Breon O'CASEY (1928-2011) Grey Bird, 2001 Carborundum, signed, dated (MMI) and numbered 6/20, sheet 58 x 76cm, framed 70 x 87cm Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September. This float-mounted work is in excellent condition.
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Jessamine KENDALL neé Leach (1920-2014) Brass, silver and African trade bead necklace Stamped, length 46cm.Jessamine had been inspired as a child by watching her father Bernard Leach unpick the glass beads of an old lace bobbin, to re-make it into a necklace for her sister Eleanor. Later on when visiting Patrick Heron and his family, she had been fascinated by seeing Susanna Heron’s jewellery, as well as by visits to the V&A and the British Museum. She loved ancient beads and collected coral, amber, cornelian and lapis lazuli amongst other things. She began working from home, putting the beads she had collected together with her own silver beads to create necklaces and earrings. She had her first exhibition at the newly opened Casson Gallery in London, which opened in May 1974. This was followed by showing her work in the annual ‘Loot’ exhibitions at Goldsmiths’ Hall and taking part in selling exhibitions in galleries around the country. Whilst developing her creative practice, she formed a new relationship with Dicon Nance, an exceptional craftsman who had been an important assistant at the Leach pottery and to Barbara Hepworth. Together, they moved to an old Devon longhouse on Dartmoor, where Dicon provided invaluable practical solutions to many technical problems encountered by Jassamine in her jewellery making as well as helping her to create a beautiful garden from a farmer’s hillside field. She went on to become a member of the Devon Guild of Craftsmen and exhibited her work there as well as at other galleries. Excerpts from ‘The Hidden Twin Daughters’ by David Kendall. Leach Pottery website Purchased directly from the artist, 2001.Over the last 40 years, Ian & Ann Head have gathered an outstanding collection of about 1000 paintings, prints, pieces of jewellery and studio pottery, buying predominately from galleries across the UK, including Beaux-Arts and The Candover Gallery. It has been a pleasure to meet Ian & Ann and learn about their artistic passions and the arc of their collecting process. In this sale we have some particularly glorious works by Mary Fedden, Breon O’Casey and Bryan Pearce, alongside other paintings from their collection, also beautiful jewellery by Jessamine Kendall who was the daughter of Bernard Leach.We are delighted to be offering an impressive selection of Ian and Ann’s studio pottery including John Maltby, Jim Malone, Janet Leach, Bill Marshall and many more in our inaugural Studio Pottery sale on the 5th of September.
Janet and Bernard Leach for Leach Pottery, St. Ives, Cornwall, England. Studio ceramic fireplace tile with a design of a fiddlehead fern, ca. early 1950s. Stoneware with a clear glaze and iron decoration. With a label from Janet Leach affixed to the verso. Impressed stamp along the verso behind the label.Height: 4 in x width: 4 in x depth: 1/2 in.Condition:There are small chip in the lower right quadrant and to the upper left corner. There are no signs of restoration under UV light.
Art Interest Three Publications Joanna Wason, 'Janet Leach: Potter', signed, World Away, 2021; The Tate Gallery, 'Barbara Hepworth - A Pictorial Autobiography', 1993; The Tate Gallery, 'St Ives 1939-64', 1985, with tipped-in Leon Suddaby Exhibition catalogue, 1987 (3) From the estate of author, John Branfield: Introducing The Art Collection of Pep & John Branfield (davidlay.co.uk)
'The Leach Potters Wheel' Manufactured by Woodleys Joinery Works, Newton Poppleford, Devon. Single leaf, printed to recto, n.d; Correspondence regarding the latest type of 'Electric Intermittent Kilns', forwarded from David Leach, printed on British Ceramic Servic Co Ltd headed paper, 26th October 1954; 'Recent Ceramics by Janet Leach,' exhibition leaflet held at Burleighfield House, single card leaf folded, March 7th-23rd, 1978.Scarce Leach related ephemera.
Pottery and Sculpture interest Eleven works 'Denis Mitchell - Sculptor', an exhibition celebrating Mitchell's 80th birthday and signed by the sculptor; Peter Davies, 'The Sculpture of John Milne', signed, Belgrave Gallery, 2000; Emmanuel Cooper, 'Janet Leach - A Potter's Life', 2006; two works related to Micheal Cardew, one of which signed by his son, Seth Cardew; Marion Whybrow, 'Leach Pottery St Ives', Beach Books, 2006; A St Ives comendium celebrating Bernard Leach and Barbara Hepworth commemmorating the Honorary Freedom of the Borough for them; and four other works. From the estate of author, John Branfield: Introducing The Art Collection of Pep & John Branfield (davidlay.co.uk)
Janet LEACH (1918-1997) Platter. Finger-trailed stoneware slab on two bridges, Hamstone glazed. This was a glaze invented by Janet Leach and described in Ceramic Review, c1980.Diameter 42 cmImpressed JL and Leach Pottery sealsCatalogue noteA similar dish is illustrated in Janet Leach, a Potter's Life, Emmanuel Cooper, p123. This pot is in excellent condition but for a slightest abrasion/chip to a support.
Janet LEACH (1918-1997) Lidded boxStoneware, with a dry reddish brown body and grey splash to the lid continuing to the sideHeight 6.5cm, diameter 7 cm Impressed JL and Leach Pottery, St Ives sealsExhibited Penlee House Art Gallery, Penzance, West Cornwall Studio Pottery 1920 - 1980, 2010 This delightful piece is in excellent condition with no signs of damage or restoration.
