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Click here to subscribeBooks - Peter Rabbit's Book Shelf, containing twenty-two Peter Rabbit novels to include Tails of Little Pig Robinson, The Story of a Fierce Bad Rabbit', 'The Tale of Benjamin Bunny', 'The Tale of Johnny Town-Mouse', The Tale of Ginger & Pickles', 'The Tale of Mr Jeremy Fisher', The Tale of Mrs Tiggywinkle', and 'The Magic Years of Beatrix Potter' (Margaret Lane) etc
Beatrix Potter Bibliographical Check List by Jane Quinby limited edition, Linder Hill Top Papers signed by Margaret Lane, Beatrix Potter’s Letters, Hill Top Sawrey Guide 1947, Potter Collectibles an Illustrated catalogue, EMI Cinema Film Stills from the Beatrix Potter Tales and Early copy of Peter Rabbit in dust-wrapper (7)
Philipp Peter Roos, called Rosa da Tivoli (Frankfurt-am-Main 1657-1706 Rome)A bull with goats and a dog before a landscape oil on canvas131.4 x 184cm (51 3/4 x 72 7/16in).unframedThis lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Peter La Cave (1769-1810) - Horse & Cart on a Country Lane - signed La Cave bottom right, watercolour, framed & glazed, 17 by 12.5cms (6.75 by 5ins); together with another similar by the same artist, unsigned - Feeding the Animals - watercolour, framed & glazed, 17 by 12.5cms (6.75 by 5ins) (2).
* Autographs miscellany. A group of 3 autograph scrapbooks compiled in the 20th century, a total of approximately 200 signatures of writers, publishers, librarians, and other miscellaneous and unidentified people somewhat messily arranged in three ruled ledgers, along with related cuttings and ephemera, the majority tipped in with sellotape, plus some corner-mounted or loose, the autograph letters signed include Hugh Trevor Roper, Gilbert Murray, Peter Wildeblood, Lord Harmsworth (3), Dr Chalmers, Beverley Nichols, H.M. Tomlinson, Stephen McKenna (4), Margaret Lane, A.C. Benson, John Murray, Clifford Bax, Edmund Gosse (note), typed letters signed include Noel Streatfeild, H.V. Morton, Frances Parkinson Keyes, Oliver Lodge, Malcolm Muggeridge, etc., cut signatures include Thomas Hardy (stained and split vertically on surname), G.K. Chesterton, Rudyard Kipling, Henry Wadsworth Longfellow, Thomas Hood, William Wordsworth, Annie Besant, T.H. Huxley, Arthur Bryant, C.J. Fox, R.D. Blackmore, John Betjeman, Cecil Day Lewis, Humbert Wolfe, contemporary cloth with paper labels to upper covers, slightly rubbed, folio (Qty: 3)
* Bookplates & labels. A collection of 30 bookplates, ownership labels & business cards, etc., 18th & 19th century, including bookplates for Hookham's Circulating Library, New Bond Street, [London]; Halifax Garrison Library, Patron, The Right Honorable the Earl of Dalhousie; A. Crocker, Schoolmaster, Ilminster; Worcester Library, Instituted, 1790; and a masonic bookplate for William Pearce of Birmingham; book ownership labels including: William Rhodes of Derby, 3rd April, 1730; Mr Bill's Library of Bath; Joseph Wood, Deanrow; John Rutherfurd of Edgerston; and a red morocco label for James Sanders, 1817; and business cards & advertising labels including: James Newby, Hat Manufacturer, Dorking, Surrey, c.1790; Peter White, Hat Maker of 81 Newgate Street, London; Academy for Boarding & Day Pupils, No. 1 New Meeting Street, Birmingham, conducted by Wm. Tolley Junr.; Mackay's best Viginia, No. 7. Wych Street, Drury Lane, [London], c.1800; Ruled by T. Pearson's Ruling Machine, c.1790; William Sharp, Paper Manufacturer, Abbey Mills, Romsey; R. Collinson, Printer, Bookseller, Bookbinder & Stationer, Market Place, Mansfield, all contained together in modern ring binder folder (Qty: a folder)
