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WILLIAM MARSHALL BROWN R.S.A., R.S.W (SCOTTISH 1863-1936) BARGES IN A RIVERSIDE TOWN Signed and dated 1892, oil on canvas(41cm x 51cm (16in x 20in))

WILLIAM MARSHALL BROWN R.S.A., R.S.W (SCOTTISH 1863-1936) THE MILL ROAD, COCKBURNSPATH Signed, inscribed on a contemporary label verso, oil on board(25.5cm x 19in (10in x 7in))

Scotland - Hydraulic Engineering, Glasgow Water Works, a Victorian sammelband of four monographs &/or tracts: Gale (James M.), The Glasgow Water Works: Papers Read During the Session 1863-64 [...], Glasgow: Printed by Bell & Bain, 1864, 56pp, additional lithograph title-page, 1 fold-out map and 3 fold-out charts; Glasgow Loch Katrine Waterworks, Banquet to Mr. Bateman [...], Westminster: Vacher & Sons, 1860, 47pp; a further sequence of six connected papers from a periodical, lacking title-page and a contents, paginated from [121]-266 and illustrated with 52 full-page engineering plates; Gale (Mr. James, C.E.), On the Port-Glasgow Water Works [...], Glasgow: William Munro, 1868, 8pp and 4 fold-out plates, contemporary half-morocco over moiré boards, red-stained edges, 8vo, (1); Sinclair (Catherine), Sketches and Stories of Scotland and the Scotch, With Corrections and Additions, London: Simpkin, Marshall, and Co., [n.d. 1868], contemporary three-quarter calf, marbled edges, 12mo, (1); Beeton's Dictionary of Useful Information [...], two-volume set, London: S.O. Beeton, [1859], volume I with fold-out chromolithograph chart, further b/w fold-out charts and plates, in-text illustrations, contemporary green quarter-calf, marbled edges and endpapers, 8vo, (2); The National Encyclopædia [...], volume I only, London: [n.d.], 8vo, (1), [5]

NO RESERVE World.- Doseray (J., publisher) Mappemonde en deux Hemispheres, double hemisphere world map with 5 vignettes below, heights of mountains underneath, lithograph with hand-colouring, presented on linen, sheet 680 x 900 mm (26 3/4 x 35 1/2 in), old folds with splitting, numerous small losses, nicks and tears, unframed, Paris, 1882; together with 10 further maps, including 5 maps of the world and 5 of the Holy Land, including 2 gore maps by John Churchman, an anoymous map 'A Map of the Migrations and Settlements of the Celtes or Gomerians and Scythians the Former in Europe and the Later in Asia', and Fullarton's plan of Jerusalem, a 17th century map of the Holy Land by William Marshall, and others, engravings, various sizes, all unframed, 17th to 19th century (11)

THE ART OF CHUA MIA TEE - A PORTRAIT OF A LIFE'S WORK From the collection of David and Jean Marshall Together with various poetry books to include D.H Lawrence; Rudyard Kipling; William Blake Condition: Minor signs of wear commensurate with age and use

Eleven Books of Military History, including - C. T. Atkinson - "The Queen's Own Royal West Kent Regiment - 1914-1919", published by Simpkin, Marshall, Hamilton, Kent & Co., 1924 (one blue cloth bound volume), and C.N. Barclay - "The London Scottish in the Second World War 1939-1945", published by William Clowes & Sons Ltd., London, 1952 (one blue cloth covered volume with dust cover)

William Alfred Dutt, collection 16 titles, including: 'By Sea Marge, Marsh and Mere', London, Simpkin, Marshall, Hamilton, Kent & Co, Lowestoft, W Gwyn [1898], 1st edition, original printed wraps, plus another copy of the same work, later rebound cloth gilt; 'Highways, Byways and Waterways of East Anglia', Lowestoft & London, 1899, 1st edition, frontis, 168pp, original wraps (toned and slightly worn); 'George Borrow in East Anglia', David Nutt, 1896, 1st edition, original printed wraps; 'King's Lynn (Norfolk), With Its Surroundings', Lynn & London, 1905, 1st edition, folding plan, plates and illustrations in text, original pictorial wraps worn a/f; 'The Waveney Valley in the Stone Age', 1905, original printed wraps (worn, top wrap detached but present); 'A Popular Guide to Norfolk', [1904], 1st edition, map, 104pp, original pictorial wraps; 'The King's Homeland Sandringham & North-West Norfolk', 1904, plates, original cloth gilt; 'Wildlife in East Anglia', 1906, 1st edition, original cloth gilt (VGC); 'Some Literary Associations of East Anglia', 1907, 1st edition, original cloth gilt (VGC); 'A Guide to the Norfolk Broads', 1923, original cloth gilt; plus 5 others (16)

William 'Bill' Marshall (1923-2007), A studio pottery tea bowl, the white slip ground with blue painted decoration, height 4cm, diameter 7cm, together with a vase with splash decoration (2).

