WARHOL, ANDY1928 Pittsburgh, PA/USA - 1987 New YorkTitel: Cow. Datierung: 1976. Technik: Farbserigrafie auf Tapete. Darstellungsmaß: 115 x 72cm Blattmaß: 115 x 75cm. Bezeichnung: Signiert und gewidmet. Herausgeber: Factory Additions, New York (Hrsg.). Rahmen: Rahmen. Diese Arbeit wurde anlässlich der Andy Warhol Ausstellung im Modern Art Pavillion Seattle Center vom 18. November 1976 bis zum 9. Januar 1977 veröffentlicht.Provenienz:- Galerie Hermann Wünsche, Hamburg (lt. Einlieferer)- Privatsammlung SüddeutschlandLiteratur: - Feldman, Frayda/Schellmann, Jörg: Andy Warhol - Prints, A Catalogue Raisonné 1962-1987, Mailand 2003 (4. Aufl.), WVZ.-Nr. II 12A. Erläuterungen zum Katalog Andy Warhol USA Pop Art Fotografie Nachkriegskunst Grafik 1970er Rahmen Kuh Druckgrafik Serigrafie Tier Voraussichtliche Versandkosten für dieses Los:Absprache nach der Auktion.
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WARHOL, ANDY1928 Pittsburgh, PA/USA - 1987 New YorkTitel: Joseph Beuys. 3-teilig.Datierung: 1980. Technik: Jeweils Farbserigrafie, zwei mit Diamantenstaub, auf schwarzem Arches Cover Papier. Darstellungsmaß: Jeweils: 101 x 76cm Blattmaß: 112 x 76cm. Bezeichnung: Signiert und nummeriert. Herausgeber: Editions Schellmann & Klüser, München/New York (Hrsg.). Exemplar: AP 13/15. Rahmen: Rahmen. Die Blätter sind mit dem Trockenstempel des Druckers Rupert Jasen Smith, New York, versehen.Provenienz:- Unternehmenssammlung Baden-WürttembergLiteratur: Feldman, Frayda/Schellmann, Jörg: Andy Warhol - Prints, A Catalogue Raisonné 1962-1987, Mailand 2003 (4. Aufl.), WVZ.-Nrn. 245-247, Abb.Das Lot wird regelbesteuert verkauft (Versteigerungsbedingungen §V5.1)Erläuterungen zum Katalog Andy Warhol USA Pop Art Fotografie Nachkriegskunst Grafik 1980er Rahmen Porträt Druckgrafik Serigrafie Künstler Voraussichtliche Versandkosten für dieses Los:Absprache nach der Auktion.
WARHOL, ANDY1928 Pittsburgh, PA/USA - 1987 New YorkTitel: The Star. Untertitel: Aus: Myths. Datierung: 1981. Technik: Farbserigrafie mit Diamantstaub auf Lenox Museumskarton. Darstellungsmaß: 96 x 96,5cm Bezeichnung: Signiert und nummeriert. Herausgeber: Ronald Feldman Fine Art, New York (Hrsg.). Exemplar: 27/30 AP. Das Blatt ist mit dem Trockenstempel des Druckers Rupert Jasen Smith, New York, versehen. Auf der Rückseite befindet sich der Copyright-Stempel des Künstlers.Provenienz:- Privatsammlung Nordrhein-WestfalenLiteratur: - Feldman, Frayda/Schellmann, Jörg: Andy Warhol - Prints, A Catalogue Raisonné 1962-1987, Mailand 2003 (4. Aufl.), WVZ.-Nr. II.258, Abb. Das Lot wird regelbesteuert verkauft (Versteigerungsbedingungen §V5.1)Erläuterungen zum Katalog Andy Warhol USA Pop Art Fotografie Nachkriegskunst Grafik 1980er Porträt Papierarbeit Farbserigrafie Frau Voraussichtliche Versandkosten für dieses Los:Absprache nach der Auktion.
Daniel Arsham (b.1980) Eroded Brillo BoxCast resin multiple with quartz crystal, 2020, labelled 'Artist Proof' on the holographic authenticity label on the box, aside from the edition of 500, published in collaboration with The Andy Warhol Museum, with the original presentation box and a pair of white art handling gloves, overall 350 x 350 x 300mm (13 3/4 x 13 3/4 x 11 3/4in)
VLADIMIR HOROWITZ - PIANO MUSIC OF MENDELSSOHN AND LISZT LP (WARHOL COVER - RCA VICTOR - LM 9021). A wonderful, original 1954 US mono LP pressing of Vladimir Horowitz performing the Piano Music Of Mendelssohn and Liszt. With early, circa 1951 ink sketch by legendary artist Andy Warhol (LM 9021, 1954 US mono pressing on RCA Victor. Deep-groove red/ silver text labels have some spindle wear but are still fully legible. Side 1 is VG+, displays a couple of light surface marks. Side 2 is VG, same as side 1 but has a hairline but feelable mark. Sleeve with Warhol cover sketch is VG+, displays only minor age-related storage wear).
