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A Mintons platter by Augustus Welby, Gothic design, c. 1880, 48cmW

Pugin (Augustus Welby). Contrasts: or, A Parallel between the noble edifices of the middle ages, and corresponding buildings of the present day; shewing the present decay of taste, 2nd edition, London: Charles Dolman, 1841, frontispiece, additional title, plates and illustrations, a few plates and leaves detached at front, some light spotting and browning, previous owner inscription, front hinge broken, original morocco-backed cloth gilt, a little rubbed with some marginal fading, 4to, together with An Apology for the Revival of Christain Architecture, 1st edition, London: John Weale, 1843, plates and illustrations (frontispiece detaching), a little light spotting, endpapers renewed, original morocco-backed boards, head of spine chipped, 4to, plus 2 others: The True Principles of Pointed or Christian Architecture: set forth in two lectures delivered at St. Marie's, Oscott, Edinburgh: John Grant, 1895, and Alexandra Wedgwood, A. W. N. Pugin and the Pugin Family (Catalogues of Architectural Drawings in the Victoria and Albert Museum), 1st edition, Victoria and Albert Museum, 1985, all 4toQty: (4)

AN EDWARDIAN SET OF SIX TABLE KNIVES AND SIX SIDE KNIVES with octagonal pistol handles and stainless steel blades, crested, by D & J. Welby, London 1904/1909 (12)

A PAIR OF ELIZABETH II SAUCE BOATS on three legs with leaf-capped scroll handles and gadrooned rims, by Carrington & Co., London 1962 and a late Victorian single sauce boat by D & J. Welby, London 1897; the latter 5.6" (14.2 cms) long; 16.2 oz (3)

AN EDWARDIAN TWO-HANDLED OVAL TEA TRAY with a gadrooned border, by D & J. Welby, London 1906; 22" (56 cms) long; 54.5 oz

Fine Silver Coffee Pot. 649 g. London 1894, Daniel & John Welby. Of plain tapering formHeight 23.4 cmsCondition report: No issues

Silver 3 footed salver D & j Welby silver smiths London 1923 Weight 929g Diameter 31 cm

A study of a man and woman, oil on board, signed Dorothy Welby.

Pugin, Augustus Welby. View in Normandy, a watercolour of a Gothic courtyard, 140mm x 90mm, titled on reverse, framed and glazed

An Edwardian pierced basket Daniel & John Welby, London, 1909, of oval outline, pierced border with cast handles; together with a pair of George V sauceboats, Elkington & Co, Birmingham 1920, each with a scalloped rim, raised on cast shell feet; an early 20th-Century caster, Sheffield 1900 of baluster form, with pierced finial top and raised husk and patarae detail; together with a pair of toast racks and a modern tumbler cup, with feature hallmarks, J A Campbell, London 2000(Width of basket: 25cm, combined weight: 36.5oz)

Miscellaneous Tokens and Checks, BEDFORDSHIRE, Biggleswade, E. Chew & Son, brass Shilling, 26mm; CAMBRIDGESHIRE, Cambridge, Star Brewery, brass Threehalfpence by Ardill, 25mm, March, John Smith (2), 1820 and 1825, copper, both 21mm (W 3650, 3670), John Thurbon, 1827, copper (3), all 22mm (W 3670), Wisbech, C. Clayton, brass Threehalfpence (2, different), both 26mm; LINCOLNSHIRE, Grantham, Welby Arms, W[illiam] Keys, brass Threehalfpence, 24mm (Hutchinson 416); NORFOLK, Norwich, George Bagshaw, 1851, copper, 22mm (W 3910), Walter Boston, brass, 21mm (W 3925), Ladyman, brass Quarter-Pound, 18mm; NORTHAMPTONSHIRE, Northampton, William Eldridge, brass, 20mm (W 3865); NOTTINGHAMSHIRE, Hyson Green, Albany Hotel, brass Twopence, 23mm, Nottingham, Beecroft & Son, 1862, brass (2), both 24mm (W 4060, 4062), Belvoir Inn, brass Twopence, 25mm, [Joseph] Clark & Co, copper by Ingram, 28mm (Chamberlain 19); together with lead tokens (3) [22]. W 3865 and last three fair, W 3925 pierced, both very rare, others generally fine to very fine £90-£120 --- Provenance: Lead tokens sold with a ticket ‘found c. 5 miles s. of Cambridge’

A Victorian reformed gothic oak dining chair designed by Edward Welby Pugin, c.1864,with revealed pegs to the mortice and tenon joints on chamfered x frame stretcher with brass ball front feetW. 50cm. D. 48cm. H. 84cm.Overall of a rich dark reddish brown tone, slightly faded across the cresting rail and front legs, richer from the back, minor dents and scuffs commensurate with age, seat re-upholstered relatively recently.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. W. 50cm. D. 48cm. H. 84cm.