Sir Peter Scott (British, 1909-1989)Mallard and Teal in Flight signed and dated 'Peter Scott 1967' (lower left)oil on canvas152.5 x 335cm (60 1/16 x 131 7/8in).Footnotes:ProvenanceSale; Christie's, South Kensington, 11 March 2010, lot 51Private CollectionThis lot is subject to the following lot symbols: * AR TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.TP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Liverpool/Birkenhead Correspondence.- Atkin (Susan Stilling, of Egerton Park, Rock Ferry, Cheshire, daughter of George Atkin, asphalt manufacturer, c. 1858-1940) Large family correspondence to Susan Atkin, mostly from her father and brothers, and a few from her to her parents, c. 130 letters, numerous pp., 8vo, Rock Ferry, Birkenhead & elsewhere, 1876-95, on a large variety of family subjects, including a few letters from her brother Peter Wilson Atkin who rowed three times for Cambridge at the Boat Race including the 40th race of 1883, "The four is going pretty well but I fear my work is nearly at a standstill - however this only lasts another week and then I shall be able to give my undivided attention to work, though I fear the result will not be what I had hoped last term so you must not tell anybody that I am going in at Xmas", folds.⁂ Peter Wilson Atkin (1859-1931), of 6 Park Lane, Kersal, Manchester; educated Jesus College Cambridge; Rowing 'blue' 1881-83; Inner Temple 1879; called to the Bar: 1883; Deputy Recorder of Liverpool; on Birkenhead Town Council; Stipendiary Magistrate of Salford; Chairman of Manchester Munition Committee 1915-16; Arbitrator in the Ship Canal Strike 1916; OBE 1918.
PETER LANE (born 1932); a deep porcelain footed bowl brightly decorated in shades of yellow and blue, incised signature, diameter 20cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
SOUL / FUNK / DISCO - 7". Shakin' collection of about 120 x 7". Artists/titles include Wood Lane (GIL 537), Dennis Brown (LAS 1), Gladys Knight (TMG 674), Sly & The Family Stone, Ellie Matt & G I Brass, Frederick Knight, Force, Peoples Choice, Bill Withers, Mojo, Wayne Gibson, The Fatback Band, Mighty Two, Desmond Dekker, Nicky Thomas, Brandy, MFSB, Peter Tosh, Kim Weston, Peter Tosh, MFSB, Scott English, Nicky Thomas,Sonya Spence, Stargard, Stevie Wonder, Act One, Bo Cooper 5000 Volts, The Flamingos, Odyssey, Cerrone, Pointer Sisters, The Delfonics, Penny McLean, The Organization, The Whispers, Fantastics, Patches, Burundi Black, Disco Tex & The Sex-o-lettes, Eli Bonaparte, Page Three. Condition is generally VG+ to Ex+.
Derby County and Nottingham Forest - a huge collection in shoebox of over 900 35mm and medium format negatives, taken 1962-1980, of team photos, players, management and other personalities relating mostly to Derby and Forest, but also includes shots of visiting teams. Photos include Brian Clough, Dave Mckay, Alan Durban, Archie Gemmill, Roy McFarland, Asa Hartford, John McGovern, Duncan McKenzie, Trevor Francis and many others including Benfica's Eusebio, 'Bronco' Lane & Peter Swan at Sheffield Wednesday and Tommy Docherty with Scotland's under 23 team. Fabulous collection for footie fans (c.977)
Three pieces of studio pottery, to include an Oldrich Asenbryl (b.1943) decanter and stopper, Jason Braham lidded bowl, Peter Lane (b.1932) bowl which measures 29cm diameter CONDITION REPORT: Small chip to the base of the decanter. Minor nicks to the edge of the bowl. No restoration or serious damage.