THE VELVET UNDERGROUND & NICO S/T LP (UK STEREO ORIGINAL - SVLP.9184). An original stereo UK pressing of the legendary 1967 self-titled album by The Velvet Underground & Nico, produced by iconic pop-art pioneer Andy Warhol (SVLP.9184, 1967 UK STEREO pressing on Verve Records, 'Sold In UK'). The record is in VG+ condition with groove wear/ scuffs. The sleeve is in VG+ condition with light creasing/ storage wear.
Walasse Ting One cent life. Herausgegeben von Sam Francis. Bern, E. W. Kornfeld 1964. Großartiges Malerbuch der 60er Jahre, eine der schönsten Publikationen der Pop-Art und des abstraktem Expressionismus. 'Die Bibel der amerikanischen Pop-Art' (Wulf D. von Lucius) Die wohl bekannteste und wichtigste Synthese der avantgardistischen künstlerischen Strömungen Europas und Amerikas der 60er Jahre. Unter anderem im Stil des abstrakten Expressionismus, Tachismus und der Pop-Art verbinden sich hier Text und Illustration auf einfallsreiche Art. - 1 von 2000 numerierten Exemplaren. Druck bei Maurice Baudet, Paris, die Typographie stammt von Georges Girard. Enthalten sind u. a. Arbeiten von Pierre Alechinsky (Rivière 324-238), Karel Appel, Enrico Bay, Allen Davie, Jim Dine (Bonin/Cullen 78), Sam Francis (Lembark L78-L83), Robert Indiana, Asger Jorn (van de Loo 266, 267), Roy Lichtenstein, Claes Oldenburg, Mel Ramos, Robert Rauschenberg, James Rosenquist, Antonio Saura, K. R. H.Sonderborg, Walasse Ting, Bram van Velde, Andy Warhol und Tom Wesselmann. 'In Wahrheit handelt es sich bei weitem nicht nur um Pop-Künstler, sondern ebenso um viele Vertreter des abstrakten Expressionismus wie Sam Francis oder außerhalb Amerikas A. Saura. Das vom Buch insgesamt ausstrahlende Lebensgefühl von Grellheit, Lebensfreude und Ansätzen von trash culture (z. B. bei Mel Ramos) ist aber doch ganz das der Pop-orientierten 60er Jahre.' (W. D. von Lucius) 'This book was characteristic of the casual and iconoclastic nature of the 1960s.' (Logan Coll.) EINBAND: Lose Bogen in farbig illustriertem Orig.-Leinenband mit Orig.-Umschlag, in gelbem Orig.-Leinenschuber. 41 : 30,5 cm. - ILLUSTRATION: Mit 62 tlw. doppelblattgroßen farbigen Orig.-Lithographien von S. Francis, W. Ting, P. Alechinsky, K. Appel, R. Lichtenstein, A. Warhol, J.-P. Riopelle u. a. - PROVENIENZ: Privatsammlung München. LITERATUR: Castleman S. 208-209. - From Manet to Hockney 135. - Logan Collection 155. - Lucius, Bücherlust 40. - Das Buch des Künstlers 14. - Arnold 2827. The presumably most renowned and most important synthesis of avant-garde artistic European and American tendencies of the late 1960s, a great publication of Pop art and Abstract expressionsim. With 62 orig. lithographs, partly double-page and in colors, by S. Francis, W. Ting, P. Alechinsky, K. Appel, R. Lichtenstein, A. Warhol, J.-P. Riopelle et al. Loose sheets in orig. cloth illustrated in colors with illustr. orig. wrappers, slipcase in Green. - With some minim. creases in the margins, only few ll. somewhat browned. Dust jacket with little marginal fraying, slipcase slightly soiled. Overall good copy. Vollständige Beschreibung und Zustandsbericht https://www.ketterer-rarebooks.de/kunst/kd/details.php?detail=1&anummer=559&obnr=124000950 Dieses Objekt wird regel- oder differenzbesteuert angeboten. Complete description and condition report https://www.ketterer-rarebooks.com/details-e.php?detail=1&anummer=559&obnr=124000950 This lot can be purchased subject to differential or regular taxation.
