We found 2338 price guide item(s) matching your search

‡ William 'Bill' Marshall (1923-2007) a large stoneware vase dated 1995, ovoid with slightly flaring cylindrical neck, covered in a grey glaze with hakeme, painted iron bamboo shoot with copper splashes, incised monogram and date 1995, 29cm. high

‡ William 'Bill' Marshall (1923-2007) a stoneware vase and cover, ovoid, the shouldered vessel with inset cover, the body with impressed hatched geometric panels, covered in a translucent white glaze, impressed seal mark to base, 27cm. high Literature Marion Whybrow Leach Pottery St Ives The Legacy of Bernard Leach, Beach Books, page 81 this actual vase and cover illustrated.

‡ William 'Bill' Marshall (1923-2007) a stoneware footed bowl, brushed grey Hakeme glaze splashed with iron spots to the interior, the exterior with simple painted grasses in iron, impressed seal mark, 17.5cm. diam. Literature Marion Whybrow Leach Pottery St Ives The Legacy of Bernard Leach, Beach Books, page 105 for a comparable bowl illustrated.

‡ William 'Bill' Marshall (1923-2007) a Leach Pottery stoneware vase, shouldered form with cylindrical neck, dark grey ground with brushed white Hakeme decoration, impressed seal marks, 31.5cm. high Provenance Modern & Post-War British Art, Design, Mallam's Auctioneer's, 10th December 2015 lot 88.

‡ William 'Bill' Marshall (1923-2007) a stoneware footed bowl flaring conical bowl covered in a hakeme glaze with iron brushed grasses, impressed seal mark, 19cm. diam.

‡ William 'Bill' Marshall a stoneware vase, pilgrim flask form, covered in a pitted celadon ash glaze to the foot, painted in tenmoku with simple grass motif, indistinct seal marks, 20cm. high

‡ William 'Bill' Marshall (1923-2007) a fine porcelain vase dated 2004, ovoid with flaring cylindrical neck, covered in a pale celadon glaze and painted grey bamboo shoot motif, incised monogram and date to base, 25cm. high

‡ William 'Bill' Marshall (1923-2007) two porcelain vases, shouldered form, each applied with two loop handles, covered in a pale celadon white glaze painted with simple grass motif in black, impressed seal marks, 16cm. high, (2)

‡ William 'Bill' Marshall (1923-2007) a tall and impressive stoneware vase, shouldered, tapering cylindrical form with cylindrical neck, covered to the foot with a Nuka glaze, with running brushed design and lavender spots, impressed seal mark, 51cm. high

‡ William 'Bill' Marshall (1923-2007) a stoneware vase, shouldered form with waisted cylindrical neck, decorated with a simple band of flowerhead motif to the shoulder and mid-ridge, covered in a running ash glaze to the foot, with Hakeme splashes, impressed seal mark to side, 43cm. high

‡ William 'Bill' Marshall (1923-2007) a tall stoneware bottle base, slightly swollen, shouldered cylindrical form with cylindrical neck and everted rim, incised to the shoulder with simple flowerhead motif, under translucent glaze with Hakeme brush and small copper spots, impressed seal mark to side, 57cm. high

‡ William 'Bill Marshall (1923-2007) a Leach Pottery salt-glazed stoneware vase, slender, swollen form with flaring neck, the shoulder with simple, feint brush design impressed seal marks, 49cm. high

* GORDON BRYCE RSA RSW (SCOTTISH b 1943), APPLES oil on board, signed and titled verso 30cm x 30cm Framed and under glass. Note: Born in Edinburgh in 1943. Gordon Bryce studied at Edinburgh College of Art, where his tutors were Sir Robin Philipson and Sir William Gillies. His love of colour and texture stems from that time and has remained with him since. After graduating, Gordon moved to Aberdeen, to Gray's School of Art, where he was appointed as a Lecturer in Printmaking. He later became head of Fine Art at Gray's, a post he held from 1986 to 1995 when he began to paint full time. Gordon Bryce is now a highly established figure and his contribution to the UK art scene is considerable. His exhibitions both in London and in Scotland have spanned nearly 30 years. He has won numerous awards Including the RSA Latimer Award, May Marshall Brown Award, Shell Expo Premier Award and Sir William Gillies travelling Scholarship. His work is in many Private and Public Collections worldwide including those of the Fleming Collection and the Scottish National Gallery of Modern Art.

