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Antiquarian. Theology. A small selection, includes: Sales, B. St. Francis - The Spiritual Directer of Devout and Religious Souls. 1704. 12mo. 223pp.; Marshall - Extracts from the Religious Works of La Mothe Fenelon. London: J. Hatchard and Son, 1835.; Lowth, Robert - The Life Of William of Wykeham, Bishop Of Winchester. Collected From Records, Registers, Manuscripts, and other Authentic Evidences. London: 1758. With frontispiece, one other plate and folding Tabula Genealogia to the rear. Heavily worn boards, crudely rebacked.; Wheatly, Charles - A Rational Illustration of the Book of Common Prayer of the Church of England. London: 1729. Contemporary panelled calf, worn, board detached; Browne, Thomas - The Story of the Ordination of our First Bishops in Queen Elizabeth's Reign at the Nag's-Head Tavern in Cheapside thoroughly examined and proved to be A Late-invented, Inconsistent, Self-contradicting and Absurd Fable. London: 1731. Contemporary panelled calf, worn, board detached. (5)

Set of three William IV silver toddy ladles, fiddle pattern, Marshall & Sons, Edinburgh 1831, 15cm (3)

A 1950s Longines 'King Hussein of Jordan' dial gold plated automatic wristwatch, 35mm, on black leather strap. Provenance: presented to Air Chief Marshall Sir William MacDonald from King Hussain of Jordan, for his help during the 'Suez Crisis' in 1956.

Cornish literature. Eighteen works Winston Graham. 'Demelza,' first edition, stained original cloth, heavy spotting to edge of dj, Ward Lock & Co, London, 1949; 'Warleggan,' first edition, original cloth, some spotting, vg, Ward, Lock & Co, 1953; 'Jeremy Poldark,' first edition, original cloth, Ward, Lock & Co, 1950; 'Ross Poldark,' reprint, rubbed with spotting, Ward, Lock & Co, 1950; 'William Frederick Collier. 'Tales and Sayings of William Robert Hicks, of Bodmin,' third edition, original cloth, frontis portrait, vg, Simpkin, Marshall, Hamilton, Kent & Co, London, 1893; Rev. R. S. Hawker. 'The Cornish Ballads with Other Poems,' second edition, original cloth, ink owner signature to head of title page, vg, Parker and Co, Oxfford, 1884; With six other and five booklets relating to Cornwall. (18) From the estate of author, John Branfield: Introducing The Art Collection of Pep & John Branfield (davidlay.co.uk)

Early Railways Seven works. George Montague. 'Ten Years of Locomotive Progress,' first edition, original green cloth with pictorial gilt tooling to front board, frontis and plates, a very good copy, Alston Rivers, London, 1907; Sir Daniel Gooch. 'Diaries of....,' first edition, original cloth with gilt lettering, lacks ffep, frontis and plates, vg, Keegan Paul et al, London, 1892; Joseph Tatlow. 'Fifty Years of Railway Life in England, Scotland and Ireland,' first edition, original cloth with some sun bleaching to spine, frontis and plates, some spotting toedge of text block, vg, The Railway Gazette, London, 1920; William Collard. 'Proposed London and Paris Railway. London and Paris in 2 hours 45 minutes,' first edition, original cloth, hand coloured coat of arms to title page, vg, P. S. King & Son, London, 1928; Sir William Hodges. 'A Treatise on the Law of Railways, Railway Companies, and Railway Investments,' two vols, seventh edition, original cloth, ffep debound, vg, H. Sweet & Sons, London, 1888; C. F. Dendy Marshall. 'A History of the Southern Railway,' first edition, original cloth, plates and maps, some light spotting but generally vg, The Southern Railway Company, London, 1936. (7)

Carroll (Lewis). Rackham (Arthur) Illus. 'Alice's Adventures in Wonderland' with proem by Austin Dobson. Heinemann, London. Doubleday Page New York n/d c1907. Ltd Ed. 323/1300. 13 tipped in plates as per list with captioned tissue guards. 4to. Original gilt tooled white buckram, in slip case, split and bumped plus Shakespeare (William) 'Midsummer Night's Dream'. Lorna Burgoyne (Illus) Simpkin Marshall, Hamilton Kent, London 1919. 40 illus. colour, as per list, grey gilt pictorial cloth. 4to. edges bumped, interior staining (2)Alice - internal front and back boards staining.  Marks to cover, some light foxing, stains. Corners and edges of paper scuffed.No handwritten inscriptions.Tissue covers generally good bar one with two corners turned.Please see additional pics via the condition report tab.

* [Penn, William]. The Testimonies of several Friends in London & Bristol relating to Charles Marshall's Medicines, Bristol, 2 October 1681 & London, 17 October 1681, contemporary manuscript copy giving testimonials for Charles Marshall from various Quakers, including Charles Jones, Richard Smead, Thomas Callowhill, Charles Jones Jr, with a codicil, 'Having perused ye above recommendation, I must needs say, it answer'd my frequent thoughts about those medicines: for, I must say, I have on myself in a peculiar manner, and on others, experimented by ye Blessing of ye Lord, a speedy and effectual relief, William Penn', further names added to testimonials include John Staples, John Harris, Richard Whitpane and Philip Theodore Lehmann, 2 pages with blank integral leaf and later ink docket, some dust-soiling and remains of album guard to inner margin of first page, folioQTY: (1)NOTE:Provenance: The Autograph Collection of Martha Spriggs (1777-1866). Medicine was one of the few professions open to Quakers and Charles Marshall (1637-1698) exemplified the Quaker involvement in medicine based on cures derived from natural products. It is thought that some of these testimonials may have been used in a printed broadsheet of 1681 promoting Marshall's products.