A pair of Edwardian silver tureens and cover with handles, by Daniel & John Welby,with gadrooned borders and foliate angles, London, 1903, 26.9cm, 98oz.Lid and base numbered 4. Other lid and base numbered 1 & 3. Numerous minor surface scratches to both commensurate with age and use. Some wear to the foliate decoration on the angles. One lid has 2 small dents. The other lid has 3 larger dents. One base has one dent, the other has 2 dents. Hallmarks clear, but with some mild rubbing to maker's mark.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

Augustus Welby Northmore Pugin (British, 1812-1852)Bilton Grange near Rugby; Continental riverside townthe second monogramed (lower left) pencil and sepia wash the first 22.9 x 19.7cm (9 x 7 3/4in), the second 22.8 x 16.5cm (9 x 6 1/2in). (2)Footnotes:Pugin was one of the most celebrated and prolific supporters of the Victorian Gothic Revival style. He believed that Gothic architecture was not a style but a principle; saying it should be honest, revealing the structure and function of the building and elements within it. During his lifetime, Pugin designed more than 100 buildings in this style, however in 1852, he passed away at the age of 40 supposedly from overwork. Bilton Grange was extended in the 1840s by Pugin and has since been used as Bilton Grange Preparatory School. ProvenanceAnon. sale, Bonhams, Oxford, 22 August 2012, lot 156.Private collection, UK. Purchased from the above.For further information on this lot please visit Bonhams.com

A George V silver folding four-division photograph frame, Daniel & John Welby, London, 1910, width 44.6cm,each frame contains a photograph and the surrounding border is engraved with the name and a date regarding the subject.

A George V silver coffee pot by Daniel & John Welby, London, 1928, height 21cm, gross weight 21.5oz.

Eleanor Welby Wilkinson (19th Century), Pre-Raphaelite style portrait of a lady, oil on canvas, framed

William Welby, "Naked and Unashamed, Nudism from Six Points of View", Thorson's Publishers Ltd, London, 1944

Pugin (Augustus Welby). Glossary of Ecclesiastical Ornament and Costume, compiled from ancient authorities and examples, 2nd edition, enlarged and revised by the Rev. Bernard Smith, London: Henry G. Bohn, 1846, additional chromolithograph title, 72 chromolithograph plates, all bar one colour, occasional slight marginal soiling, top edge gilt, original morocco-backed boards with gilt ornament decorations, spine ends a little rubbed and scuffed, some corners wear, 4to, together with Colling (James K.) Gothic Ornaments, being a series of examples of enriched details and accessories of the architecture of Great Britain, 2 volumes, [1848], 209 lithograph plates including 2 additional titles and 40 colour, occasional light spotting, previous owner inscriptions, endpapers renewed, original cloth gilt, rebacked with original spines relaid, some edge wear and fading, 4toQty: (3)

A Victorian silver bottle holder of Monteith form, with a waved rim, the body embossed with bows, swags, fruit, flowers and scrolls, with twin lion's head and ring handles, on a footed base, Daniel and John Welby, London 1898, 5½oz, 11cm high.

Welby Arthur Skinner, (British, 20th Century), Backwater-Sunbury-on-Thames, oil on board, signed and indistinctly dated 1948 lower right, bearing RA Exhibition labels to verso, framed, 54cm x 39cm

A silver coffee pot with domed top and finial (583g Total Weight) 1896 by Daniel & John Welby

A large selection of George III and later table and dessert forks, all in the Old English pattern, various dates and makers to include D&J Welby London 1931 and 1935 with jubilee mark, HS London 1804, Joseph Rodgers & Sons Sheffield 1919 with retailers stamp, Holland, Aldwinckle & Slater (Thomas Alfred Slater, Walter Brindsley Slater & Henry Arthur Holland), William Eley & William Fearn etc, gross weight 33oz (18)