Nineteenth century literature in original cloth 21 volumes, comprising, Dickens, Charles Pictures from Italy. 1846, 8vo, original blue cloth, rubbed ; Andersen, Hans Christian. The Improvisatore. R. Bentley, 1847. frontispiece, original cloth, rubbed; Lytton, Sir E. B. Rienzi. 1848, 8vo, original brown blindstamped cloth, spine gilt; Stowe, Harriet Beecher . Uncle Tom's Cabin. London: Thomas Bosworth, 1852., original brown blind-stamped cloth, slightly rubbed, ?new endpapers; Caine, Hall. The Deemster. Chatto & Windus, 1887, 3 volumes, 8vo, 3pp. advertisments at end dated October 1887, original blue cloth, rubbed; Borrow, George. The Romany Rye. 1858, Second edition, 2 volumes, original cloth, rubbed; Shelley, P.B. Relics of Shelley, edited by R. Garnett. 1862. 12mo, original cloth, rubbed; Burnett, Francis Hodgson. That Lass o Lowrie's's. New York, 1877, original black, red and gilt cloth, slightly rubbed; Trollope, Anthony. Can you Forgive Her ? 1866. Second edition, plates, original green cloth gilt, ?lacking half-title or first blank, rubbed; Eliot, George. Daniel Deronda. Montreal: Dawson Bros., 1876, First Canadian edition, original cloth, rubbed; Yonge, Charlotte M. Love and Life. 1880. 2 volumes, original green cloth gilt, slightly rubbed; Du Maurier, G. The Martian. 1898, original pictorial cloth gilt; Du Maurier, G . Peter Ibbetson. 1892, 2 volumes, original cloth; Stevenson, R.L. Island Nights' Entertainments. 1893, original pictorial cloth, slightly rubbed; Bennett, E. Arnold. A Man from the North. John Lane, 1898. First edition, first issue, with adverts dated 1897, spine slightly faded and slightly rubbed at head; Haggard, H. Rider . Swallow. Longmans, Green, 1899, original blue cloth gilt (21)
Miscellaneous - Hunting - Anon, [Surtees (Robert Smith)], "Ask Mamma;", or, The Richest Commoner in England, with Illustrations by John Leech, first edition, London: Bradbury, Agnew, & Co., [n.d. 1858], full-page colour plates and monochrome wood engraved illustrations throughout text, contemporaneous half-calf over cloth boards, 19th century book label to recto pastedown: General Rice, Codford St. Peter, [Wiltshire], 8vo; Selous (Frederick Courteney), A Hunter's Wanderings in Africa [...], fifth edition, Macmillan and Co., Liimited, 1925, illustrated, contemporary red cloth, 8vo; Greenwood (James), Wild Sports of the World: A Book of Natural History and Adventure, London: S.O. Beeton, 1864, chromolithograph frontispiece, monochrome line engraved illustrations, contemporary green cloth, 8vo (worn, loose); Hunting Lays and Hunting Ways [...], Collected and Recollected by Lady Birkett [...], London: John Lane, 1924, pictorial cloth, 4to; others; Howitt (Mary), Pictures from Nature, with Twelve Illustrations Beautifully Printed in Colours, London: George Routledge and Sons, 1869, relayed contemporary gilt pictorial blue cloth, all edges gilt, 8vo; Guns - Cunningham (Eugene), Triggernometry: A Gallery of Gunfighters, [...], Idaho: The Caxton Printers, Ltd, 1956, pictorial cloth, 8vo; Gunsmiths, (2); etc., [14]
Coronation street signed 6x4 colour promo photo collection. 29 photos included some may be printed. Includes Sue Nicholls, Kym Marsh, Paula Lane, Thelma Barlow, Elizabeth Dawn, Eileen Derbyshire, Betty Driver, Anne Kirkbride, Sarah Lancashire, Barbara Knox, Helen Worth, Johnny Briggs, Kevin Kennedy, Ken Morley, Sean Wilson, Amanda Barrie, Peter Armitage, Peter Baldwin, Beverley Callard, Simon Gregson, Angela Griffin, Graeme Hawley, Sherrie Hewson, Charles Lawson, William Tarmey, Rula Lenska, Steven Arnold and more. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Collection of approximately 200 Auction Catalogues and Various publications from around the world including, Sotheby's, Peter Finer Arms and ArmouR, 2003; London Park Lane Arms Fair, Spring 2012; Art of the Osage, St. Louis Art Museum, 2004; Christie's, Bonhams, various provincial auction catalogues; China Guardian Newsletter, Spring Auctions, 2018; Christie's Art of the Islamic and Indian Worlds, 26th April 2018; various catalogues on Tribal Art and Antiquities; Sculptures and Jewellery and other catalogues relating to Fine Art and Antiques. Various provincial auction catalogues; China Guardian Newsletter, Nagel, China & Japan, December 2017 I and II; Christie's Antiquities, King Street, 6th December 2016 and The Resandro Collection, King Street, 6th December 2016; various catalogues on Tribal Art and Antiquities; Sculptures and Jewellery and other catalogues relating to Fine Art and Antiques. In four boxes.