19th century Parian figure designed by William Calder Marshall, of the dancing girl reposing, the front impressed Union of London 1848, the rear impressed Marshall Cheverton, 47cm high (a/f)

WILLIAM MARSHALL (1923-2007); a stoneware charger, white pours on rust red ground with white and sea green trailed and spotted decoration, incised WM mark, diameter 41cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

WILLIAM MARSHALL (1923-2007); a square stoneware tray, tenmoku decoration on speckled grey ground, impressed WM mark, 29 x 29cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

WILLIAM MARSHALL (1923-2007); a rectangular stoneware bottle with square neck covered in tenmoku breaking to kaki glaze, impressed WM marks, height 20cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

WILLIAM MARSHALL (1923-2007); a rectangular stoneware bottle, iron trailed and spotted decoration on pale grey ground, impressed WM mark, height 25.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

WILLIAM MARSHALL (1923-2007); a tall triangular stoneware bottle with hakeme decoration, impressed WM mark, height 35.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

WILLIAM MARSHALL (1923-2007); a cut sided stoneware jar and cover, sea green glaze and impressed decoration on tenmoku breaking to kaki ground, impressed WM mark, height 27cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

WILLIAM MARSHALL (1923-2007); a small stoneware footed bowl, hakeme decoration, impressed WM mark, diameter 13cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

WILLIAM MARSHALL (1923-2007); a stoneware footed bowl, iron and sea green decoration on hakeme ground, impressed WM mark, diameter 16.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

WILLIAM MARSHALL (1923-2007); a stoneware footed bowl, iron brushwork on hakeme ground, impressed WM mark, diameter 19.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

WILLIAM MARSHALL (1923-2007); a stoneware footed bowl, tenmoku trailed and spotted decoration on mottled grey ground, impressed WM mark, diameter 16cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

WILLIAM MARSHALL (1923-2007); a stoneware yunomi, sea green decoration on pale grey ground, impressed WM mark, height 9.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

WILLIAM MARSHALL (1923-2007); a stoneware yunomi, sea green decoration on hakeme ground, impressed WM mark, height 9.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

WILLIAM MARSHALL (1923-2007); a stoneware chawan, iron and sea green decoration on pale grey ground, impressed WM mark, diameter 10cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

WILLIAM MARSHALL (1923-2007); three stoneware tiles, iron and sea green decoration on hakeme ground, impressed WM marks to smaller tiles, largest 15 x 15cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk

The Works of William Shakespeare, edited by Henry Irving and Frank A. Marshall, published Blackie & Son, London, vols. 1-8, together with works of Joseph Conrad, 20 volumes, also The Jungle Book, The Second Jungle Book

FLORA: 1- Loudon, Mrs. Jane: British Wild Flowers. James Nelson, 1859. 3rd. Edn. With 60 colour plates; PP: xvi, 311. 4to. Original publishers blindstamped cloth with gilt decoration to upper cover and spine. Spine little faded, VG copy; 2- Hudson, William: Flora Anglica, exhibens Plantas per regnum Angliae sponte crescentes. Nourse, 1762 1st. Edn. PP: viii, (viii), 506, (xxii). Cont. full treecalf; many pages close cropped (very close to marginal notes); ink numbers in the margins; 3- Maund, Benjamin: The Botanic Garden; Consisting of Highly Finished Representations of Hardy Ornamental Flowering Plants.. Simpkin and Marshall, 1831-2. Vol. 4 only. With 24 hand coloured plates (each with 4 plants). Near cont. full morocco with raised bands, gilt decoration, gilt inner dentelles, and Silk doublures & Endpapers, aeg; 4- Smith, Henry: Flora Sarisburiensis; A repository of English Botany, both General and Medical. Wilkie, nd, (preface dated 1817). With 30 coloured plates. Later cloth, with the original wrappers bound-in. (4)