William Derby (1786-1847). Field Marshall Prince Blucher, after Sir Thomas Lawrence, watercolour, signed, attributed verso, 26cm x 19cm.

William Marshall (1923-2007) Yunomi green glaze 9cm high.

William Marshall (1923-2007) Circular box and cover, 1990 Celadon glaze with incised decoration Impressed potter's seal and incised date 8cm across.

A GROUP OF FOUR ENGLISH ENAMEL 'ROYAL PORTRAIT' PATCH BOXES, SOUTH STAFFORDSHIRE, LATE 18TH / EARLY 19TH CENTURY oval, one lid decorated with the Prince Regent (later George IV) after a print of 1817 from the portrait by William Marshall Craig (died 1827) above blue lobed sides, one decorated under the title 'HIS RHP WILLIAM HENRY' (later William IV) above a green waisted body, one decorated above the title 'Princess Royal of England' (Princess Charlotte, later Queen of Württemberg) and with lilac body, and one transfer printed above the title 'DUKE of YORK' (Prince Frederick) and with pink body 4.8cm longest

A 12-Bore Percussion D.B. Sporting Gun For Shot And Ball By Wm. Marshall, Maker, Cape Near Birmingham, No. 123, Mid-19th CenturyWith long rebrowned twist sighted barrels, border engraved case-hardened breeches each with platinum plug, border engraved case-hardened tang, flat locks and hammers, figured half-stock with chequered grip and fore-end, border engraved blued steel mounts comprising butt-plate (some light pitting and rust patination), serial numbered trigger-guard unusually engraved with maker's details on the bow, trigger-plate with tapering border engraved finial, vacant silver escutcheon, original brass-mounted ramrod, and some original finish, Birmingham proof marks 89.5 cm. barrel Footnotes:William Marshall is recorded in Birmingham between 1849 and 1869For further information on this lot please visit Bonhams.com

‡ William 'Bill' Marshall (1923-2007) a stoneware footed bowl, the swollen body with brushed blue and grey slip decoration and white hakeme patches, impressed seal marks to base, minor glaze faults and loss to top rim, 20cm. diam.

Six hallmarked silver dessert spoons William Marshall Edinburgh 1816. 189gms.Condition ReportGood condition.

Medicine.- Whately (Thomas) An Improved Method of Treating Strictures in the Urethra, engraved folding plate, advertisement at end, ink-stamp of 'Manchester Infirmary' to title, contemporary calf-backed boards, rebacked, a little rubbed, 1804 § Lawrence (W.) A Treatise on the Diseases of the Eye, first English edition, half-title, paperclip mark to title, first 7 leaves detached, occasional faint spotting, contemporary drab boards, rebacked, upper cover detached, rubbed and worn, chipping to edges, 1833 § Hall (Marshall) On the Diseases and Derangements of the Nervous System, 8 engraved plates, 16pp. advertisements at beginning, damp-staining, scattered spotting, ex-library with occasional blindstamps and ink inscription to title, original cloth, rebacked with original spine laid down, slight bumping to spine extremities, 1841 § Hey (William) Practical Observations in Surgery, Illustrated by Cases, 16 engraved plates (1 folding), occasional faint spotting, bookplate, near contemporary half-calf, a little rubbed, 1810; 8vo (4)

Drayton (Michael) Poems..., with initial A1 blank but for signature letter, fine engraved title with classical figures by William Marshall, typographical ornaments, an excellent copy in later calf with triple gilt fillet border, by Bedford, spine gilt in compartments and green roan labels, slight rubbing to joints, [STC 7225], 12mo, [by R.Young] for John Smethwick, 1637.