Football vintage team newspaper photo Birmingham City 1954 fixed to album sleeve signed by eight squad members includes Jeff Hall, Eddie Brown, Noel Kinsey, Jack Lane and Len Boyd on reverse two superb signed black and white newspaper photos picturing the 1956 FA Cup final signatures include Arthur Turner, John Newman, Gilbert Merrick and Peter Murphy. Good condition Est.
Excellent collect of UNSIGNED Bomber Command RAF Obituaries. Featured: 1. Wg Cdr Tony Spooner DSO DFC Wellington bomber pilot night time attacker of enemy shipping in the Med. In 1944 in one sortie he attacked 4 U-Boats. Pot-war author 'Warburton's War.' 2. Sqn Ldr George Glenn DFC Attacked Battlecruiser Gneisenau in Brest 3. Gp Capt William Dixon DSO DFC Attacked Gneisenau in Brest 4. Sqn Ldr Donald MacIntosh DFC No. 9 Sqn attacked Tirpitz with 617. 5. Flt Lt Tom Maxwell DFC Tail Gunner shot down but 'Evaded.' 6. Wg Cdr Jim Higgins DFC AFC* 7. Flt Lt Fred Wheeler DFM Wireless Operator/Air Gunne r8. Sqn Ldr Mike Bayon DFC Mosquito Pathfinder 9. Flt Lt Humphrey Phillips DFC Flight Engineer 10. Flt Lt George Duffee DFC RAF 'Evader.' 11. Flt Doug Gregory DFC Nightfighter & post war stunt pilot. 12. Gp Capt Mike Judd DSO Typhoon pilot Normandy 13. Flt Lt Hugh Goldie DFC* Coastal Command 14. Flt Lt Eric Garland MBE MC* 15. Flt Lt Jim Inward DFC 16. Sgt Jackie Hutchinson DFM AFM Air Gunner/WOP Guinea Pig 17. Sqn Ldr Howard 'Bert' Houtheuson DFC 18. Sqn Ldr Dudley Egles Navigator Shot down 3 times but always managed to re-join his Sqn - by dinghy, camel and on foot. 19. Sqn Ldr Richard Leven DFC DFM Flew 137 operations 20. Flt Lt Eric Atkins DFC* Cross of Valour Poland 21. Gp Capt Peter Johnson DSO OBE DFC AFC 22. Flt Lt Tom Tate WO POW whose crew were murdered. 23. Sqn Ldr Tom Long DFC* Mosquito Pathfinder 23. Flt Lt Bill Lucas DFC Pathfinder & 1950 Olympic runner. 24. Wg Cdr Derek Martin OBE Founder member Guinea Pig Club. 25. Flt Lt Tommy Smith Mosquito pilot & Guinea Pig Club. 26. Flt Lt Leslie Syrett AFC Guinea Pig Club. 27. Gp Capt Norman de Warrenne Boult DFC AFC Pathfinder. 28. Gp Capt Richard 'Paddy' Burns CBE DFC* Coastal Command. 29. Wg Cdr Vic Hodgkinson DFC Coastal Command RAAF 30. Flt Lt/Colonel Jaroslav Hofrichter Czech Gunner Flight Engineer. 31. Flt Lt Ted Stocker DFC Bomb Aimer Pathfinder 109 missions. 32. Gp Capt Sir Richard Kingsland KBE DFC RAAF 33. Flt Lt Lloyd Morgan DFM Beaufort pilot. 34. Wg Cdr Oliver Wells. POW Stalag Luft III whose 3 brothers were killed in WWII. 35. Wg Cdr Gerald Lane OBE DFC (died aged 101) 36. Flt Lt Eric Barton DFC RAAF Pathfinder 37. Flt Lt John Lancaster DFC First airman to have life saved by ejector seat. 38. Gp Capt Ken Tarrant DFC* Coastal Command. 39. Wg Cdr Frank Griffin DSO DFC Pathfinder 40. Sgt Harry Brabin RAAF Gunner/WOP PLUS 2 news reports Sydney Morning Herald 2017-18 on RAAF Bomber Command. Good condition Est.
Impressed artist's seal, salt glazed (Dimensions: 50cm high (19.5in high))(50cm high (19.5in high))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall it appears in good condition with no obvious signs of damage or restoration.