A George V silver salver, of shaped circular form with a gadrooned rim, the centre engraved with a lion passant, the whole standing on three scroll feet, maker D & J Welby Ltd, London 1923, 18.8oz, dia.25.5cm

A Webley & Scott 'The Welby Mark 1' air pistol Location: Porters

predominantly London, various makers and marks, including John, Henry, and Charlies Lias and Mary Chawner etc, comprising, a basting spoon, a soup ladle, thirty five dinner forks, thirty five dessert forks, fifteen tablespoons, twenty nine dessert spoons, thirty seven teaspoons, ten egg spoons, two mustard spoons, seven salt spoons, sauce ladles, asparagus tongs and butterknives, all contained in an oak fitted canteen retailed by D & J Welby Ltd.Weighable silver: 275oz (approximately)

A set of six Edwardian silver table spoons, DJ Welby Ltd, London 1908. (6) CONDITION REPORT: 474.7g.

A set of five Edwardian silver table spoons, DJ Welby Ltd, London 1909. (5) CONDITION REPORT: 402.7g. 157

A set of eight George IV silver teaspoons, Daniel & John Welby, London 1828 and 1829. (8) CONDITION REPORT: 167g.

J. R. R. Tolkien (1892-1973) handwritten letter to his official photographer Pamela Chandler, double sided, signed and dated 1961: 'Dear Miss Chandler, I received the proofs yesterday. A number of people have already seen them, & they have been (as a whole) generally approved. I do not think that the subject (or object?) himself is capable of capable of a sound opinion, for though the matter may touch him closely, he has less of a true idea what he looks like than what hi voice sounds like. I wouldn't pick 10/15/24 if I was the chooser (especially not 10) but I have no objection to Allen and Unwin's choice for their own purposes! I agree myself with your choice (16). Would you be prepared to do some finished copies of other various (than 10,15,24) for me? And if so, may I retain for present the proofs, to discover the tastes of those who wish for photographs of me? I hope you are really better now, and catching up arrows - if one ever really does. I seem to live in an endless pursuit. My wife and I were delighted to have your letter and good wishes which we return warmly, to you and Mrs Welby-Fisher Yours sincerely J.R.R. Tolkien

A Victorian Mahogany Gothic Pattern Sideboard, designed by Edward Welby Pugin (1834-1875), for the Granville Hotel, East Cliff, Ramsgate, Kent, the plain mirror panelled back with castellated frieze and triple cluster columns surmounted by standing figures of saints, each holding a shield, the base with moulded edge and frieze drawer with applied twin Gothic tracery panel to drawer front, cupboards under enclosed by a pair of conforming panelled doors with overlaid Gothic tracery flanked by moulded columns, on plinth base, 47.5ins wide x 22ins deep x 70ins high Provenance: Purchased from the Granville Hotel at the time of renovation in the 1980's

Leicester Bank, Bellairs, Welby & Co., £10, 13 October 1813, serial number U 439, signed Welby, trimmed, few pinholes at left, very fine Outing 1166c £100-£150

A Unique Unrecorded Gothic Revival Silver Gilt Vinaigrette by the highly regarded London Silversmith William Henry Dee, a maker renowned for his novelty silver boxes. In the shape of an incense burner / thurible. The body surmounted with gilt viscount-earl's coronet, held by a chain with a further gilt coronet. When the orb is opened it reveals a gilt interior with a fine fret-worked domed censor lid. Probably made for a special commission, for a member of the House of Lords, Westminster. Designed in the manner of Edward Welby Pugin (1834-1875). A Lozenge date registration device is stamped to the body and dated London 1872, with marker's mark. Length with attached chain 3" x 1.5" diameter.

Twelve silver rat tail Hanoverian dessert spoons, including eight Sheffield hallmark dated 1969 mm Cooper Bros & Sons; two London hallmark dated 1893 mm William Gibson & John Langman, one London hallmark dated 1890 and one London hallmark dated 1876 mm Daniel & John Welby, approx 600 gms.

