Warhol stamp to lower left,  unframed, 50cm x 35cm

After Andy Warhol (1928-1987) "John Gotti" Castelli boss of the Gambino crime family, limited edition no. 27/100, facsimile signature, embossed in relief 'Andy Warhol' to lower left, with holographic grafy.blog sticker to verso and a certificate of authenticity, unframed, 50cm x 34.5cm

Vinyl / Autograph - John Cale (The Velvet Underground) – The Academy In Peril LP on Reprise Records RS.2079. Original New Zealand 1972 with gimmix sleeve designed by Andy Warhol, signed on front by John Cale. VG / EX- (minor haze on vinyl)

Andy Warhol - a signed print on silver paper, from a silkscreen, ‘Self Portrait’, 1966, signature reading; Andy Warhol 66 93/300. Condition - poor to fair, some creasing and slight possible water damage to the print, and the glass broken on the frame. Margo Leavin Gallery, Los Angeles, label to the rear with type written details.For sale by order of the executors. The Estate of Edi Chin, former bass guitarist with The Tourists, alongside Annie Lennox and Dave Stewart, 1976-1980. Print 56.5cm square.  (Not including frame). picture- 58.5 x 58.5cm

limited edition digital print on paper, signed in silver ink and numbered 58/100, from the Revelations : A Portrait of Magic series mounted, framed and under glass image size 81cm x 63cm, overall size 101cm x 82cm Note: certificate of authenticity is included with this lot. Note 2: Scottish artist Stuart regularly hits the headlines with his Pop Art paintings. Fusing cartoons with themes of idealism and consumerism, his multilayered artworks blend the past with the present through layers of figurative imagery, text and symbols. His release, Revelations: A Portrait of Magic, depicts the central characters of J.K. Rowling's Harry Potter series. Stuart's McAlpine Miller’s spectral style has been described as ‘supernatural realism’ by the BBC and Radio 2 art critic Estelle Lovatt, who also praised its 4D aesthetic, adding that he has “one of the most creative minds in art today”. Using subtle tones of paint, he creates the illusion of transparency. The overall effect is similar to looking through a glass bottle, distorting the image and presenting a different version of the same subject. In turn, a far-fetched reality is created, highlighting the unrealistic expectations of today’s society. A graduate of the prestigious Glasgow School of Art, Stuart is an admirer of Old Masters such as Caravaggio and Hieronymus Bosch but is particularly inspired by one of the leading exponents of Pop Art, Andy Warhol. Stuart says: “Warhol’s views on mass consumerism and the way he translated these into his art is something I really relate to. I hope my art does something similar and stands the test of time.” Inspired by JK Rowling's Harry Potter novels, Stuart’s Revelations: A Portrait of Magic collection has captured best-loved characters including Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Draco Malfoy and Bellatrix Lestrange. Stuart says: “The art of illusion and magic reveals itself through the unified bond of the three central characters. As we continue to work in unison, we open the doors to an unimagined future, turning the ordinary into the extraordinary. A new era lies ahead, as yet unrecognised but already awaiting our arrival.” In 2011, Stuart was chosen as artist-in-residence by the world-famous Savoy hotel after its major refurbishment. During his time there, he produced the collection A Time For Reflection: The Savoy Suite, which offered a unique insight into the hotel's patron, including Alfred Hitchcock, Marilyn Monroe and Charlie Chaplin. This popular release for Castle Fine Art was followed by Lost Lives/Split Personalities, which depicted some of history's most famous musicians including David Bowie, Amy Winehouse, Freddie Mercury and George Michael. Music took on a new meaning for Stuart when he began playing the piano seriously. Stuart says: “Music has for me, like many others, greatly influenced my own approach to my art, and the potential it creates within. The emotion that music can reveal allows the listener to transport themselves to a time, a place and a feeling. Art can do the same. We just have to open our minds.” The piano and art took on a new significance for Stuart when he was commissioned by Paul McCartney to paint the piano which he used on his 2004 European Tour. Stuart’s talents also saw him work on several advertising campaigns including Renault, McVities and Virgin; he also painted a triptych of The Alternative Last Supper used as backdrop for the main dining scene in Stephen Berkoff’s 1998 film Decadence. Stuart McAlpine Miller has commissions and collectors around the world, and has exhibited internationally, including Connaught Brown, the Catto Gallery, Kings Road Gallery, Rebecca Hossack Gallery and Duncan Miller in London; Ruth O'Hara and Hoerle-Guggenheim in New York and the SOTA Gallery, Hong Kong, as well as through the Castle Fine Art network of galleries in the UK.

