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ERNEST ALFRED ARIS (1883-1963). An illustration of a gnome painting a hare sitting under a tree 'Mr. Gnome The Artist', signed and dated 1924 lower right, watercolour and pen and ink on paper, unsigned, 26 x 19 cm

Conrad Hector Rafaele Carelli 1869-1956, Listed Artist, Watercolour 'The Bridge at Nevers'. Signed by Artist to lower left. Mounted and framed behind glass. Painting size 7.5'' x 15'' (18.75 cm x 45 cm).

Gabrielle Carelli - Italian Listed Artist 1821-1900, Watercolour of Street Scene in Spanish Town, circa 1880s. Signed by artist. Mounted and framed behind glass. Painting size 7'' x 5'' - 17.5 cm x 12 cm. Pristine original condition, no issues of any kind. From a gentleman's private collection.

Conrad Hector Rafaele Carelli 1869-1956 Egyptian Town Street Scene with figures, watercolour signed by the artist, mounted and framed behind class. Painting size 9'' x 6'' - 22.5 cm x 15 cm. Pristine original condition, confirm with photographs.

Richard Caulfield ORPEN (1863-1938) 'The Kitchen, Rollington Farm, Corfe', watercolour, signed and dated 1910, inscription to the base of the painting, 37cm x 27cm.

Forget Me Nots - Watercolour & acrylic. One positive thing that has come out of the past year’s lockdown for me, is that it enabled me to be around to see the spring plants coming up in my garden. From Snowdrops in February to Tulips in May, I have watched the colours in the garden change. My watercolour painting is a close up of some Forget Me Nots growing over a piece of driftwood.

Blue Dress - Watercolour. This year I thought I would submit a painting of a subject that I am recognised for - a child at play. It is a bit of a nostalgia trip as I am experimenting with other things nowadays, but it is always a pleasure to return to capturing the innocence of children.

Blue Boat - Watercolour. This postcard was donated by the original purchaser of the painting not the creator of it. The original frame is available if required.

Harlequin in Hibernation - Watercolour. The World Land Trust is currently protecting the European hedgehog to ensure its survival in the future. My painting of a hedgehog in multicolour is a depiction of the protection and hope for the mammal synonymous to the rainbow motif which has been a sign of light at the end of the tunnel during the COVID pandemic.

The Beach - Pen & watercolour. The Beach ... if you live locally you'll know which one ... seagulls are the same where ever you go ! You will receive the larger original painting as well as the small postcard size print.

Seaside Memories - Watercolours. Coastal towns and spaces have a special place in my memories. People behave and celebrate their moments by the sea in ways that bring joy to the heart. I have set out to capture a sense of the freedom enjoyed - a oneness with nature that survives through less welcome times. Painting this watercolour sketch has been fun. Does it lift your spirits?

Cat on a Moroccan Roof - Watercolour. My postcard was inspired by travels to Morocco. I distinctly remember staying in a Riad in Marrakesh. And seeing the cat among the wall decorations. Painting this scene has helped to fill a gap in my life as I have missed travelling this past year.

The Space Between - Mixed watercolour and acrylics. ‘The Space Between’ was inspired by the Perseverance mission to Mars in February this year. Discovering incredible online images of the Martian surface has given me creative inspiration and for a long time I’ve been fascinated by Earth viewed from outer space. The distance and 7 month journey from Earth to Mars can only be imagined in my painting. I used a combination of watercolours and acrylics, with photographic images of Earth and Mars.

Garden Robin - watercolour. My paintings are celebratory. They are all done for pleasure. I hope they convey the beauty of the world and the joy of painting in watercolour. Many are done outdoors, in all weathers. Others are studio pieces. But, whatever the circumstances the enjoyment of the subject and the painting process is just the same.

Call of the Wild - Watercolour. I love deer, they are majestic and beautiful. My painting is of a deer who has found water.

Bryan Hanlon (b. 1956) Capercaillie dustbathing Scotland, signed and dated 1999 bottom left, signed and wax sealed verso, watercolour and pencil, measurements 28.5 x 37.5cm, frame 51 x 60 cmConsigned from a significant private collection of wildlife artCondition report: No visible defects to painting.  Mount and frame both good.

David Bennett SWLA (b.1969) House Sparrows in the Brambles, signed and dated '95 bottom right, watercolour and pencil, measurements 35.5 x 49 cm, frame 56 x 69 cmconsigned from a significant private collection of wildlife artCondition report: No visible defects to painting.  Mount good.  Frame shows negligible signs of handling.

