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BEWICK, Thomas - A History of British Birds : 2 vols, woodcut illust, full calf, 8vo, Newcaste, 1826. * Bewicks Water Birds and Land Birds - 6th and 8th editions.(2)

PHILONIS IVDAEI, Omnia Qvae Extant Opera : woodcut on title-page, contemporary vellum, folio, Lutiae Parisiorum, 1640.

Tom Hammick (b.1963) My Girl Reduction woodcut EV I/I Signed in pencil, numbered, titled and dated 2018 43.5 x 43.5cm (17 1/4 x 17 1/4in.) From the Lunar Voyage series. Similar works by this artist retail at: £1,000 Tom Hammick: Tom Hammick (b.1963) is a British painter and printmaker, based in East Sussex and London, UK. He was the winner of the V&A Prize at the International Print Biennale, Newcastle, UK in 2016, and the print Violetta and Alfredo’s Escape, 2016, was acquired by the V&A. Hammick has work in many major public and corporate collections including the British Museum (Collection of Prints and Drawings); Bibliotheque Nationale de France (Collection of Prints and Drawings); Deutsche Bank; The Library of Congress, Washington DC; The New York Public Library; Towner Gallery and Museum, Eastbourne; V&A (Victoria and Albert Museum); Yale Centre for British Art; and MIA in Minneapolis. In 2018 he was awarded the prestigious Albers Foundation residency. Hammick has described landscape in his work as a metaphor to explore an “imaginary and mythological dreamscape”. Drawing from a wide range of sources, from Japanese woodblock prints to Northern European Romantic painting and contemporary cinema, Hammick’s depictions of isolated human dwellings grounded in uncanny dream-like settings are imaginative and emotional in their exploration into the human condition.

Tom Hammick (b. 1963) Mother & Son Reduction woodcut EV I/I Signed in pencil, numbered, titled and dated 2018 43.5 x 43.5cm (17 1/4 x 17 1/4in.) From the Lunar Voyage series. Similar works by this artist retail at: £1,000 Tom Hammick: Tom Hammick (b.1963) is a British painter and printmaker, based in East Sussex and London, UK. He was the winner of the V&A Prize at the International Print Biennale, Newcastle, UK in 2016, and the print Violetta and Alfredo’s Escape, 2016, was acquired by the V&A. Hammick has work in many major public and corporate collections including the British Museum (Collection of Prints and Drawings); Bibliotheque Nationale de France (Collection of Prints and Drawings); Deutsche Bank; The Library of Congress, Washington DC; The New York Public Library; Towner Gallery and Museum, Eastbourne; V&A (Victoria and Albert Museum); Yale Centre for British Art; and MIA in Minneapolis. In 2018 he was awarded the prestigious Albers Foundation residency. Hammick has described landscape in his work as a metaphor to explore an “imaginary and mythological dreamscape”. Drawing from a wide range of sources, from Japanese woodblock prints to Northern European Romantic painting and contemporary cinema, Hammick’s depictions of isolated human dwellings grounded in uncanny dream-like settings are imaginative and emotional in their exploration into the human condition.

Bible [English], a/f, Apocrypha and New Testament only, "Imprinted at London by Robert Barker, Printer to the Queenes most excellent Maisetie, 1602", a version of the Geneva Bible, lacks New Testament title page, woodcut decorations, double column black letter, some leaves waterstained/with closed tears/grubby, some manuscript contemporary annotations, ff359-554 plus imprint leaf, "A preface to the Christian reader" leaf (with 1578 printed date verso), then several following leaves Index of places (ends FAI), contemporary reverse calf spine (worn), lacks covers, loose in later plain printed wraps

Six Shakespeare Head Press and related titles, comprising 'Pindar's Odes of Victory - The Nemean and Isthmian Odes', 1930, limited edition (69/250), woodcut illustrations by John Farleigh, handmade paper, folio, original cloth backed printed papered boards + 'The Works of Geoffrey Chaucer - The Parson's Tale Minor Poems', 1929, limited edition (375), volume four (of eight) only, handmade paper, hand coloured woodcut illustrations, folio, original buckram backed blue papered boards + 'Bocaccio's Decameron', 1935, limited edition, (325), volume two (of two) only, woodcut illustrations, handmade paper, original blue morocco gilt + 'The Works of Edmund Spenser - Colin Clout & Shorter Poems', limited edition (375), volume two (of eight) only, woodcut illustrations, handmade paper, original quarter green morocco gilt, marbled papered boards + Max Beerbohm 'Zuleika Dobson, or an Oxford Love Story', 1975, limited edition (156/750), signed by Osbert Lancaster and numbered, original quarter blue morocco gilt, top edge gilt, slipcase + P. Sutcliffe: 'The Oxford University Press - An Informal History', 1978 reprint in dust wrapper (6)