limited edition digital print on paper, signed in silver ink and numbered 43/100, from the Revelations : A Portrait of Magic Series mounted, framed and under glass image size 81cm x 63cm, overall size 101cm x 82cm Note: certificate of authenticity is included with this lot. Note 2: Scottish artist Stuart regularly hits the headlines with his Pop Art paintings. Fusing cartoons with themes of idealism and consumerism, his multilayered artworks blend the past with the present through layers of figurative imagery, text and symbols. His release, Revelations: A Portrait of Magic, depicts the central characters of J.K. Rowling's Harry Potter series. Stuart's McAlpine Miller’s spectral style has been described as ‘supernatural realism’ by the BBC and Radio 2 art critic Estelle Lovatt, who also praised its 4D aesthetic, adding that he has “one of the most creative minds in art today”. Using subtle tones of paint, he creates the illusion of transparency. The overall effect is similar to looking through a glass bottle, distorting the image and presenting a different version of the same subject. In turn, a far-fetched reality is created, highlighting the unrealistic expectations of today’s society. A graduate of the prestigious Glasgow School of Art, Stuart is an admirer of Old Masters such as Caravaggio and Hieronymus Bosch but is particularly inspired by one of the leading exponents of Pop Art, Andy Warhol. Stuart says: “Warhol’s views on mass consumerism and the way he translated these into his art is something I really relate to. I hope my art does something similar and stands the test of time.” Inspired by JK Rowling's Harry Potter novels, Stuart’s Revelations: A Portrait of Magic collection has captured best-loved characters including Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Draco Malfoy and Bellatrix Lestrange. Stuart says: “The art of illusion and magic reveals itself through the unified bond of the three central characters. As we continue to work in unison, we open the doors to an unimagined future, turning the ordinary into the extraordinary. A new era lies ahead, as yet unrecognised but already awaiting our arrival.” In 2011, Stuart was chosen as artist-in-residence by the world-famous Savoy hotel after its major refurbishment. During his time there, he produced the collection A Time For Reflection: The Savoy Suite, which offered a unique insight into the hotel's patron, including Alfred Hitchcock, Marilyn Monroe and Charlie Chaplin. This popular release for Castle Fine Art was followed by Lost Lives/Split Personalities, which depicted some of history's most famous musicians including David Bowie, Amy Winehouse, Freddie Mercury and George Michael. Music took on a new meaning for Stuart when he began playing the piano seriously. Stuart says: “Music has for me, like many others, greatly influenced my own approach to my art, and the potential it creates within. The emotion that music can reveal allows the listener to transport themselves to a time, a place and a feeling. Art can do the same. We just have to open our minds.” The piano and art took on a new significance for Stuart when he was commissioned by Paul McCartney to paint the piano which he used on his 2004 European Tour. Stuart’s talents also saw him work on several advertising campaigns including Renault, McVities and Virgin; he also painted a triptych of The Alternative Last Supper used as backdrop for the main dining scene in Stephen Berkoff’s 1998 film Decadence. Stuart McAlpine Miller has commissions and collectors around the world, and has exhibited internationally, including Connaught Brown, the Catto Gallery, Kings Road Gallery, Rebecca Hossack Gallery and Duncan Miller in London; Ruth O'Hara and Hoerle-Guggenheim in New York and the SOTA Gallery, Hong Kong, as well as through the Castle Fine Art network of galleries in the UK.