Alexander (William, Earl of Stirling). Recreations with the Muses, 3 parts in one, 1st edition, London: Thomas Harper, 1637, later mounted engraved portrait frontispiece by William Richardson dated 1795, title within ornamental woodcut border, lacking front and rear blanks, one or two leaves at front with small marginal insect damage, a few leaves towards end with corners repaired, a little light soiling and water stains, all edges yellow, later sprinkled calf gilt by Cecil & Larkins, spine with red and green labels, small splits at foot of joints (Qty: 1)NOTESPforzheimer 5; STC 347. A few copies were issued with a portrait of Alexander by William Marshall, but these may have been added only to presentation copies. A handsome copy.

Charles J Lundgren (New York, Connecticut, 1911 - 1988) "U.S.S. New Jersey" Signed lower right. Oil on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Fleetwood Commemorative Cover for the U.S.S. New Jersey. Still active in the 1980's, the U.S.S. New Jersey was commissioned on 23 May 1943 with Captain Carl F. Holden in command. The U.S.S. New Jersey saw her first duty during the assault on the Marshall Islands in 1944. She began her storied career as a flagship 4 February 1944 for Admiral Raymond A. Spruance Commander, 5th Fleet. The U.S.S. New Jersey's next war cruise 13 April - 4 May 1944 began and ended at Majuro, but carried her to New Guinea, the Marianas and the Palau Island group. She continued to be an effective force throughout the "island hopping" campaign in the Pacific Theater, serving as flagship for Admiral William F. "Bull" Halsey's 3rd Fleet. She guarded carriers in their strikes on Formosa, Okinawa, Luzon, Hong Kong, and Iwo Jima. The U.S.S. New Jersey was then overhauled before sailing as flagship for the 5th Fleet until War's end. The U.S.S. New Jersey began her Korean career at Wonsan 20 May 1951 with a devastating shore bombardment. Later, she participated in a deadly five hour bombardment of Kansong on 16 October 1951. It seemed as if every salvo found its mark. She leveled ten artillery positions and inflicted some five hundred enemy casualties. Thus far, the U.S.S. New Jersey has earned the Navy Unit Commendation for Vietnam service, two Battle Stars for service in Vietnam, four for the Korean Conflict, and nine for World War II. Image Size: 13.5 x 15.75 in. Overall Size: 20.5 x 21.75 in. Unframed. (B11125)

Jack Fellows (B. 1941) "Space Shuttle Atlantis" Signed lower left. Oil on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Republic of the Marshall Islands PresentationPak for the 1996 Space Shuttle Atlantis $10 Commemorative Coin. The mission assigned to space shuttle Atlantis for its outer space debut received the highest security classification from the United States Department of Defense. Shuttle commander Karol Bobko and pilot Ronald Grabe flew mission specialists David Hilmers, Robert Stewart and William Pailes on one of the shorter shuttle flights, lasting just over four days. Like the other orbiters in America's space fleet, Atlantis bears the name of a pioneering sea vessel that established new frontiers in research and exploration. Atlantis was named in honor of the primary research vessel for the Woods Hole Oceanographic Institute in Massachusetts from 1930 to 1966. This two-masted sailing ship was the first American vessel to be used for oceanographic research and contained two onboard laboratories. The ship studied water samples, currents and marine life while using the first electronic sounding devices to map the ocean floor. The shuttle Atlantis carries the spirit of this famous sailing ship into space. Image Size: 16.5 x 14 in. Overall Size: 18 x 16.5 in. Unframed. (B15351)

