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Lot 261

MARJORIE MOSTYN. A small collection of pencil portraits, watercolour studies etc. Several signed. All unframed. Sold on behalf of The Hypatia Trust Campaign for the redevelopment of Morrab Gardens Stables. (hypatia-trust.org.uk)

Lot 262

GERALD LESLIE BROCKHURST. Still life. Watercolour, painted age 9. Inscribed to the reverse. 15 x 24cm. and a drawing also drawn aged 9, signed. 12 x 10cm. Both unframed.

Lot 271

FRANCES HODGKINS. 'Kia-ora'. Watercolour. Initialled, titled & dated '04. To the reverse of this French postcard is an inscription signed by the artist to "Mr & Mrs Garstin, with kind thoughts & all best wishes from Frances Hodgkins". 14.5 x 9.5cm. Unframed.

Lot 282

GWEN WHICKER. Cornish fishing boats. Watercolour. Signed. 26 x 35cm. Sold on behalf of The Hypatia Trust Campaign for the redevelopment of Morrab Gardens Stables. (hypatia-trust.org.uk)

Lot 284

H.E.S. TOZER. 'Grace Before Meat.' Watercolour. Signed & dated '23. 21 x 31cm.

Lot 294

J. HESELDIN. St. Ives harbour. Watercolour. Signed. 12 x 16cm.

Lot 313

STYLE OF MATTHIJS MARIS. The Elf King. Watercolour on paper, laid down. Initialled. 25 x 18cm. Frame with brass naming plate.

Lot 316

EDWARD EMERSON. (Irish). 'Fisher folk'. Watercolour. Signed. Artist's label to the reverse. 35 x 50cm.

Lot 340

MONTAGUE DAWSON. Two watercolour sketches. Unsigned. Largest 26 x 34cm.

Lot 341

MARGARET WALLER & J. LANT CARPENTER. A coastal watercolour by Margaret Waller, signed & one other coastal watercolour by J. Lant Carpenter. 27 x 44cm & 24 x 39cm.

Lot 344

E. LAMORNA KERR. Cottages at Mousehole harbour. Ink & watercolour. Signed. 34 x 38cm.

Lot 360

S. MAURICE JONES. Watercolour. North Wales landscape. Signed. 35 x 52cm, unframed & one other landscape watercolour by the same.

Lot 372

JOHN EMANUEL. Sleeping nude. Ink & watercolour. Signed & dated 1986. 51 x 35cm. Sold on behalf of The Hypatia Trust Campaign for the redevelopment of Morrab Gardens Stables. (hypatia-trust.org.uk)

Lot 380

MARY OLDHAM. 'Picture of a country walk' (Manaccan & the river). Watercolour. Signed & dated 1944. 136 x 78cm.

Lot 708

A 19th century gilt brass easel frame: of cartouche-shaped outline with foliate engraved decoration, inset with miniature watercolour of a young woman with matching flowers in her hair and dress, unsigned, the frame 17cm x 14cm.

Lot 262

Henri Gaudier-Brzeska [1891-1915]- Standing nude:- watercolour and ink on paper 37.5 x 22.5cm. * Provenance. With the Leicester Galleries 1962

Lot 276

* Geoffrey Key [b.1949]- The Grey Arch:- signed and dated '82 watercolour, pen and ink 12 x 15cm.

Lot 280

* John Piper [1903-1992]- Menerbes:- signed bottom left, inscribed with title bottom right pen, ink and watercolour heightened with bodycolour 36 x 53cm * Provenance. Ernest Brown & Phillips Ltd, Leicester Galleries, New Year Exhibition January 1960, where purchased by the present owner. * Notes. Menerbes is a commune in the Vaucluse, South East France formed as a walled village on a hilltop in the Luberon Mountains. It became a mecca for artists; Nicolas de Stael and Picasso each owned properties here. The region grows lavender, mushrooms and a harsh red wine! * Biography. John Piper was a painter, notably of architecture and landscape, a designer of stained glass, theatre designer, author and writer. He was born in Epsom and in his early years studied law, [1921-1926], working in his father's law firm. From 1926 he went on to study Art at Richmond and Kingston, latterly at the Royal College, and it was here that he met and married his first wife Eileen Holding. He visited Paris and was absorbed by the abstract painters he met there, influencing his style from the early 1930s. But by the late 1930s he had reverted to representational work. In 1937 he worked, along with John Betjamin, on the famous Shell series of guide books. His first solo show, of collages and drawings, was at the London Gallery in 1938. At this time he was also a prolific writer, working for the New Statesman and the Athenaeum. John Piper went on to exhibit with the Leicester Galleries from 1940-1960. In 1942 he published the best-selling monograph, English Romantic Artists. His ballet designs included The Quest in 1943 and commissions for Benjamin Britten .He was an official War Artist from 1939-1945. In 1940 Piper persuaded the War Artists Commission that he should be painting the sights of bombed churches. As a recent convert to the Anglican Church and with the subject of ruined buildings being close to his heart, this agreed commission produced a number of his finest mixed media drawings. His stained glass window designs include Coventry Cathedral and Christchurch College Chapel, Oxford. He also created tapestries for Chichester Cathedral, Hereford and Llandaff. In the 1960s and 1970s Piper spent time painting extensively in Pembrokeshire. Retrospectives were held at The Museum of Modern Art, Oxford in 1979 and The Tate Gallery in 1983. Centenary shows were at Pallant House and Goldmark Gallery. John Piper lived in a derelict farmhouse at Fawley Bottom, Oxfordshire with his second wife Myfanwy Evans. In later life he suffered from dementia and died at his home in 1992.

