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A pair of Chinese laque burgauté wine cups, Kangxi period, each delicately inlaid in mother-of-pearl with fisherman and pavilion in a coastal landscape and with white metal lined interior and foot, height 3.2cm, diameter 5.4cm (some faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
WEBB CORBETT; an Art Deco cut glass decanter of conical form with ring stopper, height 30cm, etched mark to base, two red flashed cranberry glass and cut small decanters in the Georgian style, height 20cm, two similar clear glass decanters of globe shape, one with stopper, a 19th century green glass jug with white enamel decoration, a set of six Bohemian green flash and cut clear glass wine glasses, etc.
Four boxes of various china wares to include J & G Meakin Athena pattern dinner wares, A.E. Gray & Co Indian Tree pattern plates, blue and white transfer decorated warmer plate and tazza, Simpson's Queens Green dinner wares, Burleigh Ware Farmer's Arms mug, various other plates, wine cooler, a box of LP records including Simon & Garfunkel "Bridge over troubled water", Deep Purple "24 Carat Purple" etc and an embossed brass framed wall mirror and embossed brass circular tray
A collection of various metal wares to include an Eastern white metal pierced cross 74.5 cm high x 57.5 cm wide on a shallow black plinth base, a pair of rusted iron spreadeagle andirons 40 cm high, a pair of Classical style cornucopia and wreath decorated brass andirons 35 cm high, a four branch five light wrought iron candle stand 59 cm high, a brass candle extinguisher, a wrought iron wooden handled six bottle wine or milk bottle holder 31 cm wide x 20.5 cm deep, a pair of wrought iron pan holders and a modern wrought iron and gilded Arts & Crafts style pedestal dish on tripod base 20 cm diameter x 51 cm high
A George V silver wine taster in the French taste, the main bowl with foliate and floral embossed decoration flanked by two S scroll handles (by Thomas Bradbury & Sons, Sheffield 1910), 13.5 cm wide, 3.6 oz, together with an Indian embossed white metal measuring cup with all-over floral and foliate decoration, 5 cm diameter x 10.9 cm high
A collection of three 20th Century china porcelain container / jars / containers. Comprising of, blue and white ginger jar with white metal lid stamped ironstone to underside. With a novelty wine gums container and 'The Pier' square pot of square form with red floral decoration with blue banding. Tallest measures approx. 20cm.
A GROUP OF CUT CRYSTAL AND COLOURED GLASS, comprising a set of six Webb Crystal 'Heirloom' pattern liqueur glasses, a set of six tumblers, six smaller tumblers, six sherry glasses, a set of six cut champagne flutes, two salts, a set of six napkin rings, two large orange and white paperweights, two blue glass rose bowls, a Waterford Crystal photo frame, a pair of specimen vases with silverplate bases (one base missing), two large vases, a huge ornamental wine glass, a 1950's striped cocktail shaker, a celery vase etched with fern leaf decoration (Qty) (Condition Report: obvious damage mentioned )
Quantity of assorted glassware, engraved, cut glass, to include brandy balloons, sherries, cocktail, wine, pair of Scandinavian-style candle holders, glasses, sundae dishes, whisky tumblers, carnival glass dish, champagne flutes, white wines, red wines, a boxed set of Bohemian crystal, tumblers, etc (4 boxes)
Three large earthenware flagons, one stamped 'Castle Edward & Co Bristol', another 'D Hoare' and another 'Corns Yearsley Wine and Spirit Merchant Wareham' and another stamp 'Powell Bristol' and a Chinese-style blue and white ceramic umbrella stand decorated with peonies and chrysanthemums Condition ReportCorns - Surface scratches, large crack, chip to handle - H. 40cm Hoare - Surface scratches, chips to body, handle and rim - H. 38cm Castle - Surface scratches, chips to rim, chips to body - H. 52cm Chinese vase - H. 48 cm General wear and tear
