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![Shanti Panchal (Indian, B. 1951) The Mirror 1, signed and dated 88-89 [?] in devanagari upper left, watercolour on paper, 20.](https://cdn.globalauctionplatform.com/2dd92a80-1a5c-4a82-bcf0-af3b009dd2c8/49a9216f-a9a6-44cd-8ed0-af3d01599442/468x382.jpg)
![Henrietta Mabel LISTER (1895-1959) [Nasturtiums On] 'An Old Brick Wall'WatercolourSigned and dated 1920Inscribed as titled on](https://cdn.globalauctionplatform.com/1eb997d4-1ac6-46e5-99ac-af46011a8c27/cbaf9cdf-86a4-4046-9abc-af4601320479/468x382.jpg)
Lot 391
Pictures and Prints (15) and group of FDCs including: Roses, a Beautiful Floral Colour Watercolour framed by Jerry Parslew Kings Lynn Norfolk, glazed, The Laughing Cavalier by Frans Hals painting as a textured print in a gold colour frame, glazed and ready to hang. 35cm x 42cm, Artist initial EL. 37cm x 47cm, "Cherries" Limited edition printed etching, 1 of 12 signed by artist Simon Poppy 1995. Simon attended St Martins School of Art and Goldsmiths University London. His art practice is in etching, painting and lithography; exploring space and light in nature and architecture, 47cm x 47cm, Beautiful Floral Colour Watercolour framed by Jerry Parslew Kings Lynn Norfolk, glazed, Attractive colour pastel portrait of a lady in a pink shawl, nicely framed in wooden frame and ready to hang, modern. Artist initial PC 09. 45cm x 53cm, Antique Etching by William Monk depicting the grand entrance and gates of a stately home, 1901 Monk. On thick card 15" x 11 3/4". Some foxing and toning, small tear at the top, Pencil and watercolour study of an overturned wicker basket and apples. Framed and glazed. Signed by the artist, 41cm x 50.5cm etc. Also First Day of Issue Covers. 1993 The Definitive Portrait (1), 1997 (8) and 1998 (8) from the collection of Baroness Betty Boothroyd typed addresses to "The Rt Hon Betty Boothroyd MP Speaker of the House of Commons, London, SW1A 0AA" (17) Proceeds to the Maternity Bereavement Suite Charity at QE Hospital Kings Lynn. Buyer Collects.
Lot 123
Floris Arntzenius (1864-1925), A view of Noordeinde, The Hague, oil on canvas, 47x32 cm, Provenance:-Private collection since the 1930s.-Auction, Christie's, Amsterdam, 25 May 2016, lot 291., signed 'F. Arntzenius' (lower right), Please compare to a watercolour with a similar composition by the artist in Dolf Welling, 'Floris Arntzenius', The Hague 1992, p. 54.
Lot 120
Marius Bauer (1867-1932), A parade in an oriental city, watercolour on paper, 60x47,5 cm, Exhibited:-London, Obach & Co., 'Tentoonstelling van aquarellen en etsen van M.A.J. Bauer', March-April 1911, no. 37, as: 'A procession'. Literature:-T. Martin Wood, 'The water-colours of Marius A.J. Bauer', in The Studio, An illustrated magazine of fine and applied art, Vol. 54, 1911, no. 223 (October), ill. p. 185. Provenance:-With Kunsthandel E.J. van Wisselingh & Co., Amsterdam, inv. no. 2227.-Acquired from the above by Colnaghi & Obach, London, 1912.-Auction, Christie's, Amsterdam, 29 May 2013, lot 12., signed with initials 'MB' (lower right),
Lot 79
Willy Sluiter (1873-1949), An elegant company enjoying a drink on the boulevard of Scheveningen, charcoal and watercolour on paper, 37x47 cm, Lots 56-83: A Distinguished Collection, signed, dated and annotated 'Willy Sluiter/Scheveningen/1930-' (lower right), Please compare to a preparatory sketch by the artist sold at: Auction, AAG, Amsterdam, 17 June 2019, lot 75.