The New York Collection for Stockholm New York, Experiments in Art and Technology 1973. • Ein Kompendium namhafter amerikanischer Künstler der 1960er Jahre der Pop-Art, Land-Art, Minimal Art oder Farbfeld-Malerei • Darunter Roy Lichtenstein, Nam June Paik, Robert Rauschenberg, Richard Serra, Cy Twombly, Andy Warhol, Robert Whitman u. a. • Vollständiges und seltenes Portfolio Das Portfolio wurde von der New Yorker Gruppe Experiments in Art and Technology (E.A.T.) zusammen gestellt, um Spenden für das Moderna Museet in Stockholm zu sammeln, das amerikanische zeitgenössische Kunst (darunter Pop-, Minimal- und Konzeptkunst) ausstellte. Das Portfolio enthält Werke von Lee Bontecou, Robert Breer, John Chamberlain, Walter de Maria, Jim Dine, Marc di Suvero, Öyvind Fahlström, Dan Flavin, Red Grooms, Hans Haacke, Alex Hay, Donald Judd, Ellsworth Kelly, Sol LeWitt, Roy Lichtenstein, Robert Morris, Louise Nevelson, Kenneth Noland, Claes Oldenburg, Nam June Paik, Robert Rauschenberg, Larry Rivers, James Rosenquist, Richard Serra, Keith Sonnier, Richard Stankiewicz, Cy Twombly, Andy Warhol und Robert Whitman. - 1 von 300 Exemplaren, sämtliche Graphiken numeriert 'AC 1/30'. Die Drucke auf festem Papier, Karton bzw. Kunststofffolie sowie verso je mit Stempel des ausführenden Styria Studio, New York. Dort wurden sie in Handabzügen von Lithographiestein, Platten und Siebdruck hergestellt. Die Werke von den Künstlern je recto oder verso numeriert und signiert bzw. monogrammiert (Bleistift, Farbstift, Kreide oder Kugelschreiber). Ausnahmen, wie im Kolophon vermerkt: Noland (Signaturstempel); Haacke, de Maria und Lichtenstein (unsigniert). Die Kassette wurde gefertigt von Peter Ballantine. EINBAND: Lose Tafeln, jeweils in einem Doppelbogen mt Namenszug des Künstlers, in Orig.-Pappdecke mit Rückentitel und Orig.-Pappschuber mit Deckeltitel. 31 : 23,5 cm. - ILLUSTRATION: Mit 17 Orig.-Siebdrucken, 9 Orig.-Lithographien, 2 Orig.-Lithographien mit Siebdruck, 1 Fotokopie, 1 Orig.-Fotografie, darunter 11 farbig gedruckt und 1 mit inliegender Schallplatte. - KOLLATION: 1 Bl. Kolophon (beidseitig bedruckt). - The complete portfolio of 17 screenprints, 9 lithographs, 2 lithographs with screenprint, 1 photocopy and 1 photograph (11 in colors), on various papers, each signed (excluding De Maria, Haacke, and Lichtenstein; the Noland with his stamped signature), numbered AC 1/30 of 300, loose (as issued), with text and justification page. Loose sheets in orig. cardboard cover with spine title and original cardboard slipcase with cover title. 31: 23.5 cm. - Slipcase with small mounted label on front cover, otherwise fine and clean copy. Vollständige Beschreibung und Zustandsbericht https://www.ketterer-rarebooks.de/kunst/kd/details.php?detail=1&anummer=559&obnr=424000492 Dieses Objekt wird regel- oder differenzbesteuert angeboten. Complete description and condition report https://www.ketterer-rarebooks.com/details-e.php?detail=1&anummer=559&obnr=424000492 This lot can be purchased subject to differential or regular taxation.
A collection of 20th century British and Continental glassware including a Rosenthal plate with Andy Warhol design, 19.8cm diameter, a clear glass Orrefors vase and other vases, many indistinctly signed, a Mdina pig, Isle of Wight glass and other items CONDITION REPORTS & PAYMENT DETAILS IMPORTANT* Descriptions do not include condition reports. Please contact us to if you require further information or images.* Please consider shipping costs before bidding as this may affect your decision to bid* Please familiarise yourself with our payment methods. All payments MUST be electronic
The BMW Art Car project is a unique fusion of art and automotive engineering, where prominent artists re-imagine BMW vehicles as striking works of art. Since the project's inception in 1975, BMW has collaborated with world-renowned artists, including Andy Warhol, Roy Lichtenstein and Jeff Koons, who have transformed models across the BMW line-up into vibrant canvases. Each car combines aesthetic creativity with BMW’s renowned engineering, resulting in a captivating collection that’s both a celebration of art and a homage to automotive performance. The idea for the first BMW Art Car originated with French race driver and art enthusiast Hervé Poulain, who wanted to blend his passion for racing with contemporary art. Poulain enlisted American artist Alexander Calder to paint a BMW 3.0 CSL, creating a piece that combined Calder’s bold colours and geometric forms with BMW’s sleek racing lines. This car debuted at the 1975 24 Hours of Le Mans race, setting the tone for an iconic tradition that would continue for decades. BMW’s Art