Ancient World.- Münster (Sebastian) Altera Generalis Tab. Secundum Ptol., clouds and eight named wind heads surround a map illustrating the conception of world geography prior to the discovery of the New World and according to Claudius Ptolemy, second edition with the fine vertical crack line across the right-hand part of the map, woodcut on laid paper, sheet 310 x 390 mm. (12 1/4 x 15 1/4 in), Latin text verso, central vertical fold as issued with minor marginal nicks, otherwise very faint marginal damp-stains and surface dirt, unframed, [c. 1545-50].

England & Wales.- Münster (Sebastian) Anglia II Nova Tabula, early map with north oriented to the left, and the flags of Scotland and England, part of Ireland can be seen in the lower section, woodcut on laid paper, sheet 310 x 405 mm. (12 1/4 x 16 in), Latin text verso within small woodcut decoration, central vertical fold with small marginal pin holes and worm holes, minor surface dirt, unframed, [c. 1545-1550].

Spain & Portugal.- Münster (Sebastian) Hispanicae Regionis Nova Descriptio, early map of the Iberian peninsula, woodcut on laid paper, sheet 310 x 390 mm. (12 1/4 x 15 1/4 in), Latin text verso, central vertical fold as issued with some marginal cockling, even browning and some spotting, unframed, [c. 1545-50].

Gloucestershire.- Speed (John) Glocestershire Contrived into Thirty Thre Severall Hundreds & Those Againe into Foure Principall Devisions..., with two large insets showing bird's-eye plans of Gloucester and Bristol with brief descriptions of each, vignettes of the Battles of Assandun and the Battle of Tewkesbury to the centre left, and Royal coat of arms adjacent to the crests of local Dukes and Earles in the upper right quadrant, engraving with hand-colouring on laid paper with armorial watermark, sheet 385 x 510 mm.(15 1/8 x 20 in), English text verso with first edition woodcut initial, map trimmed to borderline, some even browning and minor surface dirt, framed and under glass, Sudbury and Humble 1610[-1612].

Asia.- Münster (Sebastian) Tabula Orientalis Regionis, Asiae Scilicet Extremas Complectens Terras & Regna, one of the earliest maps of the whole continent, showing from the Caspian Sea and the Persian Gulf to the Pacific Ocean and from the Arctic Ocean to the Indian Ocean, including Sri Lanka and the Malay Peninsula, with the Indian Ocean is filled with a huge sea monster and a two-tailed mermaid, woodcut on laid paper without watermark, sheet 310 x 390 mm. (12 1/4 x 15 1/4 in), Latin text verso, central vertical fold with marginal nicks and creases, marginal minor damp-stains, surface dirt, unframed, [c. 1545-1550].

Royal Doulton flambe vase in the woodcut 1612 pattern Height 21 cm

A signed Peter Howson woodcut print, untitled, no. 34/40, 30 x 20cms, framed

Oscar Droege, 1898-1982, Birch Trees, woodcut, signed in pencil, 36 x 24cm

Naude, Gabriel (1600-53). Advis pour dresser une bibliothèque. 8o in 4s (158 x 108 mm). Woodcut title-vignette, headpieces and initials. Paris: François Targa, 1627. Enclosed in a book box with a 1976 reprint and a letter relating to the original.. Hand written letter gives some details of provenance, but handwriting is difficult to interpret. See additional images for condition.Pages 50-51, 54-55, 153 incorrectly numbered 34-35, 38-39, 129, respectively.

Cicero, Marcus Tullius - Epistolae and Atticum, and Brutum, & ad Q. Fratrem, 16mo, contemporary calf restored, with new endpapers, head and shoulders drawing, in ink, of a figure wearing armour, with inscription, dated 1641, text in italics, woodcut printers device on title page, Seb. Gryphium, Lyon, 1543

NANA SHIOMI RE (JAPANESE b 1956), BLUE VENUS woodcut, signed, titled and numbered 46/50 in pencil 50.5cm x 36cm Framed and under glass. Note: Published as part of Six Artists: The 1992 Royal College of Art (London) Portfolio of (6) Prints as a limited edition of 50. The other artists selected for this portfolio were John Bellany RA, Sir Eduardo Paolozzi RA, Tim Mara, Dame Paula Rego RA and Sir Terry Frost RA.