Derek Abel (1925-2008). Welby House, watercolour and ink on paper, signed, 26cm x 48cm, and another by the same artist. (2)

Welby Arthur Skinner, portrait of a lady, oil on board, signed and dated 1962, framed

A silver taza, John Welby, London, 1905, 7.2 oz

wool, with hessian backing384cm x 95cmProvenance: St. Leonards - Mayfield Chapel, Mayfield, Sussex, England.Footnote: Note: The remains of a medieval palace belonging to the Archbishops of Canterbury was converted into a school, Mayfield School of the Holy Child, by Edward Welby Pugin in 1863-6. This needlework rug originally ran the entire length of the Chapel. Due to the sheer scale of the work, the rug was constructed in small, panelled sections and later stitched together to form the carpet. Hand-stitched by the sisters of Mayfield Chapel, the carpet was produced for Mother Cornelia Connelly, founder of the Society of the Holy Child Jesus. The border has verses from Psalm 112 verses 5 and 6 ET HUMILIA RESPICIT IN CAELO ET IN TERRA/ SUSCITANS A TERRA INOPEM ET DE STERCORE ERIGENS PAUPEREM, translating from Latin as 'Good will come to those who are generous and lend freely, who conduct their affairs with justice/ Raising up the needy from the earth, and lifting up the poor out of the dunghill'. As in other projects, E.W. Pugin continued to use the decorative designs of his father of which this may be one.

A 19th century oak gothic revival breakfronted side cabinet in the manner of Augustus Welby Longstone Pugin, the vine fruit carved frieze over a pair of ecclesiastical tracery carved mirrored doors flanked by conforming panels with four barleytwist turned columns. c.1850. 60' wide

A pair of Reformed Gothic mahogany and pollard oak stools, in the manner of Augustus Welby Northmore Pugin, each with square top above a shaped frieze carved with scrolls and applied with cabochons, slightly outswept legs outlined with ebony stringing, bun feet, 48.5cm high, 40cm square, c.1870

A fine Gothic Revival diamond and sapphire mounted silver-gilt ecclesiastical Communion chalice, the design in the manner of Augustus Welby Northmore Pugin, planished hemi-ovoid bowl, the knopped stem and barbed hexafoil base pierced with tracery, 22cm high, maker WFK, Birmingham 26.5oz gross

In the manner of Augustus Welby Northmore Pugin - A large 19th Century brass candelabra in the Gothic taste with a stepped circular base rising to a slender column below a multi light gallery with sconces within a pierced brass surround, height 92cm.

Oil on board signed 'Welby' (Welby Arthur Skinner)

A silver mustard pot, by D & J Welby Ltd, London 1911, 102g.

A Welby and Scott 9mm garden gun S/No. 4385

Miscellaneous Tokens and Checks, LINCOLNSHIRE, Boston, Peacock and Royal Hotel, R[obert] Clemow, brass Threehalfpence, 26mm (Hutchinson 55), Red Lion Hotel, The Boston Hotel Co, brass Threehalfpence, 26mm (H 84), Grantham, Waggon & Horses Inn, brass, 26mm (H 410), Welby Arms, W[illiam] Keys, brass Threehalfpence, 24mm (H 416); LANCASHIRE, New Hey [Rochdale], Liberal Club, brass Fourpence, Threepence, Twopences (3, different sizes and metals), 17-23mm; YORKSHIRE, Dewsbury, Dewsbury Club, brass Penny, stamped 61, 23mm (cf. DNW 141, 1070), Working Men’s Club & Institute, brass Twopence by Ardill, 25mm (cf. DNW 141, 1070); Hanging Heaton, Hanging Heaton & District Working Men’s Club and Institute, brass Penny, 31mm (cf. DNW 141, 1065), Sheffield, White Lion Club, Woodside Lane, uniface brass Threepence, 26mm [13]. About very fine and better, but two New Hey pierced £80-£100 --- Provenance: B. Woodside Collection