Car collection spans a variety of models, from the 635 CSi and M1 to the Z1 and i8, each interpreted through the unique vision of its artist. Roy Lichtenstein’s 1977 320i, for example, featured his signature comic-book style with bold dots and lines that gave the car a sense of speed and movement. Andy Warhol’s 1979 M1 Art Car, perhaps the most famous, was hand-painted by the artist in just 28 minutes. Warhol’s expressive brushstrokes gave the car an almost kinetic energy, as if it were already in motion. Over the years, the project has evolved, welcoming artists from diverse backgrounds, styles, and global regions. In 2010, Jeff Koons created a BMW M3 GT2 Art Car, featuring an explosion of colours and energy that echoed the power of the race car. Recently, artists like Cao Fei and John Baldessari have explored digital themes and minimalist forms, using the cars as platforms to comment on technology, speed and culture. Today, BMW Art Cars are exhibited in museums and galleries worldwide, embodying the intersection of creativity and engineering. Each Art Car tells a story of collaboration and innovation, making this series a cultural legacy for both art and automotive enthusiasts.Here we have what we believe to be a full collection of 16 BMW Art Car models. All are boxed and in their display cases, it is thought only two of them have been on display and the rest have remained in their original boxes. The detail of these exquisite 1/18 scale models is exceptional. The quality has to be seen to be appreciated. Offered for sale from a private collector. Consigned by Stewart Banks.Guide £6,000-£8,000 A FULL COLLECTION OF 16 BMW ART PROJECT CARS. ALL ARE BOXED AND ONLY TWO HAVE BEEN ON DISPLAY AT THE VENDORS HOUSE.THESE ARE 1/18th SCALE MODELS WITH SUPERB DETAIL
ANDY WARHOL FOR ROSENTHAL STUDIO-LINE; a very scarce glass plate by Rosenthal Studio Line of Germany in cooperation with the Andy Warhol Foundation and Daimler Benz, image features Mercedes famous Grand Prix/Formula 1 racing car from around 1954, the Silver Arrow W196R, with Andy Warhol's facsimilie signature bottom right corner, extremely scarce "RED" Edition, width 25cm.
Andy Warhol, American 1928-1987,Tattooed Woman Holding a Rose, circa 1955 (Not in F. and S.);offset lithograph printed in orange on green watermarked onion skin paper, annotated 'PM15.0059,' on the reverse of the print in pencil and also on a label on the reverse of the frame sheet: 24 x 78 cm, (framed)Provenance: Halcyon Gallery, London | Private UK CollectionNote: This work is from the early part of Warhol's career, and was used as a calling card for his services as it has his telephone number and address 'Murray Hill' across the woman's waist. It is not known how many of these prints were produced, but they are becoming increasingly rare.
Shepard Fairey, American b.1970- Warhol Collage (monochrome with silver), 2023; Warhol Collage (colour), 2023; each screenprint in colours on wove, each signed, dated and numbered 153/300 in pencil, and also initialled by Karen Bystedt, published by Obey Giant, sheet: 61 x 48 cm, (unframed) (2) Note: KB (Karen Bystedt) is an American photographer, best known for her portraits of Warhol.
Andy Warhol, American 1928-1987,Gee Merrie Shoes;monochrome lithograph, signed in the plate and numbered PM 16.0183 with initials TJH (Tim Hunt) and stamped with the blue Warhol Foundation marks on the reverse, image: 22.8 x 19.4 cm, (framed)Provenance: Halcyon Gallery, London | UK Private Collection
Andy Warhol, American 1928-1987,A Whole Stocking Full of Good Wishes;lithograph in red on cream wove, with Andy Warhol foundation stamps to the reverse, a relating sticker on the rear with number PM16. 0480, TJH below, (Tim Hunt, who worked at at the Foundation), visible image: 54 x 41 cm, (framed)Provenance: Halcyon Gallery, London | UK Private Collection
George Condo, American b.1957-A portfolio of prints from More sketches of Spain for Miles Davis, 1991;six etchings and aquatint on Guarro paper, each signed in pencil and numbered from the edition of 40, published by Alexander Kahan, New York, sheet: 97.7 x 132 cm, (unframed) (6)Note: American artist George Condo frequently cites Picasso as a source in his contemporary cubist compositions. Condo is known for neo-Modernist compositions redolent of wit and the grotesque, which draw the eye into a highly imaginary world. Condo came up in the New York art world at a time when art favoured brazen innuendo and shock. Student to Warhol, best friend to Basquiat and collaborator with William S. Burroughs, Condo followed a different path, and came up with his own style, inspired by Picasso and the Old Masters.