LARGE BRONZE SCULPTURE GROUP OF FUGEN BOSATSU LATE EDO TO MEIJI PERIOD, 19TH CENTURY composed in two parts, the detachable bodhisattva seated in royal ease pose with his right leg gently raised higher, his left hand raised before the chest in prana mudra and right rested on his thigh in dhyana mudra, wears a loose dhoti tightened on waist with a band from the left shoulder, bellowing scarf wraps around the hands flowing the legs, adorned on the front chest with garland of inlaid jewels, the high chignon surrounded by a moderate inlaid crown above a serene facial expression, on the back of a caparisoned and bejewelled elephant standing on all fours, unsigned (Dimensions: 76.7cm high) (Qty: 1)(76.7cm high)Qty: (1)Footnote: Provenance: The Collection of Robert Cowan Marshall, thence by descent. Robert Cowan Marshall (d. 1935, fig. 1) was a Glasgow Industrialist and a contemporary of the shipping magnate Sir William Burrell and Kilmarnock lace tycoon Alexander Morton. Cowan Marshall purchased Bruntshields (fig. 2) in 1896 from the local horse dealers in Paisley, the Crawfords, where he continued his passion for both the Hackney Horse but also his love for collecting. Bruntshields was home to his treasures. An image from the ledger (fig. 3) made by Cowan Marshall would indicate that this large bronze sculpture was exhibited and purchased at the Glasgow International Exhibition of 1901 and the prices were what they cost. Note: Fugen Bosatsu, also known as Fugen Bodhisattva (skt: Samantabhadra), is the Bodhisattva of Universal Goodness, Virtue, and Worthiness. Symbolising meditation and praxis (diligent practice of Buddhist tenets), Fugen is often accompanied by Monju Bosatsu (skt: Mañjuśrī), who conversely symbolises wisdom and the enlightened mind, flanking the Gautama Buddha, forming the Shakyamuni Triad, or the Avatamsaka Trinity (Shaka Sanzon). Originated from India, the image of Fugen Bosatsu followed the spread of Buddhism through the Silk Road and later by marine route to the Japanese archipelago. Believed to be the white six-tusked elephant who entered Queen Maya’s womb and became the later Siddhartha Gautama, the iconography of Fugen Bosatsu in Japanese Buddhism, or the larger geographical sense of East Asian and Mahayana Buddhism, never drifted afar from its descriptions in the Lalitavistara Sutra, especially on Fugen’s distinctive elephant vehicle (vahana). The magnificent example presented here is conventionally cast in generous proportions in two parts. His face with a downward benevolent gaze forming a meditative solemn expressions. The Bosatsu is distinguishable largely by his designated Elephant King vahana, which he sits on in latitasana. The two parts are combined with a short slot issuing from the end of the U-shaped ribbon on the figure’s back, sets on an aperture on the top of the elephant before a large and hollowed hemisphere. The harmonious formation of the group embodies all the requirements of the Buddhist iconography, emanating meditative tranquillity and the sense of transcendental wisdom. A comparable example of Fugen Bosatsu atop elephant can be seen in the Sanjūsangen-dō, a Buddhist temple of the Tendai sect in Kyoto, Japan (Publication: Buddhist Deities of Sanjusangen-do: Rengeo-in Sanjusangen-do Temple, 2000). This 13th century example was carved in the Heian-Kamakura Period, deemed to be the prototype of Fugen Bosatsu in Japanese Buddhism. The differences with our example are the presence of a lotus throne on the earlier piece, and the bosatsu is much relaxed in positions and incorporated better in flow with his vahara in the later piece. This large bronze sculpture group of Fugen Bosatsu was showcased and bought by Robert Cowan Marshall from the Glasgow International Exhibition 1901.

William Calder Marshall 1813 - 1894 - A large antique 19th Century Scottish marble portrait bust statue sculpture of Ophelia from William Shakespeare's Hamlet shown facing left with detailed features. Raised upon a marble base. Measures approx; 55cm x 29cm x 17cm.  