limited edition digital print on paper, signed in silver ink and numbered 43/100, from the Revelations : A Portrait of Magic Series mounted, framed and under glass image size 81cm x 63cm, overall size 101cm x 82cm Note: certificate of authenticity is included with this lot. Note 2: Scottish artist Stuart regularly hits the headlines with his Pop Art paintings. Fusing cartoons with themes of idealism and consumerism, his multilayered artworks blend the past with the present through layers of figurative imagery, text and symbols. His release, Revelations: A Portrait of Magic, depicts the central characters of J.K. Rowling's Harry Potter series. Stuart's McAlpine Miller’s spectral style has been described as ‘supernatural realism’ by the BBC and Radio 2 art critic Estelle Lovatt, who also praised its 4D aesthetic, adding that he has “one of the most creative minds in art today”. Using subtle tones of paint, he creates the illusion of transparency. The overall effect is similar to looking through a glass bottle, distorting the image and presenting a different version of the same subject. In turn, a far-fetched reality is created, highlighting the unrealistic expectations of today’s society. A graduate of the prestigious Glasgow School of Art, Stuart is an admirer of Old Masters such as Caravaggio and Hieronymus Bosch but is particularly inspired by one of the leading exponents of Pop Art, Andy Warhol. Stuart says: “Warhol’s views on mass consumerism and the way he translated these into his art is something I really relate to. I hope my art does something similar and stands the test of time.” Inspired by JK Rowling's Harry Potter novels, Stuart’s Revelations: A Portrait of Magic collection has captured best-loved characters including Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Draco Malfoy and Bellatrix Lestrange. Stuart says: “The art of illusion and magic reveals itself through the unified bond of the three central characters. As we continue to work in unison, we open the doors to an unimagined future, turning the ordinary into the extraordinary. A new era lies ahead, as yet unrecognised but already awaiting our arrival.” In 2011, Stuart was chosen as artist-in-residence by the world-famous Savoy hotel after its major refurbishment. During his time there, he produced the collection A Time For Reflection: The Savoy Suite, which offered a unique insight into the hotel's patron, including Alfred Hitchcock, Marilyn Monroe and Charlie Chaplin. This popular release for Castle Fine Art was followed by Lost Lives/Split Personalities, which depicted some of history's most famous musicians including David Bowie, Amy Winehouse, Freddie Mercury and George Michael. Music took on a new meaning for Stuart when he began playing the piano seriously. Stuart says: “Music has for me, like many others, greatly influenced my own approach to my art, and the potential it creates within. The emotion that music can reveal allows the listener to transport themselves to a time, a place and a feeling. Art can do the same. We just have to open our minds.” The piano and art took on a new significance for Stuart when he was commissioned by Paul McCartney to paint the piano which he used on his 2004 European Tour. Stuart’s talents also saw him work on several advertising campaigns including Renault, McVities and Virgin; he also painted a triptych of The Alternative Last Supper used as backdrop for the main dining scene in Stephen Berkoff’s 1998 film Decadence. Stuart McAlpine Miller has commissions and collectors around the world, and has exhibited internationally, including Connaught Brown, the Catto Gallery, Kings Road Gallery, Rebecca Hossack Gallery and Duncan Miller in London; Ruth O'Hara and Hoerle-Guggenheim in New York and the SOTA Gallery, Hong Kong, as well as through the Castle Fine Art network of galleries in the UK.

Andy Warhol, screen print Mao, 1972Andy Warhol, zeefdruk Mao, 197290 x 90 cm damaged (probably by broken glass), updated + stainsbeschadigd (waarschijnlijk door gebroken glas), bijgewerkt + vlekken

Andy Warhol, screen print Mao, 1972Andy Warhol, zeefdruk Mao, 197290 x 90 cm

Andy Warhol, collage and silk-screen print, acetate on paper, orginal model for 10 silk screen prints, Multiples Inc. New York (Museum Moderner kunst Wien)Andy Warhol, collage en zeefdruk, acetaat op papier, oorspronkelijk model voor 10 zeefdrukken, Multiples Inc. New York (Museum Moderner kunst Wien)82.5 x 55 cm

A set of four limited edition Andy Warhol Foundation Campbells tomato soup cans.