[§] WILLIE RODGER R.S.A., R.G.I. (SCOTTISH 1930-2018) HARBOUR WALL Signed and inscribed with title and dated '74 in pencil to margin, A/P, woodcut 50cm x 50cm (19.75in x 19.75in)

[Gentillet, Innocent]. Discours sur les moyens de bien gouverner & maintenir en bonne paix un Royaume, ou autre principaute... contre Nicolas Machiauel... 2nd edition, [Geneva], 1577, title and final leaf verso with woodcut device, final leaf detached, small wormtrack to title, some water stains and light spotting, contemporary limp vellum, manuscript title adhered to spine, some light soiling, 8vo, together with Jersey. A Code of Laws for the Island of Jersey, [privately printed, St. Helier}, 1771, 336 pp., title detached, a little light soiling, 19th century ownership inscription at front, contemporary limp vellum, some soiling, 8vo (Qty: 2)

Liturgy [Church Slavonic]. Liturgy, 2 volumes, possibly 18th century, text in red and black, woodcut headpieces, engraved plates, staining, leaves possibly lacking, contemporary leather, 4to (18.2 x 15 cm) (Qty: 2)Sold not subject to return.

Feuillets d'Art , D euxième Année, nos. 1-6, Paris, 1921-22, 85 woodcut illustrations, two full-page pochoir illustrations in green, silver and gold by Leon Bakst (no. 5, pp. 220-21), numerous colour and black & white plates tipped on to mounts, lacks nos. 1-2, 16-19, 49-50, 65, 67, 85 and 98 (?the last plate), original etching by Jean-Emile Laboureur included in final issue, continuous pagination (1-278), leaves and fascicules loose as issued in original pictorial wrappers, a little rubbed and soiled with minor splits at head and foot of joints, 4to (Qty: 6)F euillets d'Art was published by Lucien Vogel, who was also the publisher of the Gazette du Bon Ton. There were a total of twelve volumes, six numbers for each of the two years. Sold with all faults, not subject to return.

Caradoc of Llancarfan (Saint). The Historie of Cambria, now called Wales: A Part of the most famous Yland of Brytaine, Written in the Brytish Language above two hundred Yeares Past. Translated into English. Corrected, Augmented, and continued... by David Powel, [1584], Reprinted, London: John Harding, 1811, half-title, woodcut illustrations, occasional light spotting, contemporary calf, modern reback, 4to (Qty: 1)Limited edition of 250 copies printed.

[Bernard, Catherine]. Ines de Cordoue, nouvelle espagnole, suivant la copie à Paris, [Paris?: no publisher], 1697, woodcut armillary sphere to title-page, modern wrappers, blind-stamp of John Fowles (1926-2005) to front wrapper (with a laid-in bibliographical note apparently in his hand), 12mo, together with: Primaleon of Greece, Le quatriesme livre de Primaleon de Grèce, Lyon: Benoit Rigaud, 1583, lacking front free endpaper, toning, occasional staining to corners, contemporary calf, wear, 8vo (17 x 10.5 cm), Bartoli (Baldassare), Le glorie mastose del Santuario de Loreto, 1st edition, Macerata: Pannelli heirs, 1738, possibly lacking 1 preliminary leaf, spotting, contemporary carta rustica, small 4to in 8s (15.2 x 10.4 cm), and 4 similar works , continental imprints, various formats (Qty: 7)Ines de Cordoue, by French poet and playwright Catherine Bernard (1663-1712), was first published in Paris the previous year. One copy of Bartoli's work traced in libraries (Seville).

A COLLECTION OF ENGRAVINGS ETC TO INCLUDE AN IVY ANNE ELLIS WOODCUT (9)

TACITUS (GAIUS CORNELIUS) "Opera." woodcut initials tailpeices etc, old vellum, folio,m Plantin, 1668

WILLIAM CAMDEN. "Britannia." woodcut title with royal arms, plus additional woodcut title with map, 3 engr maps comp, other engr plts, 831 pp comp prelims & add pp, old calf gilt, thick 8vo, W. Rogers, 5th edn 1600 good.

A collection of Royal Doulton Flambe items: Flambe items to include Mottled and Woodcut dishes and pin trays together with Similar Penguin Signed Noke (all with damage).