Keith Brockie (b.1955) Two Kestrels on a branch, signed and dated 1989 bottom right, watercolour, original illustration, measurements 14.5 x 20.5 cm, frame 29 x 35 cm, together with two circling Sparrowhawks, signed and dated 1985 bottom right, watercolour, original illustration, measurements 16.5 x 26 cm, frame 31 x 39 cm and a further watercolour of a Sparrowhawk perched on a branch in winter, signed and dated 1985 bottom right, measurements 15 x 18 cm, frame 32 x 34 cm. Sold together with a copies of the books. (5)Original illustrations from Newton, I. 1986, The Sparrowhawk, T & A D Poyser, on page 86 and 270 and for Village, A., 1990, The Kestrel, T & A D Poyser, p.197Consigned from a significant private collection of wildlife artCondition report: Kestrels: the watercolour is framed beneath glazing, not examined external to the frame. It is signed and dated 1989 bottom right. The sheet appears in good condition with no obvious evidence for any rips, creases or folds and the surface appears stable without signs of foxing or deterioration. The paint condition appears well preserved and stable. Frame is in good condition with solid joints Sparrowhawk on branch: the painting is framed under glazing, not examined external to the frame. Signed and dated 1985 bottom right. The paint surface is well preserved and appears stable. The sheet is in good condition with no visible signs of rips, creasing or evidence of deterioration. The frame is in well preserved with solid joints Sparrowhawks in flights: the painting is framed under glazing, not examined external to the frame. It is signed bottom right and dated 1985. The paint appears in good condition with no evidence for deterioration or fading. The sheet appears in good condition- no visible signs of rips, folds or creasing. The frame has solid joints and is in good condition

Richard Barrett Talbot Kelly MBE RI SWLA (1896-1971) Little Ringed Plover, monogrammed bottom left, watercolour, measurements 15.5 x 28 cm, frame 32 x 49 cmconsigned from a significant private collection of wildlife artCondition report: No visible defects to painting.  Mount and frame both good.

Frederick John Widgery (1861-1942) A watercolour on paper painting depicting a mountainous landscape scene likely Dartmoor with pond to the foreground. Signed to corner FJ Widgery and housed in a gilt and glazed frame. Frame measures approx; 44cm x 54cm, artwork measures approx; 25cm x 35cm.

Delmar Harmood Banner (1896-1983) Scafell From Walna Scar'' Signed and dated 1965, watercolour painting being signed and dated by the artist. Framed. Measures approx; 43cm x 52cm.

William Matthew Hale RWS (1849-1929) Winter Twilight .Watercolour painting of street scene being signed by the artist to lower corner. Framed and glazed. Measures approx; 62cm x 51cm.

William Matthew Hale RWS (1849-1929) - Moonrise Bristol Harbour - Watercolour painting of shipping scene being signed by the artist to lower corner. Framed and glazed. Measures approx; 51cm x 67cm.

CM Holland (Late 19th century British school) - River scene with figures, watercolour and bodycolour on paper, signed and dated 1892 and inscribed Part Copied, 22 x 27cm, together with a late 19th century oil painting on canvas of a garden scene with water pump and cat, signed Alfred Parsons, 45 x 59.5cm approx, also together with further oil on board of a landscape with cottage, an oil on board of an 18th century style marine battle scene and an 18th century map of Oxfordshire dedicated to the Bishop of Oxford by RP, 50 x 48cm approx, various sizes, all framed (5)

William G Hooper (British Fl.1870-1898) - Study of a sleeping child with embroidered shawl covering, watercolour and bodycolour on paper, signed and dated 1872 and with biographical details of the artist and a sepia photographic reproduction of the painting verso, 20 x 26.5cm approx, together with - 19th century school - Full length study of a recumbent baby with raised hand, watercolour on paper, no signature visible, 28 x 40cm both framed (2)

A collection of 19th century and later pictures and prints including oil painting on board of a stag in the manner of Landseer, a coloured advertisement for Thomas Carpenter - House Painter, a coloured engraving - The Ancient Order Of Foresters, a watercolour of a mountainous landscape, etc, various sizes, mostly framed (16)

HARDIE (MARTIN) WATERCOLOUR PAINTING IN BRITAIN 3 vols, 1969 Condition Report: Available upon request

Watercolour bluebell woodland, signed Edith Martineau, in a gilt frame, frame size 47cm x 39cm, some wear to frame but painting good and colours bright

Chinese watercolour and 19c engraving of Woodcock shooting plus 2 books on art/painting

Eddie Worrall (British 21st C. School) Watercolour painting entitled Tiger Moth meet at Old Warden Aerodrome, signed and dated 1998 with Guild of aviation artist's exhibition label verso, entered for aviation painting of the year. Fram?e size approx 27 1/4 x 18 3/4 inches (Glazed)

Various volumes including Jewellery Through the Ages; European Porcelain; Watercolour Painting and others etc

KANG ZHUANG Contemporary Chinese Painting Two seated women talking Watercolour on paper Signed and initialled, 48cm x 50cm.Good condition, framed and glazed.