After Andy Warhol (1930-1987) A set of four portraits of Marilyn Monroe acrylic on canvas 15 5/8 x 15 5/8in (39.7 x 39.7cm), ebonised frames (48.75 x 48.75cm)

A set of six Kubrick figures by the Medicom Toy Co. Andy Warhol special editions, comprising ; Pop Bonsai Forest, Warhol Dessert, Warhol Urban, Warhol 1:4, Warhol Pop and Warhol Pinkland, all boxed. (6)

Andy Warhol (American, 1928-1987), Marilyn Monroe, 1971 Tate Gallery Exhibition Poster offset lithograph of Marilyn Monroe on wove paper, Tate Gallery Poster for Warhol's 1971 exhibition, signed by artist in pen bottom right, framed and glazed within frame 67.5 x 49.5cm., overall 71 x 53.5cm.Condition: Good condition, commensurate with age, unexamined out of frame, cropped at the top of the poster, would have read: The Tate Gallery 17 February - 28 March 1971... poster is loosely framedProvenance: Warhol's Exhibition Poster for his exhibition at the Tate Gallery in 1971. Andy Warhol: Marilyn Monroe 1964 Published by the Tate Gallery Publications Department Millbank London sw1 England and printed in Great Britain at The Curwen Press Limited London 

Film posters for 'I Shot Andy Warhol', 'Short Cuts' and 'Pulp Fiction'

An original boxed issue of 'Aspen', December 1966, Vol 1, No 3 with famous box design by Andy Warhol. Contents: 'Ten Trip Ticket Book', 'Kiss' flipbook, 'Plastic Exploding..' newspaper, '12 Paintings..', 'Music, Man..' folder, 'Homeward Bound' booklet, 'Folk Music on Vanguard' catalogue, 'Paraphernalia' sheet, Aspen subscription forms. 'Fladell, Winston..' folded poster, 'Guild' advertising sheet, Velvet Underground flexi disc. Also to include a poster (section 3) from issue #3. Box and contents in very good condition.

Andy Warhol. Moderna Museet, first published in 1968, this edition a 1970 third printing. Superb condition, in original card box, some wear and aging to box. 21x27cm.

Nat Finkelstein, 1992, a wooden presentation case with images of Andy Warhol to either side, 'A Catalogue As Multiples', signed to box by Nat Finkelstein and dated 1992. From an edition of 200. Box 31.5 x 3.5 x 7.5cm. Box is sealed with tacks and contents have not been inspected but will likely include two screenprints, a screenprint on mirrored glass, an Andy Warhol bottle, a crushed yellow ball, and a catalogue.

A copy of the sought after 1967 'Andy Warhol Index' book, with all inserts (castle, red concertina, bi-plane, Chelsea Girls disc, dodecahedron, Lou Reed flexi, Dylan rainbow, tomato soup) excepting the Andy Warhol stickers and balloon. Binding intact. Some wear to pages and covers.

THE VELVET UNDERGROUND & NICO LP (US EAST COAST PROMO - YELLOW LABELS - UNPEELED SLEEVE - VERVE - V-5008). An extremely scarce, original US East Coast promo LP pressing of The Velvet Underground & Nico album with original unpeeled banana sleeve, designed by Andy Warhol (V-5008, 1967 US promo pressing on Verve Records. Yellow/ black text labels identify this as the 'East Coast Pressing' variant. Labels are bright and clean. V5008 Side 1 mG-558 Rev/ V5008 SIDe 2 mG-559 matrix. Side 1 is in Ex condition with a few small hairlines and side 2 is in VG condition with a feelable hairline mark on B3. The original sleeve and unpeeled banana is in VG+ condition with light creasing to the corners/ storage wear and '5792' written in black pen on the reverse. The spine is fully legible).

DEATH NYC (contemporary) American, "Warhol Tomato Art", a limited edition print on paper with blind stamp and Certificate of Authenticity, dated 2023, framed and glazed. 42 x 30 cm.