Royal Doulton Woodcut Flambe vase: height 25cm

NO RESERVE Vanbrugh (Sir John) Plays..., 2 vol., engraved portrait frontispiece, divisional half-titles, woodcut decorations, a little faint even browning, contemporary calf, spines gilt in compartments, morocco title labels, rubbed and faded, a little loss at spine ends, for C.Hitch & others, 1759 § Otway (Thomas) The Works..., 3 vol., engraved portrait frontispiece & 3 plates, some foxing and soiling, contemporary calf, rebacked preserving original title labels, 1813 § Shakespeare (William) The Complete Works..., 4 vol., original cloth-backed boards, The Nonesuch Press, 1953; and another, v.s. (10)Provenance: second: G.Moncrieff (bookplate)

[Dallington (Sir Robert)] A Method for Trauell. Shewed by Taking the View of France. As It Stoode in the Yeare of Our Lord 1598, first edition, 2 folding letterpress tables, 1 laid down, 1 table and a few sidenotes a very little trimmed at fore edge, woodcut decorations, some foxing and marginal damp-staining, contents separating a little, 2ff. working loose, lacking endpapers, contemporary limp vellum, yapp edges, soiling, ink stain to lower cover, small 4to, by Thomas Creede, ?1605.⁂This copy sold as lot 62 in Christies' sale Fine Printed Books and Manuscripts, held 29th November 2006.Contains the text of Dallington's earlier The View of Fraunce, but with additional preliminaries and a new title. Published to establish Dallington's text in the light of a pirated edition of the earlier work.Provenance: From the Library of John Jackson, Academy Place, Warrington, Presented to the Warrington Museum & Library, October 1875 (booklabel)

NO RESERVE [Cooke (Thomas)] Immortality reveal'd. A Poem. In Four Epistles to a Friend, first edition, list of subscribers, title with woodcut ornament, some staining and spotting, modern marbled boards, [Foxon C415], folio, Printed for W. Bowyer, 1745.⁂ A rare poem on theological subjects, ranging from Natural Religion to the Ressurection. ESTC lists only four copies.

South-East Asia.- Marryat (Frank S.) Borneo and the Indian Archipelago. With Drawings of Costume and Scenery, first edition, cut presentation inscription ?from the author pasted to front pastedown, with another later inscription, half-title, chromolithographed additional title & 13 plates (of 21), woodcut illustrations, marginal damp-staining and soiling, original cloth, worn, boards detached, spine splitting and with loss at ends, [Abbey, Travel 549], 1848 § Roth (H.Ling) Oriental Silverwork..., frontispiece & illustrations, original cloth, a little worn, 1910 § Raffles (Thomas Stamford) The History of Java..., 2 vol., plates (some folding), original cloth, dust-jackets, slip-case, Kuala Lumpur, 1994; and 37 others, one an 1864 Malay grammar in Dutch with 'colonial era' bookplate and numerous ink stamps bearing Chinese characters, 4to et infra (41) Provenance: second: Willoughby Statham Smith (ex libris)

Crime.- Coppy (A) of the Prisoners Judgment Condemned to Dy [sic] from Nugate on Mundaie the 13. of Decemb: 1641, 8pp., variant with "Officers or the pri-" on title, woodcut of hanging on verso of title, numbering in ink in contemporary hand to upper outer corners, disbound, [Wing C6221], 4to, by Thomas Paine, 1641.⁂ Scarce list of people condemned to death and their crimes, mostly Catholic priests for high treason, but including "28. Edward Hartford, a Cookes Boy, sometime servant at the Castle in Pye-Corner, for Rape, and Buggry [sic]". ESTC lists only 2 copies in the UK (BL & Guildhall Library) and 4 in America.

Estienne.- Terentius Afer (Publius) [Comoediae], title with woodcut printer's device, initial spaces with guide-letters, some staining at head, lightly browned, 19th century vellum, chipped red leather label to spine, stained, [Renouard 52:13. Schreiber 64. Adams T-329], 12mo, Paris, Robert Estienne, 1540 [January, 1541].⁂ 'printed in Robert's smallest roman type. A copy of this ed. was in Montaigne's library' (Schreiber).