* GORDON BRYCE RSA RSW (SCOTTISH b 1943), APPLES oil on board, signed and titled verso 30cm x 30cm Framed and under glass. Note: Born in Edinburgh in 1943. Gordon Bryce studied at Edinburgh College of Art, where his tutors were Sir Robin Philipson and Sir William Gillies. His love of colour and texture stems from that time and has remained with him since. After graduating, Gordon moved to Aberdeen, to Gray's School of Art, where he was appointed as a Lecturer in Printmaking. He later became head of Fine Art at Gray's, a post he held from 1986 to 1995 when he began to paint full time. Gordon Bryce is now a highly established figure and his contribution to the UK art scene is considerable. His exhibitions both in London and in Scotland have spanned nearly 30 years. He has won numerous awards Including the RSA Latimer Award, May Marshall Brown Award, Shell Expo Premier Award and Sir William Gillies travelling Scholarship. His work is in many Private and Public Collections worldwide including those of the Fleming Collection and the Scottish National Gallery of Modern Art.

Sandford (Francis) The History of the Coronation of ... James II ... and ... Queen Mary, first edition, imprimatur leaf signed Norfolke & Marshall, title in red and black with engraved coat-of-arms, engraved head-pieces, initials, text illustrations and 30 engraved plates by William Sherwin and others, all but one double-page, 1 with marginal tear expertly repaired, Fireworks plate trimmed, occasional light soiling and staining, bookplates, later half-calf, a little rubbed, folio, [Wing S652a), Thomas Newcomb, 1687.⁂ Magnificent record of James II's lavish coronation which set the model for subsequent coronations.

Three framed and glazed signed prints - Leonard Pearman - 'Enemy Coast Below' limited edition, signed by Air Vice Marshall D C J Bennett and the artist, with Fine Art Trade Guild blind stamp 22 1/4" x 29 3/4"; Jeremy King - village scene with cottages and river 108/200 signed to lower margin 16 3/4" x 24 3/8", and William Russell Flint signed in pencil lower margin with printers blind stamp 17 1/2" x 22 1/2"

A Victorian Scottish silver meat skewer, bright-cut engraved handle, by William Marshall, hallmarks Edinburgh 1879, length 25cm, 1.7oz Very good overall condition, no damage or restoration, only lightly surface scratched all over, hallmarks clear

COMPOSITE SET OF EIGHT SCOTTISH SILVER FORKS, comprising four by maker A G Whighton, Edinburgh 1840, and four by likely maker William Marshall, Edinburgh 1825, each of Fiddle pattern design, with crest and scrolling banner to terminal, approximately 510g gross

MARSHALL, William, 'The Rural Economy of the Midland Counties including the Management of Livestock in Leicestershire and its Environs'. 2 vols. Nicol, London 1790, with folding map. 4to. (235 x 150mm) ex Lib. re-bound in marbled boards (2)

† Kip (Johannes) after Knyff (Leonard), four engravings of Country Houses, comprising; Hamstead Marshall in the County of Bercks, one of the seats of the Rt Hon'ble William, Lord Craven, Barron Craven of Hamstead Marshall in the County of Bercks, Hatley St. George, the seat of the Hon'ble Robert Cotton in Cambridge, Southwick in the county of Southampton, the seat of Richard Norton Esq. Brome Hall in the County of Suffolk, one of the seats of the Rt. Hon'ble Charles, Lord Cornwallis, Baron of Eye & Lord Lt. of the Said county, all uncoloured engravings, mounted, framed and glazed, each 52 x 65cm overall † indicates that VAT is payable by the purchaser at the standard rate of 20% on the hammer price as well as being charged on the buyers’ premium. Please see our Terms & Conditions for more information.