* William IV (1765-1837). King of the United Kingdom of Great Britain and Ireland, 1830-37. Document Signed, 'William R', Saint James's, 16 December 1831, pre-printed form on vellum with manuscript insertions, appointing John Kenneth Mackenzie as Second Lieutenant in the 21st Regiment of Foot, countersigned by Lord Melbourne, papered seal and duty stamp applied to left margin, light soiling, 23.5 x 34 cm, together with:Seven Years War (1756-63). A letter written by a Captain of Marines on board the Portland off Cape St. Vincent to the Earl of Lauderdale of Hatton, giving details of an action four days previously, c. 1758, 3-page letter detailing the attack made by Admiral Boscowen's fleet when at anchor in Gibraltar Bay against a French squadron, the writer of the letter took part in the battle and gives information regarding other actions between Lagos and Cape St. Vincent, verso of letter address to the Rt. Hon. Lord Lauderdale at Hatton near Edinburgh, and bears a London postal Bishop Mark stamp 11/SE,Wellesley (Arthur, Duke of Wellington, 1769-1852). Corrected Authorized and Official Programme of the State Funeral Procession of the Late Field Marshall Arthur Duke of Wellington, K. G. to be solemnized in Saint Paul's Cathedral, on Thursday, the 18th day of November, 1852, including the Earl Marshal's instructions to persons joining in the procession, and having tickets for the Cathedral, London: John Limbird, [1852], 8 pp., light dust-soiling, slim 8vo,George II Proclamation. By the King, A Proclamation ... the General Assembly of the Church of Scotland, that a day of fasting and humiliation may be observed throughout that part of our kingdom of Great Britain..., Edinburgh: Printed by John Mosman and William Brown, the Assigns of James Watson deceased, 1726, single-sheet broadside printed to one side, upper blank margin with contemporary annotation 'Shire of Lanark', light spotting and damp mottling, frayed at head and foot and few closed tears, folio (41 x 31.5 cm), plus approximately 40 other miscellaneous 17th-19th century ephemeral items including letters, documents, mounted clipped signatures of Robert Peel & Henry James, and few early 19th-century newspapers, etc., loosely contained in plastic sleeves in modern ring binderQTY: (a folder)

A collection of William IV and later hallmarked silver flatware. The lot to include a William IV Scottish hourglass pattern dessert fork. Hallmarked for Edinburgh 1837. makers mark M&S for Marshall & Sons. A pair of Victorian dessert forks. Hallmarked for London 1851. Makers mark JW for John James Whiting. A  Victorian tea spoon hallmarked for Glasgow 1850. Makers mark A.C attributed to Alexander Coghill. Combined weight approx 133.1g. Measures approx 15.9cm x 2cm. 

A collection for six hallmarked silver ladles. The lot to include three pairs of sauce ladles. A Scottish pair hallmarked for Edinburgh 1847. Makers mark WM for William Marshall. A pair of Victorian hallmarked silver ladles with rats tail pattern with family crest to terminal. Hallmarked for London 1897. Makers mark GJ DF for Josiah Williams & Co (George Maudsley Jackson & David Landsborough Fullerton). A further pair of ladles having a thread and thread and fiddle. Hallmarked for London 1855. Makers mark GA for Chawner & Co (George William Adams). Combined weight approx 375.5g. Measures approx 18cm x 5.8cm / 16cm x 4cm. 

Comprising a letter from Field-Marshall Montgomery of Alamein to Autocar explaining why the Army were keeping Donington Park, a letter from Raymond Mays of BRM thanking Alfred Neubauer (Mercedes) for the loan of Fangio, Stirling Moss' 1956 Contract with Maserati and his 1958 Vanwall contract. A typed letter from Field-Marshall Montgomery of Alamein to J.Dugdale, Asst. Editor, Autocar  dated 21/05/1948 explaining why the Army were not prepared to allow Motor Racing at Donington Park. Signed in ink by MontgomeryA typed letter on Owen Racing Organisation headed paper, dated 30/08/1954, to Herr Alfred Neubauer, Manager of the Mercedes-Grand Prix Team, from Raymond Mays CBE of ERA and BRM fame, thanking Neubaeur for releasing Fangio for two UK races in a BRM. Signed in ink by Raymond Mays.A signed letter from 'Officina Alfieri Maserati' to Stirling Moss of 20 William IV Street, dated 25/11/1955, offering Stirling a contract for 1956, complete with Stirling's original two-page contract signed in ink by Alfred E. Moss (Stirling's father and business partner) and the Managing Director of Maserati.A copy of four page contract, dated 29/05/1958, between Vandervell Products Ltd. and Stirling Moss Ltd. of 20 William IV Street confirming Moss as the 'official first driver' with the Vanwall Grand Prix Team for the 1958 season. It's signed in ink by Guy Anthony Vandervell and witnessed by his Solicitor. It's not signed by Moss as we believe that it's his copy.Vanwall won six of that season's 11 races, with Moss and Tony Brooks taking three each. They won the Constructors' Championship with Moss being pipped to the Drivers' Championship by one point to Hawthorn.Click here for more details and images