Andy Warhol, American 1928-1987,Campbell's Tomato Soup;printed fabric in colours on wooden support, signed in marker pen to the side, size: 18 x 16 x 3 cm, (framed)Note: the work was signed by Warhol for a collector at Heiner Friedrich Gallery, Cologne, Germany in the late 70's.Provenance: German collection
Andy Warhol, American 1928-1987,In the Bottom of my garden, c.1956;offset lithograph with hand colouring on wove, signed and written in black ink by Warhol's mother Julia, sheet: 26 x 32 cm, (framed)Note: Frayda Feldman and Jörg Schellmann, Andy Warhol Prints, a catalogue raisonné 1962 - 1987, New York, 2003, illustrated p. 339 (another example)Provenance: Private Collection | Halcyon Gallery, London
Andy Warhol, American 1928-1987,La Grande Passion, 1984;offset lithograph on thick paper, signed in pencil, published by Carillon Importers Ltd, sheet: 98.7 x 94.1 cm, (framed)Note: This is one of only 100 hand signed copies.This work was based on a photograph by the artist and was based on an advertising campaign for Carillon Importers. La Grande Passion was a new exotic drink of a mix of Grand Marnier and Passion fruit hence the name. Throughout his career Warhol was obsessed with branding for example the famous Campbell's soup cans. This piece created in 1984, La Grande Passion is a late career example of Warhol's interest in product design and advertising. To create this, Warhol took Polaroids and created screenprints on both board and canvas. There is life and celebration in the image, with vivid shares of coral, yellow, aquamarine and the abstract passion fruit flower. In the centre there is the bottle of La Grande Passion, a bottle of passion fruit flavoured brandy (a sister to Grand Marnier), a tropical treat newly introduced to the American market, but now no longer made. Carillon Importers, the company that owned the liquor brand and commissioned Warhol to create the image for the advertising campaign, was so pleased with the results of La Grande Passion that they commissioned Warhol again to create a similar image for Absolut Vodka in 1985. This iconic piece is represented in numerous public collections such as The Tate Modern (London), The Whitney Museum of American Art, and the National Galleries of Scotland. There is a similar numbered print in an edition of 1000 copies, but these prints are not hand signed.Provenance: UK Private collection | Clarendon Gallery, LondonLiterature: Andy Warhol, The complete commissioned posters 1964-1987, by Paul Marechal, no.38.
Andy Warhol (American 1928-1987) & Richard Bernstein (American 1939-2002),Dana Gillespie, friend of David Bowie, proposed portrait for her album cover 'Ain't gonna play no second fiddle', 1972;screenprint in colours on canvas, with additions of spray paint and hand painted areas, indistinctly inscribed 'Richard Bernstein' (in pencil on the stretcher), size: 48 x 48 cm, (unframed)Note: This work was created by Warhol and Richard Bernstein as a possible design for the album cover for 'Ain't gonna play no second fiddle' by Dana Gillespie. The photo on which the silkscreen was based was shot by Terry O'Neill the famous celebrity photographer. Bowie and Dana Gillespie had the same manager and Bowie had written a song for Dana called 'Andy Warhol' which Gillespie recorded on her album 'Weren't born a man' in 1973. Bowie produced Gillespie's version of the song and Mick Ronson played guitar. Bowie and Dana asked Warhol to do a cover design for the album 'Ain't gonna play no second fiddle'. The design was created at the Warhol factory in New York in 1972, probably in collaboration with Richard Bernstein, along with another portrait of Dana Gillespie. Dana collected the work herself from Warhol's factory in 1972. RCA records in the end used another version of this portrait for the album cover, which is still owned by Gillespie. Richard Bernstein was a pop artist befriended by Warhol and produced most of the 'Interview' magazine covers for Warhol. He is known to have been close to Warhol and owned each others artworks.Provenance: Dana Gillespie | Private Collection (Gillespie's friend)
Andy Warhol, American 1928-1987,Two Cherubs (from in the Bottom of my garden), c.1956;offset lithograph with hand colouring on wove, signed in black ink by Warhol's mother Julia, sheet: 32 x 26 cm, (framed)Note: Frayda Feldman and Jörg Schellmann, Andy Warhol Prints, a catalogue raisonné 1962 - 1987, New York, 2003, illustrated p. 339 (another example)Provenance: Private Collection | Halcyon Gallery, London
Affiche publicitaire Pop Art d'après Andy Warhol pour le parfum Chanel No. 5 de 1997.Impression couleurs offset sur papier. Affiche encadrée.Condition d'état: A.175 X 119 CMFootnotes:Pop Art advertising poster after Andy Warhol for Chanel No. 5 perfume from 1997. Offset color printing on paper. Framed poster.Condition grade: A.For further information on this lot please visit Bonhams.com
Vier Bände Künstlerliteratur1) Joseph Beuys, Eine innere Mongolei, Katalog 2/3, Dschingis Khan - Schamanen - Aktricen, Ölfarben, Wasserfarben und Bleistiftzeichnungen aus der Sammlung van der Grinten, hrsg. von Carl Haenlein, Kestner-Gesellschaft Hannover 1990, 267 S., Ganzleinen mit halbtransparentem Schutzumschlag; 2) Jean Dubuffet, Délits - Déportements - Lieux de Haut Jeu, von Max Loreau, Weber Éditeur 1971, 605 S., Ganzleineneinband mit teils transparentem Schutzumschlag; 3) Andy Warhol, Retrospektive, hrsg. von Kynaston McShein, München im Prestel-Verlag 1989, anlässlich der gleichnamigen Ausstellung im Museum Ludwig Köln, 470 S., Ganzleinen mit originalem Schutzumschlag; 4) Oskar Schlemmer, Der Maler, der Wandgestalter, Der Plastiker, Der Zeichner, Der Grafiker, Der Bühnengestalter, Der Lehrer, von Karin von Maur, München im Prestel Verlag 1983, 293 S., Ganzleineneinband mit originalem Schutzumschlag; Format max. 4°, unterschiedliche geringe Alters- und Gebrauchsspuren.