Contemporary Chinese watercolour The Furniture Painting Workshop Unsigned, 53cm x 78cm and two further contemporary works, loose, signed and sealed (3)

SANDRA BLOW, R.A. [1926-2006]. Abstract. watercolour on paper [there is another painting on the reverse]. 23 x 32 cm - overall including frame 40 x 49 cm. Provenance: Artist's estate; David Lay auctions; private collection, UK. [very good condition - unexamined out of frame]. Buyers premium of 20% + vat is payable.

Jon Catleugh (1920-2009) Torso, a plaster wall hanging, 'Kitchen Maid' a watercolour on paper costume design attributed to Jon Catleugh, a small painting on silver ground by Jon Catleugh, eight small abstract paintings and two sketch books unsigned, (13)

R. Wilson (20th Century) Staithes, Yorkshire, 1984 signed and dated (lower right) watercolour 40 x 55cm.   Condition report: Painting in good condition. framed and glazed .

Jacqueline Rizvi (b.1944) Study for a Three-Fold Screen, Leaves to Birds, 2005 signed with initials and dated in pencil (lower left) pencil, watercolour, and bodycolour on paper 27 x 42cm.   Provenance: Alpha House Gallery, Sherborne. Condition report: painting sound. Frame loose and has dirt under the mount.

John Neale watercolour seascape, Robert Hughes limited edition print of Easton Royal canal scene, Eastern painting tiger hunt etc.

Group of prints and painting to include 19th century watercolour wash of a Public house exterior with figures a 20th century oil on board sheep in a rural landscape,a signed photograph of Ronnie O'sullivan,set of four Samuel Howett shooting prints etc.

Frank Sherwin watercolour painting a figure seated outside at table signed titled verso THE CONVENT AT FIESOLE FLORENCE 16 X 47 cm together with a group of paintings and prints to include a portrait print by Stanley Spencer.

EUROPEAN SCHOOL 'Lake Folly', watercolour painting c.1900, monogrammed WB, 25cm x 18cm, in ornate gilt frame, mounted and glazed, together with one other watercolour painting, city scene with horse drawn carriage, possibly New Orleans, sign H. Keele r, 23cm x 15cm, framed mounted and glazed (2)

19TH CENTURY EUROPEAN SCHOOL 'Shipwreck', figures in the foreground on the rocks, in the distance a City with Towers, watercolour painting, 42cm x 45cm, framed & glazed

WILLIAM WELLS QUATREMAIN (1857-1930) 'The Lygon Arms' (Hotel in Broadway, Worcestershire, with hunt & hounds) watercolour painting on board, signed, inscribed to reverse, unframed, 21.5cm x 33.5cm

WILLIAM WELLS QUATREMAIN (1857-1930) 'Compton Wynyates' (Tudor Manor House, Warwickshire, horseman & hound at the entrance), watercolour painting on board, signature part trimmed. see label to reverse, 23cm x 35cm, inscribed and dated 1915, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) 'Shakespeare's Birthplace, Stratford Upon Avon', watercolour painting on board, inscribed to the front & reverse, the back signed & dated 1925, 22cm x 33.5cm, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) 'Holy Trinity Church, Stratford Upon Avon' (interior view from the aisle to the rood screen, and altar beyond, parts date back to the 13th Century, and added to over the centuries, Shakespeare was baptised here, worshipped, and is buried here, watercolour painting on board, signed, 25cm x 37.5cm, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) 'The Almshouses, Stratford Upon Avon' (dating from 1427 / 8, much altered in the 16th century, established by the Guild of the Holy Cross, whose Chapel Tower dating to the 13th century seen in the picture, figures, horse, and cart in the street) watercolour painting, signed 27.5cm x 43cm, unframed Condition report: Tears to left, right and  top edges, but the colour is good.