Warhol, AndyPittsburgh, 1928 - New York, 198784 x 59 cm, o. R.Greta Garbo als Mata Hari, 1981. Farboffsetlithografie auf Papier. Ausstellungsplakat. In Faserstift unten rechts bezeichnet.Privatsammlung, Baden-Württemberg.

Warhol (Andy) The Philosophy of Andy Warhol (From A to B and Back Again), first edition, half-title initialed by Warhol, very faint spotting to fore-edges, original cloth-backed boards, fractional bumping to spine extremities, dust-jacket, very slight creasing to edges, 8vo, New York and London, 1975.

Andy Warhol (1928-1987) after.Mona Lisa (Sunday B. Morning)Screenprint in colours, 2019, numbered from the edition of 2,500 in pencil verso, published by Sunday B Morning, with their rubber stamp in blue ink verso, on Archival Museum Board, the full sheet printed to the edges, each sheet 890 x 585mm (35 x 23in) This work is accompanied by a certificate of authenticity issued by the publisher.

Andy Warhol (1928-1987)Calves Head Giant IV, from Wild Raspberries (See Feldman & Schellmann IV.129a) Offset lithograph extensively hand-finished with watercolour, 1959, on laid paper, the full sheet 432 x 279mm (17 x 11in) Provenance: Guy Hepner, New York.

Andy Warhol (1928-1987) after.Chanel N°5 1985 PostersFour offset lithographs printed in colours, 1997, co-published by Chanel and the Andy Warhol Foundation, New York, on smooth wove paper, the full sheet printed to the edges, linen-backed, each poster 690 x 480mm (27 1/8 x 18 7/8in) (4)

Andy Warhol (1928-1987) after.Mao (Sunday B Morning) (set of three)The set of three screenprints in colours, 2011, each printed and published by Sunday B Morning, San Francisco, with their inkstamp verso, on Archival Museum Board, the full sheets printed to the edges, each 850 x 750mm (33 1/2 x 29 1/2in)

Andy Warhol (1928-1987) after.Soup Can II (Sunday B. Morning) (set of ten)The complete set of ten screenprints in colours, 2015, numbered from the edition of 1500 verso, on Archival Museum Board, published by Sunday B Morning, with their rubber stamps in blue ink verso, the full sheet printed to the edges, each sheet 890 x 585mm (35 x 23in) This work is accompanied by a certificate of authenticity issued by the publisher.

Warhol, AndyPittsburgh, 1928 - New York, 1987101,6 x 76,2 cm, o. R."Grapes", 1979. Farbserigraphie auf Strathmore Bristol Karton aus der gleichnamigen Folge. In Faserstift unten links signiert und nummeriert 30/50. Herausgeber: Andy Warhol Enterprises, Inc., New York.Feldman/Schellmann, II. 191.Galerie Wünsche, Bonn.Privatbesitz, Bonn.Privatbesitz, Baden-Württemberg.

Warhol, AndyPittsburgh, 1928 - New York, 1987Blattgröße: 63 x 71 cm, R.Ohne Titel, 1965. Farbserigraphie auf Papier. Ausstellungsplakat.Privatsammlung, Baden-Württemberg.

Warhol, AndyPittsburgh, 1928 - New York, 1987Blattgröße: 116 x 76,5 cm, o. R."Cow", 1971. Farbserigraphie auf Tapete. Im Druck bezeichnet "Andy Warhol Whitney Museum May 1 - June 13 1971" und mit Copyrighthinweis. Herausgeber: Factory Additions, New York.Feldman/Schellmann, II. 11A.Privatsammlung, Baden-Württemberg.