Lot 283

Attributed to Eliot Hodgkin [1905-1987]- 'Seeds':- inscribed on the reverse 'no.2 Seeds 1953' watercolour 12 x 19cm, possibly a page from a sketchbook.

Lot 301

* Rowland Hilder [1905-1993]- Shore scene:- signed watercolour 24.5 x 33.5cm.

Lot 305

* Albert Henry Collings [?-1947]- Nude wearing bandana and draped shawl:- signed bottom left watercolour 63 x 45cm.

Lot 317

George Henry Harlow [1787-1819]- A portrait of a young lady smiling, seated:- signed and indistinctly dated 1808 pencil and watercolour 20.5 x 16cm

Lot 337

George Goodwin Kilburne [1839-1924]- 'The Next Dance':- signed bottom left watercolour 36 x 53cm.

Lot 356

George Arthur Fripp [1813-1896]- Kilchurn Castle, Loch Awe, a figure in the foreground, cattle watering and salmon fishermen in a boat:- signed and dated 1858 lower left watercolour 35 x 61cm.

Lot 360

A. Moulton Foweraker [1873-1942]- Street scene, possibly St Ives:- signed bottom right watercolour 27 x 22cm.

Lot 361

Frederick John Widgery [1861-1942]- Exmouth from Dawlish Warren: signed bottom left watercolour, 16.5 x 35cm, together with a watercolour of The Suffolk Coast by Robert Winter Fraser, 15.5 x 26.5cm. [2]

Lot 366

William Crotch [1775 Norwich-1847 Taunton]- Cattle and a donkey grazing in parkland:- inscribed in pencil on the reverse 'Clare Hall' , said to be Mrs Sharpe's House, with the names of the cattle! and dated October 4th 1809 watercolour and pencil drawing 30 x 41cm, unframed. * Biography. Dr William Crotch was born in Norwich. He was a musical prodigy, performing at the age of four in London on the organ and piano, and by the age of 11 was at Cambridge studying music and became Professor of Music in 1797. He moved to London around 1810 and became the first Principal of The Royal Academy of Music. At the same time he was a talented amateur watercolour painter and etcher. His work is characterised by the under-painting of dark grey with light washes of limited colour on top. Many of these drawings were done at Windsor and Budleigh Salterton and Brighton while on holiday.

Lot 392

Thomas George Cooper [1836-1901]- Sheep resting beneath a tree, view to the coast beyond:- signed and dated 188? bottom right watercolour 29 x 39.5cm.

Lot 406

Attributed to Paul Sandby Munn [1773-1845]- Bassenthwaite Lake:- inscribed on the reverse watercolour 19 x 25.5cm. * Provenance. Collection of The Hon. Miss M Collingwoog. The Hunt Collection, No.27 together with a grey wash view of Ingelton, North Yorks attributed to Robert Adam and two drawings attributed to G.Frost. [4]

Lot 408

Attributed to Thomas Walmsley [1763-1806]- Distant view of Hawkshead and Eastwait Lake, Cumberland- gouache and watercolour heightened with white 29.5 x 45cm, together with a watercolour of Battle Abbey in the manner of Cox and a watercolour of Travellers by a Pond attributed to Varley. [3]

Lot 409

Julius Ceasar Ibbetson [1759-1817]- Smugglers loading cargo, circa 1790:- watercolour over etched outline 33 x 47cm.

Lot 412

* Karl Hagedorn [1889-1969]- Grecian coastal town with beached fishing boats:- signed and dated '38 watercolour and wash drawing 39 x 53cm

Lot 420

Attributed to Nicholas Condy [c,1818-1851]- Man-o-War at sea with other vessels beyond: pen, ink and watercolour heightened with white 10 x 13.5cm.