Rosenthal Künstler-Wandteller Pop ArtEntwurf Andy Warhol um 1985, signiert, schwarzes studio-line-Signet ab 1999, einmal gestrichen, Künstlerangabe, Zusatz by Campbell Soup Company und Kontrollnummer 27, leicht gemuldete Quadratform mit polychromem Aufglasurdekor als vollflächiges Motiv aus mehreren Suppendosen, Wandaufhängung, minimalst kratzspurig, Maße 31 x 31 cm.
Rosenthal Künstler-Wandteller Pop ArtEntwurf Andy Warhol um 1985, signiert, schwarzes studio-line-Signet ab 1999, einmal gestrichen, Künstlerangabe, Zusatz by Campbell Soup Company und Kontrollnummer 27, leicht gemuldete Quadratform mit polychromem Aufglasurdekor als vollflächiges Motiv aus mehreren Suppendosen, Wandaufhängung, minimalst kratzspurig, Maße 31 x 31 cm.
Joseph Beuys, Filz- und Holzpostkartezwei Multiples, von der Edition Staeck in Heidelberg herausgegeben im Jahr 1985, Siebdruck auf Holz und Filz, unsigniert, Filz etwas fleckig und Holzobjekt etwas berieben, Maße max. ca. 10,5 x 15 cm. Künstlerinfo: dt. Aktionskünstler, Bildhauer, Zeichner und Kunsttheoretiker (1921 Krefeld bis 1986 Düsseldorf), 1941 Bekanntschaft mit Heinz Sielmann während des Kriegsdienstes, 1946 Mitglied des Klever Künstlerbundes, studierte 1946-53 Monumentalbildhauerei an der Akademie Düsseldorf bei Joseph Enseling, ab 1948 bei Ewald Mataré und 1951-54 dessen Meisterschüler, parallel 1947-49 Mitarbeit bei Dokumentarfilmen von Heinz Sielmann, 1954-58 eigenes Atelier in Düsseldorf-Heerdt, 1958-64 Atelier im alten Klever Kurhaus, 1959 entsteht letztes konventionelles Kunstwerk, anschließend vor allem Kunsttheoretiker und ab 1963 als Aktionskünstler bedeutender Vertreter des Fluxus, ab 1961 in Düsseldorf-Oberkassel ansässig, 1961-72 Professor für monumentale Bildhauerei an der Akademie Düsseldorf, etabliert hier 1966-72 seine „Ringgespräche“, 1972 Entlassung aus dem Hochschuldienst wegen wachsender Differenzen mit dem Wissenschaftsministerium, durfte nach Klage jedoch seinen Professorentitel und sein Atelier „Raum 3“ an der Akademie bis zum Erreichen des 65. Lebensjahres behalten, hier 1980 zusammen mit Klaus Staeck, Willi Bongart und Georg Meistermann Gründung der „Freien Internationalen Hochschule für Kreativität und interdisziplinäre Forschung (FIU)”, regelmäßige Teilnahme an der documenta in Kassel, 1974 Vortragsreise durch die USA, 1976 auf der Biennale Venedig, 1979 Bekanntschaft mit Andy Warhol, 1979 Retrospektive im Guggenheim-Museum New York, 1981 Romaufenthalt und Polenreise, in zahlreichen Museen vertreten, Quelle: Vollmer, AKL und Internet.
Keith Haring, “Pyramid” entstanden als Teil der gleichnamigen vierteiligen Folge, dreieckige, eloxierte Aluminiumplatte, vollflächig mit für den Künstler typischen ineinander verschachtelten Figuren gestaltet, Siebdruck in Blau auf goldenem Grund, rückseitig gravierte Signatur und Datierung „K. Haring (19)89“, Schriftzug „Editions Schellmann Munich - New York“ und Nummerierung „19/30“, nahezu unberührtes Exemplar, Maße ca. 103,5 x 145 cm. Künstlerinfo: bedeutender US-amerikanischer Popartkünstler (1958 Reading Pennsylvania bis 1990 New York), studierte 1976-78 an der Kunstschule Pittsburgh, 1978 erste Einzelausstellung und Übersiedlung nach New York und Studium an der School of Visual Arts, hier unter anderem Bekanntschaft mit Jean-Michel Basquiat, 1980 Teilnahme an der Times Square Show, 1983 Teilnahme an der Whitney Biennale von Sao Paulo, Bekanntschaft mit Andy Warhol, 1986 Eröffnung des Pop Shops in SoHo/New York, 1980-85 Entstehung der Subway Drawings, auch Teilnahme an der documenta 7 in Kassel, Quelle: Wikipedia.