Set of 6 Andy Warhol Tribute Collection Dom Perignon display bottles (empty)

A Large Cardboard Poster, Andy Warhol, Campbells Condensed Tomato Soup, Condition Issues, 61x101cms

Andy Warhol (1920-1987), an original German new wave film poster for 'Querelle' 1982, directed by Rainer Werner Fassbinder. (With some marks as seen). H.100 W.70cm

Mickey Mouse, color lithograph after work by Anty Warhol, the original was published by Ronald Feldman Fine Arts, New York 1981, this is offset printing without authorization, external dimensions are 100x100 cm

Andy Warhol´s Interview July 1973 Zeitschrift mit originaler Signatur, Titelbild mit Ryan und Tatum O´Neill, Rückseite mit David Bowie-Cover, doppelglasig gerahmt (ca. 32x41cm), alterstypische Spuren

A box of mixed Art books, Vermeer and Warhol, a Star Wars jigsaw, London 2012 Olympics plate set, etc

* STUART MCALPINE MILLER (SCOTTISH b. 1964), FROM THE EVIL WITHIN limited edition digital print on paper, signed in silver ink and numbered 43/100, from the Revelations : A Portrait of Magic Seriesmounted, framed and under glass image size 81cm x 63cm, overall size 101cm x 82cmNote: certificate of authenticity is included with this lot.Note 2: Scottish artist Stuart regularly hits the headlines with his Pop Art paintings. Fusing cartoons with themes of idealism and consumerism, his multilayered artworks blend the past with the present through layers of figurative imagery, text and symbols. His release, Revelations: A Portrait of Magic, depicts the central characters of J.K. Rowling's Harry Potter series. Stuart's McAlpine Miller’s spectral style has been described as ‘supernatural realism’ by the BBC and Radio 2 art critic Estelle Lovatt, who also praised its 4D aesthetic, adding that he has “one of the most creative minds in art today”. Using subtle tones of paint, he creates the illusion of transparency. The overall effect is similar to looking through a glass bottle, distorting the image and presenting a different version of the same subject. In turn, a far-fetched reality is created, highlighting the unrealistic expectations of today’s society. A graduate of the prestigious Glasgow School of Art, Stuart is an admirer of Old Masters such as Caravaggio and Hieronymus Bosch but is particularly inspired by one of the leading exponents of Pop Art, Andy Warhol. Stuart says: “Warhol’s views on mass consumerism and the way he translated these into his art is something I really relate to. I hope my art does something similar and stands the test of time.” Inspired by JK Rowling's Harry Potter novels, Stuart’s Revelations: A Portrait of Magic collection has captured best-loved characters including Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Draco Malfoy and Bellatrix Lestrange. Stuart says: “The art of illusion and magic reveals itself through the unified bond of the three central characters. As we continue to work in unison, we open the doors to an unimagined future, turning the ordinary into the extraordinary. A new era lies ahead, as yet unrecognised but already awaiting our arrival.”In 2011, Stuart was chosen as artist-in-residence by the world-famous Savoy hotel after its major refurbishment. During his time there, he produced the collection A Time For Reflection: The Savoy Suite, which offered a unique insight into the hotel's patron, including Alfred Hitchcock, Marilyn Monroe and Charlie Chaplin. This popular release for Castle Fine Art was followed by Lost Lives/Split Personalities, which depicted some of history's most famous musicians including David Bowie, Amy Winehouse, Freddie Mercury and George Michael. Music took on a new meaning for Stuart when he began playing the piano seriously. Stuart says: “Music has for me, like many others, greatly influenced my own approach to my art, and the potential it creates within. The emotion that music can reveal allows the listener to transport themselves to a time, a place and a feeling. Art can do the same. We just have to open our minds.” The piano and art took on a new significance for Stuart when he was commissioned by Paul McCartney to paint the piano which he used on his 2004 European Tour. Stuart’s talents also saw him work on several advertising campaigns including Renault, McVities and Virgin; he also painted a triptych of The Alternative Last Supper used as backdrop for the main dining scene in Stephen Berkoff’s 1998 film Decadence. Stuart McAlpine Miller has commissions and collectors around the world, and has exhibited internationally, including Connaught Brown, the Catto Gallery, Kings Road Gallery, Rebecca Hossack Gallery and Duncan Miller in London; Ruth O'Hara and Hoerle-Guggenheim in New York and the SOTA Gallery, Hong Kong, as well as through the Castle Fine Art network of galleries in the UK.

