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Lot 515
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004), VENDANGE (GRAPE HARVEST) watercolour on paper, signed in pencil 22cm x 30cm Mounted, framed and under glass. Label verso: Artbank, 24 Cleveden Road, Glasgow. Inscribed with title and artist's name. Note: Probably painted during one of Goudie's many visits to the home of his parents-in-law in Loctudy, Brittany, France.
Lot 519
* ELIZABETH BLACKADDER DBE RA RSA RSW RGI DLitt (SCOTTISH b 1931), STILL LIFE IN WHITE AND GREY watercolour on paper, signed and dated 1972 in pencil 62cm x 104cm Mounted, framed and under glass. Label verso: Mercury Gallery, 26 Cork Street, London. Purchased September 1972. Note: Elizabeth Blackadder is the first woman to be elected to both the Royal Scottish Academy and the Royal Academy. She studied at Edinburgh University and Edinburgh College of Art from 1949 to 1954. In 1954 she was awarded a Carnegie Travelling Scholarship by the Royal Scottish Academy, which took her to southern Europe. Blackadder also received an Andrew Grant Post-Graduate Scholarship. In 1955 she was awarded another Travelling Scholarship and spent nine months in Italy. In 1956 Blackadder married the painter, John Houston and lectured in Drawing and Painting at Edinburgh College of Art from 1962 to 1986. Blackadder’s first solo exhibition was held in 1959 at 57 Gallery, Edinburgh. Since then, solo exhibitions of her work have been held almost every year to date, both nationally and internationally. She has also participated extensively in group exhibitions around the world. Blackadder has received a number of awards, including the Guthrie Award, Royal Scottish Academy (1962) and the Pimms Award for Work on Paper (Royal Academy, 1983). She was joint-winner of the Royal Academy’s Watercolour Foundation Award in 1988. Blackadder was elected Member of the Royal Scottish Academy in 1972, a Royal Academician in 1976 and a Member of The Royal Glasgow Institute of Fine Arts in 1983. She is an Honorary Member of the Royal West of England Academy, the Royal Watercolour Society and the Royal Society of Painter-Printmakers, and an Honorary Fellow of the Royal Incorporation of Architects in Scotland and the Royal Society of Edinburgh. She has also received Honorary Doctorates from four Scottish universities. In 2001 she was appointed Her Majesty’s Painter and Limner in Scotland. Elizabeth Blackadder lives and works in Edinburgh. Selected public collections: Abbot Hall Art Gallery, Aberdeen Art Gallery, Carlisle Museum and Art Gallery, Contemporary Art Society, The Carnegie Trust, Edinburgh City Art Gallery, Tower Art Gallery (Eastbourne), The Fleming Collection, Glasgow Museum and Art Gallery, UK Government Art Collection, Greater London Council, Heriot Watt University, Kirkcaldy Museum & Gallery, Museum of Modern Art, New York (MOMA), National Portrait Gallery, London, Royal Acedemy of Arts, The Royal Scottish Academy, Scottish Arts Council, Scottish National Gallery of Modern Art, Scottish National Portrait Gallery, Tate Gallery, London, University of Cambridge, Kettle’s Yard, University of Edinburgh, University of Glasgow, Hunterian Art Gallery, Whitworth Gallery, Wustun Museum, Racine, Wisconsin, USA.
Lot 520
* ARCHIE DUNBAR MCINTOSH RSW RGI (SCOTTISH b1936), LONE BATHER mixed media on board, signed 60cm x 60cm Framed and under glass. Artist label verso: Inscribed with title and artist's name. Note: Archie McIntosh studied at the Glasgow School of Art from 1953 to 1957. Following that he taught for a number of years before becoming President of Glasgow School of Art in 1968. Today Archie McIntosh is one of the most original, professional painters working in Scotland. His paintings possess an unusual combination of the abstract and naive styles with a strong enduring appeal. Archie successfully creates a parallel world of distorted perspectives and fanciful motifs, which fascinate and entertain the viewer. Archie Dunbar McIntosh paintings have regularly featured in exhibitions worldwide. They are also in the public art collections of: The Scottish Arts Council; Glasgow Museums & Art Galleries; Edinburgh City Council; and Argyll Education Authority. Archie's paintings are also held in many corporate and private art collections including those of Rolls Royce, Peter Townsend and Griff Rhys Jones. Prizes awarded for his paintings include: The Guthrie Award, Royal Scottish Academy (RSA); The Latimer Award, Royal Scottish Academy (RSA); The Royal Bank of Scotland Award, Royal Glasgow Institute (RGI); The May Marshall Brown Award, Royal Scottish Society of Painters in Watercolour (RSW).