Set of seven Waterford cut glass champagne saucers, a waterford cut glass jug, 12 boxed wine glasses by Arcoroc for red wine and white wine, Aliseo Da Vinci collection boxed wine glasses, assorted cut and moulded glass to include champagne bowls, fruit bowls, finger/pudding bowls, sherry glasses, vases, water jug, etc (3 boxes)
AN EARLY 19TH CENTURY ALLOA GLASS WINE BOTTLE in dark olive green mottled with white splashes, with four applied rigaree bands and a seal, decorated with a heart, initials D.J.W and dated 1828, 26cm high Condition Report:Has a open bubble inside of the neck, other closed bubbles within the glass body, pontil has sharp edges and plenty of wear to bottle base rim
Bedeutende und in höchster Qualität gefertigte Empire-Kaminuhr mitfigürlicher Gestaltung von Claude Galle (1759 - 1815)56 x 48,5 x 17,2 cm.Paris, um 1810.Funktionen:Das Werk mit runden Messingplatinen, durch vier Pfeiler verbunden. Ankerwerk mit Pendel an Fadenaufhängung. Vierzehntagegehwerk. Geschwärzte Breguet-Zeiger für Stunden und Minuten. Schlossscheibenschlagwerk für Halbstunden- und Stundenschlag auf versilberte Glocke.Gehäuse:Bronze, vergoldet und braun patiniert, grüner Marmor. Der Aufbau betont vorrangig die skulpturale, bildkünstlerisch hervorragende Leistung als klassizistische Plastik, als das in der Gesamterscheinung untergeordnete Uhrwerk. Die Betonung der beiden Farbwirkungen Braun und Gold verleiht gediegene Eleganz. Der grünfarbene getreppte Sockel in Vert de Mer-Marmor erscheint dabei zurückhaltend, durch die vergoldeten Rundfüße jedoch mit dem Figurenwerk verklammert. Gezeigt ist eine schwarz patinierte Récamière, reich mit vergoldeten Applikationen besetzt, auf der eine bacchantische Mänade auf einem Kissen liegt. Der Körper nur mit einem um die Hüften gelegten Tuch bekleidet. Die Körperhaltung zeigt sie räkelnd, mit hochgenommenen Armen, wobei sie eine große Traube mit Blättern über dem Gesicht hält. Ihr Blick ist verschleiert, nahezu weintrunken wiedergegeben. Zu ihren Füßen ein Tamburin mit Tyrsosstab zwischen zwei Weinkannen am Fußende des Bettes. Dem antiken Thema entsprechend beziehen sich auch die Applikationen an der Vorderseite der Liege auf das Bacchusthema: zwei Panther, die sich an Trauben in einem Korb laben. Es sind die Attributtiere des Weingottes Bacchus, wurde er doch der Legende gemäß von einer Pantherin aufgezogen. Seitlich Panflöten, darunter erscheinen die Masken des gehörnten Pan an den Bocksfüßen der Kline. Ein hochsteigender Bock sowie ein Widderkopf-Rhyton an der Lehne ergänzen das Bildprogramm. Das Uhrwerk im Zentrum unterhalb der Récamière eingefügt. Zifferblatt:Das weiße Emailzifferblatt zeigt römische Stunden und arabische Viertelstunden, über der VI bezeichnet „Le Roy“.Das Thema der figürlichen Darstellung lässt sich auf reiche antike Sagenstoffe zurückführen, die von dem römischen Dichter Ovid überliefert wurden. Dabei spielt die vorgeschichtliche Erfindung der Weinherstellung eine übergeordnete Rolle, etwa die Legenden von Bacchus und Erigone, der Tochter des Ikarios. Hier wird erzählt, Bacchus hätte die Herstellung des Weines verraten, ohne die Folgen der Betrunkenheit zu erwähnen, woraufhin Ikarios getötet wurde. Aber auch ohne diese Vorgeschichte fand das Motiv der trunkenen Mänade im Gefolge des Bacchus vielfach Anregung zu künstlerischer Gestaltung. Und dies auch in der Plastik, in Zusammenhang mit Uhrengehäusen. So hat Clodion ebenfalls eine Bacchusnymphe in Marmor auf einer Liege gestaltet, für eine Musikuhr, die in die Sammlung von Prinz Napoleon in Brüssel kam.Als ein weiteres Vergleichsbeispiel kann eine ähnliche Kaminuhr zitiert werden, gefertigt von Courvoisier & Compagnie, La Chaux-de-Fonds, mit der ebenfalls vergoldeten Bronze von Thomire, Paris (Inv.Nr. IV-693). Die Zuweisung an Thomire basiert auf einem Entwurf im Stockholm National Museum of Fine Arts.Letztlich jedoch verrät uns ein Katalog des Hotel Drouot, Paris (Salle M. Etienne Ader, Lot 121), vom 18. Juni 1848, mit Abb. den Bronzier Claude Galle (1759-1815).Der Uhrmacher unterhielt sein Atelier laut seiner Briefadresse in der Rue Vobert 1 sowie Rue Vivienne 9, wurde 1786 Meister, dann Lieferant für die Ausstattung der Schlösser Fontainebleau, Les Tuileries, Compiégne und Rambouillet. Auch außerhalb Frankreichs belieferte er höchstrangige Auftraggeber, wie etwa das Savoy-Schloss Stupinigi bei Turin oder den Quirinal in Rom. Unter Napoleon I galt er als einer der bedeutendsten Bronzehersteller Frankreichs. Als Hersteller und Distributeur unterhielt er im Jahre 1811 nahezu 400 Mitarbeiter, somit eines der größten Unternehmen. 