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Lot 278
Arthur Wilde Parsons (1854-1931), watercolour and gouache, 'Sign of the Times'. A motor engine ship tows a retiring sail ship on the seas with an oncoming storm, signed lower right, 25.4cm x 41.2cm Condition Report: re framed and mounted, in gallery conditionit benefits from a light on it , where you can see the lead ship towing the old sail shipno tears , repairs etc,
Lot 300
John Glover (1767-1849) RBA, watercolour, A Northern Landscape. With stone village (some timber framed) and mountain to background. Indistinctly signed lower left (obscured by mount), 30.5 x 40.4 cmWhilst English-born, he later emigrated to Van Diemen's land (Australia) and became a pastoralist during the early Colonial periods, and was dubbed 'The Father of Australian Landscape Painting' Condition Report: It has been put behind a mount which is visible, ( this obscured the signature hence why Iooked )No tears,or restorationBought from a picture dealer who did not take it out of the frame. I did as I thought it good enough to be signed and the right age. After looking I saw it was signed under the mount hence why I I can say it is by Glover worth a better lookthe new frame is birds eye maple and not original There s no actual title but irrefutable.
Lot 419
Tina Stokes (b. 1964), 'At Rest', watercolour, signed lower left, 38.5cm x 39cm, with 2004 Society of Women Artists exhibition label to the verso, framed and glazed, with receipt dated 2004CONDITION REPORTS & PAYMENT DETAILSIMPORTANT * Descriptions do not include condition reports. Please contact us to if you require further information or images. * Please consider shipping costs before bidding as this may affect your decision to bid * Please familiarise yourself with our payment methods. Our preferred method of payment is by bank transfer. We do not take cash or card payments.
Lot 433
Hercules Brabazon Brabazon (1821 – 1906), ‘Souks des Etoffes, Tunis’, watercolour and gouache, initialled in pencil to lower right, 24.5cm x 7.5cm, titled to mount, Walker's Galleries, Bond St. label to verso dated 1955, framed and glazed CONDITION REPORTS & PAYMENT DETAILSIMPORTANT * Descriptions do not include condition reports. Please contact us to if you require further information or images. * Please consider shipping costs before bidding as this may affect your decision to bid * Please familiarise yourself with our payment methods. Our preferred method of payment is by bank transfer. We do not take cash or card payments.
Lot 445
An early 20th century good quality gilt frame containing the photograph of a lady in oval mount within gilt inner slip, the interior 39cm x 33.3cm, with A. Baird-Carter of Jermyn St. label to the reverse, and a 19th century watercolour of a Continental harbour scene, unsigned, 33cm x 47.5cmCONDITION REPORTS & PAYMENT DETAILSIMPORTANT * Descriptions do not include condition reports. Please contact us to if you require further information or images. * Please consider shipping costs before bidding as this may affect your decision to bid * Please familiarise yourself with our payment methods. Our preferred method of payment is by bank transfer. We do not take cash or card payments.
Lot 1022
George Weatherill (1810-1890)Unloading the catch beside Whitby pier Signed, watercolour heightened with white and scratching out, together with a further initialled work by the same hand depicting Shipping off Staithes at sunset, 11cm by 18cm & 12.5cm by 21cm respectively (2) framed as a set of two Provenance: Walker Galleries, Harrogate The top example: overall light to moderate staining to sheet with associated tempering of overall colour in addition to possible light fading to pigments. Virtually horizontal crease or minor damage to sheet above the right hand side cart and horse which is approximately 2.5cm in length. The surface in this general area also looks slightly rubbed and abraded. No evidence of cockling. Not examined out of the frame.The second featuring boats at sunset: light to moderate time staining across sheet with associated tempering of overall colour. With further light bleaching to colour depth. Fine minimal amount of transferred pigment from antique gilt-coloured slip along upper left hand side edge. Possible odd foxing spot beginning to form. No evidence of cockling. Not examined out of the frame.
Lot 1035
Harry Sutton Palmer RBA, RO (1854-1933)"Evening on the Moor"Signed, watercolour, 95cm by 66.5cm Some light to moderate staining across entire sheet which is more pronounced in less-worked areas such as the sky. Some general tempering to colour depth as a result of this, and further likely relatively light fading to such as the blue in the lower right hand corner, which has a mildly grey tone for example. Small damage? with associated pale coloured retouch in upper left hand corner (see image). Sporadic small-sized foxing spots, mostly evident to sky area. Evident of pencil markings to sheet? ie. vertical line above foliage right hand side approximately 1cm from outer edge and 5cm in length. Further cluster mostly to upper left hand corner above trees, and also central position upper edge (see images). Small amount of thunderflies to parts of mount. No evidence of cockling, otherwise in a broadly good and presentable state of preservation.