Lot 49

A Framed Watercolour Depicting Birds and Their Nest.

Lot 131

A Collection of Watercolour and Other Artists Brushes.

Lot 135

A Collection of Artists Materials to Include Folding Easel, Watercolour Set, Sketch Pads Etc.

Lot 265

W. HOWARTH WATERCOLOUR DRAWING HIGHLAND LAKE SCENE WITH CATTLE IN THE FOREGROUND SIGNED 12 1/2" X 11" (31.7cm x 27.9cm)

Lot 33

A. DUCKWORTH (TWENTIETH CENTURY) WATERCOLOUR DRAWING Field of sheep with farm buildings Signed 7" x 10" (17.8cm x 25.4cm) AND ANOTHER WATERCOLOUR Steam with figures 4 ½" x 6 ½" (11.5cm x 16.5cm) (2)

Lot 83

Peter Roberson (1907-1989): Corpus Christi, Naples, watercolour and pencil, signed lower right. Note: Peter Roberson was born in Oxford in 1907, went to Oxford Art School, and to the Clarendon Press in 1924 where he drew maps and designed book jackets. He moved to London to work in advertising as a visualizer, illustrator, poster designer and copywriter. He designed 29 posters for London Transport between 1948 and 1978

Lot 87

Paul Bosman (b. 1929): Ground Hornbill in Ficus, pastel study, signed lower right, H 24 x W 31.5 cm. Provenance: with the Everard Read Gallery, Johannesburg, South Africa, their label verso; Margaret Gradwell (South African, b. 1956): Landscape, watercolour, signed lower right & dated '95, H 43 x W 52 cm; Paul Augustinius (South African, b. 1952): Two hand-signed colour prints depicting wildlife subjects, together with four others by similar hands (8)

Lot 95

Circle of John Varley, O.W.S. (British, 1778-1842): Figures in a Continental river landscape with mountain top church beyond, watercolour, H 19 x W 27 cm; together with Circle of William Joy (British, 1803-1867): A ship setting sail for Barbados, pencil drawing, inscribed & dated 1866, H 15 x W 23 cm (2)

Lot 119

Naive School (20th century): Huntsmen in an interior, watercolour, signed lower right

Lot 124

A watercolour montage depicting watercolour studies of birds of prey

Lot 130

Dudley Hardy (British, 1865-1922): 'After rain', watercolour, signed lower right, titled verso, H 26 x W 35.5 cm. Provenance: with the Graves Gallery, London

Lot 31

Sidney Winder, framed watercolour, landscape and lake scene

Lot 65

A part tea service by Denby and a watercolour, unsigned, rural scene

Lot 376

A Pair of Early Twentieth Century Chinese Watercolour Scrolls decorated with classical scenes of figures in landscapes 209 x 46

Lot 60

Alfred Powell, A Surrey Common, watercolour, title labels verso 'Frost & Reed No. 1528', 53 x 37 cm, in gilt glazed frame

Lot 476

GASTON BETHUNE (French, 1857 - 1897) 'Walking to Town' 1881, watercolour, 36cm x 54.5cm, signed bottom right, framed and glazed.

Lot 484

MARY FEDDEN (British 1915-2012), 'Birthday Flowers', watercolour, signed and dated, 18cm x 18cm, framed, glazed.(Please Note Clause 6 of Buyer's Conditions)

Lot 484A

MARY FEDDEN (1915-2012), 'Lepidoptorist and Pear', watercolour, 8cm x 15.5cm, signed and dated 08', framed. (Please Note Clause 6 of Buyer's Conditions)

Lot 491

DUNCAN GRANT, 'Homo erotic study' watercolour, 17.5cm x 13.5cm, signed and framed.(Please Note Clause 6 of Buyer's Conditions)

Lot 499

CLYVE WILSON (British, b.1946), 'Getting Ready for the Camel Fair', watercolour, 34cm x 49cm, signed lower right, framed, glazed.

Lot 714

CARL FRIEDRICH WERNER (German, 1808-1894), 'The piazzetta of San Marco towards San Giorgio', watercolour, 40cm x 50cm, signed and inscribed lower left and framed.

Lot 277

A gilt framed watercolour nautical scene depicting a sailor in boat, signed.

Lot 285

A Robin D Garside signed watercolour rural landscape with river to the foreground.

Lot 298

A Robin D Garside framed watercolour 'Cutting in the Steps'.

Lot 300

A Robin D Garside signed watercolour 'Rocky Outcrop and Mill Stone'.

Lot 304

A gilt framed watercolour of Lake Windermere bearing the signature of Gerald Homes.

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