Each impressed artist's seal, salt glazed, one with barrel spout (Dimensions: 13cm and 23.5cm across (5.12in and 9.25in across) (2))(13cm and 23.5cm across (5.12in and 9.25in across) (2))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramics appear sound. Overall they appear in good condition with no obvious signs of damage or restoration.
Signed and titled (Dimensions: 20cm across (8in across))(20cm across (8in across))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall it appears in good condition with no obvious signs of damage or restoration.
Impressed artist's seal, signed, titled and dated (Dimensions: 44.5cm high (17.3in high))(44.5cm high (17.3in high))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Possibly a very slight chip to the right hand edge of the nose (half way down), however, given the material it is difficult to be completely sure on this. Subject to the above, overall it appears in good condition with no obvious signs of damage or restoration.
Impressed artist's seal, commemorating Barbara Ling and The Candover Gallery, inscribed ‘Candover Gallery 1984-2007, Barbara Ling twenty-three Glorious Years!’ (Dimensions: 14cm high (5.5in high), together with a vase in a similar grey glaze, 19cm high (7.5in high) (2))(14cm high (5.5in high), together with a vase in a similar grey glaze, 19cm high (7.5in high) (2))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramics appears sound. Overall the appear in good condition with no obvious signs of damage or restoration.
Impressed artist's seal, salt glazed (Dimensions: 24.5cm high, 32cm across (9.57in high, 12.6in across))(24.5cm high, 32cm across (9.57in high, 12.6in across))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Some original firing cracks to base. Subject to the above, overall it appears in good condition with no obvious signs of damage or restoration.
Painted artist's mark, stoneware, mixed clays (Dimensions: 17.5cm high (6.8 high))(17.5cm high (6.8 high))Footnote: Provenance: Galerie Besson, London; Collection of Barbara Ling. We are grateful to Jennifer Lee for her kind assitance in cataloguing this lot. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall in good condition with no signs of damage or restoration. Inspected under ultraviolet light.
Impressed artist's seal, signed, titled and dated (Dimensions: Overall 29.5cm high (11.6in high))(Overall 29.5cm high (11.6in high))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall it appears in good condition with no obvious signs of damage or restoration.
Stoneware (Dimensions: 148cm high (58.25in high))(148cm high (58.25in high))Footnote: Literature: Lesley Jackson, 'Sources of Inspiration: Potter Monica Young Discusses her Life and Work with Lesley Jackson,' Crafts: Decorative and Applied Arts Magazine , no. 159, July/August 1999, pp. 44-47 for similar examples. Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.
Stoneware, mixed clays (Dimensions: 24.5cm high (9.67in high))(24.5cm high (9.67in high))Footnote: Provenance: Collection of Barbara Ling. We are grateful to Jennifer Lee for her kind assitance in cataloguing this lot. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall in good condition with no signs of damage or restoration. Inspected under ultraviolet light.
Impressed artist's seal, salt glazed (Dimensions: 22.8cm high, 43cm across (9in high, 17in across))(22.8cm high, 43cm across (9in high, 17in across))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Small firing crack to handle. Subject to the above, overall it appears in good condition with no obvious signs of damage or restoration.
Impressed artist's seal (Dimensions: 18.5cm high (7.25in high))(18.5cm high (7.25in high))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall it appears in good condition with no obvious signs of damage or restoration.
Impressed artist's seal, salt glazed (Dimensions: 30cm high (11.8in high))(30cm high (11.8in high))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall it appears in good condition with no obvious signs of damage or restoration.
Signed and titled (Dimensions: 24cm x 37cm (9.5in x 14.5in))(24cm x 37cm (9.5in x 14.5in))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The work appears sound. Overall it appears in good condition with no obvious signs of damage or restoration.
Signed, decorated with tower in a landscape (Dimensions: 41cm high (16.12in high))(41cm high (16.12in high))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall it appears in good condition with no obvious signs of damage or restoration.
Impressed artist's seal, pitted grey and white glaze (Dimensions: 16.25cm high (6.5in high))(16.25cm high (6.5in high))Footnote: Provenance: Collection of George and Nelly Wingfield Digby; Collection of Barbara Ling. Literature: See Tony Birks, Lucie Rie , Stenlake Publishing Ltd, 2009, p.92, illustrated. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: Structually sound with no obvious signs of damage or restoration. One very small blemish to the rim where the glaze does not appear to have fully covered. The work appears in good overall condition. Inspected under ultraviolet light.