The Pelé Book: Signed Carnival Ultra Limited Edition Presentation Book. A "big book" detailing the life of the God of football, Pele - This is a ultra-luxury and highly limited edition of his 2006 official autobiography. Autographed on the inside title page, It comprises of 720 lavishly-printed pages detailing every aspect of Pelé's life. With more than 1700 images, some of which have never been published, including a collection of rarely seen prints by Andy Warhol. Each piece is truly a work of art; hand-bound, covered in Italian silk, and embroidered with calfskin leather lettering. Numbered 0015 of 2500, However the Carnival edition was only limited to 150 copies. Published by Gloria Books. clamshell case measures 51x40x11cm. Also included is a rare signed photograph of the 1970 Brazilian World Cup Team "Beautiful Team" - Hand signed by all surviving 10 members and their manager, comes with a hardback booklet describing the hunt for their signatures and player information. Photograph size 41x51cm. This was purchased direct from Gloria Books in 2007 and comes with an official letter.
Andy Warhol - Three prints on board - from "25 Cats Name Sam and One Blue Pussy" Circa 1953 Signed with in the plate. Pink Sam, Green Cat, Green Striped Cat (Sam) In the 1950's Andy Warhol shared an apartment with his mother and 25 cats all named Sam with one exception. In 1954 inspired by his mother's 25 cats, Andy Warhol created a children's book containing 19 lithographs, accompanied by his mother, Julia's calligraphy, and hand coloured. The book itself is extremely rare but the iconic images testify to Warhol's love of bold ,block colour. 34cm x 28cm. P
Two hand-printed vintage darkroom prints depicting The Jam in Sheffield, ay 1979. Printed on glossy Ilford photo paper. Each is 8x10" and is signed to border by the photographer Virginia Turbett.Virginia Turbett’s first photo assignment was in June 1977 photographing the Sex Pistols recording the Pretty Vacant Video. She spent the next ten years photographing for Sounds, Smash Hits, The Face, New Sounds New Styles, Flexipop and Record Mirror : the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro pop scenes. Her work took her all over the world photographing features on hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, The Jam, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, Madness, David Bowie and Duran Duran.Virginia’s music, youth culture and social history photographs have been used to illustrate many thousands of magazines, books and are frequently used in documentaries and films. Virginia has not made a hand made, darkroom, print since 1995. All prints made since then are digitally scanned at 3200 dpi from the original negative and printed on Canon Paper with Canon inks except for prints over A3+ size which are printed using silver gelatin process by Harman Lab.
INDIE / ROCK - MODERN RELEASES - LP COLLECTION. A collection of 24 x (mostly) LPs. Artists/ Titles include Beans On Toast - Best Of Toast (Pressed On A Vinyl) (sealed), The Velvet Underground & Nico by Andy Warhol (picture disc), The Cramps (picture disc), Idles - Joy As An Act Of Resistance, Sleaford Mods inc Tiswas EP, Eton Alive, Richard D. James Album: Aphex Twin, Sex Pistols - Never Mind The Bollocks (picture disc), Nick Cave And The Bad Seeds - Ghosteen, Johnny Thunders & The Heartbeakers - L.A.M.E, Fontaines D.C. - Dogrel, Godspeed You! Black Emperor, PJ Harvey, Yardbirds and Clint Mansell featuring Kronos Quartet. The condition is generally Ex+/ As New.
A pair of original vintage hand-made photo prints, one live image and one contact sheet, both signed to reverse by photographer Virginia Turbett. Both depict The Clash at the Hammersmith Palais in 1980.Virginia Turbett’s first photo assignment was in June 1977 photographing the Sex Pistols recording the Pretty Vacant Video. She spent the next ten years photographing for Sounds, Smash Hits, The Face, New Sounds New Styles, Flexipop and Record Mirror : the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro-pop scenes. Her work took her all over the world photographing features on hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, The Jam, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, Madness, David Bowie and Duran Duran.Virginia’s music, youth culture and social history photographs have been used to illustrate many thousands of magazines, books and are frequently used in documentaries and films. Virginia has not made a hand made, darkroom, print since 1995. All prints made since then are digitally scanned at 3200 dpi from the original negative and printed on Canon Paper with Canon inks except for prints over A3+ size which are printed using silver gelatin process by Harman Lab.
