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Click here to subscribeSET OF NINE WILLIAM DE MORGAN POTTERY FRIEZE TILES, each of oblong form, painted in colours with a fruiting, meandering vine, impressed circular ark: DM over 98, each tile, 3? x 6? (7.6cm x 15.2cm), total length, 54? (137.2cm), together with THIRTY ?PEACOCK BLUE? GLAZED TILES, each 6? X 2 ½? (15.2cm x 6.3cm) impressed hand type mark, one a/f, (39)
WILLIAM DE MORGAN (1839-1917) LARGE RUBY LUSTRE VASE, CIRCA 1900 decorated with spiral bands of lions and lionesses in an exotic landscape, decorated under the base with a web design with spider and flies 47cm high Literature: Greenwood, Martin 'The Designs of William de Morgan', Richard Dennis 2007, p. 227, pl. 179 where a ruby lustre vase of the same shape is illustrated.
FRED PASSENGER FOR WILLIAM DE MORGAN (1839-1917) LUSTRE EARTHENWARE BOWL, LATE 19TH/ EARLY 20TH CENTURY in blue and green glazes, the interior decorated with repeating images of a bird, enclosing a griffin to the well, with stylised foliage to the exterior, painted initials 'F.P' 22cm diameter; 12cm high
CHARLES PASSENGER FOR WILLIAM DE MORGAN: A CERAMIC DISH, decorated with a scene of a galleon in a harbour with figures and fish within a stylised Persian type scroll border, stylised leaves to reverse, painted in polychrome, monogrammed "C.P" to reverse, painted marks, 21.5cm dia Condition Report: Item appears to be in good overall condition, however showing signs of crazing and a small chip to border.
CHARLES PASSENGER FOR WILLIAM DE MORGAN: A CERAMIC DISH, decorated with a scene of a sailing vessel with a palazzo to the foreground with figures and a fish within a stylised Persian type scroll border, stylised leaves to reverse, painted in polychrome, monogrammed "C.P" to reverse, painted marks, 21.5cm dia. Condition Report: Item appears to be in good overall condition with no visible restoration. Two very minor glaze losses to edge, some crazing all over.
CHARLES PASSENGER FOR WILLIAM DE MORGAN: A CERAMIC DISH, the centre decorated with three carp fish within a stylised Persian type scroll border, stylised leaves to reverse, painted in polychrome, monogrammed "C.P" to reverse, painted marks, 21.5cm dia Condition Report: 3.5cm flake chip to border edge, crazing to front and reverse but otherwise appears good with no visible restoration or further damage.
Fifteen William de Morgan tiles, each with lustre glaze. It has been suggested that these tiles may be J.C. Edwards of Ruabon. 15.3 cm x 15.3 cm (see illustration). CONDITION REPORT: None of the tiles have any printed or moulded main marks although they do have a moulded number within a rectangle which appears to be either 611 or 6TT. The majority of the tiles are in reasonably good order, however one does have a small glaze chip approximately 2 cm x 1 cm wide in the top right hand corner. A further tile has a further chip to a side rim approximately 1.5 cm deep x 2 cm long. The main tiles all appear to be intact with no obvious cracks or restorations.
An Arts and Crafts pictorial four tile panel attributed to William De Morgan, possibly Sands End period, decorated in an Iznik pallet with a vase of flowers, mounted into a later frame, each tile 20cm x 20cm, 42.5cm x 42.5cm overall. (Three tiles with a chip)Please see Victoria and Albert Museum collections for an example of this panel complete with six tiles CONDITION REPORT: All of the tiles are crazed. The top left tile has a chip to the top right corner and a few small edge nicks. The top right tile has a large chip to the bottom right corner. The bottom right tile has a large chip to the top right corner and a paint mark to the top of the surface. The bottom left tile has a few small edge nicks and slight loss to the bottom left corner. All tiles have been mounted into a box frame with screws visible from the back.As it is not possible to see the back of the tiles they have been attributed because of the pattern and resemblance to de Morgan.
Four Arts and Crafts Iznik tiles attributed to William De Morgan, two pairs, each decorated with a floral and foliate design, each roughly 15cm x 15cm, 30.5cm x 31cm overall, with a later backing panel CONDITION REPORT: The tiles are crazed and lightly rubbed / grazed to parts of the surface. The tiles are lightly worn at the edges. The bottom right tile has two chips to the bottom right corner. The bottom left tile has a small nick to one corner and a chip to the top left corner. The top right tile has some chips along the top edge, The bottom left tile has a paint plat to the surface of the glaze. All tiles are mounted / adhered together on a slate back plate. As it is not possible to see the back of the tiles they have been attributed because of the pattern and resemblance to de Morgan.