William Marshall Brown RSA RSW (British, 1863-1936)Gathering mussels signed 'Marshall Brown' (lower left)oil on canvas40.5 x 51cm (15 15/16 x 20 1/16in).For further information on this lot please visit Bonhams.com

Bindings. Lang (Andrew, translator). Aucassin & Nicolette, Old World Edition, Portland Maine: Thomas B. Mosher, 1897, etched frontispiece on Japanese vellum, title in red and black, top edge gilt, gilt decorated turn-ins, 19th-century light brown morocco by Zaehnsdorf, spine and boards gilt decorated with repeated heart and floral motif, some discolouration to lower right corner of upper board, slim 8vo, limited to 500 copies, together with Shakespeare (William). The Sonnets..., London: George Bell and Sons, 1991, title in red and black, inscription to front free endpaper, all edges gilt, 20th-century red-brown morocco by M. Marshall, spine inlaid with tudor rose motif, repeated gilt tudor rose motif to boards, short 8vo QTY: (2)

* Shakespeare (William). An English treen snuff box made by John Marshall, mid-19th century, small circular box made of mulberry wood, the lid bearing an ornamental 'S' initial and the inscription 'Shakespeare's Mulberry Wood' around the edge, the inside of the lid stamped 'J. M.', diameter approximately 6 cm acrossQTY: (1)NOTE:Shakespeare’s mulberry was felled around 1756, in what the biographer and diarist James Boswell described as an act of ‘gothick barbarity’ by the then owner of New Place, the Reverend Francis Gastrell. John Marshall was a carver and antiquarian in Stratford-on-Avon who, after the felling used the wood to create carved artefacts for his shop. Marshall's 1887 obituary reads: 'Mr. Marshall ... had many opportunities of acquiring wood that was in different ways associated with Shakespeare, which he occasionally made into such articles as boxes &c., and many are now possessed by eminent persons in all parts of the world'. For a discussion of the snuff boxes and other commemorative objects produced from the celebrated mulberry tree felled in Shakespeare's garden at New Place, see Helen R. Smith, David Garrick 1717-1779 (British Library, 1979), pp.24-30.

Donne (John). Poems, by J. D. with Elegies on the authors death. To which is added divers Copies under his own hand never before in Print, London: Printed by J. Flesher, and are to be sold by John Sweeting at the Angel in Popeshead-Alley, 1654, [8],392,[24]pp. (A4, B-Z8, Aa8, aa8, bb4, Bb-Cc8), lacking nine leaves (I5, N5-6, R5-6, X5-6, and Bb5-6), lacks engraved portrait frontispiece by William Marshall, title with early ownership signature at head 'Guil: Lake', additional ink ownership signature of Edmund Gosse to verso of front pastedown, and bookplate of Edmund Gosse to rear endpaper, additional copy of the final leaf of preface (A4) with a different typographic setting loosely inserted at end, contemporary sheep, somewhat worn to spine and outer corners, with loss to lower portion of spine, small 8vo, together with:Cleveland (John). J. Cleaveland Revived: Poems Orations, Epistles, and other of his Genuine and Incomprabable Pieces, never before publisht. With some other Exquisite Remains of the most eminent Wits of both the Universities that were his Contemporaries, 1st edition, London: printed for Nathaniel [Brook, at the Angel in Corn-hill, 1659], [16],127,[9]pp., lacking engraved portrait frontispiece, title with early ownership inscription 'Isaac Howard his book' and with lower outer corner missing (affecting part of the imprint), toning and dust-soiling throughout, browning to margins of initial leaves, contemporary sheep, upper board detached, lacking spine and lower board, worn, small 8vo,Butler (Samuel). Hudibras. The First Part [& The Second Part], 1st authorized edition, London: Printed by J. G. for Richard Marriot, under St. Dunstans Church in Fleet-street, 1663-64, two parts in one, some light damp-staining, 20th-century blind-panelled and decorated calf, rubbed and some marks, 8voQTY: (3)NOTE:Donne: Wing D1870; ESTC R5320; Keynes 83.Cleveland: Wing C4674; ESTC R23713Butler: Wing B6300 & B6309.

EMBROIDERED BINDING [Drexel, Jeremias, S.J.]. The Considerations of Drexelius Upon Eternity, Translated by R. Winterton, Fellow of Kings Colledge in Cambridge, 1632, Cambridge: Printed by Roger Daniel, Printer to the Universitie 1646, title printed within a foliate border, additional engraved title by William Marshall, 7 full page plates, aeg, contemporary flowering foliate embroidered cover, manuscript family notes to extra endpapers 12mo

William Marshall Craig (c.1765-1834), grayscale watercolour, 'Divine Vengeance '. Titled under and has Abbott & Holder detail verso stating 'illustration to the book of Revelations chapter XX verse 2 ''And he laid hold on the dragon, that old serpent, which is the devil and Satan, and bound him a thousand years', 16cm x 14cm, also states ;'..... Painter in watercolours to the Queen, Miniature painter to the Duke & Duchess of York....'