Coin Auction Catalogues. A collection of over 30 catalogues, mostly early 19th century, some bound together, including: 1. Catalogue de la Bibliothéque et du Cabinet de Médailles, Antiques et Modernes, ainsi que de quelques pierres gravées, antiquités &c. délaissés par M. Pierre van Damme, Directeur de l'Académie littéraire de Zélande, Membre de celle de Gottingue, de la haute Lusace &c. Dont la vente publique se fera, le 21 Mars 1808 et jours suivants, au Schoolstraat, section W. No. 245 à La Haye. Par l'Auctionaire J. Koning, et les Libraires Thierry-Mensing et P. van Daalen Wetters, The Hague & Amsterdam, 1807, engraved portrait frontispiece, prices realised in manuscript to fore-margins, edges untrimmed, contemporary boards, torn at head & foot of spine, 8vo, 2. Catalogue of the First [& Second] Portion of the Valuable Cabinet of English Coins & Medals, The Property of George Marshall..., which will be sold at auction, by Messrs. S. Leigh Sotheby & John Wilkinson, 4th March 1852 & five following days [& 1st July & two following days], 1852, bound with 11 others similar, contemporary half calf, without title label, rubbed and extremities worn, 8vo, 3. Catalogue of the very select and valuable collection of Coins and Medals, in Gold, Silver, and Copper, of the late Mr. A. Edmonds ... which will be sold by auction, by Mr. Sotheby and Son ... Monday, March 24, 1834 and two following days, 1834, bound with Catalogue of a select collection of Anglo Saxon and English Coins, the property of a Gentleman ... which will be sold by auction, by Mr. S. Leigh Sotheby ... Wednesday, August 29th 1838, bound with eight others similar, ruled in red and with prices realised in manuscript throughout, bookplate of Charles Edward Fewster of Hull to upper pastedown, contemporary maroon morocco, rubbed and scuffed, 8vo, 4. A Catalogue of the very valuable and extensive collection of Ancient and Modern Coins and Medals, collected by, and the Property of John Trotter Brockett, Esq., F.S.A. ... which will be sold by auction by Mr. Sotheby ... Wednesday, June 4, 1823 and nine following days, 1823, red ruled title, interleaved with blanks with manuscript prices realised, contemporary half calf, upper board near detached, lower joint cracked, loss of spine at foot, wide paper label down spine, worn, 8vo, 5. A Catalogue, of Coins, Medals, Bronzes, Pictures, Prints, Drawings, Books, &c... Part I. Describing the coins and medals in cabinet A, ... Also the chief part of the extensive, valuable, and well selected cabinets of the late Nathaniel Roe, Esq. ... which are now selling by William Stevenson, Norwich: printed by Stevenson and Matchett. And may be had of Mr. Lunn, London, and the booksellers in Norfolk, Suffolk, Essex, and Cambridgeshire [1795?], [2], 58pp., first & last leaves dust-soiled, some blank corners torn, side stitched as issued, 8vo in 4s, 6. Catalogue of the choice and valuable collection of English, Greek, and Roman Coins and Medals, of the late Sir Robert Abdy, Bart. Deceased 1748 ... which will be sold by auction, by Mr. S. Leigh Sotheby ... Monday, 14th June 1841, and four following day, 1841, original printed wrappers, inscription to Sir Henry Rupell Bart. to upper margin, slim 8vo 7. Catalogue of the Marlborough Gems, being a collection of works in Cameo and Intaglio, formed by George, 3rd Duke of Marlborough, purchased by the late David Bromilow, Esq., of Bitteswell Hall, Lutterworth, the Property of Mrs. Jary, which will be sold by auction by Messrs. Christie, Manson & Woods ... Monday, June 26, 1899, and three following days, 1899, 14 photogravure plates, original printed boards, some discolouration, worn at head & foot of spine, 8vo, 8. Catalogue of the entire Pembroke Collection of Greek, Roman, English, Scotch, Irish, and Foreign Mediaeval Coins and Medals, as published in 1746 ... which will be sold by auction, by Messrs. S. Leigh Sotheby & Co ... Monday, 31st of July, 1848, and eleven following days, 1848, original printed wrappers, spine worn at head & foot, 8vo, and others similarQty: (small carton)Provenance: Patricia Milne-Henderson (1935-2018), art historian.

A set of six Scottish Victorian silver salt cellars, chased with rocaille, on hoof feet, Carmichael crest, traces of gilding, blue glass liners, 67mm diam, by William Marshall, Edinburgh 1860 and a set of four silver salt spoons by the same, Edinburgh 1862, 14ozs 7dwts (10) Several of the glass liners slightly chipped

William Marshall Brown RSA, RSW (Scottish 1863-1936) Gathering dulse Signed Marshall Brown/ARSA (lower right) Watercolour heightened with white 24.8 x 35cm Provenance: D. C. Thomson, Glasgow, from whom purchased May 1919; And by descent

William Marshall Brown RSA, RSW (Scottish 1863-1936) The morning catch Signed Marshall Brown/ARSA (lower right) Watercolour and pencil 24.8 x 35.1cm Provenance: D. C. Thomson, Glasgow, from whom purchased May 1919; And by descent