Lot 1016
William Lionel Wyllie (1851-1931)"S.S. Vectis at Christiania" Signed and inscribed, watercolour, 28cm by 45.2cm Provenance: Bonhams, Knightsbridge, The Marine Sale, 24th April 2013, Lot 113 Light to moderate time staining across sheet which is slightly more pronounced in some areas, especially those less-worked, bringing associated overall tempering of colour and some further likely light bleaching to the integrity of the green and some blues in particular. Cluster of surface imperfections? in sky immediately above far left hand side spire, running towards upper edge, but maybe workings of the artist? The odd tiny, dark-coloured speck to background, mostly near to central depicted ship. Tiny dark-coloured speck or debris to upper left hand corner. No evidence of cockling. Not examined out of the frame.
Lot 1021
George Weatherill (1810-1890)"Shipping outside Whitby Harbour" Indistinctly signed, pencil and watercolour heightened with white, 36.5cm by 70cm Provenance: Walker Galleries Ltd, Harrogate In a broadly good and presentable state of preservation. Some relatively light time staining to sheet with likely slight tempering to overall colour. Some further possible light reduction to strength of original colour depth but executed in a more muted palette. Some slight cockling to sheet, mostly left hand side edge and to a lesser extent upper edge. Not examined out of the frame.
Lot 1010
Myles Birket Foster RWS (1825-1899)"Church of San Barnabas Apostolo"Monogrammed, pencil and watercolour heightened with white, 29cm by 21cm Provenance: Likely Frost and Reed (according to a label affixed to the reverse) Pronounced irregular staining particularty to the sky, with more uniform staining of a lesser degree across sheet. Some general tempering to the colours as a result of this and possibly some mild fading, but most pigments retaining a reasonable to good vibrancy. Some cockling to sheet, especially upper edge. Odd thunderfly trapped under the glass. Not examined out of the frame.
Lot 1034
Arthur Reginald Smith RWS, RSW, ARCA (1871-1934) "At the Washing, Assisi" Signed, watercolour, 37cm by 53cm Provenance: The Fine Art Society Ltd, July 1946Bonhams, Leeds "The Graham Watson Collection", 4th February 2003, Lot 326Exhibited: Old Watercolour Society, Summer 1930, No 108 (by repute) In a broadly good state of preservation and presentation. Vibrancy would appear to remain in flashes of colour. Probably cleaned. No evidence of cockling. Not examined out of the frame.
Lot 1027
George Weatherill (1810-1890)The Shore at Upgang Watercolour with scracthing out, together with a further signed example by the same hand Looking towards the Abbey, East Cliff, Whitby, 12cm by 20.5cm each (2) framed as a set of two Provenance: Walker Galleries, Harrogate Top example: Relatively light to moderate time staining which is more pronounced towards the outer edges of the sheet. Some slight tempering to overall colour as a result of this, with further possible very light bleaching, but overall impression remains good. Not examined out of the frame.Second example in a comparable state of preservation. Not examined out of the frame.
Lot 1045
Rodger McPhail (b.1953)California QuailSigned, watercolour, together with a further work by the same hand depicting a Ringneck Pheasant, 23cm by 16.5cm and 19cm by 32.5cm respectively (2)Ringneck Pheasant: In an overall good and clean state of preservation. Some very light time staining to sheet, but colour depth broadly good and seemingly intact. The odd dark coloured small scale splash of transferred paint along left hand side lower edge. No evidence of cockling. Not examined out of the frame.California Quail: In a comparable condition to the former. Overall good state of preservation. Light time staining across sheet. No evidence of cockling. Not examined out of the frame.
Lot 1029
George Weatherill (1810-1890)Nocturne river sceneIndistinctly signed, watercolour with scratching out, together with a further work by the same hand depicting a shipping scene by moonlight, 8cm by 13cm & 12.5cm by 19.5cm respectively (2) framed as a set of two Smaller example: Fairly pronounced staining across sheet giving inherant overall tempering of an already muted palette. Bordering on en grisaille, the pale blue also probably reduced in original colour to a more grey tone. No evidence of cockling. Not examined out of the frame.Larger example: Relatively pronounced staining across sheet, with vertical line of more enhanced staining due to old framing or movement in mount on left hand side. Slightly incongruous brushwork approximately 1-1.5cm below the moon which may be a degree of restoration? The odd foxing spot. No evidence of cockling. Not examined out of the frame.
Lot 1025
George Weatherill (1810-1890)Shipping off Whitby by moonlight Watercolour with scratching out, 14.5cm by 22cm Provenance: Walker Galleries, Harrogate Relatively light time staining across sheet which is more evident within the less-worked areas. Colour depth possibly slightly tempered by this and aside from being executed in the artist's characteristically more muted palette, the overall impression remains relatively good. No evidence of cockling. Not examined out of the frame.