Medals (4) of 16212 Private William Marshall D.C.M. Distinguished Conduct Medal GV, 1914-1915 Star, British War Medal 1914-1920, and Allied Victory Medal 1914. A resident of Yeadon, Leeds. He enlisted into the 8th (Service) Battalion, Duke of Wellington's (West Riding Regiment), formed in Halifax on the outbreak of war in August 1914. First saw action at Gallipoli after his arrival on 24th November 1915. Subsequently served in the 9th (Service) Battalion, Duke of Wellington's (West Riding Regiment) in France, and by 1918 was serving with the 2nd Battalion, Duke of Wellington's (West Riding Regiment). The award of his Distinguished Conduct Medal was recorded in the battalion war diary on 11th August 1918 and was published in the London Gazette on 30th October 1918. 'For conspicuous gallantry in action. He came upon a post containing eight of the enemy, one of whom fired and wounded him in the nose and shoulder, causing him to drop his rifle. He then threatened them with a grenade and caused them to surrender, and although suffering great pain and having no arms except a grenade and a billhook, he marched them back, single-handed, to our lines through the enemy barrage. This incident was observed by an officer and men of his own battalion holding the front line.'18th General Hospital R.A.M.C. records show he was admitted on 23rd July 1918 with a shrapnel wound to his left shoulder, and he was discharged to a convalescent depot on 2nd August 1918.  He was finally discharged to the Reserve on 15th February 1919. 

* GORDON BRYCE RSA RSW (SCOTTISH b. 1943), BRIGHT DAY - DUNNOTTAR oil on paper, signed and titled verso mounted, framed and under glass image size 20cm x 28cm, overall size 45cm x 51cm Exhibition label verso: Gordon Bryce - New Paintings 4th-27th March 1996, The Scottish Gallery, Edinburgh. Note: Born in Edinburgh in 1943. Gordon Bryce studied at Edinburgh College of Art, where his tutors were Sir Robin Philipson and Sir William Gillies. His love of colour and texture stems from that time and has remained with him since. After graduating, Gordon moved to Aberdeen, to Gray's School of Art, where he was appointed as a Lecturer in Printmaking. He later became head of Fine Art at Gray's, a post he held from 1986 to 1995 when he began to paint full time. Gordon Bryce is now a highly established figure and his contribution to the UK art scene is considerable. His exhibitions both in London and in Scotland have spanned nearly 30 years. He has won numerous awards Including the RSA Latimer Award, May Marshall Brown Award, Shell Expo Premier Award and Sir William Gillies travelling Scholarship. His work is in many Private and Public Collections worldwide including those of the Fleming Collection and the Scottish National Gallery of Modern Art. Condition of the picture is good overall, with no visible or known issues.

A pair of Georgian Scottish silver shoe buckles, maker's mark AS, possibly Alexander Spence, another pair probably by William Marshall, Edinburgh (c.1800-1820), another French pair by Philippe Berthier, another French pair, a pair by Levi & Salaman, Birmingham 1909, a pair of paste stone examples, two similar round paste stone examples, two other pairs, and a single example with celtic knotwork decoration (18) Condition Report:Available upon request

Gardening & Husbandry.- Miller (Philip) The Abridgement of the Gardeners Dictionary, sixth edition, engraved frontispiece and 12 folding plates, 2 advertisement leaves at end, A.L.s. from the author loosely inserted, discussing among other topics the gift of a cedar tree, P2 trimmed at head without loss, P3 upper margin soiled and with small hole, 3Z4v diagonal printing flaw affecting text, light offsetting, some light browning, occasional spotting or marginal soiling, 19th century calf, gilt, morocco spine label (little chipped at edges), spine ends chipped, joints and extremities rubbed, Printed for the Author, 1771 § Marshall (William) The Rural Economy of Norfolk, 2 vol. in 1, second edition, folding engraved map, bookplate of T.N. Brushfield, map with tiny tear at inner edge without loss, the odd spot or very light browning but overall very good, modern antique-style calf by Atkinsons of Salisbury, for G. Nicol &tc, 1795; and others similar, 4to & 8vo (6)

Edinburgh - A 36-piece set of Edward VII silver flatware with 35 additions, mark of Hamilton & Inches, 1902, 'Kings' pattern, single struck, engraved with the crest of JOHNSTOUN, some with motto over, comprising 6 table forks, 7 tablespoons, 11 dessert forks and 12 dessert spoons, together with a further 7 tablespoons (6 x mark of Mackay, Cunningham & Company, 1876, 1 x mark of James McKay 1841), 15 table forks (13 x mark of Millidge & Son (Edwin Millidge), 1861, 2 x mark of James McKay, 1826), 12 dessert spoons (6 x mark of James McKay 1865, 5 x mark of William Marshall 1850, 1 x mark of Adam Elder, tandem marked by James Howden & Company, 1830), and a sauce ladle, mark of James McKay, 1841, 4163.5g (133.7ozt) gross (71)