William Marshall Brown RSA, RSW (Scottish 1863-1936) Gathering wild roses Signed Marshall Brown and inscribed in a later hand ARSA (lower left) Oil on canvas 81 x 100.5cm Provenance: D. C. Thomson, Glasgow, from whom purchased March 1919; And by descent

William Marshall Brown RSA, RSW (Scottish 1863-1936) Gathering shellfish Signed Marshall Brown ARSA (lower right) Watercolour heightened with white 29.8 x 39cm Provenance: D. C. Thomson, Glasgow, from whom purchased May 1919; And by descent

Suckling (Sir John) Fragmenta Aurea. A Collection of all the Incomparable Peeces, first edition, engraved portrait by William Marshall, title in first state with first line in upper case and imprint with full stop after "Churchyard" and date underlined, cropped with slight loss to head-lines or catchwords of a few leaves at end, B7 of 'Goblins' torn at fore-margin (repaired), later panelled calf, a little rubbed, short split to lower joint, [Wing S6126], 8vo, for Humphrey Moseley, 1646.

Victorian silver bullet teapot with engraved foliate decoration, scroll handle and coronet finial by William Marshall Edinburgh 1866, 633g gross

EDINBURGH: A good quality engraved silver sugar bowl with Greek key pattern. By William Marshall. Approx. 245 grams. Est. £200 - £300.

*William Marshall (1923-2007)a stoneware bowl, with a facet body, with a grey glaze and turquoise streaks, impressed artist's monogram, with old exhibition number labels, 25cm diameterProvenance: The Trevor Coldrey Collection. *Artist's Resale Right may apply to this lot. Condition report: Some minor chips to the base of the bowl. Otherwise good overall.

*William Marshall (1923-2007)a stoneware bottle, of cylindrical triangular form, with a trailing cream glaze over a blue/grey ground, impressed artist's monogram with a Leach Pottery seal,27.5cm highProvenance: The Trevor Coldrey Collection. *Artist's Resale Right may apply to this lot.Condition report: Good overall condition pre-1977.

*William Marshall (1923-2007),a large stoneware jug, with a flat-combed body, incised artist's monogram, 41cm highProvenance: The Trevor Coldrey Collection. *Artist's Resale Right may apply to this lot.Condition report: No issues to report for condition.

William Marshall (1923-2007) and Phil Rogers (1951-2020)two stoneware coffee pots and covers, with trailing glazes, with impressed artists' monograms, 16 and 16.5cm high (2)Provenance: The Trevor Coldrey Collection.Condition report: Nibbles to the spouts.

§ WILLIAM MARSHALL (BRITISH 1923-2007) LARGE BOWL incised artist's monogram, painted stem leaf motifs(14cm high, 49cm diameter (5.5in high, 19.25in diameter))

WILLIAM MARSHALL (1923-2007) for Leach Pottery; a stoneware jug covered in blue/grey glaze with tenmoku highlights, impressed WM and pottery marks, height 25.5cm. (D)Additional InformationProfessional restoration to spout, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

WILLIAM MARSHALL (1923-2007); a tall stoneware pitcher covered in running green ash glaze, impressed WM mark, height 37cm. (D)Additional InformationSome grinding to base where glaze has run and a tiny glaze flake to spout, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

WILLIAM MARSHALL (1923-2007); a rectangular stoneware bottle with square neck covered in tenmoku breaking to kaki glaze, impressed WM mark, height 18.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

WILLIAM MARSHALL (1923-2007); a porcelain guinomi, cobalt brushwork on pale grey ground with incised decoration, impressed WM mark, height 6cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

WILLIAM MARSHALL (1923-2007); a slipware yunomi washed with cobalt with linear decoration, impressed WM mark, height 9cm. (D)Additional InformationLight glaze rubbing to rim, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

WILLIAM MARSHALL (1923-2007); a slipware yunomi, lightly faceted with cobalt brushwork on cream ground, impressed WM mark, height 8.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

WILLIAM MARSHALL (1923-2007); a stoneware yunomi, copper and iron pours on pale grey ground, impressed WM mark, height 8cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

WILLIAM MARSHALL (1923-2007); a stoneware yunomi, tenmoku splatters on grey/green ground with lightly impressed decoration, impressed WM mark, height 10.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Slim (Field Marshall Sir William).- Bean (C. E. W.) Gallipoli Mission, ink ownership inscriptions of Slim, Canberra, 1952 § Russel-Roberts (Denis) Spotlight on Singapore, 1965 § Tuker (Lieu. General Sir Francis) Approach to Battle, T. L. s. from the author loosely inserted, bookplate to pastedown, dust-jacket, spine ends and corners a little chipped and creased, 1963, first editions, signed presentation inscriptions from the authors to Field Marshall Slim to endpapers, original boards; and c.50 others owned by the Slim family 8vo (c.55)