Lot 131
Willy Sluiter (1873-1949), I. A couple after a dive in the seaII. 'Moeder en kind'III. A family on the beach, each charcoal, watercolour and gouache on paper (3), 46x36 cm (all together in one frame), I. signed 'Willy Sluiter' (lower left)II. signed, dated and annotated 'Scheveningen/'36/Willy Sluiter' (upper right); titled 'Moeder/en kind' (upper left)III. signed 'Willy Sluiter' (lower right),
Lot 17
Johannes Huibert Prins (1757-1806), I. The new family memberII. A quiet day indoors, both watercolour, heightened with white, on paper (2), 34,5x31 cm, Provenance:-Auction, Sotheby's, Amsterdam, 23 April 2001, lot 37.-With Kunsthandel Gebr. Douwes Fine Art, Amsterdam., I. signed and dated 'JH: Prins: inventor. fec. 1796.' (on the reverse)II. signed and dated 'JH Prins: invent. fec. 1796.' (on the reverse),
Lot 82
Jan Sluijters (1881-1957), A portrait of a baby boy, watercolour and pencil, heightened in white, on paper, 24,5x21 cm, Provenance:-With Kunsthandel M.L. de Boer, Amsterdam, inv. no. 14051, as: 'Jantje', where acquired by the family of the present owners., signed 'Jan Sluijters' (lower centre), Lots 56-83: A Distinguished Collection
Lot 69
Jacob Maris (1837-1899), A young Italian girl, watercolour on paper, 38,5x24 cm, Exhibited:-Amsterdam, Rijksprentenkabinet, 'De verzameling van Dr J.A. van Dongen: Nederlandse tekeningen uit de XIX en XXste eeuw', May-June 1961, cat. no. 59.-Laren, Singer Memorial Foundation, no. 130 (according to a label attached to the reverse).-Laren, Singer Museum, 'Maris, Een kunstenaarsfamilie', 13 January-10 March 1991, no. 26. Provenance:-Collection Dr J.A. van Dongen., signed 'J Maris' (lower right), Lots 56-83: A Distinguished Collection
Lot 72
Otto Eerelman (1839-1926), Horse riding on Rotten Row, Hyde Park in London, pencil and watercolour on paper, 51x75 cm, Literature:-Pieter A. Scheen, ‘Lexicon Nederlandse Beeldende Kunstenaars 1750-1880’, The Hague 1981, ill. no. 290.-Harry J. Kraaij, ‘Otto Eerelman, Groninger kunstenaar 1839-1926’, Schiedam 2012, ill. p. 94, no. 115. Provenance:-Auction, Mak van Waay, Amsterdam, 21 October 1974, lot 49.-With Kunsthandel Pieter A. Scheen, The Hague, Summer exhibition 1975, no. 13.-Auction, Christie's, Laren, 20 October 1976, lot 196, as: 'Ladies and gentlemen riding on 'Rotten Row', London'.Lots 56-83: A Distinguished Collection, signed 'O: Eerelman' (lower right), Rotten Row is a broad track running along the south side of Hyde Park in London. It leads from Hyde Park Corner to Serpentine Road. During the 18th and 19th centuries, Rotten Row was a fashionable place for upper-class Londoners to be seen horse riding.
Lot 56
Willem van Leen (1753-1825), A still life with flowers in a vase, a bird's nest and a snail on a marble ledge, watercolour on paper, 45x33 cm, Provenance:-With Gallery John Mitchell and Son, London (ill. in Gallery Notes, circa 1977/78)., signed and dated '= Van Leen, Ft 1800.' (lower left), Lots 56-83: A Distinguished Collection
Lot 16
Cornelis Troost (1696-1750)The bribesigned and dated 'C Troost 1736' (lower right); annotated 'Hopman/Ulrich' (centre right)watercolour on paper, 39x30,5 cmLiterature:-J.W. Niemeyer, ‘Cornelis Troost 1696-1750’, Assen 1973, p. 251.Provenance:-Collection D. Muilman; His auction, Jan de Bosch, Amsterdam, 29 March 1773, lot G 497 (sold for: 66 Dfl.), where acquired by De Winter.-Collection Isendoorn à Blois; His auction, Roos [?], Amsterdam, 19 August 1879, lot 169 (sold for: 33 Dfl.), where acquired by Dirksen.-Collection J.H. Cremer a.o.; Auction, Amsterdam, Frederik Muller, 15 June 1886, lot 323 (sold for: 59 Dfl.), where acquired by Habich.-Collection Edward Habich; His auction, H.G. Gutekunst, Stuttgart, 27 May 1899, lot 666.-Collection H. M. Montauban van Swijndregt a.o.; Auction, R.W.P. de Vries, Amsterdam 5 May 1906, lot 198 (sold for: 110 Dfl.).-Collection Graafland a.o.; Auction, J. Schulman, The Hague, 27 October 1906, lot 1220.The present lot depicts the 'bribe scene' out of 'Hopman Ulrich of de bedrogen gierigheid' by Johan van Paffenrode (1661).Please compare to a similar work by the artist in the collection of the Rijksmuseum in Amsterdam, inv. no. SK-A-1708.