PETER PAUL MARSHALL (1830-1900) 'Haymaking' 1860, signed with monogram lower right, and signed again and inscribed "Hay/time/Peter Paul/10 Tottenham Terrace/Tottenham N./25.0.0."on a fragmentary label on the reverse, and inscribed "No.97/Hayfield at back of P.P. Marshall's house Tottenham/with...V Epping Forest in the distance/the artist's sons William and Johnnie with their mother/and the children of the late J. H. Stewart/Exhibited at Royal Academy price 25 gns/Painted by P. P. Marshall 1860"on the backboard, oil on board, 31.75cm x 45.75cmProvenance: Selected contents of 137 Gloucester Road, London.Note: Marshall is best known for having been a partner in the famous firm of 'Fine Art Workmen': Morris, Marshall, Faulkner & Co. A hearty, extrovert character, he was born in Edinburgh and spent his early life in Liverpool. By profession he was a surveyor and sanitary engineer, but he painted in his spare time and exhibited at the Liverpool Academy. He was influenced by the Pre-Raphaelite paintings shown there in the 1850's, and married Gussy, daughter of John Miller, a Liverpool merchant of Scottish descent who was an enthusiastic patron of the Pre- Raphaelites themselves and their Liverpool followers. By 1861 he had settled in London, becoming a partner in the Morris firm when it was launched that year. He never played a very active role, but during the early 1860's he produced some ten or eleven cartoons for stained glass, being represented in such important commissions as St Michael's Brighton, St Martin's, Scarborough, and the east window of Bradford Cathedral. A.C. Sewter wrote that 'the best of his cartoons testify to a high degree of natural talent', and suggested that the influence of Rossetti on some of them might indicate that he attended Rossetti's evening classes at the Working Men's College (The Stained Glass of William Morris and his Circle, I, 1974, pp.73-4). However, his closest friend among the Pre-Raphaelites was Madox Brown, in whose diary he often appears (see Virginia Surtees (ed.), The Diary of Ford Madox Brown, 1981, passim). There is also an attractive glimpse of him and his family in Lady Burne-Jones's Memorials (1904, I, p. 238). 'It must have been in April of this year [1862] that we paid a Saturday to Monday visit to the Marshalls at Tottenham. A cheery, reckless household it was, with big Peter Paul ("Poll"was the sound his little wife gave to the name she called him) at the head of it: I remember a small cup of gunpowder being given to the boys to keep them quiet in the morning. Marshall sang the Scotch songs for which we always asked, and besides "Clerk Sauders"we got from him the beautiful tunes of "Sir Patrick Spens"and "Busk ye, busk ye, my bonny, bonny bride!"Marshall remained a partner of the firm until 1875, when it was re-organised and he was bought out. We last hear of him in 1877 when he made his first and only appearance at the Royal Academy with a portrait of Miss Bessie Currie. By this time he seems to have been living in Dartford, perhaps having retired.

Two Victorian silver handles butter knives. One with fiddle pattern, initials to the terminal, mark of William Marshall, Edinburgh 1851, 49.0g, L19cm. The other with a silver handle, mark of Atkin Brothers, Sheffield, the engraved silver blade, mark of James Fenton, Birmingham 1860, 37.2g gross, L18.5cm

A collection of William IV and later silver flatware, mainly fiddle and shell pattern, comprised of tablespoons, dessert spoons, forks and a ladle, various makers, to include Marshall & Sons, Edinburgh, 1833, Reid & Sons, Newcastle 1880, and Mary Chawner, London 1838 100.2ozt (qty.)Condition ReportMinor nibbles, scuffs, surface scratches and dents throughout.

Seventeen books, many with decorative bindings: R. D. Blackmore - Lorna Doone (Boots the Chemists); John Bunyan - The Pilgrim's Progress (William Collins, Sons, & Co., London); Marshall Saunders - Beautiful Joe (Jarrolds, London); The Old Fag (ed.) - The Captain, vol. XLII Oct. 1919 - Mar. 1920 (George Newnes, London); Ibid - The Captain, vol XLIII April - Sept. 1920 (George Newnes, London); R. M. Ballantyne - An Author's Adventures (James Nisbet & Co., London); J. Macdonald Oxley - The Young Nor'-Wester (The Religious Tract Society, London); Hamlin Garland - Trail-Makers of the Middle Border (The Macmillan Company, New York 1926); J. B. Hobbs - How to Make a Century (Adam and Charles Black, London 1913); Robert Southey - The Life of Nelson (Blackie & Son, London); Elton Keane - Heroes of the Line (John F. Shaw, London); G. A. Henty - Held Fast for England (Blackie & Son, London 1892); Annette Lyster - Clarice Egerton's Life Story (The Religious Tract Society, London); E. Harcourt Burrage - The Slave Traders of Zanzibar (S.W. Partridge & Co., London); Eliza F. Pollard - The Knights of Liberty (Thomas Nelson and Sons, London); The New Penny Magazine, vol. 1, no. 1 - Cassell and Company (London 1899) ; James Baldwin - The Story of Roland and the Peers of Charlemagne (George G. Harrap & Company, London 1909).

Three original hand-coloured, framed Paris fashion plates, 'Costumes Parisiens' by Philibert-Louis Debucourt, from 'Journal des Dames et des Modes', 1797; with original hand-coloured, framed print, 'Shoreditch Church: Hair Brooms', engraved by William Marshall Craig for Richard Phillips, 'Modern London: Being the History and Present State of the British Metropolis', 1804. and three framed water colours, two signed P Scott and the other 'Singing Beach, Manchester' Australia by Davis Gray (7)

AFTER PHILIP WEBB OVAL DINING TABLE, 20TH CENTURY mahogany or satinwood, with ebonised details and inlay 183cm wide, 136cm deep, 77cm high  Literature: Whiteway M. and Gere C. Nineteenth Century Design: From Pugin to Mackintosh, Weidenfeld & Nicolson, 1993, p.100, pl. 108 where an original table is illustratedParry L. William Morris, London, 1996, p.175Andrews J. Arts and Crafts Furniture, Woodbridge, 2005, p.50, pl.45 Note: In 1861 Philip Webb began collaborating with William Morris at Morris, Marshall, Faulkner & Co. (later Morris & Co.).  The original design for this table was adapted from a table which Webb designed for Edward Burne-Jones in the 1850's. The firm later produced several related examples for high-profile commissions, including Standen House, Sussex for the Beale family, Swan House, Chelsea and for the library at Tangley Manor, where Webb made alterations and additions and Morris provided the decorations. The current lot is a variant of the original design without the central column which is replaced by a carved boss.