Autographs. An interesting late nineteenth century album comprising 298 clipped autographs, letters and signed documents, compiled by Frances B. Mostyn of Arundel, including royalty, noblemen, members of the Catholic church, politicians and authors, the majority 1870-1930, but a few earlier, mostly mounted, a few loose, half morocco, worn, 140pp., folio Including: Victoria, Queen. A pardon for John Houghton, convicted of felony at Cambridge in March 1834, granted the sixth day of December 1837, signed by Victoria and Lord John Russell, 2pp.; George III, King. An act for punishing Mutiny and Desertion, and for the better Payment of the Army and their Quarters, signed by George III and Viscount Castlereagh, on the fifth day of March 1809, 3pp.; William IV, King. The appointment of Edward Mostyn to the rank of cornet in the Eighth Regiment of the Light Dragoons, signed by William IV and Viscount Melbourne, on the twenty-fifth day of October, 1833, 1p.; The appointment of Edward Mostyn to the rank of Lieutenant in the Eighth Regiment of the Light Dragoons, signed by William IV and the 1st Earl Russell, on the nineteenth day of May, 1835, 1p.; A pardon for James Edwards, debtor, granted the 16 day of June, 1837, signed by William IV, R. Stewart, Lord Seymour and Richard O'Ferrall, Lord of the Treasury, 1p., folded; Pitt, John. A warrant to pay the Magistrates of Middlelburg, the sum of five thousand, five hundred florins on account of the extraordinaries of the army... being the Amount of Horses purchased for the R. waggon train, 6th September, 1839, 1p.; John Henry Cardinal Newman, three autograph notes signed; a summons for a private audience with Pope Pius XI, 3 April 1924; a receipt for Earlsford Hall, signed by Henry Howard, 1st Duke of Norfolk, dated 14 Feb 1693, 1p.; two warrants for payment, signed by Arthur Wellesley, 1st Duke of Wellington; a proclamation for Queen Victoria upon the death of William IV, dated 20 June 1837, to the Sheriff of Monmouthshire, signed by Charles Christopher Pepys, 1st Earl of Cottenham, William Lamb, 1st Viscount Melbourne and others, 1p.; ALS include those from: William Lamb, 1st Viscount Melbourne, Charles Henry Gordon Lennox, Duke of Richmond, Sir William Cavendish, Duke of Devonshire, The Earl of Carlisle, Sir Edward Henry Stanley, Earl of Derby, Nicholas Vansittart, Baron Bexley of Bexley, Robert Dundas, 2nd Viscount Melville, Sir Albert Woods, Augustus Welby Pugin, Prince Frederick Dulup Singh, Henry Howard, 15th Duke of Norfolk, Herbert Cardinal Vaughan, Mariano Cardinal Rampolla Del Tindaro, Henry Edward, 2nd Cardinal Archbishop of Westminster, T. Cardinal Weld, John Bede Polding, John Butt, Bishop of Southwark, Walter Savage Landor, clipped autographs include: Victoria Eugenia, Queen Consort of Alfonso XIII of Spain, Robert Browning, H. Rider Haggard, Wilfrid Scawen Blunt, and others.

William Henry O'Connor (British, exhibited 1859-1865)Dante and Beatrice in heaven She, to whom no care of mine was hid, turning to me with aspect glad as fair, bespake me, etc. - Dante's Paradise.signed and inscribed with title on an old label (attached to the reverse); further inscribed 'International exhibition 18??/Class 38/Price 75 Gns/Title of picture- 'Dante and Beatrice in heaven- vide Paradise of Dante.'/Name of artist William H. O'Connor/4 Berners Street. W/Owner of picture -Michael O'Connor Esq: Kingstown-Ireland/Formerly exhibited at Royal Academy. 18(59)' on an old label (attached to the canvas verso)oil on canvas 81.9 x 51.5cm (32 1/4 x 20 1/4in).Footnotes:ExhibitedLondon, Royal Academy, 1859, no. 495.Dublin, Royal Hibernian Academy, 1860, no. 262.William Henry O'Connor was the second son of the stained-glass designer and heraldic painter Michael O'Connor (1801-1867). Michael was a native of Dublin, who went to England in 1823 and studied in the studio of Thomas Willement. By the mid-1830s Michael had returned to Dublin where he practiced stained-glass production and associated craft before returning to England in 1842, first settling in Bristol then moving to London in 1845. He worked with some of the best architects of the time, collaborating with both Augustus Welby Pugin on the glass for St. Saviour's, Leeds (praised by Pevsner) and William Butterfield. He exhibited designs at the Royal Academy in 1846 and 1849, but failing eyesight led to him to retire from the business around 1850.William joined the family firm, which was based at 4 Berner's Street, near Oxford Street, in about 1860, the year after he had shown Dante and Beatrice at The Royal Academy. He subsequently exhibited the picture at The Royal Hibernian Academy in Dublin in 1860 and at an unidentified 'International Exhibition' (date unknown) by which time, according to the original label on the reverse, the work was the property of his father.In the present lot, taken from Canto II of Paradise in Dante's Divine Comedy, we see Dante and Beatrice as she guides the pilgrim on his journey through Heaven; a symbol of Divine Love, she is dressed in white, green and red, the colours of the three theological virtues: faith, hope and charity respectively. She is his companion on his journey to Empyrean, the true home of God and the souls of the faithful.For further information on this lot please visit Bonhams.com