Slim (Field Marshall Sir William).- Thomas (Lowell) Back to Mandalay, first edition, signed presentation inscription from the author and 5 participants in the Burma campaign to Field Marshall Slim to endpaper, photographic illustrations, map endpapers, original cloth, light fading to spine, some light soiling to covers, 8vo, New York, 1951.⁂ An excellent association inscribed by American participants in the Second World War Burma campaign to the celebrated British leader of the 14th Army in Burma. Signatories include Phil Cochran, John Alison and Bill Taylor.

After Benjamin Marshall (1767-1835) Filho da Puta and Sir Joshua, coloured engraving, engraved by William Ward, published by S Knight, Cornhill 1818, 51cm x 59cm Condition: stuck down, minor losses around the border. Very small pinholes visible

After William Calder Marshall (1813-1894) for Copeland 'Sabrina' parian ware figure group, script to the reverse of the figure, 30cm high Condition: overall ok with some wear, dust and dirt. No major damage or restoration.

After William Calder Marshall (1813-1894) for Copeland 'Dancing Girl Reposing' parian ware figure group, with script to the front of the figure reading 'Art union of London, 1846', indistinct script to the reverse of the figure, 45,5cm high Condition: with damage and restoration.

1862 Exhibition Winner's Medal, "1862 Londini | Honoris Causa", bronze medal by Leonard C Wyon, 76mm, awarded to Morris, Marshall, Faulkner & Co., Class XXXIV.Footnote: The firm Morris, Marshall, Faulkner & Co, was founded by the artist and designer William Morris in 1861. The works shown by the firm at the London International Exhibition in 1862 attracted much interest and the stained glass Exhibit 6734 in Class 34 was awarded a Winner's Medal. The William Morris Gallery notes that seven stained glass panels designed by Gabriel Dante Rossetti showing the Parable of the Vineyard, made for the Church of St Martin's, Scarborough were all shown at the Exhibition prior to being installed in the Church.

William Marshall (1923-2007), a stoneware yunomi, white slip with landscape scenery in grey and green, impressed mark, 8.5cm high CONDITION REPORT: In good condition - no damage or restoration.ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

William Marshall (1923-2007), a stoneware yunomi, rough textured body with grey, white and iron glazes, impressed mark, 10.5cm high CONDITION REPORT: In good condition - no damage or restoration.ARR Artist's Resale Right may apply to the sale of this lot, incurring an additional fee. For further information please ask Chorley's or visit www.dacs.org.uk

William Marshall Brown, RSA, RSW (Scottish 1863 - 1936), 'Boats in Lock', watercolour, signed and entitled, framed under glass, 55 x 36cm

BATEMAN, William, 'Magnacopia' or A Library of Useful and Profitable Information for the Chemist... 2nd Ed. Churchill, London 1837. Cloth boards (155 x 96mm). Ex lib. with b/p plus MOIR, D.M. 'Outlines of the Ancient History of Medicine', Blackwood, Edinburgh 1831. Owner's sig, cloth boards (180 x 110mm) plus GRAHAM, Thomas John, 'Sure Methods of Improving Health and Prolonging Life'. Simkin and Marshall, London 1828. Cloth boards (195 x 116mm). Ex lib with b/p (3)