William MARSHALL (1923-2007) Lidded pot Ceramic, signed to base, height 23cm.

William 'Bill' MARSHALL (1923-2007) Slab-built bottle vase with square shoulders Speckled grey glaze and iron brushwork, height 29cmImpressed WM to base

Victorian Scottish silver presentation cup, the body finely engraved with Celtic designs and mythical beasts, personalised inscription within round cartouche, William Marshall, Edinburgh 1975, H8.5cm, 156g

* Maund (Benjamin). The Botanic Garden..., 2 volumes (of 5), London: Simpkin & Marshall, [1825-35], engraved title, approx. 50 contemporary hand-coloured engraved botanical plates, minor offsetting and spotting to text, stitching loose with some pages detached, contemporary green half calf, worn and faded with loss, 4to, together with;Selby (John Prideaux). 2 etchings of birds; Ruff and Reeve, Brent Bernice [1819 - 34], contemporary hand colouring, slight staining to the margins, each approximately 535 x 640 mm plus, Curtis (William). Flora Londinensis: or Plates and Descriptions of such Plants as grow wild in the Environs of London..., London: Printed for and Sold by the Author, 1798, part of volume 2 only, title page, 26 contemporary hand-coloured engraved plates plus pages of text, some minor toning and spotting to a few plates, all loose, folio, plus approximately 50 prints and engravings, many coloured, including Botanicals, Natural History and British Topography by A. Krausse, I. Byrne, R. Hinshelwood, A. Willmore, S. Bradshaw and Blackie & Sons LtdQTY: (approx. 120 )

A Scottish William IV silver sugar casting spoon, Edinburgh 1827, maker William Marshall, together with two others 2.5 ozs approximately (3)

RAF interest: An Edwardian oak canteen of cutlery, with fold away brass handles, containing three layers of silver King’s pattern flatware, Birmingham 1908 maker Elkington & Co, with 1 ladle, 1 basting spoon, 12 teaspoons, 18 serving spoons, 4 sauce ladles, 24 table forks, 12 dessert forks, 12 dessert spoons, 8 egg spoons, 2 butter knives, 1 sugar sifter, 1 sugar tong and two silver plated knife rests 247 oz approx or 7002.33 grams. (Previously owned by Air Vice-Marshall William Charles Coleman Gell, 1888-1969)

A portfolio of Spy prints, various cartoons related to cricket, and other items Provenance:  From the Harry Brewer Cricket Memorabilia CollectionThere are 26 prints in total.R. H. B. Marsham, 'Bow Street', Vanity Fair, October 10th 1905, 40 x 26.5 cm, 4th Lord Lyttelton, 'Statesmen, no. 80, 'A Man Of Position' ', Vanity Fair, April 1st 1871, No. 126, 36 x 23 cm. Hon. George William Spencer Lyttelton, 'Marshal of the Ceremonies', Vanity Fair, December 4th 1875, 38.5 x 26.5 cm.General The Rt. Hon. Sir Neville Gerald Lyttelton, C.B., '4th Division', Vanity Fair, September 5th 1901, 38.5 x 26 cm. The Reverend and Honourable Canon Edward Lyttelton, M.A., 'Haileybury', Vanity Fair, May 9th 1901, No. 809, 38 x 26 cm.The Hon. Charles George Lyttelton, 8th Viscount Cobham, 'Cricket, Railways & Agriculture', Vanity Fair, May 5th 1904, 39.5 x 27 cm.William Henry Grenfell, 'Taplow Court', Vanity Fair, December 20th 1890, 38.5 x 26 cm. Sir Arthur C. Lucas, 'Arthur', Vanity Fair, June 2nd 1909, 40 x 27 cm.Charles Frederick Carlos Clarke, 'The Consol Market', Vanity Fair, November 19th 1896, No.664, 38.5 x 26.5 cm.Rev. Hubert Murray Burke, 'Winchester', Vanity Fair, July 2nd 1903, 38.5 x 26 cm. Rev. Henry Montague Butler DD., 'Trinity', Vanity Fair, May 28th 1903, 38.5 x 25.5 cm. General Lord Chelmsford, G.C.B., 'Isandula', Vanity Fair, September 3rd 1881, No. 370, 38.5 x 26.5 cm.The Rt. Hon. Edward Horseman, M.P., 'Statesman, No.121., 'The Eccentric Liberal' ', Vanity Fair, August 10th 1872, No. 197, 35.5 x 23.5 cm. Lord Skelmersdale, 'Statesmen, No. 88., 'A Conservative Whip' ', Vanity Fair, July 15th 1871, No. 141, 36 x 23.5 cm.General Frederick Marshall, C.M.G 'Fred', Vanity Fair, December 24th 1896, no. 666, 38.5 x 26.5 cm. The 6th Earl of Bessborough, 'Fred', Vanity Fair, October 20th 1888, no. 552, 28.5 x 26.5 cm.