Mary Lane McMillan (Texas, New York, Florida, 1883 - 1976) Painting of a woman in a garden with hollyhocks. Signed lower right. Oil on Canvas. Previously exhibited at The Plains Art Museum and the Albin Polasek Museum. McMillan was an American illustrator and fine artist during the early to mid 20th century. She studied at the National Academy of Design in New York from 1902 to 1904 where she won the Suydam Medal for best work in her Antiques class in the 1903 Spring competition and won Honorable Mention in her Illustration class in the 1904 Spring Competition. McMillan studied illustration and pictorial composition at the Chicago Art Institute (c. 1905-1906) under Walter Marshall Clute and studied watercolors and outdoor sketching under Frederick Oswald. She attended Walter Marshall Clute's private school at his home in Park Ridge, IL, where she studied oil painting, interiors, landscapes, costumes, and plein air techniques. During this time, McMillan also associated with members of the art colony in Park Ridge. In 1914, many years after she had left Chicago, McMillan was invited to submit a painting titled, An Old Spinning Wheel, for a watercolor exhibition at the Chicago Art Institute. McMillan taught art at the Presbyterian College for Women in Milford, TX and was later head of the Art Department at Polytechnic College (now Texas Wesleyan University) in Fort Worth, TX from 1906 to 1912. McMillan began illustrating magazine covers for Holland's and The Etude during these years as well. In 1910, McMillan traveled to Florence to study with William Merritt Chase at his private villa. From 1910 to 1912, she was a popular exhibitor at the Fort Worth Public Library's art exhibitions, often displaying her Italian inspired artwork. She left Texas for New York in 1912 to devote her career to book and magazine illustration. Over one hundred of her illustrations appeared in issues of Life, McCall's, The Designer, Harper's Bazaar, Saturday Evening Post, Pictorial Review and The American Magazine, which included various cover features. She even dabbled in the world of commercial illustration by doing a Campbell's Soup advertisement for tomato soup in 1915. Sight Size: 20.5 x 16 in. Overall Size: 30 x 26 in.

Mary Lane McMillan (Texas, New York, Florida, 1883 - 1976) Watercolor of a flower garden with hollyhocks. Signed lower right. Previously exhibited at The Plains Art Museum and the Albin Polasek Museum. McMillan was an American illustrator and fine artist during the early to mid 20th century. She studied at the National Academy of Design in New York from 1902 to 1904 where she won the Suydam Medal for best work in her Antiques class in the 1903 Spring competition and won Honorable Mention in her Illustration class in the 1904 Spring Competition. McMillan studied illustration and pictorial composition at the Chicago Art Institute (c. 1905-1906) under Walter Marshall Clute and studied watercolors and outdoor sketching under Frederick Oswald. She attended Walter Marshall Clute's private school at his home in Park Ridge, IL, where she studied oil painting, interiors, landscapes, costumes, and plein air techniques. During this time, McMillan also associated with members of the art colony in Park Ridge. In 1914, many years after she had left Chicago, McMillan was invited to submit a painting titled, An Old Spinning Wheel, for a watercolor exhibition at the Chicago Art Institute. McMillan taught art at the Presbyterian College for Women in Milford, TX and was later head of the Art Department at Polytechnic College (now Texas Wesleyan University) in Fort Worth, TX from 1906 to 1912. McMillan began illustrating magazine covers for Holland's and The Etude during these years as well. In 1910, McMillan traveled to Florence to study with William Merritt Chase at his private villa. From 1910 to 1912, she was a popular exhibitor at the Fort Worth Public Library's art exhibitions, often displaying her Italian inspired artwork. She left Texas for New York in 1912 to devote her career to book and magazine illustration. Over one hundred of her illustrations appeared in issues of Life, McCall's, The Designer, Harper's Bazaar, Saturday Evening Post, Pictorial Review and The American Magazine, which included various cover features. She even dabbled in the world of commercial illustration by doing a Campbell's Soup advertisement for tomato soup in 1915. Sight Size: 16 x 11 in. Overall Size: 26 x 21.5 in. Framed behind glass.