Downame (John) Puritan Theologian (1571-1652). 'The Christian Warfare'. 3 Vols. Pt one. 2nd Ed. Felix Kyngston for Elizabeth Burby, London 1609. Pt two. Kyngston, London 1611. Pt three. John Beale for W Welby, London 1613. Contemporary full calf. 8vo. s.a.f. (for restoration) (3)

Pugin (A. Welby)ÿTheÿTrue Principles of Pointed or Christian Architecture, 4to Lond. (H.G. Bohn) 1853. Engd. frontis, 20 full page engd. plts., text illus. etc., orig. cloth, gilt. (1)

Early 20th Century wooden plane, with brass details, marked H.J. Welby 

Attributed Augustus Welby Pugin (1812 - 1852)ÿ An important Gothic Revival giltwood Side Table or Altar, the heavy sienna marble top with moulded edge over an ornate frieze, with open front and side under arches in the typical Gothic taste, supported by alabaster columns, the back interior with five panels of floral and linear gold design, on a shaped plinth base, approx. 156cms wide x 84cms deep x 97cms high (61" x 33" x 38"). (1)

An important 19th Century period Gothic style oak Library Armchair, in the manner of Augustus Welby Pugin (1812 - 1852), possibly by Morel & Seddon, the arched back with pierced designÿ and inserted padded back over a padded leather drop in seat, the strait arms supported by open arches on front square legs with porcelain castors. (1)

Victorian silver rose bowl having two scroll handles and standing on circular pedestal base, sponsors marks of Daniel & John Welby, London 1898, 16.5cm high, 860 grams approxCondition report: Some light surface scratches and wear.

George V silver canteen of cutlery, by D & J Welby Ltd, London 1911/12, Old English pattern, comprising twelve each of dinner forks, dessert forks, table spoons, dessert spoons, also six teaspoons and coffee spoons, a soup ladle, two sauce ladles, and a George III silver sauce ladle, maker WS, London 1812, total silver weight approx. 3.75kg (120.5 troy ozs) (52), all presented within an oak canteen box with brass carrying handles, 45cm

An oak side chair designed by Augustus Welby Northmore Pugin, chamfered decoration, on square legs, front legs with castors, the open back with carved flowerhead roundels and central EC initial roundel, 90cm. high

DANIEL & JOHN WELBY, AN EDWARDIAN SILVER SPOON, rat tail bowl, London 1908, crested, 50g

Welby Arthur Skinner, Bermuda Falls Inlet, signed and dated 1968, watercolour and body colour, framed

A silver teapot of compressed circular form, inscribed From Mary R to Phoebe Morshead, Nov 21st 1952, maker James Dixon & Sons, Sheffield 1937 and milk jug and sugar bowl of similar form, with reeded handles, makers Daniel & John Welby, London 1909, ___33oz. (N.B. Given as a wedding present from Queen Mary to Phoebe Morshead, daughter of Sir Owen Morshead, Royal Librarian at Windsor Castle.)

Hunt (Thomas). Exemplars of Tudor Architecture, adapted to modern habitations: with illustrative details, selected from ancient edifices; and observations on the furniture of the Tudor period, London: Longman, Rees, Orme, Brown, and Green, 1830, 37 engraved plates, scattered spotting throughout, contemporary half calf, joints split and wear to extremities, 4to, together with: [Nicholson, Peter], A Theoretical and Practical Treatise on the Five Orders of Architecture ... including an historical description of Gothic architecture..., London: Thomas Kelly, 1837, 99 engraved plates, fraying to initial leaves, toning, marginal browning and spotting throughout, occasional dust-soiling and damp stains, ink stains to two plates, modern green half morocco, 4to, Wood Brown (James), The Builders of Florence, London: Methuen & Co., 1907, plates & illustrations by Herbert Railton, slight spotting, top edge gilt, remainder untrimmed, original gilt-blocked navy blue cloth in bright condition, 4to, and other architecture related including Details of Antient Timber Houses of the 15th & 16th centuries by A. Welby Pugin, 1836 (ex-library copy); An Encyclopaedia of Cottage, Farm, and Villa Architecture and Furniture by J.C. Loudon, new edition, 1836 (ex-library copy); Records of the Hole Crafte and Fellowship of Masons by Edward Conder, 1894, and four works by John RuskinQty: (10)