1806 wurde er anlässlich einer Kunstindustrieausstellung mit einer Medaille ausgezeichnet; für eine figürlich gestaltete Uhr, die sich heute im Museum des Château Malmaison befindet.Nicht allein der Entwurf, sondern auch die hervorragende Fertigung macht dieses Objekt zu einem der markantesten Beispiele des Pariser Empire und ist ohne Zweifel als bedeutend museal zu bezeichnen. Tadelloser Zustand. Das Pendel sowie ein Schlüssel vorhanden.Nicht auf Funktionsfähigkeit geprüft.Literatur:Vgl. Michael Edward Shapiro, Monsieur Galle, Bronzier et Doreur, in: The J. Paul Getty Museum Journal, Bd. 6/7, 1978/1979, S. 57-74.Vgl. Louna Zek, Bronzes d‘ameublement et meubles français achetés par Paul I-er pour le Château Saint Michel de Saint Petersbourg 1798/99, in: Bulletin de la Société de l'Histoire de l'Art Français, 1994.Vgl. Jean Dominique Augarde, Une nouvelle vision du bronze et des bronziers sous le Directoire et l‘Empire, in: L'Estampille - L'Objet 'art, Januar 2005, Nr. 298, S. 62-85. (1350596) (1) (10)Important empire style mantel clock of the highest quality with figural décor by Claude Galle (1759 – 1815)56 x 48.5 x 17.2 cm.Paris, ca. 1810.Functions:The clockwork with round brass plates, connected by four pillars. Lever work with pendulum on silk suspension. Fourteen-day striker. Blackened Breguet hands for hours and minutes. Count wheel striking mechanism for half-hour and hour strike on silver-plated bell.Case: Bronze; gilt and with brown patina; green marble. The design primarily emphasizes the sculptural, an artistically outstanding achievement as a classicist sculpture, while the clockwork is subordinate in the overall appearance. The emphasis on the two-colour effects of brown and gold give an appearance of dignified elegance. The design of the green-coloured stepped base in Vert-de-mer marble seems restrained but is connected to the figurative work by means of round gilt feet. The figurative design features a bacchanalian maenad reclining on a cushion on a black patinated recamier, richly decorated with gilt applications. She is only dressed in a cloth draped around her waist. She is stretching out with her raised arms holding a large bunch of grapes with leaves above her face. Her gaze is hooded, appearing almost intoxicated. A tambourine with a thyrsus between two wine jugs is positioned at the foot of the recamier by her feet. In accordance with this ancient subject, the applications on the front of the recamier also refer to the Bacchus theme: two panthers are feasting on grapes in a basket. They are the attribute animals of the wine god Bacchus, who, according to legend, was raised by a panther. Panpipes are shown on the sides, below the masks of the horned Pan appear on the goat feet of the recamier. The backrest is decorated with a rearing goat and a ram's head rhyton. The clockwork is inserted at the centre below the recamier.Dial:The white enamel dial shows Roman hours and Arabic quarter hours, “Le Roy” inscribed above number VI.The subject of the figurative design can be traced back to rich ancient legends that were handed down by the Roman poet Ovid. The prehistoric invention of wine production plays a major role here, such as the legends of Bacchus and Erigone, the daughter of Icarius. It recounts that Bacchus betrayed the secrets of wine production without mentioning the consequences of drunkenness, whereupon Icarius was killed. But even without this background, the motif of the drunken maenad in the entourage of Bacchus often gave inspiration to artistic expression. And this was also the case for figurative work in combination with clock cases. Clodion also designed a nymph of Bacchus on a couch in marble for a musical clock that came into the collection of Prince Napoleon in Brussels. A similar ma...