Janet LEACH (1918-1997) A spectacular twin-handled bellied vase, brown glaze with a bold slash of white across the body on two sides, the interior of the wide lip also white, impressed JL and Leach Pottery St Ives sealsHeight 34cmOn loan to the Leach Pottery from 2011 to 2013 This impressive pot has no damage and no restoration.
Janet LEACH (1918-1997) Tall Korean-style vase, red/brown tenmoku glaze with bold dark brown/black controlled splashes to both sides, the two handles level with the lip and the tall neck sloping to the body.Height 39 cmImpressed JL and Leach Pottery, St Ives seals. There are a number of very minor nibble marks present to the rim of the piece (please see additional image). Other than this, the piece is in good condition with no signs of damage or repair.
Janet LEACH (1918-1997) Large chargerStoneware with spiralled surface, dry brown with two parallel dark brown lines across a bold white splashDiameter 38 cmImpressed JL and Leach Pottery seals.Exhibited- Penlee House Art Gallery, Penzance, West Cornwall Studio Pottery 1920 - 1980, 2010- Leach Pottery, St Ives, 2010 This striking piece is in good condition, with no signs of damage or restoration. Additional photographs have now been uploaded to our website.
BERNARD LEACH (1887-1979), British, a hand thrown mug made for the Black Mountain Seminar and marked BM, originally from Janet Leach collection, no makers mark, height 9.5cm together with another leach tradition mug (probably Scott Marshall) and tenmoku jug (3) BM mug -Good condition, no chips, cracks or restoration. 2nd mug has makers mark BL? or BP?, glaze chips to rim. Jug has several glaze chips to rim.
Janet LEACH (1918-1997) Bowl with Twin Cylinder Handles Ceramic, impressed personal and Leach Pottery seals to base, height 5cm, diameter 13cm.The estate of Michael Beard. Ceramics expert with Earle D. Vandekar of Knightsbridge. Michael travelled internationally to trade shows and antiques fairs, and helped with the launch of the New York branch of Vandekar in 1982. Michael retired to Cornwall around 1988 he settled at first in St Ives, where he became a prominent patron of the arts.Excellent condition with no signs of damage or restoration. The piece has been examined under UV light.
† JANET LEACH (1918-1997) for Leach Pottery; a small square stoneware dish partially covered in mottled dolomite glaze with tenmoku breaking to kaki to the well, impressed JL and pottery marks, also impressed 'Repeat', 14.5 x 14.5cm.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
JANET LEACH (AMERICAN, 1918-1997)Vase, circa 1973Stoneware, grey glaze over a heavily textured body, with a dark iron glaze. 19.5 cm high, 15 cm diameterImpressed with artist's and Leach Pottery seals.Footnotes:ProvenanceGeoffrey Godden Collection, United KingdomBonhams, Knightsbridge, 'The Geoffrey Godden Collection of Studio Pottery', 29 November 1995, lot 180This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
JANET LEACH (AMERICAN, 1918-1997)Rounded bottle vase, circa 1973Porcelain, grogged body, pale blue-green celadon glaze with trailed iron design.20 x 17 x 7 cmImpressed with artist's and Leach Pottery seals.Footnotes:Provenance Bonhams, Knightsbridge, 'The Geoffrey Godden Collection of Studio Pottery', 29 November 1995, lot 181This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
JANET LEACH (AMERICAN, 1918-1997)Vase, 1960sStoneware, dark brown body, mottled blue-green glaze to neck and tenmoku glaze splash.18 cm high, 11 cm diameterImpressed with artist's and Leach pottery seals.Footnotes:ProvenanceFina Gomez, acquired from the artistThence by descent to the present ownerThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
▴ Janet Leach (American-British, 1918-1997),c.1996, a pottery vase with a rectangular rim, small lug handles and a glazed band, impressed with artist's and pottery marks, 10.5cm highProvenance: The Clive and Jane Wainwright Collection;purchased from the Leach Pottery, St Ives, 1996.Condition ReportNo obvious major faults. Appears to have been used by the previous owner as a candlestick. With some wax and wick remnants to the bottom of the vase. Additional images of the potters seals uploaded.
Janet LEACH (1918-1997) Twin-lugged vase Porcelain, impressed personal and Leach Pottery seals to base, height 20.5cm.This lot appears to be in very good condition with no signs of damage or restoration. There is one area to the base of the piece where there seems to be a small firing flaw, this presents itself as a patch of glaze absent from the piece (please see additional image).
Janet LEACH (1918-1997) Small twin handled vase Stoneware, impressed presonal and Leach Pottery seal to base, height 6.5cm.There is a small nibble present on the rim of the piece (please see additional images). Present on the bottom of the piece there is also three small firing flaws (please see additional images).
λ JANET LEACH (AMERICAN/BRITISH 1918-1997)A LARGE STONEWARE VASEWith expressive white and black splashes across the body, with JL and Leach Pottery seals 24 x 36cm (9½ x 14 1/8 in.)Provenance: Purchased at an exhibition in St Ives by the current owners Janet Leach was highly influenced by Japanese aesthetics. She was the first female to study pottery in Japan, under the tutelage of Shoji Hamada. On her return to the US in 1955 she married British studio potter Bernard Leach and the pair moved to Cornwall to run his studio in St. Ives. Her pots explored free flowing forms, earthy tones and energetic lines all harking back to the traditional Japanese style. Condition Report: In good original condition. No evidence of restoration or repair. Condition Report Disclaimer

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