*** Please note, the description of this lot has changed *** Wordsworth (William, poet,1770-1850) Letter signed to Messrs Bell Brothers & Co., London, 3pp. & address panel, sm. 4to, Halsteads, [Ullswater], 22nd August postmarked 1834, regarding his investments, "I have to request that you would pay the sum due to me upon the half years dividends on Life Annuities to Messrs Masterman & Co to be placed to my account with Messrs Wakefield, Banker, Kendal", first two pp. brown marks, folds; and another, an engraved portrait of Wordsworth, v.s., v.d. (2).*** John Marshall (1765-1845) of Halsteads, Ullswater.   

Bread.- Penkethman (John) Artachthos or A new booke declaring the assise or weight of bread not onely by troy weight, according to the law, but by avoirdupois weight the common weight of England at what price soever, engraved additional pictorial title by William Marshall (imprint: Printed by R· Bishop & Edward Griffine, & are to be sold at ye stationers shops, or at ye chamber of Iohn Penkethman (ye composer) in Simonds Inn in Chancerie lane), A3 'The composers premonition to the unlearned reader', tables, woodcut head-pieces and decorative initials, fragment only of the initial explanation of the frontispiece f., lacking final errata f., additional title trimmed within border and chipped, K2 torn with loss of text at lower corner, L2 torn at head with loss of text, some marginal tears / loss, some spotting and staining, lightly browned, lacking endpapers and pastedowns, contemporary gilt ruled panelled calf, covers with floral centre- and corner-pieces, upper joint splitting, but holding firm., some worming, corners worn, rubbed and scuffed, [Goldsmiths' 689; Kress S.670; STC 19598], small 4to, Printed by E[dward] G[riffine] and R. B[ishop] and are to be sold according to the direction in the Frontispiece, 1638. *** A rare work at auction in any condition. The additional title depicts the various stages of bread production, from the milling of flour to the baking. The author was an accountant by trade, and also offered translation services from Latin. Provenance: John Hallett (18th century engraved armorial bookplate).  

A PAIR OF WILLIAM IV SCOTTISH SILVER SUGAR TONGSby Marshall & Sons, Edinburgh 1834, four other silver pairs, and mixed other silver/white metal items, 9 tr. ozs gross

Of Naval interest, book 'The Jutland Scandal' by Admiral Sir Reginald Bacon, signed by 33 senior Naval and Military personalities in the 1930s and 1940s including Lord Mountbatten, Air Marshall William Shalto Douglas, Field Marshall William Birdwood, Admiral Tovey, Admiral Fisher, Admiral Tom Phillips, Admiral Bruce Fraser, Admiral Henry Harwood, Admiral Max Horton, Admiral Edward Evans, Admiral Martin Dunbar-Naismith VC, Captain Richard Been Stannard VC, sold with research, a fascinating lot

Britains - Bur-Toy - Cherilea - William Grant - A collection of painted metal soldiers and some plastic including Lord Nelson by Bur-Toy, Field Marshall Montgomery by Cherilea, The Phantom Of The Opera possibly by Dorset and may others. They show some signs of wear, some have damage, most appear Fair to Good. (This does not constitute a guarantee) [ba]

Three Heraldry Today editions and one other: 'The Knights of England - A Complete Record from the Earliest Time to the Present Day' (William Shaw - Central Chancery 1906) (1971 facsimile in two volumes by Heraldry Today) 'Burkes Colonial Gentry 1891-1895)' (1970 facsimile by Heraldry Today) 'The Genealogist's Guide 1903' George W. Marshall (1973 facsimile by the Genealogical Publishing Co.) 'Fairbairn's Book of Crests 1905 (Heraldry Today 1983 reprint of the 4th edition)

A George III Scottish silver lemon strainer with gilt interior, Edinburgh 1828, William Marshall, 156g, 11cm x 20.5cm

† Attributed to WILLIAM MARSHALL (1923-2007) for Leach Pottery; a small stoneware bud vase covered in tenmoku breaking to kaki glaze with incised decoration, impressed pottery mark, height 9.5cm, and a smaller Leach Pottery example (2).Provenance: Ruth Karnac collection.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

† WILLIAM MARSHALL (1923-2007) for Leach Pottery; a stoneware bowl covered in speckled grey glaze with iron and copper green decoration, impressed WM and pottery marks, diameter 12cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.

Φ William 'Bill' Marshall (1923-2007)a Leach Pottery stoneware jug, tapering cylindrical form, with ash glaze band to the neck, the body a tenmoku glazeimpressed seal mark, losses to top rim,22.5cm.high ProvenanceThe Estate of Richard Batterham Catalogue notesThis jug has a simple paper label in Richard's hand stating 'Bill made 1958'.

William Bill Marshall (1923-2007)a stoneware footed bowl or chawan, painted with simple manganese brushed design over ash, a Trevor Corser stoneware unomi and a Jim Malone footed bowl,impressed seal marks10.5cm. diam (Marshall chawan), (3)

Φ William Bill Marshall (1923-2007)a Leach Pottery stoneware unomi, footed, cylindrical form, covered in a tenmoku and rust glaze,impressed seal marks, 10cm. high Provenanceprivate collection.