Y An George V silver mounted and inlaid tortoiseshell carriage clockUnsigned, the mounts marked for William Comyns and Sons, London 1911The French eight-day two-train gong striking movement with silvered platform lever escapement and 3 inch circular white enamel dial with blued steel hands and vertical Arabic numerals set behind convex glass with moulded bezel, the case modelled to resemble an eighteenth century English table clock with hinged foliate scroll cast carting handle to the domed caddy superstructure decorated with stylised foliate scroll and floral swag engraved silver inlay to front and sides over ogee moulded cornice, the front with further inlaid floral sprays to upper quadrants and delicate symmetrical scrolls supporting a floral swag to apron, flanked by silver uprights to angles and with plain sides the rear with sliver door set within the frame of the case between conforming corner uprights, on ogee moulded shallow skirt base with bun feet, the mounts Hallmarked for London 1911 indistinct makers W.C. for William Comyns and Sons, 18cm (7ins) high excluding handle. Provenance: The beneficiary of the Estate of a private collector, East Midlands.  The celebrated firm of manufacturing silversmiths, William Comyns, was established in 1859 when Comyns purchased the business of Robert Tagg, 2 Carlise Street, Soho Square. He then moved to 1 Percy Mews, Rathbone Place, followed by 16 Silver Street, Golden Square, Soho, then finally to Beak Street, Regent Street. The Beak Street premises were later expanded to encompass numbers 41 to 47 and additional premises were acquired at 54 Marshall Street, Soho from circa 1903. The name of the firm was changed to William Comyns & Son in circa 1885 when William Comyn's two sons, Charles Harling Comyns and Richard Harling Comyns were admitted to their partnership. William Comyns died in January 1916, and C.H. Comyns while attending a sale at Christie's in 1925. The business was incorporated as Limited Company in October 1930 and continued under R.H. Comyns until his death in 1953, when was subsequently purchased by Bernard Copping.Condition Report: Movement is in relatively clean working condition with no visible signs of alteration or significant replacements, the strike however is a little lazy suggesting that a service is probably required. Dial appears free from visible damage. Case is generally in good condition with noticeable faults limited to cracking to the shell to the rear of the domed superstructure and the left hand side panel being a little loose in its frame (the panel and frame appear undamaged). All marquetry elements appear complete and undisturbed, all silver mounts are present and in good condition. Clock has a winding key. Condition Report Disclaimer

FIVE SCOTTISH TODDY LADLES:- A Fiddle pattern pair, initialled "H" by either William Marshall & Son or William Mortimer, Edinburgh 1834, another Fiddle pair, crested, by R. Gray & Sons of Glasgow 1824 and a single Oar pattern example, initialled "D", by Francis Howden, Edinburgh 1812; the latter 6" (15.2 cms) long; 4.9 oz (5)

R.G. Finney (Wyoming, B. 1941) "Bengal Tiger" Signed lower right. Original Oil painting on Masonite. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which was published on the Republic of the Marshall Islands 55c Bengal Tiger mint stamp issued March 8, 1997. The tiger is the largest member of the cat family, with a mature male standing over three feet tall at the shoulder and weighing up to 500 pounds. Despite its size, formidable strength and ferocity, the tiger is a wary creature that lives a solitary existence in jungles or forests. This caution is justified since six of the eight tiger subspecies are today either extinct or endangered. Once extending from Turkey to China, the tiger's range is now reduced to parts of India, Manchuria and Southeast Asia. Of all big cats, the tiger seems to have taken the strongest hold on mans imagination. This is demonstrated in such disparate expressions as the famous poem by William Blake that wonders at the creature's "fearful symmetry," and in the language of mountain people in northeastern China for whom the terms for tiger and God are synonymous. Overall Size: 12 x 12 in. Unframed. (B15292)

COPELAND; a Parian ware figure, 'The Dancing Girl Reposing', produced for the Art Union of London and modelled after the original by William Calder Marshall, with stamped marks to reverse, height 45cm (af); for reference see 'The Parian Phenomenon', page 153 figure 518 and 'Parian - Copeland's Statuary Porcelain' by R. Copeland, page 136 figure S38.Additional InformationThere is a chip to the base reverse, which is not visible when the figure is viewed face on, otherwise some light general wear, light scuffs, etc. The figure has lost the third and fourth fingers from the left hand holding the tambourine, again, none of these faults are visible when the figure is viewed face on. A firing crack around the floral swag held in the right hand of the figure.

John William Godward, RBA (British, 1861-1922)Waiting for the Procession signed and dated 'JW Godward 90' (upper left)oil on canvas107.3 x 71.1cm (42 1/4 x 28in).Footnotes:ProvenceThomas McLean, London, sold 1890.Percy Polak Ltd., London, sold August 1949. Marshall Fields, Chicago, acquired October 1949 to January 1950.Father Sauer, Chicago.Lucille Katyll, Chicago, acquired from the above, 1960s.Thence by descent to the present owner.Private collection, USA.ExhibitedLondon, Thomas McLean, Winter Exhibition, 1890-91, no. 43.LiteratureThomas McLean (ec).Godward inventory list 1890-91, Milo-Turner collection.Illustrated London News, 15 Nov 1890, p. 467, illus.Percy Polak, his files.Vern Swanson, J.W.Godward 1861-1922: The eclipse of Classism, revised edition, Woodbridge, 2018, pp. 263-4, cat. no. 1890-19, illustrated p.43.Described by Vern Swanson as 'one of the artist's seminal canvasses from his early period...a rare multifigured composition that seems to anticipate most of the artist's mature style, subjects and technique'1, at the time the present painting was executed, Godward was painting at St. Leonard's Studio, St. Leonard's Terrace on Smith Street in Chelsea. While the Illustrated London News found the work 'too large a canvas for such a slight theme'2, at £90 the painting was the largest and most expensive sold by the artist to date.We are grateful to Vern Swanson for his assistance in cataloguing the present lot.1Vern Swanson, J.W.Godward 1861-1922: The eclipse of Classism, revised edition, Woodbridge, 2018, p. 264.2Illustrated London News, 15 Nov 1890, p. 467.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