A 17thC receipt from Anna Mary Long (possibly neice of Robert Long) dated 1663, a 1623 indenture - Swale. Hougton, Hobson, the late William Marshall, together with eight 18thC documents including indentures and various 19thC documents.

[Thomas Kitson Cromwell]: 'Excursions in the County of Norfolk', London, 1818, 2 volumes, 2 added engraved title pages, 2 engraved folding maps + 96 engraved plates as called for, old half calf gilt; William Marshall: 'The Rural Economy of Norfolk: Comprising the Management of Landed Estates, and the Present Practice of Husbandry in that County', 1795, 2nd edition, two volumes, lacks folding map, contemporary calf gilt (worn); J. Evans & J. Britton: 'The Beauties of England & Wales - Norfolk', [1810], 20 engraved plates, contemporary half calf, later rebacked; Robert Bloomfield: 'The Farmer's Boy; A Rural Poem', London, 1800, engraved vignette title and engraved vignettes throughout, bound together with E.W. Brayley: 'Views in Suffolk, Norfolk, and Northamptonshire; Illustrative of the Works of Robert Bloomfield', London, 1806, engraved frontis + 14 engraved plates, 4to, old half calf gilt (6)

A Victorian Scottish silver mug, by William Marshall, Edinburgh 1876, tapering circular form, engraved decoration, applied leaf and bead borders, scroll handle, on a raised circular foot, inscribed, height 11.5cm, approx. weight 6.2oz.

* GORDON BRYCE RSA RSW (SCOTTISH b 1943), APPLES oil on board, signed and titled verso 30cm x 30cm Framed and under glass. Note: Born in Edinburgh in 1943. Gordon Bryce studied at Edinburgh College of Art, where his tutors were Sir Robin Philipson and Sir William Gillies. His love of colour and texture stems from that time and has remained with him since. After graduating, Gordon moved to Aberdeen, to Gray's School of Art, where he was appointed as a Lecturer in Printmaking. He later became head of Fine Art at Gray's, a post he held from 1986 to 1995 when he began to paint full time. Gordon Bryce is now a highly established figure and his contribution to the UK art scene is considerable. His exhibitions both in London and in Scotland have spanned nearly 30 years. He has won numerous awards Including the RSA Latimer Award, May Marshall Brown Award, Shell Expo Premier Award and Sir William Gillies travelling Scholarship. His work is in many Private and Public Collections worldwide including those of the Fleming Collection and the Scottish National Gallery of Modern Art.

The Romance of the Road, first edition London 1928, folio, illustrations, folding plan of London in pocket at front, a good copy in recent half red morocco; FELTON (William) Felton's Carriages, 1962, oblong folio, illustrated by Alan Osbahr, no. 9/250 specially bound copies, signed, full tan morocco, slip case. SHONE (A B) A Century and a Half of Amateur Driving, Part I, one of 500 copies, 1955, 4to, illustrated, this copy belonged to Air Marshall A T Harris, with his note at p109, morocco backed boards. Provenance: Henry Sotheran Ltd.; five others, 8vo, coaches (8)

A pair William IV of silver ladles, Marshall & Sons, Edinburgh 1836, with a further William IV ladle, Edinburgh 1834 and a George III silver ladle, Edinburgh 1810, gross weight approx. 3.6ozt (4)

A George III Scottish silver Old English pattern ladle, William Marshall, Edinburgh, 1805, 166.9g

A pair of George IV Scottish silver serving spoons, Fiddle pattern, by William Marshall & Son, hallmarks Edinburgh 1829, length 22cm, 4.7oz