Two boxes of mostly African military biographies from the collection of Professor Wilks to include: various books by J.A Henty; 'With Buller in Natal', 1901, 'Sheer Pluck' (x2), 'With Kitchener in the Sudan' (x2), 'Through Three Campaigns' 1906 (x2), 'At Aboukir and Akar', two editions of Gerrold, Walter; 'Sir Redvers H Buller the story of his life and campaigns' 1900, Butler, Lt-General Sir William F; 'General Sir Pomeroy-Colley 1835-1881' 1899, various books on General Wauchop; one by Sir G Douglas 1905 and by William B'aird 1901, 'Life of Sir Garnet Wolseley' Volume I & II 1878, Maurice, Major General & Arthur, Sir George; 'Life of Lord Wolseley' 1924, Markham, Clemence; 'Major James Rennell and the rise of modern Geography' 1895, Wallace, Edgar; 'Sanders of the River', Harding, Lt-Coln Colin; 'Far Bugles', 'Across Cameroon', 'Lieutenant Bones', Leighton Wilson; 'Western Africa its history conditions and prospects, 1856, 'Sir William Butler an autobiography' 1911, Wood, Sir Evelyn; 'From Midshipman to Field Marshall', Volume I & II, 1906, 'From Kabul to Kumassi' 1904, 'Wilmshurs of the Frontier Force', 'Battlefield Heroes', 'Of Buller's Horse', Burleigh, Bennet; 'Two Campaigns Madagascar and Ashantee' 1896, 'Haile Selassie's War', 'Marching over Africa', 'Something New out of Africa', Canon Brownalow 'Sir James Marshall' 1890, 'War in the Sun' etc(B.P. 21% + VAT)

Britain World War II Leaders x13 Includes Winston L. S, Churchill #17235, Georgi Zhukov #00287, Erwin Rommel #00285, William F. "Bull" Halsey #17232, Gerd Von Rundstedt #17275, Omar Bradley #00288, George C. Marshall #17234, George S. Patton #00283, Charles De Gualle #17384, Chester W. Nimitz #17233, Douglas MacArthur #00286 & Dwight D. Eisenhower #00284 x2. Near Mint to Near Mint Plus within Near Mint to Near Mint Plus Packaging

A pair of William IV Scottish silver fiddle pattern tablespoons, Marshall & Son, Edinburgh 1835, 4.8oz, to/w a Victorian butter knife with ornate blade and carved moss agate handle, Hilliard & Thomason, Birmingham 1853 (3)

Youatt, William: The Complete Grazier And Farmer's And Cattle-Breeder's Assistant, A Compendium Of Husbandry, Copiously Illustrated Wit Wood Engravings, London, Crosby Lockwood And Co. 7 Stationers'- Hall Court, Ludgate Hill, 1877, red morocco gilt titled spine over green pebbled boards, 8vo., together with Brown, Thomas: The Complete Modern Farrier, With Fourteen Full-Page Coloured Plates, Thirty-Second Edition, Edinburgh: John Grant London: Simpkin, Marshall & Co., Ltd. 1901, red morocco gilt titled spine over red cloth boards, 8vo. (2)

Animal management, a collection of volumes to include Youatt, William: Sheep, Their Breed, Management, And Diseases, New Edition, London: Simpkin, Marshall & Co., 1866, Wrightson, John: Live Stock Handbooks No.1 Sheep breeds And Management, 1893, Armatage, George: The Sheep Its Varieties And Management In Health And Disease, 1894, Dobson, J.R.: The Ox: His Diseases And Their Treatment, 1872, Wallace, Robert: Farm Live Stock Of Great Britain, 1889, Clater, Francis: Every Man His Own Cattle Doctor, N/D and Steel, John Henry: A Treatise Of The Diseases Of The Ox; Ninth Impression, 1918, etc. (14)

William Marshall, Wollsingham (County Durham), Georgian long case clock with square brass dial with pierced spandrels set in an oak case with pillars

WILLIAM (BILL) MARSHALL (1923-2007) A studio pottery pedestal bowl, 7cm high and an egg cup, 4cm high, both with impressed studio potters marks, with original exhibition label to base of bowl   

William (Bill) Marshall - A 20th Century stoneware bowl of square section, tonal brown brushstrokes to centre, width 33cm.

Sir William 'Billy' Connolly CBE (Born 1942) - 'Marshall Art', giclee print on paper, signed in pencil and numbered 41/295, published 2020, Washington Green COA included, framed, 77cm x 57cm, frame size 86cm x 65.5cm. NB - This lot may be subject to Artist's Resale Right levy.

EDINBURGH: A rare William IV Scottish silver marrow scoop. 1832. By Marshall & Sons. Approx. 66 grams. Est. £120 - £150.

William Marshall 1886 Edinburgh hallmarked silver bowl with ribbed and floral decorations, D: 10 cm, 146g, light knock to rim, wear to base circumference ring, toning to inner, wear to lip collar. UK P&P Group 2 (£20+VAT for the first lot and £4+VAT for subsequent lots)

An early Victorian Scottish silver pyriform four piece tea and coffee service by William Marshall, with applied foliate scroll decoration, on circular foot, Edinburgh, 1837/8, coffee pot 30.3cm, gross weight 79oz. CITES Submission reference Z4LSL9CG***CONDITION REPORT***A few minor dings/dents around the body in places on all pieces, otherwise in good order. Hallmarks clear. Lid on coffee pot apparently unmarked. Teapot wobbles slightly on a flat surface. Teapot handle loose in situ. Teapot lid pin protruding.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A George III Scottish silver Fiddle pattern tablespoon, William Marshall, Edinburgh 1805, 22cm, 2ozHandle has engraved initials EJ, general wear to high points, hallmarks clear