Maw and Co., an Arts and Crafts vase, circa 1890, in the style of William De Morgan, ovoid form, painted with stylised tulips and foliate pilasters between ducks and tufts on a watery ground, possibly designed by Voysey, green and black glaze, painted marks, 23cm high Note: Maw and Co. produced tiles and ceramic from their base in Shropshire, employing designers such as Walter Crane, Lewis F Day and C F A Voysey. Influenced by market trends in design, particularly the ceramics of William De Morgan, this vase is an example of the highly stylised decorative motifs popular amongst the educated Bohemian elite of the time.
A William de Morgan two-tile snake and flower panel, Merton Abbey Period (1882-1888), impressed mark,20.8cm (8.25in square)For a similar design in a different colourway, see Victoria and Albert Museum E597-1917 and illustrated in Jon Catleugh's 'William de Morgan Tiles', no.37a, 'Boa Constrictor', no. 242, p.153.
ARTISTS: A good selection of A.Ls.S., some signed cards and letterheads etc., by various artists, painters, a few illustrators and designers etc., mainly British, including Arthur Hacker, James Prinsep Beadle, William De Morgan, George Harcourt, George W. Joy, Tom Mostyn, Solomon J. Solomon, Edmund Blair Leighton (2), Frank Dicksee (2; one stating, in part, 'Artists sign reproductions of their work only when they are pleased with the result - now this is such a dreadful little production that I think I must ask you to pardon my refusal to sign it…..'), Luke Fildes, Frederick William Elwell, William Lee Hankey (requesting a donation towards a charity in return for his autograph), William Henry Margetson (pencil A.L.S. in the third person, stating, in part, 'Mr. W. H. Margetson…….begs to point out that artists as a rule are obliged to reserve signing reproductions for special proof engravings, and occasionally for personal friends….'), George Lawrence Bulleid, William Strutt (4; including two interesting A.Ls.S. and a small original pen and ink sketch of a kangaroo signed by Strutt), Ernest Normand, Frank Spenlove-Spenlove, Edward Wilkins Waite, Rex Vicat Cole, William L. Wyllie, Fred Roe, Alfred Drury, William Gladstone Solomon, Donald Maxwell, Isaac Snowman, Herbert Draper (stating, in part, 'When an artist signs a reproduction of one of his pictures it means that he approves of the reproduction's artistic success. I cannot go quite as far as that in the case of the prints you send me....') William Barnes Wollen (discussing the subjects and background of two of his paintings including 'an incident in Sir John Moore's famous retreat, when his cavalry suddenly turned, and although men & horses had been without food…..smashed Napoleon's famous "chasseurs a cheval" who were first in the pursuit…..') etc. Some light age wear, minor creasing and light foxing to some letters. Generally G to VG, 40
A Craven Dunnill tile stand after William De Morgan, probably originally designed by Halsey Ricardo, decorated with a mythical beast amidst flowers and foliage in blue on a white ground, unsigned, small chip to rim, 15cm. square Literature Jon Catleugh William De Morgan Tiles, Trefoil, page 167 catalogue number 261 for red lustre tile in this design.
A William De Morgan Sand's End Pottery Ornate Bird tile, painted with a peacock bird in black on a turquoise ground, impressed factory mark, professional over painting, 15.5cm. square Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 128 figure 965 for the original design illustrated.
A good William De Morgan Pottery Late Fulham Period triple lustre tile, painted with a cockerel crowing, in gold, blue and ruby lustre on a white ground painted with clumps of yellow grass, impressed Late Fulham Period De Morgan, Iles and Passenger brothers factory mark, 15.5cm. square Literature Martin Greenwood The Designs of William De Morgan Richard Dennis, page 127 figure 1012 for the original design illustrated. Provenance Lady Alison Kremer & Mr Tom Kremer
A good William De Morgan Pottery Late Fulham Period triple lustre tile, painted with a bird with a snake captured in its claws, in gold, blue and ruby lustre on a white ground painted with clumps of yellow grass impressed Late Fulham Period De Morgan, Iles and Passenger brothers factory mark, 15.5cm. square Provenance Lady Alison Kremer & Mr Tom Kremer
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