CRICKETDENISON (WILLIAM) Cricket. Sketches of the Players, FIRST EDITION, 8pp. of advertisements at end, modern cloth, with the original printed drab wrappers bound in [Padwick 876 & 7201], 12mo, Simpkin, Marshall, 1846Footnotes:FIRST EDITION, retaining the exceptionally rare original wrappers, of a work containing thirty-seven biographies by the first acknowledged cricket reporter. Denison writes at length about Alfred Mynn and William Lillywhite.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

* Murray (Charles Fairfax, 1849-1919). Tableau of figures encompassing a shrouded supine figure, 1870, brown wash heightened with white bodycolour, depicting a male figure in a shroud lying on a bier, encircled by a number of male and female figures in classical garb, demonstrating a variety of posture and gesture, signed with initials C.F.M. and dated on the back of a chair to the right hand side of the composition, sheet size 26 x 39cm (10.25 x 15.3ins), mounted on grey backing cardQty: (1)NOTESCharles Fairfax Murray became Edward Burne-Jones’s first studio assistant in 1867, and was rapidly drawn into the circle of Dante Gabriel Rossetti, William Morris and Philip Webb. He worked as a stained glass artist for Morris, Marshall, Faulkner & Co., working from Burne-Jones’s designs.

[PHOTOBOOKS & ARTISTS' BOOKS]. A group of 7 photobooks and artists' books, comprising:  BOURKE-WHITE, Margaret and Sean Callahan, editor. The Photographs of Margaret Bourke White. Greenwich, CT: New York Graphic Society, 1972. FIRST EDITION. -- JAIN, Kelley. Nude Theory. New York: Lustrum, 1979. FIRST EDITION. -- ERTE and Marshall Lee, editor. Erte at Ninety. The Complete Graphics. The Complete Graphics. New York: E. P. Dutton, 1982. Later edition. -- STEINEM, Gloria. Marilyn. New York: Henry Holt and Company, 1986. -- FIRST EDITION, PRESENTATION COPY, INSCRIBED BY STEINEM. -- ERTE and Marshall Lee, editor. Erte. Art To Wear. The Complete Jewelry. New York: Dutton Studio Books, 1991. FIRST EDITION, FIRST PRINTING.  -- MCDOWELL, Roddy. Double Exposure, Take Three. New York: William Morrow and Company, 1992. FIRST EDITION, PRESENTATION COPY, INSCRIBED BY MCDOWELL. -- CONNERY, Sean and Murray Grigor Being a Scot. London: Weidenfeld & Nicholson, 2008. Slipcase. FIRST EDITION, FIRST PRINTING. Paper slip SIGNED BY CONNERY laid in. -- Together, 7 works in 7 volumes, folio or 4to, all in original publisher's cloth or cloth-backed boards with dust jackets, most FIRST EDITIONS where indicated, signed or inscribed where indicated, condition generally fine. For condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

Three: Private W. Marshall, 2nd Battalion, Princess Louise’s (Argyll and Sutherland Highlanders), who was severely wounded in 1916, resulting in the loss of his right leg 1914 Star (1316 Pte. W. Marshall. 2/ A. & S. Highrs.); British War and Victory Medals (1316 Pte. W. Marshall. A. & S. Highrs.); together with the recipient’s Silver War Badge, the reverse numbered ‘73992’, this lacking retaining pin, very fine (4) £100-£140 --- William Marshall attested for the Argyll and Sutherland Highlanders on 14 January 1914 and served with “B” Company of the 2nd Battalion during the Great War on the Western Front from 11 November 1914. He was severely wounded in the right leg, and following amputation of the same, was discharged on account of his wounds on 5 August 1916, being awarded a Silver War Badge. Sold together with four original photographs, three of the recipient in uniform (two following the amputation of his right leg), and one of the recipient’s brother-in-law.