* STUART MCALPINE MILLER (SCOTTISH b. 1964), SPELLBOUND IN MOTION limited edition digital print on paper, signed in silver ink and numbered 43/100, from the Revelations : A Portrait of Magic Seriesmounted, framed and under glass image size 81cm x 63cm, overall size 101cm x 82cmNote: certificate of authenticity is included with this lot.Note 2: Scottish artist Stuart regularly hits the headlines with his Pop Art paintings. Fusing cartoons with themes of idealism and consumerism, his multilayered artworks blend the past with the present through layers of figurative imagery, text and symbols. His release, Revelations: A Portrait of Magic, depicts the central characters of J.K. Rowling's Harry Potter series. Stuart's McAlpine Miller’s spectral style has been described as ‘supernatural realism’ by the BBC and Radio 2 art critic Estelle Lovatt, who also praised its 4D aesthetic, adding that he has “one of the most creative minds in art today”. Using subtle tones of paint, he creates the illusion of transparency. The overall effect is similar to looking through a glass bottle, distorting the image and presenting a different version of the same subject. In turn, a far-fetched reality is created, highlighting the unrealistic expectations of today’s society. A graduate of the prestigious Glasgow School of Art, Stuart is an admirer of Old Masters such as Caravaggio and Hieronymus Bosch but is particularly inspired by one of the leading exponents of Pop Art, Andy Warhol. Stuart says: “Warhol’s views on mass consumerism and the way he translated these into his art is something I really relate to. I hope my art does something similar and stands the test of time.” Inspired by JK Rowling's Harry Potter novels, Stuart’s Revelations: A Portrait of Magic collection has captured best-loved characters including Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Draco Malfoy and Bellatrix Lestrange. Stuart says: “The art of illusion and magic reveals itself through the unified bond of the three central characters. As we continue to work in unison, we open the doors to an unimagined future, turning the ordinary into the extraordinary. A new era lies ahead, as yet unrecognised but already awaiting our arrival.”In 2011, Stuart was chosen as artist-in-residence by the world-famous Savoy hotel after its major refurbishment. During his time there, he produced the collection A Time For Reflection: The Savoy Suite, which offered a unique insight into the hotel's patron, including Alfred Hitchcock, Marilyn Monroe and Charlie Chaplin. This popular release for Castle Fine Art was followed by Lost Lives/Split Personalities, which depicted some of history's most famous musicians including David Bowie, Amy Winehouse, Freddie Mercury and George Michael. Music took on a new meaning for Stuart when he began playing the piano seriously. Stuart says: “Music has for me, like many others, greatly influenced my own approach to my art, and the potential it creates within. The emotion that music can reveal allows the listener to transport themselves to a time, a place and a feeling. Art can do the same. We just have to open our minds.” The piano and art took on a new significance for Stuart when he was commissioned by Paul McCartney to paint the piano which he used on his 2004 European Tour. Stuart’s talents also saw him work on several advertising campaigns including Renault, McVities and Virgin; he also painted a triptych of The Alternative Last Supper used as backdrop for the main dining scene in Stephen Berkoff’s 1998 film Decadence. Stuart McAlpine Miller has commissions and collectors around the world, and has exhibited internationally, including Connaught Brown, the Catto Gallery, Kings Road Gallery, Rebecca Hossack Gallery and Duncan Miller in London; Ruth O'Hara and Hoerle-Guggenheim in New York and the SOTA Gallery, Hong Kong, as well as through the Castle Fine Art network of galleries in the UK.