WILLIAM WELLS QUATREMAIN (1857-1930) 'Anne Hathaway's Cottage, Stratford Upon Avon' (in Shottery, one mile from the centre of Stratford Upon Avon, family home of Shakespeare's wife) watercolour painting on board, 24.5cm x 38cm, inscribed, unsigned

WILLIAM WELLS QUATREMAIN (1857-1930) 'Clopton Bridge, Stratford Upon Avon', (This stone bridge of fourteen pointed arches was built in 1486 / 7, in the reign of Henry VII, financed by Hugh Clopton who later became Lord Mayor of London, the ten sided toll house tower was added in 1814) watercolour painting, signed, 35.5cm x 26.5cm, unframed, together with one other watercolour of Clopton Bridge, unsigned, with punt in the foreground, 20.5cm x 31.5cm, unframed, (2)

WILLIAM WELLS QUATREMAIN (1857-1930) 'North Porch, Holy Trinity Church, Stratford Upon Avon' (the Church in which Shakespeare was baptised, worshipped, and is buried) Watercolour painting on board, signed & dated 1926, 26cm x 38cm, inscribed to the reverse, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) 'Sanctuary Knocker, Holy Trinity Church, Stratford Upon Avon' (the Church in which Shakespeare was Baptised, worshipped, and was buried) watercolour painting on board, signed & dated 1924, inscribed to reverse, 3 4.5cm x 23cm, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) 'Grammar School and Guild Chapel, Stratford Upon Avon' (King Edward VI school shown here next to the stone Chapel, there has been an educational establishment here since the 13th century, established by the Guild of the Holy Cross, it is the school Shakespeare is believed to have attended) watercolour painting on board, inscribed, unsigned, 24cm x 37cm, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) 'New Place, Stratford Upon Avon' (on the corner of Chapel Street and Chapel Lane is Nash's house, and the garden hedge surrounds the New Place, here stood Shakespeare's last house, the one where he died, the one he died in, it was demolished in 1759, to the outrage of Stratford's inhabitants, Reverend Francis Gastrell who owned the property, was eventually forced to leave town) Watercolour painting on board, 26.5cm x 38.5cm, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) 'Grammar School, The Quad, Stratford Upon Avon', (King Edward VI School locally referred to as KES, there has been an educational institution on this site since the 13th century, established by the Guild of the H oly Cross, it was passed into the control of the town corporation in 1553, when the Guild was suppressed by Edward VI, it is believed Shakespeare attended school here) watercolour painting on board, 23.5cm x 36cm, signed

WILLIAM WELLS QUATREMAIN (1857-1930) 'Old Town, Stratford Upon Avon', (looking down to the spire of Holy Trinity Church, a motor car and figures) watercolour painting on card, 24cm x 37cm, signed and dated 1924, unframedCondition report: overall very good, fading to upper sky.

WILLIAM WELLS QUATREMAIN (1857-1930) 'Hall's Croft, Old Town, Stratford Upon Avon' (the house of Shakespeare's daughter and her husband physician John Hall from 1613-1616, seen looking up Old Town away from Holy Trinity, house, cat, figure & wheelb arrow in the street) watercolour painting on card, signed and dated 1906, inscribed to the reverse, 25cm x 35cm, unframedCondition report: bleed through along top and left edge, 1.5cm deep.

WILLIAM WELLS QUATREMAIN (1857-1930) 'Leicester's Building and Presence Chamber, Kenilworth Castle', (ruined castle in Warwickshire) watercolour painting on board, signed, dated 1927 and inscribed, 25.5cm x 38cm, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) 'St. Mary's Church and War Memorial, Warwick', (looking up Church Street, figures and a barrow in the street) watercolour on board, signed, dated 1925 and inscribed, 30cm x 19cm, unframed, together with WILLIAM WELLS QUATREMAIN (1857-1930) "The Beauchamp Chapel in the Collegiate Church, St. Mary's Warwick", a watercolour painting, signed and dated 1918, 49cm x 36cm, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) 'Kenilworth Castle, Leicester's Gatehouse' (The castle now in ruins was built over several centuries, founded in 1120, mostly expanded in the 16th century by the Earl of Leicester, who in 1575 lavishly entertaine d Queen Elizabeth I here, figures, horseman & hound in foreground) watercolour painting on card, signed & dated 1918, 24cm x 37cm, unframed

WILLIAM WELLS QUATREMAIN (1857-1930) 'Anne Hathaway's Cottage, Shottery, Stratford Upon Avon', (family home of Shakespeare's wife summer garden with hollyhocks to the front of the property) watercolour painting on board, unsigned, 24cm x 37.5cm, un framed