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Lot 287
NO RESERVE Theatre.- Vigano (Eduardo, active circa 1840) Seven original theatrical costume designs, pen and ink, watercolour, over pencil, all signed, on cream wove paper, each sheet approx. 225 x 155 mm (8 3/4 x 6 in), minor surface dirt, unframed, 19th century; together with a good group of 29 Parisian fashion plates from various publications, including 'Magasin des Demoiselles', and a miscellaneous group of 20 other French theatrical interest prints, various sizes, 19th century (56)
Lot 308
Cattermole (George, 1800-1868) Path Through a Wood, watercolour and bodycolour on thick oatmeal wove paper, 490 x 365 mm (19 1/4 x 14 1/4 in), under glass, laid onto support, framed, mid 19th centuryProvenance:Private collection, London⁂ For comparative loose brushwork see 'The Challenge', sold by Christie's (3rd September 2013, lot 416)
Lot 53
NO RESERVE Britain.- Syms (H.S.) 2 Albums containing c.40 original sepia watercolours of British views and landscapes, traces of graphite, some with subject and date in lower right in ink, most signed, dated and with subject in pencil on album leaf (sometimes faded or partly erased), each watercolour between c.270 x 180mm. and c.180 x 130mm., hinges broken with leaves loose, contemporary half roan over marbled boards, roan label to upper covers with "Sepia Sketches" and "H.S. Syms" in gilt, rubbed, [first half of 19th century]; with an oversized scrap album in a hand-embroidered binding, including ephemera relating to the coronation of George V, oblong 4to & elephant folio (3)⁂ While the majority of watercolours depict Sussex, the album also includes views of Skiddaw and Ulswater, as well as Smuggler's Cave and Peel Castle on the Isle of Man.
Lot 93
Amuchastegui (Axel) Some Birds and Animals of North America, one of 505 copies signed by the artist, 16 coloured plates reproducing paintings by Axel Amuchastegui, original vellum, slipcase, rubbed,Tryon Gallery, 1971; Some Birds and Mammals of Africa, one of 505 copies signed by the artist, 14 coloured plates reproducing plates by Axel Amuchastegui, original blue morocco-backed boards by Zaehnsdorf, slipcase, a little rubbed, 1979 § Warren (Michael) Images from Birding, signed and numbered by the author on half-title, with an original signed and numbered watercolour by the author, loose, illustrations in colour, half morocco, cloth slipcase, Langford Press, 2007 § Hill (J.) An History of Animals. Containing Descriptions of the Birds, Beasts, Fishes, and Insects of the Several Parts of the World..., half-title, 28 engraved plates, several with closed tears and paper repairs to verso (a few without repairs), some browning and spotting, modern calf-backed cloth, T. Osborn, 1752; and another, folio and 4to (5)⁂ The first, one of very few copies bound in full vellum, rather than standard morocco-backed boards. The last, is the vol. 3 of Hill's A General Natural History (1748-52).
Lot 290
§ Leslie Charles Worth OBE (1923-2009) The Market Cart - Snowscape No.1signed and dated 'Leslie Worth 1952' (lower right)ink and watercolour25 x 35cmNot examined out of the frame, edges obscured by the mount so unavailable for inspection. Some flies trapped beneath glass and the mount a little faded and discoloured. The sheet is likely toned beneath the watercolour, though it is difficult to ascertain the extent. Some minor foxing, mostly located in the right hand side of the sky (see image 4). Otherwise in nice, presentable condition.
Lot 306
§ Ken Howard OBE, Hon RBA, PPNEAC, RA, ROI (1932-2022) Venice Canal; the reverse with a Venetian scenesigned and dated 'Ken Howard / 21 / 01 / 11' (lower right)watercolour15 x 19.5cm and 14 x 19cmNot examined out of the frame, edges of work are obscured by the mount board in both instances, so not available for inspection. Both images appear in very nice overall condition, each with some typical minor surface dirt, this is most apparent in the work on the reverse (see brown building).
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