Lot 550
* JOHN YARDLEY RI (BRITISH b 1943 - ), WHITE WINGS AND RHUS watercolour and gouache on paper, signed 58cm x 42cm Mounted, framed and under glass. Note: John Yardley began painting full-time over 30 years ago he has achieved International recognition for his distinctive watercolours through one-man and group exhibitions, books, videos and his very popular painting courses, which are constantly over-subscribed. Throughout those years he has maintained a remarkable level of consistency, painting to the highest possible standard at all times with the freshness and spontaneity that are amongst his hallmarks. In 1990 he was elected a member of the Royal Institute of Painters and Watercolour and has exhibited widely throughout the world. He has had numerous one-man exhibitions, won several prizes and is the author of a very successful book (John Yardley, A Personal View - Watercolour). Three further books have been published focusing on Yardley and his work (The Art of John Yardley, by Ron Ranson; John Yardley As I See It, by Steve Hall and John Yardley, by Susanne Haines). His paintings are in corporate and private collections throughout the world. The typical gallery price for a Yardley watercolour of these dimensions would be in excess of £2500.
Lot 567
* JUDITH I BRIDGLAND (AUSTRALIAN/SCOTTISH b 1962 - ), TOWARDS THE KYLES OF BUTE oil on canvas, signed 82cm x 122cm Framed and under glass. Titled and dated 2002 on label verso. Note: Judith was born in 1962 in Australia, and trained in Glasgow, where she now lives and works. Her bold, exuberant and vibrantly joyful landscapes have led to sell-out shows in Scotland, London and the rest of the UK as well as exhibiting further afield in America, Russia and Sweden. Working in oils, her paintings use bold, vigorous, rhythmical strokes of impasto paint combined with delicate brushwork. This gives an exciting texture to the paint surface along with a sense of abstraction, which reflects nature’s contrasts and delicate harmonies. However, whilst the work is very painterly, it also has a strong sense of place. Winner of the 1999 MacRoberts Open Prize, the 2010 House for An Art Lover Award, and the Glasgow Art Club Award in 2016, Judith is also a member of the Paisley Art Institute, and a regular exhibitor at the Royal Glasgow Institute and Royal Scottish Society of Painters in Watercolour. Paintings in private collections in England, Ireland, France, Germany, Switzerland, Italy, Belgium, the Netherlands, Turkey, Mexico, Canada, USA, Bermuda, Australia, Hong Kong and the United Arab Emirates. Collections include: Sophos Plc Global Headquarters, Arisaig Partners, The Royal Bank of Scotland World Headquarters, University of Strathclyde, Glasgow Caledonian University, British Midland (on permanent exhibition in the Executive Lounge at Glasgow International Airport). Work also owned as part of the Helen Cargill Thomson Collection, gifted to the University of Strathclyde. Judith's highly successful 14th Feb - 10th March 2020 exhibition at Duncan R. Miller Fine Arts (London) was her fourteenth solo show at this prestigious London gallery.