Lot 1012
Myles Birket Foster RWS (1825-1899)"Florence" "Cologne" "Venice" Each monogrammed, pencil and watercolour heightened with white, 12cm by 17cm, 12cm by 15.5cm and 12cm by 17cm (3) framed as a group of threeExhibited: "Birket Foster Loan Exhibition" 1882, No. 28"Royal Jubilee Exhibition", 1887"The Victorian Era Exhibition", London, 1897Coronation Exhibition, 1911, No. 18(According to labels affixed to the reverse)
Lot 1036
William Kay Blacklock ARCA (1872-1922)"In a Kentish Cottage"Signed, watercolour heightened with white, 29cm by 21.5cmSome staining to sheet although likely executed on a tinted paper? bringing some tempering to overall colour and slight reduction to vibrancy, however colour depth broadly reasonable to good. Possibly very slight cockle to sheet within lower section. Fairly subtle and minor horizontal crease at table-top height and another at the lower back corner of the tablecloth. Not examined out of the frame.
Lot 1024
George Weatherill (1810-1890)Whitby Harbour Signed, pencil and watercolour with scratching out, together with a further example by the same hand depicting Tate Hill Sands, Whitby, Lower Harbour, 11.5cm by 20cm & 12cm by 21cm respectively (2) framed as a set of two Provenance: Walker Galleries, Harrogate First example: Moderate time staining to sheet which is significantly more pronounced towards outer edges against slip. Associated tempering of colour overall with some possible additional light fading, but painted in the artist's characteristically muted palette. No evidence of cockling. Not examined out of the frame.Second example: Relatively light to moderate time staining across sheet which is slightly more pronounced in some areas of the sky particularly those which are less worked. Associated tempering to overall colour depth but the blue, for example used to highlight windows in particular, retains a good degree of freshness. That in the sky possibly more on the grey side. No evidence of cockling. Not examined out of the frame.
Lot 1030
George Weatherill (1810-1890)"Nearing Whitby Harbour"Signed, watercolour heightened with white and scratching out, 33.5cm by 52cm Light to moderate time staining across sheet, with associated slight tempering of overall colour. Slight cockle to upper edge, mostly left hand side. Some possible further relatively light colour reduction, but executed in the artist's characteristically more muted palette. Not examined out of the frame.
Lot 1047
Rodger McPhail (b.1953)"Pinkfooted Geese over the Estuary"Signed, watercolour heightened with white, 35.5cm by 51.5cm Provenance: The Tryon Gallery, LondonIn an overall very good and clean state of preservation. Some possible very light time staining to the sheet but not with any real visible evidence. No evidence of cockling. Not examined out of the frame.
Lot 1033
Arthur Reginald Smith ARA, RSW, RWS (1872-1934)"Spring-time, Buckden"Signed, watercolour, 36cm by 53cmSignificantly sized consistent foxing spots to surface, more evident across the upper reaches of the sky. General notable staining to sheet which is more pronounced towards the outer edges. Dark colours isosceles triangle shaped surface scuff to right hand side upper edge approximately 5cm from corner, which is roughly 1-1.5cm on longest edge. Colour depth slightly muted as a result of staining and possibly slightly down but broadly ok. No evidence of cockling. Not examined out of the frame.
Lot 1046
Attributed to John Cyril Harrison (1898-1985)Eagle owl and assorted song birds in a pine treeSigned, watercolour heightened with white, 33cm by 23cmSome relatively light time staining across sheet. Colours would appear to be slightly on the muted side, for example the blue behind the birds in the upper left hand corner and that which denotes the background below the prominant branch look slightly on the grey side, although this may be by the artist's execution. Fairly significant time staining and foxing across the mount, the depth of which would not appear to currently interfere with the main image itself. No evidence of cockling. Not examined out of the frame.
Lot 1023
George Weatherill (1810-1890)Whitby Harbour from the Old BatteryShipping off Whitby Whitby Harbour, Low Tide First and last signed, watercolour, 11cm by 19.5cm, 10.5cm by 19cm & 11cm, by 20.5cm respectively (3) framed as a set of three Provenance: Walker Galleries, Harrogate Condition report running from left to right.Left example: Light to moderate time staining to sheet with some associated tempering of the colour. Otherwise colour depth broadly good but possibly slightly reduced. No evidence of cockling. Not examined out of the frame.Middle example: More pronounced time staining across sheet with very small sized consistent foxing spots beginning to form. Associated tempering of colour as a result of this with pigment also reduced in vibrancy. No evidence of cockling. Not examined out of the frame.Right example: Moderate time staining across sheet with associated tempering of colour. Sporadic foxing spots beginning to form. Some otherwise possible light reduction to colour vibrancy, but generally in fair to good order. No evidence of cockling. Not examined out of the frame.
Lot 1028
George Weatherill (1810-1890)Whitby Harbour Signed and dated 1867, watercolour heightened with white and scratching out, 33.5cm by 52cm Some general staining to the sheet with tempering to colour depth. Very scattered foxing spots mostly evident to the sky. Some slight overall reduction to colour depth. The sheet appears slightly concave in upper right hand corner. Otherwise in a fair to good state of preservation. Not examined out of the frame.
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449646 item(s)/page