Donne (John). Poems, by J. D. with Elegies on the Authors Death, 3rd edition, London: printed by M. F. for John Marriot, and are to be sold at his shop, 1639, engraved portrait frontispiece by William Marshall possibly after Nicholas Hilliard, short closed tear to lower margin of V4, spine lined with a contemporary manuscript fragment, contemporary sprinkled sheep ruled in blind, second spine-compartment lettered in gilt, restoration to spine-ends, joints rubbed, 8vo (14.8 x 9 cm) (Qty: 1)NOTESProvenance: 1) 'Sum e libris Samuelis Mee e Coll Wadd: 87' (contemporary ink inscription to front free endpaper). 2) Sir Geoffrey Keynes (1887-1982), bibliographer of Donne; given to his wife Margaret Darwin (1890-1974) as an engagement present in 1916 (ink inscription 'G. L. K. to Margaret Darwin, 16 Dec 1916' to front pastedown). 3) Purchased by John Lawson (1932-2019) direct from Keynes presumably after 1974 (laid-in note in John Lawson's hand: 'GLK's engagement gift to Margaret Darwin (Charles's grandaughter). Geoffrey had just finished erasing the date when I spotted what he was doing and bought it off him'). ESTC S1702; Grolier Wither to Prior 288; Keynes 80; Pforzheimer 297; STC 7047.

A pair of Scottish George III silver fiddle pattern sauce ladles, by William Marshall, assayed Edinburgh 1819, one pierced to bowl, length 15.3cm. (51.6g)Sold on behalf of Save The Children, Mary's Living and Giving Shop, Notting Hill Gate, London

William IV silver fish slice, Marshall & Sons, Edinburgh 1835, 31cm long

A William IV Scottish silver toddy ladle, William Marshall, Edinburgh 1836, single struck Kings Pattern, 15.5cm long, 0.94ozt

WILLIAM MARSHALL BROWN R.S.A., R.S.W. (SCOTTISH 1863-1936) MUSSEL GATHERERS Signed, oil on canvas (Dimensions: 41cm x 61cm (16in x 24in))(41cm x 61cm (16in x 24in))Condition report: Largely good original unlined condition - small area of re-touching to sky on horizon to right of bending woman's head

Marshall, William. The Rural Economy of the Midland Counties. G. Nicol, 1790. 8vo (2 vols). contemporary half calf over marbled boards; folding plan. idem The Rural Economy of Gloucestershire. G. Nicol, 1796. 8vo (2 vols). Leather-backed boards, spines detaching; lacking map. Second ed. Bailey, John. General View of the Agriculture of the County of Durham. Richard Phillips, 1810. 8vo, contemporary half calf over marbled boards, upper board detached but present; folding hand-coloured frontis. map, 7 plates (6 folding). [5]

Part suite of Victorian silver fiddle pattern flatware monogrammed K comprising twelve table spoons, twelve table forks and twelve dessert spoons by William Marshall, Edinburgh 1857 and 1858, 1930g gross

Marshall, William: The Rural Economy of Gloucestershire, 1st Edn 1788, 2 vols, together with Roscoe, Thomas: North Wales, and South Wales & The River Wye, same author, (4) Condition: Wear and slight tears to spines of all the books, slight scratching to page gilding and general creases and some faults to the edge of pages. **General condition consistent with age.

Stoneware, dry red brown body beneath layered poured splashes in mottled green brown and cream ash glazes, the tall body tapering at the neck set with a cylindrical collar, impressed JL and Leach Pottery sealsH 57.6cm, D 25.2cmPROVENANCE: Austin/Desmond Fine Art EXHIBITED: 'Janet Leach, William Marshall and Jason Wason, Austin/Desmond Fine Art, June-July 2011, No.24 CONDITION: Perfect condition with no damage or restorations

Stoneware, green ash glaze with dark olive green speckle, a heather splash to the shoulder, the squashed and compressed form with strongly carved crisscross markings around the body, impressed JL and Leach Pottery sealsH 12.5cm, D 17.0cmPROVENANCE: Austin/Desmond Fine Art EXHIBITED: 'Janet Leach, William Marshall and Jason Wason', Austin/Desmond Fine Art, June-July 2011, No. 4 CONDITION: Perfect condition with no damage or restorations