Lot 573
* WILLIAM BIRNIE RSW RGI (SCOTTISH 1929 - 2006), HEN RUNS, WINTER, KILBARCHAN oil on board, signed 40cm x 30cm Framed. Artist label verso. Note: Bill Birnie studied at Glasgow School of Art under Gilbert Spencer and then at Hospitalfield under Ian Fleming. After graduating, he joined the staff at Hyndland Secondary School in 1952. That same year he was also elected a member of the Society of Scottish Artists (SSA). In 1958, he became a founder member of the Glasgow Group and formed the Glasgow Group Society, of which he was Vice-President for 32 years. In 1965, he was elected a member of the Royal Scottish Society of Painters in Watercolour (RSW), a society of which he also became Vice-President and Treasurer. He became Principal Art Teacher at Douglas Academy, near Bearsden, and later at Gryffe High, near Kilbarchan. Bill's abilities not only as a teacher but also as an administrator were noticed by the Department of Education and he was soon appointed Head Examiner in Art for Scotland. He still managed to maintain a very active exhibiting schedule, and showed in all the main public galleries and many of Scotland's best commercial galleries. His work was enthusiastically collected and increasingly sought after. He was elected a member of the Royal Glasgow Institute of Fine Art (RGI) and of the Paisley Art Institute (PAI). In the early years he painted from his garden, showing the village of Kilbarchan in its changing seasons, under a quiet blanket of winter snow, or framed in a blazing sunset through autumnal trees. Later visits to France and Italy with his artist wife, Cynthia Wall, whom he married in 1953, brought new subject matter, cafe scenes, vine groves, Italian cliff top villages, and the crumbling facades of palaces and churches of Venice. It was characteristic of the man that when told that his illness was terminal, he calmly put his affairs in order and started work for a final one-man show at the Open Eye Gallery (Edinburgh) the scene of so many of his successful shows. Unsurprisingly, the exhibition was a complete sell-out.
Lot 591
* AVRIL PATON (SCOTTISH b 1941), TOPPING OUT DAY (c1995) watercolour on paper 80cm x 100cm Framed and under glass. Label verso: Gatehouse Gallery, Rouken Glen Road, Giffnock, where acquired by the vendor. Note: a remarkably rare work by Avril Paton, the artist who painted "Windows in the West", one of Scotland's best known and most popular contemporary paintings which was acquired for the nation by the Scottish National Gallery of Modern Art and is currently on display at Kelvingrove Gallery, Glasgow. There has been much written about Paton's work from the 1990's explaining the meticulous detail and the many months it took to complete a single picture. Paton eventually moved on to a more spontaneous abstract style of work and consequently her paintings from the 1990's are a distinct isolated body of work and the examples from this time are few and rarely, if ever, appear at auction. Avril Paton's work from this period has been studied as part of the curriculum for many of the nation's youth and there are talks and discussions on YouTube which include "Topping Out Day". Private collection, England.
Lot 602
* FRANCIS BOWYER PPRWS NEAC (BRITISH b 1952), HARBOUR II 3D mixed media, signed in pencil 38cm x 55cm Framed and under glass. Note: Bowyer studied at St. Martins School of Art and Chelsea School of Art. He is a Member of The Royal Watercolour Society, where he served as President of the Society from 2000 - 2003 and is a prominent Member of the New English Art Club. He has work in collections held at RWS Diploma Collection, St Cuthberts Paper Mill, National Grid plc, London Federation of Clubs for Young People, The Royal Collection and H.R.H. The Prince of Wales Collection, and with the Royal Electrical and Mechanical Engineers and in private collections internationally. He visited Camp Bastion, Afghanistan as an official War Artist. His work has won many awards including The Turner Watercolour Prize.