The latter signed (Dimensions: 29.5cm high (11.67in high) and 17.5cm high (6.87in high), respectively (2))(29.5cm high (11.67in high) and 17.5cm high (6.87in high), respectively (2))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramics appears sound. Overall they appear in good condition with no obvious signs of damage or restoration.
Signed and dated, ceramic (Dimensions: 30.5cm high (12in high))(30.5cm high (12in high))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Some very small/minor chips to the glaze along the bottom foot rim. Subject to the above, overall in good condition with no obvious signs of damage or restoration.
Impressed artist's seal, salt glazed, with swirling handles (Dimensions: 41cm across (16.25in across))(41cm across (16.25in across))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall it appears in good condition with no obvious signs of damage or restoration.
Signed, decorated with angel in landscape (Dimensions: 13.5cm high (5.25in high))(13.5cm high (5.25in high))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall in good condition with no obvious signs of damage or restoration.
Signed (to the base), ceramic (Dimensions: 26cm high (10.25in high))(26cm high (10.25in high))Footnote: Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Small chip to the edge of the base. Subject to the above, overall it appears in good condition with no obvious signs of damage or restoration.
Impressed artist's seal, salt glazed (Dimensions: 20cm and 16cm across (7.75in and 6.25in across) (2))(20cm and 16cm across (7.75in and 6.25in across) (2))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramics appears sound. Overall they appear in good condition with no obvious signs of damage or restoration.
Impressed artist's seal, salt glazed, with four scrolling handles (Dimensions: 38cm across (15in across))(38cm across (15in across))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.
Impressed artist's seal, burnished terra sigillata (Dimensions: 16cm high (6.25in high))(16cm high (6.25in high))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall it appears in good condition with no obvious signs of damage or restoration.
Spade form, decorated with flowers (Dimensions: 20.5cm high (8.12in high))(20.5cm high (8.12in high))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall it appears in good condition with no obvious signs of damage or restoration.
Impressed artist's seal, signed, titled and dated (Dimensions: Overall 28cm high (11in high))(Overall 28cm high (11in high))Footnote: Provenance: Collection of Barbara Ling. Note: BARBARA LING & THE CANDOVER GALLERY “ Barbara’s stewardship of the Candover Gallery in New Alresford over many years made it a widely recognised and respected centre for studio ceramics and glass, driven by her unwavering commitment to excellence in design and technique; the same qualities manifested by her private collection ” Martin Pearce, 2019 Barbara Ling, owner of The Candover Gallery, is considered a significant figure and gallerist in the contemporary ceramics scene throughout the 1980s, 1990s and early 2000s. The Candover Gallery operated from 1984 to 2007 to much acclaim, showing work by many of the leading names in the field before they rose to wider prominence. The gallery regularly featured noteworthy work from the likes of Jennifer Lee, Magdalene Odundo, Sutton Taylor, Abdo Nagi, John Maltby, Walter Keeler, Lucie Rie, David Roberts, Duncan Ross, Gordon Cooke, Peter Hayes, Michael Casson and David Leach. As such she can be considered one of a small group of ground-breaking British gallerists that supported contemporary ceramics throughout the late 20th and early 21st centuries. She was a potter herself and unusually did not obtain stock for her gallery on sale or return, but always insisted on choosing and paying for the work herself. Her eye for quality and detail ensured she made a profit from her very first exhibition. For the ceramicist Peter Lane, after a hiatus of three years and having sold and given away his kilns, glazes and materials, it was a chance meeting with Barbara that led him to change his mind and begin making pots again for a solo exhibition at the Candover Gallery in 1991, and when Barbara retired and closed the gallery in 2007, Walter Keeler made her a special commemorative mug celebrating Barbara Ling and the Candover Gallery and twenty-three Glorious Years! This carefully curated selection from her estate charts the thriving nature of British studio ceramics of this period, and Barbara’s significance in promoting and sustaining a number of artists, and thereby the whole British ceramic movement, during these critical years.Condition report: The ceramic appears sound. Overall it appears in good condition with no obvious signs of damage or restoration.
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