Middle East.- Abbondanza (Vincenzo) Dizionario Storico delle Vite di tutti i Monarchi Ottomani, double column, title with woodcut printer's device, woodcut tail-piece, some light browning, contemporary half-vellum, gilt label to spine, scuffed and soiled, [Atabey 2 (extra-illustrated copy); not in Blackmer], 4to, Rome, Luigi Vescovi, 1786.⁂ Rare work on the Ottoman Empire. Includes biographical entries for monarchs and other leading figures, topographical references, as well as architectural and religious entries.

Seneca (Lucius Annæus) L. Annæus Seneca a M. Antonio Mureto Correctus et Notis Illustratus. Accedunt Seorsim Animadversiones..., vol.II lacking index, woodcut printer's devices to titles and initials, contemporary ink underlining and marginalia throughout, some soiling and faint browning, 18th-century calf-backed marbled boards, spines gilt with morocco labels, minor repair to hinges and spine ends, a little worn, [Heidelberg], Hieronymus Commelin, 1594.⁂The second volume contains the apparatus to Seneca's opera by Jan Gruter, with further notes by Nicolas Faber.Provenance: Lord Camden (bookplates).

NO RESERVE Alpinus (Prosper) De praesagienda vita & morte aegrotantium libri septem, preface by Hermann Boerhaave, title in red and black and with woodcut ornament, a few ink library stamps, some spotting and light staining, contemporary calf, rebacked, [G&M 2194], small 4to, Leiden, Issac Severin, 1710.⁂ A scarce edition of this classic of diagnostic medicine.

Quintilianus (Marcus Fabius) Oratoriarum institutionum libri XII, edited by Joachim Camerarius & Johann Sibmacher, woodcut historiated and decorative initials, final f. with woodcut printer's device verso otherwise blank, marginal water-staining, some spotting and other staining, contemporary blind-stamped pigskin over wooden boards, lacking 1 metal clasp, early ink scribbles, soiled, [Not in Adams], small 4to, Basel, [Robert Winter], 1543.

NO RESERVE Baker (Sir Richard) A Chronicle of the Kings of England..., woodcut decorations, additional engraved title trimmed and mounted to front pastedown, also with some minor loss from abrasion, title with loss and with typed and handwritten label pasted down verso, also with tape repair to gutter margin, lacking signatures 2K2 & 5, ownership inscription dated 1777 partially cut from 1f., some contemporary inscriptions, marginalia, and pen trials, a few pencil trials, contents separating in several places, a few ff. working loose, faint browning and foxing, contemporary calf, rubbed and scuffed, backstrip lifting and with significant loss, for Nathaniel Ranew and Jonathan Robinson, [Wing B505A], folio, 1665.⁂Not in the BL.

NO RESERVE Plague.- Certain Necessary Directions as well for the Cure of the Plague, as for Preventing the Infection, initial leaf with woodcut royal coat-of-arms on recto and imprimatur on verso (torn and partly crudely repaired), lacking final leaf, browned and stained, disbound, an uncut wide-margined copy, [Wing C1708], by John Bill and Christopher Barker, 1665 § Church of England. Prayers to be used in all Cathedral, Collegiate, and Parochial Churches...during the Continuance of our Danger from the Plague, 3pp., drop-head title, unbound, by John Baskett...and by the Assigns of Thomas Newcomb, and Henry Hills, deceas'd, 1720, both mostly printed in black letter; and another similar prayer of thanksgiving following the recovery from illness of H.R.H. Prince George of Denmark in 1702, small 4to (3)

Elzevier.- Tasso (Torquato) Aminta, favola boscareccia, first Elzevier edition, title with woodcut printer's device, woodcut head- and tail-pieces and decorative initials, some spotting, lightly browned, 20th century red calf, gilt spine in compartments, spine slightly faded, [Willems 795, 'Cette édition, fort bien imprimée, est rare'], Leiden, Jean Elzevier, 1656; and 3 vol. of Petrarch, 1821-1822 in contemporary half dark green straight-grain morocco, 12mo & 4to (4)

Colines.- Quintilianus (Marcus Fabius) Oratoriarum institutionum lib. XII, first and only Colines edition, [Adams Q62; Renouard, Colines, p.345; Schreiber 182 'elegantly printed'], Paris, Simon de Colines, 1541 bound with Quintilianus (Marcus Fabius) Declamationes diligenter recognitæ, [Adams Q46; Renouard, Colines, p.361], Paris, Simon de Colines, February, 1542, together 2 works in 1 vol., titles with large woodcut printer's device, woodcut criblé initials, a little marginal water-staining, occasional spotting, lightly browned, engraved armorial bookplate of Jacob Clements, 19th century panelled calf, gilt, joints split, corners worn, rubbed and scuffed, small 4to