Lot 773
* ANGUS MCEWAN RWS RGI RSW, WATER WHEEL oil on board, signed and dated 9/1991 92cm x 62cm Mounted, framed and under glass. Note: Angus McEwan was born in 1963 in Dundee, Scotland. Angus studied at the Duncan of Jordanstone College Art in Dundee, graduating in Fine Art and a Post Graduate Diploma in the same discipline. Angus was elected to the Royal Scottish Society of Painters in Watercolours (1995) and in 2012 the Royal Watercolour Society. In 2005 he was recognized as an Associate of the International Guild of Realism USA. He is also an associate member of the AWS and NWS in the USA. Angus has been Finalist three times of the ''International Artist Magazine'' and won first place in the John Blockley Prize in the RI open exhibition. Angus has also won second prize in the Sunday Times Watercolour Competition (2007) in London and the International Prize ''Marche d'Acqua'' Fabriano, Italy in 2012. In 2013 Angus won Bronze Award, at the Shenzhen International Watercolour Biennial, in China. He was recently awarded the May Marshall Brown award at the Royal Scottish Society of Painters in Watercolours (RSW), Edinburgh, 2015 and was elected RGI in May 2016. Many galleries display McEwan's works, including Ok Harris Gallery in New York and Quanhua Gallery, Shanghai. Recently highlighted in Shenzhen Biennale and the Qingdao Hall of Watercolor. He has exhibited in Fabriano, Italy in the ''Marche d'Acqua'' International Award, as special guest and Vicenza, Italy, where he had a solo show in the ''Artbox''. McEwan was one of the 23 finalists in Narbonne, France at the Concours Mondial de l'Aquarelle 2014 1st World Watercolour Competition. Angus also exhibited at the World Watermedia Exposition, Thailand and Myro Gallery, Greece. He also participated in the Second International Watercolour Exhibit in Thessaloniki, Greece. In the UK McEwan exhibits with Thompson's Gallery (London) and The Open Eye Gallery (Edinburgh). Notable collectors include: Dundee Art Galleries and Museums; The Qatar Royal Family; the Royal Scottish Academy Collection; Ernst & Young, Glasgow; Scottish Enterprise; Scottish Equitable; Historic Scotland; Perth Royal Infirmary.
Lot 791
* HAZEL NAGL RGI RSW PAI (SCOTTISH b 1953), AUTUMN STILL LIFE watercolour on paper, signed 56cm x 78cm Mounted, framed and under glass. Note: Hazel Nagel is a graduate of Glasgow School of Art, where she studied Drawing and Painting. Following graduation, she lived and worked at the Art School’s workshop at Culzean Castle where she developed an interest in landscape painting in response to the varied and dramatic surroundings. She is widely known for her still life and landscape paintings, her preoccupations being imparting a sense of space and light and an expressive impulse. She handles watercolour superbly, layering veils of translucent colour through her work. In 1988 she was elected to the RSW and to the RGI in 2000. She has won a number of awards including the RGI - Sir Alexander Stone Prize, RGI - Mabel Mackinlay Award, RGI - Eastwood Publications Award, SAAC Prize, PAI Prize, 1st Prize Laing Competition. She exhibits widely and has work in a number of Public Collections including The Fleming Collection (London), The Royal Bank of Scotland, Glasgow University, Common Market Enterprises, Combined Capital and Scottish & Newcastle Breweries.
Lot 792
* JEAN B MARTIN RSW (SCOTTISH b 1947), FOXGLOVES AND WATERLILIES watercolour on paper, signed 70cm x 50cm Mounted, framed and under glass. Label verso: Gatehouse Gallery, Rouken Glen Road, Giffnock. Note: Jean B Martin was born in Glasgow in 1947 and trained at the Glasgow School of Art. She was elected a member of the Royal Scottish Society of Painters in Watercolour (RSW) in 2002. Luminosity and depth are the most immediately striking features of Martin's work, achieved by building up layers of glazing and collage, lending the effect of an inner glow to her painting. Her work comprises a diversity of subject matter, from vibrant floral-based still lives to sublime church interiors, and landscapes from golden-hued Venice to the blustery East Coast of Scotland, involving the viewer through evoking the distinct atmosphere of each subject. Jean Martin has won numerous awards and is an important Scottish painter of her generation. Her work is held in many private and corporate collections in the UK, Hong Kong, Singapore, Australia, Canada and America.