* STUART MCALPINE MILLER (SCOTTISH b. 1964), HYPNOTIC REVEAL limited edition digital print on paper, signed in silver ink and numbered 58/100, from the Revelations : A Portrait of Magic seriesmounted, framed and under glass image size 81cm x 63cm, overall size 101cm x 82cmNote: certificate of authenticity is included with this lot.Note 2: Scottish artist Stuart regularly hits the headlines with his Pop Art paintings. Fusing cartoons with themes of idealism and consumerism, his multilayered artworks blend the past with the present through layers of figurative imagery, text and symbols. His release, Revelations: A Portrait of Magic, depicts the central characters of J.K. Rowling's Harry Potter series. Stuart's McAlpine Miller’s spectral style has been described as ‘supernatural realism’ by the BBC and Radio 2 art critic Estelle Lovatt, who also praised its 4D aesthetic, adding that he has “one of the most creative minds in art today”. Using subtle tones of paint, he creates the illusion of transparency. The overall effect is similar to looking through a glass bottle, distorting the image and presenting a different version of the same subject. In turn, a far-fetched reality is created, highlighting the unrealistic expectations of today’s society. A graduate of the prestigious Glasgow School of Art, Stuart is an admirer of Old Masters such as Caravaggio and Hieronymus Bosch but is particularly inspired by one of the leading exponents of Pop Art, Andy Warhol. Stuart says: “Warhol’s views on mass consumerism and the way he translated these into his art is something I really relate to. I hope my art does something similar and stands the test of time.” Inspired by JK Rowling's Harry Potter novels, Stuart’s Revelations: A Portrait of Magic collection has captured best-loved characters including Harry Potter, Ron Weasley, Hermione Granger, Albus Dumbledore, Draco Malfoy and Bellatrix Lestrange. Stuart says: “The art of illusion and magic reveals itself through the unified bond of the three central characters. As we continue to work in unison, we open the doors to an unimagined future, turning the ordinary into the extraordinary. A new era lies ahead, as yet unrecognised but already awaiting our arrival.”In 2011, Stuart was chosen as artist-in-residence by the world-famous Savoy hotel after its major refurbishment. During his time there, he produced the collection A Time For Reflection: The Savoy Suite, which offered a unique insight into the hotel's patron, including Alfred Hitchcock, Marilyn Monroe and Charlie Chaplin. This popular release for Castle Fine Art was followed by Lost Lives/Split Personalities, which depicted some of history's most famous musicians including David Bowie, Amy Winehouse, Freddie Mercury and George Michael. Music took on a new meaning for Stuart when he began playing the piano seriously. Stuart says: “Music has for me, like many others, greatly influenced my own approach to my art, and the potential it creates within. The emotion that music can reveal allows the listener to transport themselves to a time, a place and a feeling. Art can do the same. We just have to open our minds.” The piano and art took on a new significance for Stuart when he was commissioned by Paul McCartney to paint the piano which he used on his 2004 European Tour. Stuart’s talents also saw him work on several advertising campaigns including Renault, McVities and Virgin; he also painted a triptych of The Alternative Last Supper used as backdrop for the main dining scene in Stephen Berkoff’s 1998 film Decadence. Stuart McAlpine Miller has commissions and collectors around the world, and has exhibited internationally, including Connaught Brown, the Catto Gallery, Kings Road Gallery, Rebecca Hossack Gallery and Duncan Miller in London; Ruth O'Hara and Hoerle-Guggenheim in New York and the SOTA Gallery, Hong Kong, as well as through the Castle Fine Art network of galleries in the UK.

William "Bill" Randolph Dunlap (American, b. 1944). Graphite, watercolor, and gouache on paper painting depicting a farm landscape. Signed along the lower right.Lot Essay:William R. Dunlap, born in 1944 in Houston, Mississippi, is an American artist known for his work in painting, printmaking, sculpture, and photography, often associated with hypothetical realism. His art explores themes of history, allegory, and the art-making process. He is exhibited at notable institutions such as the Metropolitan Museum of Art and the National Gallery of Art. Dunlap has received numerous prestigious awards, including those from the Rockefeller Foundation and the Warhol Foundation.Sight: height: 23 3/4 in x width: 47 3/4 in. Framed; height: 24 1/2 in x width: 48 1/4 in x depth: 1 1/4 in.Condition: The colors are bold and bright. The sheet is toned. There are no major visible tears, losses, or signs of restoration. Framed under plexiglass; light wear to the frame including accretions and some light scratches along the plexiglass. Not inspected out of frame.

Limited edition Georges Israel/Arches France published Andy Warhol Debbie Harry print. #53/100 and with facsimile (printed) Warhol signature. 15 x 22.5".

Print of Marilyn Monroe after Andy Warhol, 64cm x 64cm, framed