SCHEDEL, HARTMANN; 'Destruccio Iherosolime', a late 15th century hand coloured woodcut depicting an imaginary view of the destruction of Jerusalem from the 'Nuremberg Chronicle', double sided, fol. lxiii-lxiiii with coloured figural illustrations and Latin text verso, Anton Koberger Nuremberg 1493, image of Jerusalem approx 25 x 53cm, page total approx 41 x 60cm, framed and glazed. Provenance: Purchased from M. Pollak of Tel Aviv in 2001 with photocopied certificate and listing in inventory.Additional InformationCentral fold, some foxing, stains and discolouration, colours remain distinct. 

WEYER (Johann) 'On the Tricks of Demons'. De Praestigiis Daemonum. Basileae. 1568. 2nd Edition. Title with woodcut printers device, woodcut decorative initials, some staining and foxing, single wormhole towards end. First German Translation.

After Sir William Nicholson, illustration from the Book of Blokes, lithograph, 18.5 x 12.5cm (SH), together with a woodcut after John Scorrar O'Connor and a lithograph after Michael Ayrton (3)

Georges Braque 'Fenêtre I: Poissons Bleus', 1962, woodcut in colours, with publisher's watermark LB (Louis Broder), 33cm x 58cm. Framed and glazed. .

Georges Braque Vol d'oiseaux noirs sur fond rose, 1962,woodcut in colours, 32cm x 42cm. Framed and glazed.

Carved giltwood and gesso picture frame, watercolour of a West Country harbour, portrait of a bearded gentleman, a Vietnamese watercolour, and a copy of a Japanese woodcut (5).

[Suetonius], Tranquillus (C. Suetonius), Commentarius, [Twelve Caesars], [with commentary by Johann Schild], second edition, Ex Officina Francisci Hackii, [Leiden] 1651, ff: [4], [40], 850, [80], inclusive of engraved title-page by Reinier van Persijn (1615-1668), 13 full-page engravings of Roman emperors, some Historicist woodcut initials and headpieces, contemporary vellum binding, ink inscribed and dated spine, contemporary ink MS annotations and marginalia, some later in pencil, probably 19th century, with Geo. E. Gregory of Bath, Booksellers, their purple stamp to verso, 12mo

Yoshijiro Urushibara (1888-1953) "Man in Top Hat", woodcut, (from the portfolio of "Leaves from the Sketch Books of Frank Brangwyn, edition of 250, 1940)

George Soper RE (1870-1942) 'The Hay Barn 1928', woodcut, signed in pencil to lower margin, 12 x 15cm

George Soper RE (1870-1942) Loading a Hay Cart, woodcut, 13 x 19cm

After Sir Frank William Brangwyn RA RWS RBA (1867-1956) "Via Dolorosa No 1", woodcut (1916), 20 x 38cm

Eric Gill (1882-1940) "Clothes for Dignity and Adornment, 1927), woodcut, 12 x 8cm mounted but unframed together with Attributed to Eric Gill (1882-1940) Two figures, pencil drawing, 17 x 12cm (2) Provenance: Bristol Auction Rooms, 19/07/18 Lot 98

Yoshijiro Urushibara (1888-1953) After a Frank Brangwyn Sketch, woodcut, 26 x 22cm (from the portfolio of "Leaves from the Sketch Books of Frank Brangwyn, edition of 250, 1940)

Richard Shirley Smith (British, b.1935), 'Woman with Guitar', woodcut print, artists proof, signed in pencil, framed and glazed, 9 x 6cm, together with another woodcut print by the same hand, 'Two Cats', artists proof, signed and dated '81 in pencil, framed and glazed, 4 x 6cm

Royal Doulton Flambe vase depicting hunting scene in the Woodcut 1616 pattern, height 24cm

A late 19th century pitch pine framed woodcut picture and a late 19th century ebonised frame

WILLIE ROGER RSA RGI Free Kick Pencil signed and dated '86 limited edition woodcut print number 16 of 100, 10cm x 14cm

Two (2) Earl Marshawn Washington, American (b.1962) Woodcut Prints, Various Scenes with Portraits of Figures, Signed and Dated in Pencil. Frame measures 14-3/8" H x 11-3/8" W. Condition: Good condition Estimate: $50.00 - $150.00 Domestic Shipping: $115.00