Lot 1148
(See English version below)Landschaft bei New Plymouth, Neuseeland. 1988Aquarell über Bleistift auf grauem Papier (aus einem Skizzenblock). 29,2 × 40,3 cm ( 11 ½ × 15 ⅞ in.). Unten rechts mit Buntstift signiert und datiert: FU IV.2.88.[3193]Zustandsbericht: In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Das Papier technikbedingt schwach gewellt. Rückseitig an drei Stellen entlang der Oberkante mit Papierklebestreifen auf den Unterlagekarton montiert. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Landschaft bei New Plymouth, Neuseeland. 1988Watercolour over pencil on grey paper (from a sketch book). 29,2 × 40,3 cm ( 11 ½ × 15 ⅞ in.). Signed and dated with coloured pencil lower right: FU IV.2.88.[3193]Condition report: In good condition. The sheet edges without tears or losses. The paper faintly warped due to the artist's technique. Mounted with paper tape on cardboard on the reverse at three places along the upper edge. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
Lot 1149
(See English version below)Am Meer. Aquarell und Deckweiß auf Papier. 10 × 14,4 cm ( 3 ⅞ × 5 ⅝ in.). Unten rechts monogrammiert: Fm.[3297]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Rückseitig in den oberen Ecken sowie an der Unterkante mittig mit doppelseitigem Klebestreifen auf den Unterlagekarton montiertWir berechnen auf den Hammerpreis 30% Aufgeld.Am Meer. Watercolour and opaque white on paper. 10 × 14,4 cm ( 3 ⅞ × 5 ⅝ in.). Monogrammed lower right: Fm.[3297]Condition report: Fine harmonious over all appearance. The sheet edges without tears or losses. Mounted with double-sided adhesive strip on cardboard on the reverse in the upper corners as well as at the centre lower edge. SibWe charge 30% premium on the hammerprice.
Lot 1150
(See English version below)Entenstudien. Bleistift und Aquarell auf Papier. 24 × 30,4 cm ( 9 ½ × 12 in.). Unten rechts signiert: Aug. Gaul.[3297]Zustandsbericht: Schöner harmonischer Gesamteindruck. Das Papier ungleichmäßig gebräunt. An der rechten Blattkante zwei und oben mittig ein kurzer Einriss (max. 0,5 cm). Im Randbereich rechts etwas knittrig. Vereinzelt leicht fleckig. Rückseitig vereinzelte kleine ausgedünnte Stellen. An der Oberkante mittig und in der oberen linken Ecke kleine Reste getrockneten Klebers. In den oberen Ecken mit Papierklebeband auf das Passepartout montiertWir berechnen auf den Hammerpreis 30% Aufgeld.Entenstudien. Pencil and watercolour on paper. 24 × 30,4 cm ( 9 ½ × 12 in.). Signed lower right: Aug. Gaul.[3297]Condition report: Fine harmonious overall appearance. The paper irregularly browned. Two tears at the right sheet edge and one short tear at the centre top (max. 0,5 cm). Slightly creased in the margins on the right. Isolated slight stains. Isolated small thinning bits on the reverse. Small remains of dried glue at upper edge in the centre and in upper left corner. Mounted with paper tape onto the passetartout in the upper corners. SibWe charge 30% premium on the hammerprice.
Lot 1169
(See English version below)„Artistenfamilie“. 1956Aquarell über Tuschfeder auf Papier. 35 × 41,6 cm ( 13 ¾ × 16 ⅜ in.). Unten rechts signiert und datiert: Kitzel 56.Franzke 297.–[3318]Zustandsbericht: In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Rückseitig entlang der Blattkanten Reste alten Papierklebebandes (teilweise abgezogen). An den oberen Ecken mit Japanfaser auf den Unterlagekarton montiert. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld."Artistenfamilie". 1956Watercolour over pen and India ink on paper. 35 × 41,6 cm ( 13 ¾ × 16 ⅜ in.). Signed and dated lower right: Kitzel 56.Franzke 297.–[3318]Condition report: In good condition. The sheet edges without tears or losses. On the reverse along the sheet's edges remains old mounting material (partially removed). Mounted on the upper corners with Japan tissue on cardboard. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
Lot 1174
(See English version below)Wasserlauf über gebrochenen Steinplatten. Deckweiß und Aquarell auf Papier. 10,8 × 15,9 cm ( 4 ¼ × 6 ¼ in.). Unten links signiert: Klapper.[3140]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Das Papier ungleichmäßig minimal gebräunt. Die obere rechte Ecke mit schwacher Knickspur (ca. 1,2 cm). Rückseitig mit schwachen Bereibungsspuren und links mittig mit einem winzigen Rest TesafilmWir berechnen auf den Hammerpreis 30% Aufgeld.Wasserlauf über gebrochenen Steinplatten. Opaque white and watercolour on paper. 10,8 × 15,9 cm ( 4 ¼ × 6 ¼ in.). Signed lower left: Klapper.[3140]Condition report: Fine harmonious overall appearance. The sheet edges without tears or losses. The paper has irregular minimal browning. The upper right corner with faint slight crease (approx. 1,2 cm). On the reverse with faint scuff marks and minuscule residue of adhesive tape in the centre leftWe charge 30% premium on the hammerprice.