Lot 80
Jeanne Bieruma Oosting (1898-1994), A still life with pink roses in a glass vase, watercolour on paper, 56x42 cm, Provenance:-With Kunsthandel M.L. De Boer, Amsterdam, inv. no. 15168, where acquired by the family of the present owners., signed 'Oosting.' (lower right), Lots 56-83: A Distinguished Collection
Lot 17
MAX PECHSTEIN (1881-1955)Kniender weiblicher Akt vor dem Spiegel signed with the artist's initials and dated 'HMP 1911' (lower left)watercolour and pencil on paper17.1 x 20.6cm (6 3/4 x 8 1/8in).Executed in 1911Footnotes:The authenticity of this work was confirmed by the late Alexander Pechstein. ProvenanceAnon. sale, Sotheby's, Munich, 26 October 1988, lot 38.Private collection, Hesse.Anon. sale, Lempertz, Cologne, 1 June 2018, lot 492.Private collection, UK (acquired at the above sale).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 23
GEORG TAPPERT (1880-1957)Frauenkopf stamped with the artist's estate stamp (on the reverse)watercolour, pastel and charcoal on paper 45 x 36.6cm (17 11/16 x 14 7/16in).Executed in the 1920sFootnotes:ProvenanceThe artist's estate.Anon. sale, Christie's, London, 2 December 1986, lot 252.Acquired at the above sale by the present owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 38
FRIEDRICH KARL GOTSCH (1900-1984)Abkehr (Erinnerung an ein Jugenderlebnis) signed with the artist's initials 'FKG' (lower left) and further signed, inscribed and dated 'Gouache - 'Abkehr' (Erinnerung an ein Jugenderlebnis) - FK Gotsch 1964 (8)' (lower margin)gouache and watercolour on card57.5 x 72.9cm (22 5/8 x 28 11/16in).Executed in 1964Footnotes:ProvenanceMusée du Petit Palais, Geneva, no. 10055 (acquired directly from the artist in the 1960s). Private collection, Switzerland (by descent from the above).ExhibitedEssen, Museum Folkwang, Friedrich Karl Gotsch, 1900-1984: Aquarelle, Zeichnungen, Druckgraphik, 17 December 1989 – 4 February 1990.Grömitz, Stiftung Schleswig-Holsteinische Landesmuseen Schloss Gottorf, Kloster Cismar, F.K. Gotsch, Aquarelle und Gouachen: Ausstellung zum 100. Geburtstag des Künstlers, 2000, no. 53.Jena, Kunstsammlung Jena, Friedrich Karl Gotsch, Von der Abstraktion im Gegenständlichen, Werke 1917-1964, 7 December 2013 - 2 March 2014.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 41
EMIL NOLDE (1867-1956)Amaryllisblüten mit Heiligenfigur signed 'Nolde.' (lower left)watercolour on Japan paper47.1 x 35.5cm (18 9/16 x 14in).Executed circa 1925Footnotes:The authenticity of this work has been confirmed by the late Prof. Martin Urban and Dr Manfred Reuther. ProvenanceThe artist's estate, Seebüll.Günther Franke Collection, Munich. Private collection, Southern Germany.ExhibitedMunich, Städtische Galerie München, Sammlung Günther Franke, Gemälde. Zeichnungen. Druckgraphik., 9 September – 20 November 1960, no. 549.Munich, Museum Villa Stuck, Hommage à Günther Franke, 18 July – 18 September 1983, no. 166.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 42
ERICH HECKEL (1883-1970)Gladiolen signed, inscribed and dated 'Gladiolen - Heckel 45' (lower right)watercolour and coloured crayon on paper49.7 x 46.6cm (19 9/16 x 18 3/8in).Executed in 1945Footnotes:The authenticity of this work has been confirmed by Hans Geissler and Renate Ebner from the Erich Heckel Estate.ProvenanceAnon. sale, Grisebach, Berlin, 27 May 2000, lot 273. Acquired at the above sale by the present owner.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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450363 item(s)/page