COOKERY & HOUSEHOLDManuscript receipt book written in several hands containing over 200 culinary and household recipes, including 'To make Portable Soup', 'To make Veal Olives', 'Dr Fothergills Pudding', 'Créme Velour' (dated 1779), 'To make macaroni', 'Roll Calves head', 'Pickle Samphire', 'To make brain cakes' ('Take your brains and slice them'), 'To make White Soup' ('...these rolls look like a hedgehog some french cooks gives this soup the name of hedge hog soup it will do very well if you omit the Rolls by the way...'), 'To make Picklates', 'Tansy Pudding', 'Pan Puddings', 'To stew Golden Pippins to look like Apricots', 'Mrs Wyatts Cakes', 'To make Diet Bread', 'To make a solid Whip', 'Sally Lunns' ('...this is the original recipe & they are a most excellent breakfast cake made at Bath...'), 'To make Hartshorn Flummery', 'Lady Betty Warburtons receipt of Cowslip Wine', 'Green paint for railing', 'A gum wash', 'For Japaning a Coach', 'To clear gold or silver Lace', 'For a bruise or a cut', 'Pills for a cough', 'To Imatate Mahogany', one receipt credited to Miss Denton, 177 numbered pages, five leaves and two half leaves excised, some blanks, dust-staining, marks and ink stains, some small tears and pin holes, original half calf, marbled boards, worn and marked with some loss, 4to (246 x 190mm.), [eighteenth century]This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
A cut glass decanter, five others cut glass and moulded; four Royal Doulton white wine glasses, pair of champagne flutes and pair of highball glasses; four Schott Zwiesel Tritan red wine glasses; others, cut glass drinking glasses, six white wine, six brandy balloons, pair of Royal Worcester red wine glasses, boxed, novelty shot glasses; etc
Boxes and Objects - a 19th century pince-nez case; a vesta case; a 19th century Chinese blue and white plate; a clockwork wooden toy, as a flower seller and cart; a large polished stone specimen; a WWII water bottle; an Art Deco marble mantel clock; a Russian military hat; a Royal Goedewaagen wine coaster, etc, qty
A mixed lot of Asian collectibles including a 19th century South Indian silver swami ware bracelet, the six hinged articulated panels with repousse Hindu deities, a Chinese Canton silver trinket box and cover chased with palatial interiors and figures, 5 cm high, a twin-handled archaistic cup, 3 cm high, silver scent bottle with turqouise cabochon top, two engraved silver 'longevity' amulets, floral cloisonne matchbox cover and buckle, large silver Buddhist guardian lion circular button, 5 cm diameter, white Peking glass wine cup, Japanese bone okimono carved with an eagle, snake and rat 11.5 cm, two amber and gilt metal beads etc.
A Mixed Case of Red and White Wine, to include: Chateau Camensac, Haut Medoc, 1988, one bottle; Chateau Cambon La Pelouse, Haut Medoc, 2012, one bottle; Domaine La Tuque Bel Air, Cotes de Castillon, 1988, one bottle; Crozes Hermitage, Les Hauts de Pavieres, Cave de Tain, 2001, one bottle; Cotes du Rhône, La Chasse Reserve, Gabriel-Meffre, 2009, one bottle; Cotes du Rhône, Domaine St Pierre, 2012, one bottle; Cotes du Rhône, Les Dauphins, Cellier des Dauphins, 2012, one bottle; Baturrica Gran Reserva, Tarragona, 2011, one bottle; Nero d'Avola, Avulisi, Feudo di Santa Tresa, Sicilia, 2008, one magnum; Barolo, 2013, one bottle; Puilly Fuisse, Vielles Vignes, Domaine Cordier, 1990, one bottle and Chardonnay, Cuvee Speciale, Roche Mazet, Pays d'Oc, 2010, one bottle, twelve bottles in total

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13032 item(s)/page