Lot 1189
(See English version below)Voralpenlandschaft mit See. 1930er-JahreAquarell auf Papier. 37,7 × 52,3 cm ( 14 ⅞ × 20 ⅝ in.). Unten rechts signiert: Otto Lange.[3344]Zustandsbericht: In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Das Papier technikbedingt schwach gewellt. Rückseitig an mindestens 6 Stellen mit Papierklebestreifen auf den Unterlagekarton montiertWir berechnen auf den Hammerpreis 30% Aufgeld.Voralpenlandschaft mit See. 1930sWatercolour on paper. 37,7 × 52,3 cm ( 14 ⅞ × 20 ⅝ in.). Signed lower right: Otto Lange.[3344]Condition report: In good condition. The sheet edges without tears or losses. The paper due to the artist's technique faintly warped. On the reverse at least 6 places mounted with paper tape on cardboard. SibWe charge 30% premium on the hammerprice.
Lot 1229
(See English version below)Landschaft mit Leuchtturm (Sylt). 1951Aquarell und Tusche auf Papier. 49,3 × 62,1 cm ( 19 ⅜ × 24 ½ in.). Unten links mit Bleistift signiert und datiert: Will Sohl 51.Rückseitig: Landschaft mit Leuchtturm. Aquarell, Tusche und Tuschfeder. [3065]Wir danken Maximilian von Koskull, Marktbergel, für freundliche Hinweise.Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Das Papier technikbedingt leicht gewellt. Mit vereinzelten schwachen Bereibungen. Rückseitig in den Ecken Reste alter MontierungWir berechnen auf den Hammerpreis 25% Aufgeld und auf Hammerpreis und Aufgeld die zum Auktionszeitpunkt geltende Umsatzsteuer.Landschaft mit Leuchtturm (Sylt). 1951Watercolour and India ink on paper. 49,3 × 62,1 cm ( 19 ⅜ × 24 ½ in.). Signed and dated in pencil lower left: Will Sohl 51.On the reverse: landscape with lighthouse. Watercolour, India ink and pen with black India ink. [3065]We would like to thank Maximilian of Koskull, Marktbergel, for kindly providing additional information.Condition report: Fine harmonious overall appearance. The sheet edges without tears or losses. The paper due to the artist's technique slightly warped. With isolated faint scuff marks. On the reverse at corners remains old mountWe charge 25% premium on the Hammerprice and VAT applies to hammerprice and premium.
Lot 1235
(See English version below)Ohne Titel. 2007Aquarell auf Papier. 21,1 × 22,5 cm ( 8 ¼ × 8 ⅞ in.). Rückseitig mit Bleistift signiert und datiert: M. Weischer 07.[3151]Zustandsbericht: In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Rückseitig an den Ecken mit Papierklebestreifen auf den Unterlagekarton montiert. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Untitled. 2007Watercolour on paper. 21,1 × 22,5 cm ( 8 ¼ × 8 ⅞ in.). Signed and dated in pencil on the reverse: M. Weischer 07.[3151]Condition report: In good condition. The sheet edges without tears or losses. On the reverse along the corners mounted with paper tape on cardboard. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.
Lot 387
A FINE VICTORIAN PHOTOGRAPH ALBUM, the cover with inset unsigned watercolour of blue tits amidst flowers, the gilt-metal mount inscribed "HIS FAVOURITE BIRDS", each corner applied with a monogram, thirty-six pages, each with hand-painted decoration, some with vacant apertures. 35.5cm by 33.5cm
Lot 449
A*** TURNER, "TOWER BRIDGE", signed and titled lower left, Mangate Gallery label verso, watercolour, framed. 26cm by 37cmThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Perhaps very slightly faded but generally in good condition.
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