Two hand-printed vintage darkroom prints depicting Prince backstage at the Paradiso, Amsterdam in May 1981. Printed on glossy Ilford photo paper. Each is 8x10" and is signed to reverse by the photographer Virginia Turbett.Virginia Turbett’s first photo assignment was in June 1977 photographing the Sex Pistols recording the Pretty Vacant Video. She spent the next ten years photographing for Sounds, Smash Hits, The Face, New Sounds New Styles, Flexipop and Record Mirror : the music, the fans and fashion of the punk, heavy metal, mod, new romantic, reggae, 2-tone and electro pop scenes.Her work took her all over the world photographing features on hundreds of bands and solo artists including The Clash, Blondie, Iggy Pop, Prince, The Jam, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, Madness, David Bowie and Duran Duran. Virginia’s music, youth culture and social history photographs have been used to illustrate many thousands of magazines, books and are frequently used in documentaries and films.Virginia has not made a handmade, darkroom, print since 1995. All prints made since then are digitally scanned at 3200 dpi from the original negative and printed on Canon Paper with Canon inks except for prints over A3+ size which are printed using silver gelatin process by Harman Lab.
Kunstdruck "Cow" nach Andy Warhol, 20. Jhdt. Poster mit Abbild des Siebdruckes "Kuh" von Andy Warhol in Gelb und Rosa. An der Kante bezeichnet "June 13 1971" (letzter Tag der Ausstellung im Whitney Museum). Der Rand fleckig. Maße 115 x 75,5 cm. An art print "Cow" after Andy Warhol, 20th century An art print "Cow" after Andy Warhol, 20th century Poster mit Abbild des Siebdruckes "Kuh" von Andy Warhol in Gelb und Rosa. An der Kante bezeichnet "June 13 1971" (letzter Tag der Ausstellung im Whitney Museum). Der Rand fleckig. Maße 115 x 75,5 cm. Condition: II - III
Museumsposter "Cow" nach Andy Warhol, Whitney Museum New York, wohl 1971 Poster mit Abbild des Siebdruckes "Kuh" von Andy Warhol in Blau und Rosa. An der Kante bezeichnet "Andy Warhol Whitney Museum Mai 1 - June 13 1971" und "Copyright Factory Additions 1971". Der Rand stellenweise fleckig. Maße 115 x 75,5 cm. A museum poster "Cow" after Andy Warhol, Whitney Museum New York, probably 1971 A museum poster "Cow" after Andy Warhol, Whitney Museum New York, probably 1971 Poster mit Abbild des Siebdruckes "Kuh" von Andy Warhol in Blau und Rosa. An der Kante bezeichnet "Andy Warhol Whitney Museum Mai 1 - June 13 1971" und "Copyright Factory Additions 1971". Der Rand stellenweise fleckig. Maße 115 x 75,5 cm. Condition: II -
Original vintage art exhibition poster featuring a colourful iconic pop art image of Marilyn Monroe (1926-1962) by the notable American artist Andy Warhol (1928-1987) for a Warhol exhibition at the Tate Gallery in London from 17 February to 28 March 1971, admission 30p (6') students and 15p (3') old age pensioners. Published by the Tate Gallery Publications Department. Printed in Great Britain at The Curwen Press Limited London. Good condition, pinholes, small tears, minor staining, paper loss on top right corner, tape on reverse. Country of issue: UK, designer: Andy Warhol, size (cm): 76x51, year of printing: 1971.
WARHOL ANDY (1930 - 1987)Andy Warhol signed ink drawing with gold-leaf on very fine paper prov : estate of Todd Brassner New YorkWARHOL ANDY (1930 - 1987) tekening in inkt met goudblad (op zeer fijn papier) : "Vrouwenportret in profiel omringd door vogels" - 50 x 38 getekend prov : collectie van Todd Brassner - New York
WARHOL ANDY (1930 - 1987)Andy Warhol "Ads" screenprint : "Macintosh" Unsigned and unnumbered printer's proof, outside the signed & numbered edition Printed by Rupert Jasen Smith, New York. The print does not have the AWAAB stamp. Publisher : Ronald Feldman Fine Arts Inc., New York Publisher stamp on the verso & printer's blind stampWARHOL ANDY (1930 - 1987) screenprint uit de serie "Ads" : "Macintosh" - 96,5 x 96,5 met een uitgeversstempel op verso & met drukkersblindstempel ongesigneerd en ongenummerde drukproef, buiten de gesigneerde en genummerde uitgave gedrukt door Rupert Jasen Smith, New York. De prent is niet voorzien van het AWAAB-stempel. Uitgever : Ronald Feldman Fine Arts Inc., New York
Steve Schapiro photo print with the depiction of Warhol, Ingrid Superstar, Brigid Berlin, Gerard Malanga at "The Factory" & a black and white photo print of Warhol with a silver cloud at The FactorySCHAPIRO STEVE twee foto-prints dd 1963 - met de voorstelling van Warhol, Ingrid Superstar, Brigid Berlin, Gerard Malanga in "The Factory" - 29 x 20 - met een 'silver cloud' in "The Factory" - 29 x 18,5
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